Before I Wake (2016)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $4,937,677 | Details |
| Worldwide Box Office | $4,937,677 | |
| OpusData ID: 221360100 More info... | ||
| Further financial details... | ||
Synopsis
Jesse and Mark decide to take in a sweet and loving 8-year-old boy, Cody. Unbeknownst to them, Cody is terrified of falling asleep. At first, they assume his previous unstable homes caused his aversion to sleep, but soon discover why: Cody’s dreams manifest in reality as he sleeps. In one moment they experience the incredible wonder of Cody’s imagination, and in the next, the horrific nature of his night terrors. To save their new family, Jessie and Mark embark on a dangerous hunt to uncover the truth behind Cody’s nightmares.
Metrics
Movie Details
| International Releases: | April 7th, 2016 (Wide) (Malaysia)
April 7th, 2016 (Wide) (Oman) April 7th, 2016 (Wide) (Slovakia) April 7th, 2016 (Wide) (United Arab Emirates) April 7th, 2016 (Wide) (Greece) ... Show all releases |
| Video Release: | January 5th, 2018 by Netflix |
| MPA Rating: | PG-13 for violent content and terror including disturbing images. (Rating bulletin 2354, 12/24/2014) |
| Running Time: | 97 minutes |
| Plot point: | Dreams Becoming Real, Orphan |
| Social setting: | Adopted Family |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Relativity Media, Demarest Films, Mica Entertainment, Intrepid Pictures |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/6/2016 | $38,298 | 36 | 36 | 60 | $101,017 | 4/4/2026 | |||
| Brazil | 9/2/2016 | $211,166 | 0 | 0 | 0 | $211,166 | 11/16/2018 | |||
| Czech Republic | 4/14/2016 | $13,374 | 26 | 26 | 69 | $35,404 | 12/31/2018 | |||
| Greece | 4/7/2016 | $41,285 | 30 | 30 | 55 | $93,218 | 6/9/2016 | |||
| Italy | 5/26/2016 | $340,746 | 0 | 0 | 0 | $941,217 | 6/21/2016 | |||
| Lithuania | 4/29/2016 | $13,473 | 87 | 87 | 173 | $35,628 | 6/9/2016 | |||
| Malaysia | 4/7/2016 | $65,212 | 36 | 36 | 67 | $117,741 | 6/9/2016 | |||
| Mexico | 4/22/2016 | $416,497 | 0 | 0 | 0 | $705,897 | 6/9/2016 | |||
| Oman | 4/7/2016 | $1,715 | 2 | 2 | 2 | $1,715 | 12/31/2018 | |||
| Poland | 5/27/2016 | $0 | 0 | 0 | 0 | $117,253 | 11/17/2018 | |||
| Russia (CIS) | 4/29/2016 | $451,909 | 651 | 651 | 1,388 | $1,016,441 | 11/14/2018 | |||
| Slovakia | 4/7/2016 | $26,165 | 31 | 31 | 103 | $79,385 | 6/9/2016 | |||
| Slovenia | 4/21/2016 | $1,517 | 4 | 4 | 13 | $5,385 | 6/9/2016 | |||
| South Korea | 5/25/2016 | $40,843 | 199 | 199 | 199 | $61,163 | 4/4/2026 | |||
| Spain | 1/27/2017 | $4,434 | 59 | 59 | 59 | $4,434 | 2/3/2017 | |||
| Turkey | 8/5/2016 | $34,329 | 162 | 162 | 250 | $96,366 | 2/26/2019 | |||
| United Arab Emirates | 4/7/2016 | $88,715 | 28 | 28 | 35 | $117,935 | 12/31/2018 | |||
| Rest of World | $1,196,312 | |||||||||
| International Total | $4,937,677 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Kate Bosworth | Jessie | |
| Thomas Jane | Mark | |
| Annabeth Gish | Natalie | |
| Dash Mihok | Whelan |
Leading
| Jacob Tremblay | Cody |
Supporting
| Scottie Thompson | Teacher | |
| Kyla Deaver | Annie | |
| Justin Gordon | Doctor |
Production and Technical Credits
| Mike Flanagan | Director | |
| Mike Flanagan | Screenwriter | |
| Jeff Howard | Screenwriter | |
| Trevor Macy | Producer | |
| Sam Englebardt | Producer | |
| William D. Johnson | Producer | |
| Dale Armin Johnson | Executive Producer | |
| David Greathouse | Executive Producer | |
| Ryan Kavanaugh | Executive Producer | |
| Tucker Tooley | Executive Producer | |
| D. Scott Lumpkin | Executive Producer | |
| Mali Elfman | Executive Producer | |
| Michael Fimognari | Director of Photography | |
| Mike Flanagan | Editor | |
| Patricio M Farrell | Production Designer | |
| Lynn Falconer | Costume Designer | |
| The Newton Brothers* | Composer | |
| The Newton Brothers* | Composer | |
| Danny Elfman | Additional Music | |
| Anne McCarthy | Casting Director | |
| Kellie Roy | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Jesse and Mark decide to take in a sweet and loving 8-year-old boy, Cody. Unbeknownst to them, Cody is terrified of falling asleep. At first, they assume his previous unstable homes caused his aversion to sleep, but soon discover why: Cody’s dreams manifest in reality as he sleeps. In one moment they experience the incredible wonder of Cody’s imagination, and in the next, the horrific nature of his night terrors. To save their new family, Jessie and Mark embark on a dangerous hunt to uncover the truth behind Cody’s nightmares.
Metrics
Movie Details
| International Releases: | April 7th, 2016 (Wide) (Malaysia)
April 7th, 2016 (Wide) (Oman) April 7th, 2016 (Wide) (Slovakia) April 7th, 2016 (Wide) (United Arab Emirates) April 7th, 2016 (Wide) (Greece) ... Show all releases |
| Video Release: | January 5th, 2018 by Netflix |
| MPA Rating: | PG-13 for violent content and terror including disturbing images. (Rating bulletin 2354, 12/24/2014) |
| Running Time: | 97 minutes |
| Plot point: | Dreams Becoming Real, Orphan |
| Social setting: | Adopted Family |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Relativity Media, Demarest Films, Mica Entertainment, Intrepid Pictures |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/6/2016 | $38,298 | 36 | 36 | 60 | $101,017 | 4/4/2026 | |||
| Brazil | 9/2/2016 | $211,166 | 0 | 0 | 0 | $211,166 | 11/16/2018 | |||
| Czech Republic | 4/14/2016 | $13,374 | 26 | 26 | 69 | $35,404 | 12/31/2018 | |||
| Greece | 4/7/2016 | $41,285 | 30 | 30 | 55 | $93,218 | 6/9/2016 | |||
| Italy | 5/26/2016 | $340,746 | 0 | 0 | 0 | $941,217 | 6/21/2016 | |||
| Lithuania | 4/29/2016 | $13,473 | 87 | 87 | 173 | $35,628 | 6/9/2016 | |||
| Malaysia | 4/7/2016 | $65,212 | 36 | 36 | 67 | $117,741 | 6/9/2016 | |||
| Mexico | 4/22/2016 | $416,497 | 0 | 0 | 0 | $705,897 | 6/9/2016 | |||
| Oman | 4/7/2016 | $1,715 | 2 | 2 | 2 | $1,715 | 12/31/2018 | |||
| Poland | 5/27/2016 | $0 | 0 | 0 | 0 | $117,253 | 11/17/2018 | |||
| Russia (CIS) | 4/29/2016 | $451,909 | 651 | 651 | 1,388 | $1,016,441 | 11/14/2018 | |||
| Slovakia | 4/7/2016 | $26,165 | 31 | 31 | 103 | $79,385 | 6/9/2016 | |||
| Slovenia | 4/21/2016 | $1,517 | 4 | 4 | 13 | $5,385 | 6/9/2016 | |||
| South Korea | 5/25/2016 | $40,843 | 199 | 199 | 199 | $61,163 | 4/4/2026 | |||
| Spain | 1/27/2017 | $4,434 | 59 | 59 | 59 | $4,434 | 2/3/2017 | |||
| Turkey | 8/5/2016 | $34,329 | 162 | 162 | 250 | $96,366 | 2/26/2019 | |||
| United Arab Emirates | 4/7/2016 | $88,715 | 28 | 28 | 35 | $117,935 | 12/31/2018 | |||
| Rest of World | $1,196,312 | |||||||||
| International Total | $4,937,677 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Kate Bosworth | Jessie | |
| Thomas Jane | Mark | |
| Annabeth Gish | Natalie | |
| Dash Mihok | Whelan |
Leading
| Jacob Tremblay | Cody |
Supporting
| Scottie Thompson | Teacher | |
| Kyla Deaver | Annie | |
| Justin Gordon | Doctor |
Production and Technical Credits
| Mike Flanagan | Director | |
| Mike Flanagan | Screenwriter | |
| Jeff Howard | Screenwriter | |
| Trevor Macy | Producer | |
| Sam Englebardt | Producer | |
| William D. Johnson | Producer | |
| Dale Armin Johnson | Executive Producer | |
| David Greathouse | Executive Producer | |
| Ryan Kavanaugh | Executive Producer | |
| Tucker Tooley | Executive Producer | |
| D. Scott Lumpkin | Executive Producer | |
| Mali Elfman | Executive Producer | |
| Michael Fimognari | Director of Photography | |
| Mike Flanagan | Editor | |
| Patricio M Farrell | Production Designer | |
| Lynn Falconer | Costume Designer | |
| The Newton Brothers* | Composer | |
| The Newton Brothers* | Composer | |
| Danny Elfman | Additional Music | |
| Anne McCarthy | Casting Director | |
| Kellie Roy | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.