Babardeala cu bucluc sau porno balamuc (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $72,342 | Details |
| International Box Office | $372,847 | Details |
| Worldwide Box Office | $445,189 | |
| OpusData ID: 502450100 More info... | ||
| Further financial details... | ||
Synopsis
Emi, a school teacher, finds her career and reputation under threat after a personal sex tape is leaked on the Internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender to their pressure. Radu Jude delivers an incendiary mix of unconventional form, irreverent humor and scathing commentary on hypocrisy and prejudice in our societies.
Metrics
| Opening Weekend: | $7,672 (10.6% of total gross) |
| Legs: | 9.43 (domestic box office/biggest weekend) |
| Domestic Share: | 16.2% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/16 max. theaters, 4.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $80,794 |
Movie Details
| Domestic Releases: | November 19th, 2021 (Limited) by Magnolia Pictures, released as Bad Luck Banging or Loony Porn |
| International Releases: | April 30th, 2021 (Wide), released as Sesso sfortunato o follie porno (Italy)
May 7th, 2021 (Wide) (Romania) July 2nd, 2021 (Wide), released as Bad Luck Banging or Loony Porn (Netherlands) July 8th, 2021 (Wide) (Germany) September 10th, 2021 (Wide), released as Má Sorte no Sexo ou Porno Acidental (Portugal) ... Show all releases |
| Video Release: | February 15th, 2022 by Magnolia Home Entertainment, released as Bad Luck Banging or Loony Porn |
| Running Time: | 106 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnolia Pictures, MicroFILM, Paul Thiltges Distributions, Endorfilm, Kinorama, Bord Cadre, Sovereign Films |
| Production Countries: | Romania, Croatia, Czech Republic, Luxembourg |
| Languages: | English, French, Russian, Romanian, Czech |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 19, 2021 | - | $7,672 | 2 | $3,836 | $7,672 | 1 | |
| Nov 26, 2021 | - | $7,609 | -1% | 5 | $1,522 | $19,696 | 2 |
| Dec 3, 2021 | - | $4,868 | -36% | 7 | $695 | $32,174 | 3 |
| Dec 10, 2021 | - | $4,998 | +3% | 10 | $500 | $41,185 | 4 |
| Dec 17, 2021 | - | $6,178 | +24% | 16 | $386 | $52,205 | 5 |
| Dec 31, 2021 | - | $488 | 4 | $122 | $57,766 | 7 | |
| Jan 7, 2022 | - | $2,420 | +396% | 6 | $403 | $60,607 | 8 |
| Jan 14, 2022 | - | $844 | -65% | 5 | $169 | $62,253 | 9 |
| Jan 21, 2022 | - | $2,435 | +189% | 6 | $406 | $65,339 | 10 |
| Jan 28, 2022 | - | $1,301 | -47% | 4 | $325 | $67,033 | 11 |
| Feb 4, 2022 | - | $1,990 | +53% | 7 | $284 | $69,748 | 12 |
| Feb 11, 2022 | - | $1,073 | -46% | 4 | $268 | $71,846 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 19, 2021 | - | $12,087 | 2 | $6,044 | $12,087 | 1 | |
| Nov 26, 2021 | - | $15,219 | +26% | 5 | $3,044 | $27,306 | 2 |
| Dec 3, 2021 | - | $8,881 | -42% | 7 | $1,269 | $36,187 | 3 |
| Dec 10, 2021 | - | $9,840 | +11% | 10 | $984 | $46,027 | 4 |
| Dec 17, 2021 | - | $9,822 | n/c | 16 | $614 | $55,849 | 5 |
| Dec 24, 2021 | - | $1,429 | -85% | 7 | $204 | $57,278 | 6 |
| Dec 31, 2021 | - | $909 | -36% | 4 | $227 | $58,187 | 7 |
| Jan 7, 2022 | - | $3,222 | +254% | 6 | $537 | $61,409 | 8 |
| Jan 14, 2022 | - | $1,495 | -54% | 5 | $299 | $62,904 | 9 |
| Jan 21, 2022 | - | $2,828 | +89% | 6 | $471 | $65,732 | 10 |
| Jan 28, 2022 | - | $2,026 | -28% | 10 | $203 | $67,758 | 11 |
| Feb 4, 2022 | - | $3,015 | +49% | 9 | $335 | $70,773 | 12 |
| Feb 11, 2022 | - | $1,569 | -48% | 5 | $314 | $72,342 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/25/2021 | $5,075 | 13 | 1 | 46 | $30,592 | 4/4/2026 | |||
| Germany | 7/8/2021 | $48,579 | 0 | 0 | 0 | $184,865 | 9/24/2021 | |||
| Italy | 4/30/2021 | $12,346 | 0 | 0 | 0 | $24,158 | 10/20/2022 | |||
| Netherlands | 7/2/2021 | $12,274 | 28 | 28 | 28 | $13,017 | 7/6/2021 | |||
| New Zealand | 11/11/2021 | $0 | 0 | 5 | 10 | $2,797 | 5/31/2022 | |||
| Portugal | 9/10/2021 | $3,313 | 22 | 22 | 37 | $12,346 | 10/6/2021 | |||
| Romania | 5/7/2021 | $2,493 | 16 | 34 | 166 | $60,456 | 10/20/2022 | |||
| Russia (CIS) | 9/16/2021 | $6,608 | 65 | 65 | 65 | $11,945 | 10/20/2022 | |||
| South Korea | 7/8/2022 | $2,543 | 8 | 26 | 59 | $26,540 | 8/17/2022 | |||
| United Kingdom | 11/26/2021 | $6,131 | 12 | 12 | 12 | $6,131 | 4/4/2026 | |||
| International Total | $372,847 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Katia Pascariu | Emi |
Supporting
| Claudia Ieremia | The Headmistress | |
| Olimpia Mălai | Mrs. Lucia | |
| Nicodim Ungureanu | Lt. Gheorghescu | |
| Alexandru Potocean | Marius Buzdrugovici | |
| Andi Valsuianu | Mr. Otopeanu |
Production and Technical Credits
| Radu Jude | Director | |
| Radu Jude | Screenwriter | |
| Ada Solomon | Producer | |
| Paul Thiltges | Co-Producer | |
| Adrien Chef | Co-Producer | |
| Jiri Konecny | Co-Producer | |
| Ankica Jurić Tilić | Co-Producer | |
| Dan Wechsler | Associate Producer | |
| Jamal Zeinal Zade | Associate Producer | |
| Andreas Roald | Associate Producer | |
| Marius Panduru | Cinematographer | |
| Catalin Cristutiu | Editor | |
| Cristian Niculescu | Production Designer | |
| Jura Ferina | Composer | |
| Pavao Miholjević | Composer | |
| Isabela von Tent | Assistant Director | |
| Michel Schillings | Sound Mixer | |
| Valentino Rudolf | Line Producer | |
| Raoul Nadalet | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Emi, a school teacher, finds her career and reputation under threat after a personal sex tape is leaked on the Internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender to their pressure. Radu Jude delivers an incendiary mix of unconventional form, irreverent humor and scathing commentary on hypocrisy and prejudice in our societies.
Metrics
| Opening Weekend: | $7,672 (10.6% of total gross) |
| Legs: | 9.43 (domestic box office/biggest weekend) |
| Domestic Share: | 16.2% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/16 max. theaters, 4.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $80,794 |
Movie Details
| Domestic Releases: | November 19th, 2021 (Limited) by Magnolia Pictures, released as Bad Luck Banging or Loony Porn |
| International Releases: | April 30th, 2021 (Wide), released as Sesso sfortunato o follie porno (Italy)
May 7th, 2021 (Wide) (Romania) July 2nd, 2021 (Wide), released as Bad Luck Banging or Loony Porn (Netherlands) July 8th, 2021 (Wide) (Germany) September 10th, 2021 (Wide), released as Má Sorte no Sexo ou Porno Acidental (Portugal) ... Show all releases |
| Video Release: | February 15th, 2022 by Magnolia Home Entertainment, released as Bad Luck Banging or Loony Porn |
| Running Time: | 106 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnolia Pictures, MicroFILM, Paul Thiltges Distributions, Endorfilm, Kinorama, Bord Cadre, Sovereign Films |
| Production Countries: | Romania, Croatia, Czech Republic, Luxembourg |
| Languages: | English, French, Russian, Romanian, Czech |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 19, 2021 | - | $7,672 | 2 | $3,836 | $7,672 | 1 | |
| Nov 26, 2021 | - | $7,609 | -1% | 5 | $1,522 | $19,696 | 2 |
| Dec 3, 2021 | - | $4,868 | -36% | 7 | $695 | $32,174 | 3 |
| Dec 10, 2021 | - | $4,998 | +3% | 10 | $500 | $41,185 | 4 |
| Dec 17, 2021 | - | $6,178 | +24% | 16 | $386 | $52,205 | 5 |
| Dec 31, 2021 | - | $488 | 4 | $122 | $57,766 | 7 | |
| Jan 7, 2022 | - | $2,420 | +396% | 6 | $403 | $60,607 | 8 |
| Jan 14, 2022 | - | $844 | -65% | 5 | $169 | $62,253 | 9 |
| Jan 21, 2022 | - | $2,435 | +189% | 6 | $406 | $65,339 | 10 |
| Jan 28, 2022 | - | $1,301 | -47% | 4 | $325 | $67,033 | 11 |
| Feb 4, 2022 | - | $1,990 | +53% | 7 | $284 | $69,748 | 12 |
| Feb 11, 2022 | - | $1,073 | -46% | 4 | $268 | $71,846 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 19, 2021 | - | $12,087 | 2 | $6,044 | $12,087 | 1 | |
| Nov 26, 2021 | - | $15,219 | +26% | 5 | $3,044 | $27,306 | 2 |
| Dec 3, 2021 | - | $8,881 | -42% | 7 | $1,269 | $36,187 | 3 |
| Dec 10, 2021 | - | $9,840 | +11% | 10 | $984 | $46,027 | 4 |
| Dec 17, 2021 | - | $9,822 | n/c | 16 | $614 | $55,849 | 5 |
| Dec 24, 2021 | - | $1,429 | -85% | 7 | $204 | $57,278 | 6 |
| Dec 31, 2021 | - | $909 | -36% | 4 | $227 | $58,187 | 7 |
| Jan 7, 2022 | - | $3,222 | +254% | 6 | $537 | $61,409 | 8 |
| Jan 14, 2022 | - | $1,495 | -54% | 5 | $299 | $62,904 | 9 |
| Jan 21, 2022 | - | $2,828 | +89% | 6 | $471 | $65,732 | 10 |
| Jan 28, 2022 | - | $2,026 | -28% | 10 | $203 | $67,758 | 11 |
| Feb 4, 2022 | - | $3,015 | +49% | 9 | $335 | $70,773 | 12 |
| Feb 11, 2022 | - | $1,569 | -48% | 5 | $314 | $72,342 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/25/2021 | $5,075 | 13 | 1 | 46 | $30,592 | 4/4/2026 | |||
| Germany | 7/8/2021 | $48,579 | 0 | 0 | 0 | $184,865 | 9/24/2021 | |||
| Italy | 4/30/2021 | $12,346 | 0 | 0 | 0 | $24,158 | 10/20/2022 | |||
| Netherlands | 7/2/2021 | $12,274 | 28 | 28 | 28 | $13,017 | 7/6/2021 | |||
| New Zealand | 11/11/2021 | $0 | 0 | 5 | 10 | $2,797 | 5/31/2022 | |||
| Portugal | 9/10/2021 | $3,313 | 22 | 22 | 37 | $12,346 | 10/6/2021 | |||
| Romania | 5/7/2021 | $2,493 | 16 | 34 | 166 | $60,456 | 10/20/2022 | |||
| Russia (CIS) | 9/16/2021 | $6,608 | 65 | 65 | 65 | $11,945 | 10/20/2022 | |||
| South Korea | 7/8/2022 | $2,543 | 8 | 26 | 59 | $26,540 | 8/17/2022 | |||
| United Kingdom | 11/26/2021 | $6,131 | 12 | 12 | 12 | $6,131 | 4/4/2026 | |||
| International Total | $372,847 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Katia Pascariu | Emi |
Supporting
| Claudia Ieremia | The Headmistress | |
| Olimpia Mălai | Mrs. Lucia | |
| Nicodim Ungureanu | Lt. Gheorghescu | |
| Alexandru Potocean | Marius Buzdrugovici | |
| Andi Valsuianu | Mr. Otopeanu |
Production and Technical Credits
| Radu Jude | Director | |
| Radu Jude | Screenwriter | |
| Ada Solomon | Producer | |
| Paul Thiltges | Co-Producer | |
| Adrien Chef | Co-Producer | |
| Jiri Konecny | Co-Producer | |
| Ankica Jurić Tilić | Co-Producer | |
| Dan Wechsler | Associate Producer | |
| Jamal Zeinal Zade | Associate Producer | |
| Andreas Roald | Associate Producer | |
| Marius Panduru | Cinematographer | |
| Catalin Cristutiu | Editor | |
| Cristian Niculescu | Production Designer | |
| Jura Ferina | Composer | |
| Pavao Miholjević | Composer | |
| Isabela von Tent | Assistant Director | |
| Michel Schillings | Sound Mixer | |
| Valentino Rudolf | Line Producer | |
| Raoul Nadalet | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.