Another 48 Hrs. (1990)
| Theatrical Performance | ||
| Domestic Box Office | $80,047,413 | Details |
| International Box Office | $72,700,000 | |
| Worldwide Box Office | $152,747,413 | |
| OpusData ID: 129910100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $19,470,596 (24.3% of total gross) |
| Legs: | 4.11 (domestic box office/biggest weekend) |
| Domestic Share: | 52.4% (domestic box office/worldwide) |
| Theater counts: | 2,301 opening theaters/2,301 max. theaters, 5.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $214,534,651 |
Movie Details
| Domestic Releases: | June 8th, 1990 (Wide) by Paramount Pictures |
| Video Release: | September 12th, 2017 by Paramount Home Video |
| MPA Rating: | R |
| Running Time: | 95 minutes |
| Franchise: | 48 Hrs. |
| Plot point: | African Americans, Buddy Cop |
| Subgenre: | Buddy Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paramount Pictures, Lawrence Gordon, Eddie Murphy Production |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 8, 1990 | 1 | $19,470,596 | 2,301 | $8,462 | $19,470,596 | 1 | |
| Jun 15, 1990 | 2 | $10,724,254 | -45% | 2,301 | $4,661 | $37,687,325 | 2 |
| Jun 22, 1990 | 4 | $7,636,311 | -29% | 2,301 | $3,319 | $50,584,391 | 3 |
| Jun 29, 1990 | 5 | $5,408,542 | -29% | 2,063 | $2,622 | $59,165,397 | 4 |
| Jul 6, 1990 | 6 | $4,059,110 | -25% | 1,850 | $2,194 | $66,086,160 | 5 |
| Jul 13, 1990 | 9 | $2,966,530 | -27% | 1,428 | $2,077 | $71,055,120 | 6 |
| Oct 5, 1990 | 23 | $363,396 | 372 | $977 | $80,047,413 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 8, 1990 | 1 | $26,963,071 | 2,301 | $11,718 | $26,963,071 | 1 | |
| Jun 15, 1990 | 2 | $15,985,009 | -41% | 2,301 | $6,947 | $42,948,080 | 2 |
| Jun 22, 1990 | 4 | $10,808,775 | -32% | 2,301 | $4,697 | $53,756,855 | 3 |
| Jun 29, 1990 | 6 | $8,270,195 | -23% | 2,063 | $4,009 | $62,027,050 | 4 |
| Jul 6, 1990 | 6 | $6,061,540 | -27% | 1,850 | $3,277 | $68,088,590 | 5 |
Leading
| Eddie Murphy | Reggie Hammond | |
| Nick Nolte | Jack Cates |
Supporting
| Brion James | Ben Kehoe | |
| Ed O'Ross | Frank Cruise | |
| Bernie Casey | Kirkland Smith | |
| Frank McRae | Haden | |
| Tisha Campbell-Martin | Amy Kirkland |
Production and Technical Credits
| Walter Hill | Director | |
| Lawrence Gordon | Producer | |
| Robert D. Wachs | Producer | |
| John Fasano | Screenwriter | |
| Larry Gross | Screenwriter | |
| Fred Braughton | Story by | |
| Mark Lipsky | Executive Producer | |
| Ralph Singleton | Executive Producer | |
| D. Constantine Conte | Co-Producer | |
| Raymond L. Murphy, Jr. | Associate Producer | |
| Matthew F. Leonetti | Director of Photography | |
| James Horner | Composer | |
| Steven E. de Souza | Character Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $19,470,596 (24.3% of total gross) |
| Legs: | 4.11 (domestic box office/biggest weekend) |
| Domestic Share: | 52.4% (domestic box office/worldwide) |
| Theater counts: | 2,301 opening theaters/2,301 max. theaters, 5.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $214,534,651 |
Movie Details
| Domestic Releases: | June 8th, 1990 (Wide) by Paramount Pictures |
| Video Release: | September 12th, 2017 by Paramount Home Video |
| MPA Rating: | R |
| Running Time: | 95 minutes |
| Franchise: | 48 Hrs. |
| Plot point: | African Americans, Buddy Cop |
| Subgenre: | Buddy Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paramount Pictures, Lawrence Gordon, Eddie Murphy Production |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 8, 1990 | 1 | $19,470,596 | 2,301 | $8,462 | $19,470,596 | 1 | |
| Jun 15, 1990 | 2 | $10,724,254 | -45% | 2,301 | $4,661 | $37,687,325 | 2 |
| Jun 22, 1990 | 4 | $7,636,311 | -29% | 2,301 | $3,319 | $50,584,391 | 3 |
| Jun 29, 1990 | 5 | $5,408,542 | -29% | 2,063 | $2,622 | $59,165,397 | 4 |
| Jul 6, 1990 | 6 | $4,059,110 | -25% | 1,850 | $2,194 | $66,086,160 | 5 |
| Jul 13, 1990 | 9 | $2,966,530 | -27% | 1,428 | $2,077 | $71,055,120 | 6 |
| Oct 5, 1990 | 23 | $363,396 | 372 | $977 | $80,047,413 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 8, 1990 | 1 | $26,963,071 | 2,301 | $11,718 | $26,963,071 | 1 | |
| Jun 15, 1990 | 2 | $15,985,009 | -41% | 2,301 | $6,947 | $42,948,080 | 2 |
| Jun 22, 1990 | 4 | $10,808,775 | -32% | 2,301 | $4,697 | $53,756,855 | 3 |
| Jun 29, 1990 | 6 | $8,270,195 | -23% | 2,063 | $4,009 | $62,027,050 | 4 |
| Jul 6, 1990 | 6 | $6,061,540 | -27% | 1,850 | $3,277 | $68,088,590 | 5 |
Leading
| Eddie Murphy | Reggie Hammond | |
| Nick Nolte | Jack Cates |
Supporting
| Brion James | Ben Kehoe | |
| Ed O'Ross | Frank Cruise | |
| Bernie Casey | Kirkland Smith | |
| Frank McRae | Haden | |
| Tisha Campbell-Martin | Amy Kirkland |
Production and Technical Credits
| Walter Hill | Director | |
| Lawrence Gordon | Producer | |
| Robert D. Wachs | Producer | |
| John Fasano | Screenwriter | |
| Larry Gross | Screenwriter | |
| Fred Braughton | Story by | |
| Mark Lipsky | Executive Producer | |
| Ralph Singleton | Executive Producer | |
| D. Constantine Conte | Co-Producer | |
| Raymond L. Murphy, Jr. | Associate Producer | |
| Matthew F. Leonetti | Director of Photography | |
| James Horner | Composer | |
| Steven E. de Souza | Character Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.