All the Money in the World (2017)
| Theatrical Performance | ||
| Domestic Box Office | $25,106,325 | Details |
| International Box Office | $31,784,324 | Details |
| Worldwide Box Office | $56,890,649 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $783,639 | |
| Blu-ray Sales (estimated) | $496,882 | |
| Total | $1,280,521 | |
| OpusData ID: 298130100 More info... | ||
| Further financial details... | ||
Synopsis
The true story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother Gail to convince his billionaire grandfather to pay the ransom. When Getty Sr. refuses, Gail attempts to sway him as her son’s captors become increasingly volatile and brutal. With her son’s life in the balance, Gail and Getty’s advisor become unlikely allies in the race against time that ultimately reveals the true and lasting value of love over money.
Metrics
| Opening Weekend: | $5,584,684 (22.2% of total gross) |
| Legs: | 4.50 (domestic box office/biggest weekend) |
| Domestic Share: | 44.1% (domestic box office/worldwide) |
| Production Budget: | $50,000,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 2,074 opening theaters/2,123 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $33,221,149 |
Movie Details
| Domestic Releases: | December 25th, 2017 (Wide) by Sony Pictures |
| International Releases: | December 27th, 2017 (Wide) (France)
January 5th, 2018 (Wide), released as Tutti i Soldi del Mondo (Italy) January 5th, 2018 (Wide) (United Kingdom) January 5th, 2018 (Wide), released as All The Money In The World (Australia) January 5th, 2018 (Wide), released as Visi Pasaulio Pinigai (Lithuania) ... Show all releases |
| Video Release: | March 27th, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language, some violence, disturbing images and brief drug content. (Rating bulletin 2507 (Cert #51284), 12/20/2017) |
| Running Time: | 132 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Crime, Dysfunctional Family, Kidnap, Non-Chronological, Ransom, True Crime |
| Subgenre: | Biographical Drama |
| Time period setting: | 1970s |
| Source: | Based on Factual Book/Article |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Tri-Star Pictures, Imperative Entertainment, Scott Free Films, RedRum Films |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 29, 2017 | 7 | $5,584,684 | 2,074 | $2,693 | $12,712,380 | 1 | |
| Jan 5, 2018 | 10 | $3,571,226 | -36% | 2,123 | $1,682 | $20,153,135 | 2 |
| Jan 12, 2018 | 18 | $1,223,993 | -66% | 1,408 | $869 | $23,050,053 | 3 |
| Jan 19, 2018 | 26 | $377,888 | -69% | 374 | $1,010 | $24,106,979 | 4 |
| Jan 26, 2018 | 28 | $224,789 | -41% | 227 | $990 | $24,530,696 | 5 |
| Feb 2, 2018 | 31 | $126,890 | -44% | 154 | $824 | $24,757,345 | 6 |
| Feb 9, 2018 | 41 | $58,775 | -54% | 63 | $933 | $24,885,219 | 7 |
| Feb 16, 2018 | 45 | $37,739 | -36% | 37 | $1,020 | $24,956,313 | 8 |
| Feb 23, 2018 | 52 | $25,737 | -32% | 30 | $858 | $25,004,012 | 9 |
| Mar 2, 2018 | 57 | $14,467 | -44% | 18 | $804 | $25,037,562 | 10 |
| Mar 9, 2018 | 51 | $31,431 | +117% | 49 | $641 | $25,076,269 | 11 |
| Mar 16, 2018 | 61 | $10,862 | -65% | 27 | $402 | $25,106,325 | 12 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 25, 2017 | 8 | $2,565,393 | 2,074 | $1,237 | $2,565,393 | 1 | ||
| Dec 26, 2017 | 8 | $1,760,324 | -31% | 2,074 | $849 | $4,325,717 | 2 | |
| Dec 27, 2017 | 8 | $1,412,867 | -20% | 2,074 | $681 | $5,738,584 | 3 | |
| Dec 28, 2017 | 8 | $1,389,112 | -2% | 2,074 | $670 | $7,127,696 | 4 | |
| Dec 29, 2017 | 7 | $1,760,942 | +27% | 2,074 | $849 | $8,888,638 | 5 | |
| Dec 30, 2017 | 7 | $2,074,087 | +18% | 2,074 | $1,000 | $10,962,725 | 6 | |
| Dec 31, 2017 | 8 | $1,749,655 | -16% | 2,074 | $844 | $12,712,380 | 7 | |
| Jan 1, 2018 | 7 | $1,630,252 | -7% | -36% | 2,074 | $786 | $14,342,632 | 8 |
| Jan 2, 2018 | 7 | $940,736 | -42% | -47% | 2,074 | $454 | $15,283,368 | 9 |
| Jan 3, 2018 | 8 | $703,807 | -25% | -50% | 2,074 | $339 | $15,987,175 | 10 |
| Jan 4, 2018 | 8 | $594,734 | -15% | -57% | 2,074 | $287 | $16,581,909 | 11 |
| Jan 5, 2018 | 10 | $1,046,045 | +76% | -41% | 2,123 | $493 | $17,627,954 | 12 |
| Jan 6, 2018 | 10 | $1,563,567 | +49% | -25% | 2,123 | $736 | $19,191,521 | 13 |
| Jan 7, 2018 | 10 | $961,614 | -38% | -45% | 2,123 | $453 | $20,153,135 | 14 |
| Jan 8, 2018 | 11 | $322,318 | -66% | -80% | 2,123 | $152 | $20,475,453 | 15 |
| Jan 9, 2018 | 9 | $550,392 | +71% | -41% | 2,123 | $259 | $21,025,845 | 16 |
| Jan 10, 2018 | 9 | $453,172 | -18% | -36% | 2,123 | $213 | $21,479,017 | 17 |
| Jan 11, 2018 | 9 | $347,043 | -23% | -42% | 2,123 | $163 | $21,826,060 | 18 |
| Jan 12, 2018 | - | $340,364 | -2% | -67% | 1,408 | $242 | $22,166,424 | 19 |
| Jan 13, 2018 | - | $488,257 | +43% | -69% | 1,408 | $347 | $22,654,681 | 20 |
| Jan 14, 2018 | - | $395,372 | -19% | -59% | 1,408 | $281 | $23,050,053 | 21 |
| Jan 15, 2018 | - | $260,814 | -34% | -19% | 1,408 | $185 | $23,310,867 | 22 |
| Jan 16, 2018 | - | $158,181 | -39% | -71% | 1,408 | $112 | $23,469,048 | 23 |
| Jan 17, 2018 | - | $131,694 | -17% | -71% | 1,408 | $94 | $23,600,742 | 24 |
| Jan 18, 2018 | - | $128,349 | -3% | -63% | 1,408 | $91 | $23,729,091 | 25 |
| Jan 19, 2018 | - | $114,045 | -11% | -66% | 374 | $305 | $23,843,136 | 26 |
| Jan 20, 2018 | - | $173,360 | +52% | -64% | 374 | $464 | $24,016,496 | 27 |
| Jan 21, 2018 | - | $90,483 | -48% | -77% | 374 | $242 | $24,106,979 | 28 |
| Jan 22, 2018 | - | $39,314 | -57% | -85% | 374 | $105 | $24,146,293 | 29 |
| Jan 23, 2018 | - | $60,092 | +53% | -62% | 374 | $161 | $24,206,385 | 30 |
| Jan 24, 2018 | - | $50,491 | -16% | -62% | 374 | $135 | $24,256,876 | 31 |
| Jan 25, 2018 | - | $49,031 | -3% | -62% | 374 | $131 | $24,305,907 | 32 |
| Jan 26, 2018 | - | $60,041 | +22% | -47% | 227 | $264 | $24,365,948 | 33 |
| Jan 27, 2018 | - | $98,644 | +64% | -43% | 227 | $435 | $24,464,592 | 34 |
| Jan 28, 2018 | - | $66,104 | -33% | -27% | 227 | $291 | $24,530,696 | 35 |
| Jan 29, 2018 | - | $23,608 | -64% | -40% | 227 | $104 | $24,554,304 | 36 |
| Jan 30, 2018 | - | $27,394 | +16% | -54% | 227 | $121 | $24,581,698 | 37 |
| Jan 31, 2018 | - | $24,807 | -9% | -51% | 227 | $109 | $24,606,505 | 38 |
| Feb 1, 2018 | - | $23,950 | -3% | -51% | 227 | $106 | $24,630,455 | 39 |
| Feb 2, 2018 | - | $37,982 | +59% | -37% | 154 | $247 | $24,668,437 | 40 |
| Feb 3, 2018 | - | $65,717 | +73% | -33% | 154 | $427 | $24,734,154 | 41 |
| Feb 4, 2018 | - | $23,191 | -65% | -65% | 154 | $151 | $24,757,345 | 42 |
| Feb 5, 2018 | - | $15,843 | -32% | -33% | 154 | $103 | $24,773,188 | 43 |
| Feb 6, 2018 | - | $21,120 | +33% | -23% | 154 | $137 | $24,794,308 | 44 |
| Feb 7, 2018 | - | $16,203 | -23% | -35% | 154 | $105 | $24,810,511 | 45 |
| Feb 8, 2018 | - | $15,933 | -2% | -33% | 154 | $103 | $24,826,444 | 46 |
| Feb 9, 2018 | - | $14,109 | -11% | -63% | 63 | $224 | $24,840,553 | 47 |
| Feb 10, 2018 | - | $25,257 | +79% | -62% | 63 | $401 | $24,865,810 | 48 |
| Feb 11, 2018 | - | $19,409 | -23% | -16% | 63 | $308 | $24,885,219 | 49 |
| Feb 12, 2018 | - | $8,352 | -57% | -47% | 63 | $133 | $24,893,571 | 50 |
| Feb 13, 2018 | - | $8,910 | +7% | -58% | 63 | $141 | $24,902,481 | 51 |
| Feb 14, 2018 | - | $9,019 | +1% | -44% | 63 | $143 | $24,911,500 | 52 |
| Feb 15, 2018 | - | $7,074 | -22% | -56% | 63 | $112 | $24,918,574 | 53 |
| Feb 16, 2018 | - | $8,670 | +23% | -39% | 37 | $234 | $24,927,244 | 54 |
| Feb 17, 2018 | - | $15,506 | +79% | -39% | 37 | $419 | $24,942,750 | 55 |
| Feb 18, 2018 | - | $13,563 | -13% | -30% | 37 | $367 | $24,956,313 | 56 |
| Feb 19, 2018 | - | $9,347 | -31% | +12% | 37 | $253 | $24,965,660 | 57 |
| Feb 23, 2018 | - | $6,028 | -30% | 30 | $201 | $24,984,303 | 61 | |
| Feb 24, 2018 | - | $11,678 | +94% | -25% | 30 | $389 | $24,995,981 | 62 |
| Feb 25, 2018 | - | $8,031 | -31% | -41% | 30 | $268 | $25,004,012 | 63 |
| Mar 2, 2018 | - | $3,603 | -40% | 18 | $200 | $25,026,698 | 68 | |
| Mar 3, 2018 | - | $7,839 | +118% | -33% | 18 | $436 | $25,034,537 | 69 |
| Mar 4, 2018 | - | $3,025 | -61% | -62% | 18 | $168 | $25,037,562 | 70 |
| Mar 9, 2018 | - | $8,615 | +139% | 49 | $176 | $25,053,453 | 75 | |
| Mar 10, 2018 | - | $13,759 | +60% | +76% | 49 | $281 | $25,067,212 | 76 |
| Mar 11, 2018 | - | $9,057 | -34% | +199% | 49 | $185 | $25,076,269 | 77 |
| Mar 16, 2018 | - | $2,911 | -66% | 27 | $108 | $25,098,374 | 82 | |
| Mar 17, 2018 | - | $4,182 | +44% | -70% | 27 | $155 | $25,102,556 | 83 |
| Mar 18, 2018 | - | $3,769 | -10% | -58% | 27 | $140 | $25,106,325 | 84 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2017 | 11 | $7,127,696 | 2,074 | $3,437 | $7,127,696 | 1 | |
| Dec 29, 2017 | 7 | $9,454,213 | +33% | 2,074 | $4,558 | $16,581,909 | 2 |
| Jan 5, 2018 | 10 | $5,244,151 | -45% | 2,123 | $2,470 | $21,826,060 | 3 |
| Jan 12, 2018 | 19 | $1,903,031 | -64% | 1,408 | $1,352 | $23,729,091 | 4 |
| Jan 19, 2018 | 26 | $576,816 | -70% | 374 | $1,542 | $24,305,907 | 5 |
| Jan 26, 2018 | 28 | $324,548 | -44% | 227 | $1,430 | $24,630,455 | 6 |
| Feb 2, 2018 | 31 | $195,989 | -40% | 154 | $1,273 | $24,826,444 | 7 |
| Feb 9, 2018 | 39 | $92,130 | -53% | 63 | $1,462 | $24,918,574 | 8 |
| Feb 16, 2018 | 45 | $59,701 | -35% | 37 | $1,614 | $24,978,275 | 9 |
| Feb 23, 2018 | 50 | $44,820 | -25% | 30 | $1,494 | $25,023,095 | 10 |
| Mar 2, 2018 | 55 | $21,743 | -51% | 18 | $1,208 | $25,044,838 | 11 |
| Mar 9, 2018 | 50 | $50,625 | +133% | 49 | $1,033 | $25,095,463 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/9/2018 | $125,000 | 0 | 0 | 0 | $244,043 | 1/1/2019 | |||
| Australia | 1/5/2018 | $1,153,934 | 223 | 226 | 920 | $3,381,000 | 6/29/2018 | |||
| Brazil | 2/2/2018 | $237,000 | 0 | 0 | 0 | $516,500 | 6/14/2018 | |||
| Bulgaria | 2/2/2018 | $46,039 | 0 | 0 | 0 | $151,250 | 2/26/2019 | |||
| China | 3/2/2018 | $1,068,806 | 0 | 8,644 | 0 | $1,749,683 | 4/4/2026 | |||
| Czech Republic | 1/26/2018 | $34,445 | 99 | 99 | 126 | $56,801 | 1/1/2019 | |||
| France | 12/27/2017 | $0 | 0 | 0 | 0 | $2,142,723 | 6/29/2018 | |||
| Germany | 2/16/2018 | $504,301 | 0 | 0 | 0 | $514,947 | 6/11/2018 | |||
| Hong Kong | 1/26/2018 | $0 | 0 | 0 | 0 | $263,000 | 9/13/2018 | |||
| India | 1/5/2018 | $0 | 0 | 0 | 0 | $171,089 | 3/12/2018 | |||
| Indonesia | 1/19/2018 | $0 | 0 | 0 | 0 | $184,247 | 1/1/2019 | |||
| Italy | 1/5/2018 | $1,554,033 | 0 | 0 | 0 | $3,120,887 | 9/12/2018 | |||
| Japan | 5/25/2018 | $0 | 0 | 0 | 0 | $1,372,020 | 6/25/2018 | |||
| Lithuania | 1/5/2018 | $20,296 | 39 | 39 | 88 | $58,691 | 2/13/2018 | |||
| Mexico | 2/16/2018 | $386,405 | 0 | 0 | 0 | $828,192 | 2/26/2018 | |||
| Middle East Region | 1/26/2018 | $401,000 | 0 | 0 | 0 | $401,000 | 1/29/2018 | |||
| Netherlands | 1/12/2018 | $218,588 | 74 | 76 | 321 | $866,522 | 9/12/2018 | |||
| New Zealand | 1/5/2018 | $90,659 | 52 | 52 | 191 | $224,733 | 1/30/2018 | |||
| Poland | 1/26/2018 | $216,197 | 0 | 0 | 0 | $669,107 | 1/1/2019 | |||
| Portugal | 2/9/2018 | $86,314 | 42 | 42 | 119 | $252,002 | 3/14/2018 | |||
| Russia (CIS) | 2/22/2018 | $536,987 | 491 | 491 | 943 | $828,490 | 1/1/2019 | |||
| Slovakia | 1/26/2018 | $27,636 | 64 | 64 | 93 | $53,216 | 2/13/2018 | |||
| South Korea | 1/17/2018 | $0 | 0 | 260 | 401 | $530,512 | 3/15/2018 | |||
| Spain | 2/23/2018 | $517,262 | 250 | 250 | 617 | $1,180,293 | 6/22/2018 | |||
| Taiwan | 2/2/2018 | $155,000 | 0 | 0 | 0 | $283,000 | 9/13/2018 | |||
| Turkey | 2/23/2018 | $31,602 | 50 | 50 | 60 | $54,633 | 2/26/2019 | |||
| United Kingdom | 1/5/2018 | $1,575,096 | 486 | 486 | 1,372 | $4,438,867 | 4/4/2026 | |||
| Rest of World | $7,246,876 | |||||||||
| International Total | $31,784,324 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michelle Williams | Gail Harris | |
| Christopher Plummer | J. Paul Getty | |
| Mark Wahlberg | Fletcher Chase | |
| Charlie Plummer | John Paul Getty III |
Supporting
| Romain Duris | Cinquanta | |
| Timothy Hutton | Oswald Hinge | |
| Charlie Shotwell | Young John Paul Getty III | |
| Andrew Buchan | John Paul Getty Jr. | |
| Marco Leonardi | Mammoliti | |
| Giuseppe Bonifati | Iacovoni | |
| Nicholas Vaporidis | Il Tamia “Chipmunk” | |
| Andrea Piedimonte | Corvo | |
| Guglielmo Favilla | Piccolino | |
| Nicola Di Chio | Kidnap Van Driver | |
| Adele Tirante | Prostitute Maria | |
| Alessandra Roca | Prostitute #1 | |
| Francesca Inaudi | Prostitute #2 | |
| Stacy Martin | Nancy Getty’s Secretary | |
| Maya Kelly | Aileen Getty (Age 6) | |
| Kit Cranston | Mark Getty (Age 4) | |
| Ginevra Migliore | Ariadne Getty (Age 2) | |
| Francesco Bomenuto | Rome Hotel Butler | |
| Clive Wood | Bullimore | |
| David Brooks | Playboy Interviewer | |
| Cherise Silvestri | Secretary Getty Oil | |
| Roy McCrerey | Attorney Getty Oil | |
| Anna Devlin | Aileen Getty (Age 15) | |
| Stanley Treshansky | Mark Getty (Age 13) | |
| Josie Sayers | Ariadne Getty | |
| Paola Scotto Di Tella | Gail’s Housekeeper | |
| Daniel Gosling | Telegraph Reporter | |
| Kim Fenton | Daily Mail Reporter | |
| Oliver Ryan | BBC Reporter | |
| Ghassan Massoud | Prince Al-Rashid | |
| Bakar Qabbani | Prince Al-Rashid | |
| Adam Astill | Getty Oil Landman | |
| Olivia Grant | Millicent (Getty’s Starlet #1) | |
| Charlotte Beckett | Annie (Getty’s Starlet #2) | |
| Francesca Esposito | Woman at Calabrian Ruin | |
| Alessio Montagnani | Italian Reporter #1 | |
| Antonio Lanni | Italian Reporter #2 | |
| Giuseppe Gandini | Italian Reporter #3 | |
| Paolo Bernardini | Police Tech Officer | |
| Alessandro Grespan | Communist in Car | |
| Lorenzo Pedrotti | Communist #1 | |
| Rachele Studer | Communist #2 | |
| Giulio Base | Coroner | |
| Ciro Fortunato | SWAT Officer | |
| Olivia Magnani | Factory Woman | |
| Giampiero Judica | Sgrò | |
| Rainer Sellien | Otto Lam | |
| Giannina Scott | Otto Lam’s Assistant | |
| Enzo Attanasio | Barn Man | |
| Monica Nappo | Barn Woman | |
| Marco De Leo | Musician | |
| Maurizio Lombardi | Mammoliti’s Doctor | |
| Fabio Farronato | Constable | |
| Valeria Vaiano | Constable’s Wife | |
| Mario Opinato | Sotheby’s Appraiser | |
| Valentina Violo | Newspaper Editor’s Secretary | |
| Matteo Carlomagno | Newspaper Editor | |
| Alex Marchi | Newspaper Editor | |
| Dean Kilby | Post Man | |
| Dominic Cazenove | Press Conference Host | |
| Damiano Schiozzi | Roadside Kid | |
| Gino Nardella | Villager #1 | |
| Chantal Ughi | Villager #2 | |
| Riccardo de Torrebruna | Carabinari Captain | |
| Lorenzo Patane | Museum Shop Attendant | |
| Jonathan Aris | Conservator J |
Production and Technical Credits
| Ridley Scott | Director | |
| David Scarpa | Written By | |
| John Pearson | Based on the Book by | |
| Kevin J. Walsh | Producer | |
| Mark Huffam | Producer | |
| Ridley Scott | Producer | |
| Chris Clark | Producer | |
| Quentin Curtis | Producer | |
| Bradley Thomas | Producer | |
| Dan Friedkin | Producer | |
| Dariusz Wolski | Executive Producer | |
| Dariusz Wolski | Director of Photography | |
| Arthur Max | Production Designer | |
| Claire Simpson | Editor | |
| Janty Yates | Costume Designer | |
| Daniel Pemberton | Music By | |
| Aidan Elliott | Co-Producer | |
| Marco Valerio Pugini | Co-Producer | |
| Teresa Kelly | Co-Producer | |
| Franco Maria Salamon* | Stunt Coordinator | |
| Francesca Cingolani | Unit Production Manager | |
| Kirk Raymond | First Assistant Director | |
| Fabrizio “Roy” Bava* | First Assistant Director | |
| Edoardo Petti | Second Assistant Director | |
| Christina Onori | Supervising Art Director | |
| Gianpaolo Rifino | Art Director | |
| Saverio Sammali | Art Director | |
| Letizia Santucci | Set Decorator | |
| Richard Roberts | Set Decorator (UK) | |
| Jamie Turpin | Additional Editor | |
| Paolo Buzzetti | First Assistant Editor | |
| Tony Lewis | Supervising Music Editor | |
| Arabella Winter | Music Editor | |
| Oliver Tarney | Supervising Sound Editor | |
| Robert Killick | Dialogue Editor | |
| Michael Fentum | Sound Effects Editor | |
| Eilam Hoffman | Sound Effects Editor | |
| Dawn Gough | Sound Effects Editor | |
| Mark Taylor | Re-recording Mixer | |
| Gilbert Lake | Re-recording Mixer | |
| Maurizio Argentieri | Sound Mixer | |
| Annie Penn | Script Supervisor | |
| Jana Carboni | Make up | |
| Samankta Mura | Hairstylist | |
| Piernicola Pinnola | Location Manager | |
| Luca D’Alberto | Location Manager | |
| Elisabetta Tomasso | Location Manager | |
| Maurizio Corridori | Special Effects Supervisor | |
| Gary Brozenich | Visual Effects Supervisor | |
| Christina Graham | Visual Effects Producer | |
| Daniel Pemberton | Score Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The true story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother Gail to convince his billionaire grandfather to pay the ransom. When Getty Sr. refuses, Gail attempts to sway him as her son’s captors become increasingly volatile and brutal. With her son’s life in the balance, Gail and Getty’s advisor become unlikely allies in the race against time that ultimately reveals the true and lasting value of love over money.
Metrics
| Opening Weekend: | $5,584,684 (22.2% of total gross) |
| Legs: | 4.50 (domestic box office/biggest weekend) |
| Domestic Share: | 44.1% (domestic box office/worldwide) |
| Production Budget: | $50,000,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 2,074 opening theaters/2,123 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $33,221,149 |
Movie Details
| Domestic Releases: | December 25th, 2017 (Wide) by Sony Pictures |
| International Releases: | December 27th, 2017 (Wide) (France)
January 5th, 2018 (Wide), released as Tutti i Soldi del Mondo (Italy) January 5th, 2018 (Wide) (United Kingdom) January 5th, 2018 (Wide), released as All The Money In The World (Australia) January 5th, 2018 (Wide), released as Visi Pasaulio Pinigai (Lithuania) ... Show all releases |
| Video Release: | March 27th, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language, some violence, disturbing images and brief drug content. (Rating bulletin 2507 (Cert #51284), 12/20/2017) |
| Running Time: | 132 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Crime, Dysfunctional Family, Kidnap, Non-Chronological, Ransom, True Crime |
| Subgenre: | Biographical Drama |
| Time period setting: | 1970s |
| Source: | Based on Factual Book/Article |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Tri-Star Pictures, Imperative Entertainment, Scott Free Films, RedRum Films |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 29, 2017 | 7 | $5,584,684 | 2,074 | $2,693 | $12,712,380 | 1 | |
| Jan 5, 2018 | 10 | $3,571,226 | -36% | 2,123 | $1,682 | $20,153,135 | 2 |
| Jan 12, 2018 | 18 | $1,223,993 | -66% | 1,408 | $869 | $23,050,053 | 3 |
| Jan 19, 2018 | 26 | $377,888 | -69% | 374 | $1,010 | $24,106,979 | 4 |
| Jan 26, 2018 | 28 | $224,789 | -41% | 227 | $990 | $24,530,696 | 5 |
| Feb 2, 2018 | 31 | $126,890 | -44% | 154 | $824 | $24,757,345 | 6 |
| Feb 9, 2018 | 41 | $58,775 | -54% | 63 | $933 | $24,885,219 | 7 |
| Feb 16, 2018 | 45 | $37,739 | -36% | 37 | $1,020 | $24,956,313 | 8 |
| Feb 23, 2018 | 52 | $25,737 | -32% | 30 | $858 | $25,004,012 | 9 |
| Mar 2, 2018 | 57 | $14,467 | -44% | 18 | $804 | $25,037,562 | 10 |
| Mar 9, 2018 | 51 | $31,431 | +117% | 49 | $641 | $25,076,269 | 11 |
| Mar 16, 2018 | 61 | $10,862 | -65% | 27 | $402 | $25,106,325 | 12 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 25, 2017 | 8 | $2,565,393 | 2,074 | $1,237 | $2,565,393 | 1 | ||
| Dec 26, 2017 | 8 | $1,760,324 | -31% | 2,074 | $849 | $4,325,717 | 2 | |
| Dec 27, 2017 | 8 | $1,412,867 | -20% | 2,074 | $681 | $5,738,584 | 3 | |
| Dec 28, 2017 | 8 | $1,389,112 | -2% | 2,074 | $670 | $7,127,696 | 4 | |
| Dec 29, 2017 | 7 | $1,760,942 | +27% | 2,074 | $849 | $8,888,638 | 5 | |
| Dec 30, 2017 | 7 | $2,074,087 | +18% | 2,074 | $1,000 | $10,962,725 | 6 | |
| Dec 31, 2017 | 8 | $1,749,655 | -16% | 2,074 | $844 | $12,712,380 | 7 | |
| Jan 1, 2018 | 7 | $1,630,252 | -7% | -36% | 2,074 | $786 | $14,342,632 | 8 |
| Jan 2, 2018 | 7 | $940,736 | -42% | -47% | 2,074 | $454 | $15,283,368 | 9 |
| Jan 3, 2018 | 8 | $703,807 | -25% | -50% | 2,074 | $339 | $15,987,175 | 10 |
| Jan 4, 2018 | 8 | $594,734 | -15% | -57% | 2,074 | $287 | $16,581,909 | 11 |
| Jan 5, 2018 | 10 | $1,046,045 | +76% | -41% | 2,123 | $493 | $17,627,954 | 12 |
| Jan 6, 2018 | 10 | $1,563,567 | +49% | -25% | 2,123 | $736 | $19,191,521 | 13 |
| Jan 7, 2018 | 10 | $961,614 | -38% | -45% | 2,123 | $453 | $20,153,135 | 14 |
| Jan 8, 2018 | 11 | $322,318 | -66% | -80% | 2,123 | $152 | $20,475,453 | 15 |
| Jan 9, 2018 | 9 | $550,392 | +71% | -41% | 2,123 | $259 | $21,025,845 | 16 |
| Jan 10, 2018 | 9 | $453,172 | -18% | -36% | 2,123 | $213 | $21,479,017 | 17 |
| Jan 11, 2018 | 9 | $347,043 | -23% | -42% | 2,123 | $163 | $21,826,060 | 18 |
| Jan 12, 2018 | - | $340,364 | -2% | -67% | 1,408 | $242 | $22,166,424 | 19 |
| Jan 13, 2018 | - | $488,257 | +43% | -69% | 1,408 | $347 | $22,654,681 | 20 |
| Jan 14, 2018 | - | $395,372 | -19% | -59% | 1,408 | $281 | $23,050,053 | 21 |
| Jan 15, 2018 | - | $260,814 | -34% | -19% | 1,408 | $185 | $23,310,867 | 22 |
| Jan 16, 2018 | - | $158,181 | -39% | -71% | 1,408 | $112 | $23,469,048 | 23 |
| Jan 17, 2018 | - | $131,694 | -17% | -71% | 1,408 | $94 | $23,600,742 | 24 |
| Jan 18, 2018 | - | $128,349 | -3% | -63% | 1,408 | $91 | $23,729,091 | 25 |
| Jan 19, 2018 | - | $114,045 | -11% | -66% | 374 | $305 | $23,843,136 | 26 |
| Jan 20, 2018 | - | $173,360 | +52% | -64% | 374 | $464 | $24,016,496 | 27 |
| Jan 21, 2018 | - | $90,483 | -48% | -77% | 374 | $242 | $24,106,979 | 28 |
| Jan 22, 2018 | - | $39,314 | -57% | -85% | 374 | $105 | $24,146,293 | 29 |
| Jan 23, 2018 | - | $60,092 | +53% | -62% | 374 | $161 | $24,206,385 | 30 |
| Jan 24, 2018 | - | $50,491 | -16% | -62% | 374 | $135 | $24,256,876 | 31 |
| Jan 25, 2018 | - | $49,031 | -3% | -62% | 374 | $131 | $24,305,907 | 32 |
| Jan 26, 2018 | - | $60,041 | +22% | -47% | 227 | $264 | $24,365,948 | 33 |
| Jan 27, 2018 | - | $98,644 | +64% | -43% | 227 | $435 | $24,464,592 | 34 |
| Jan 28, 2018 | - | $66,104 | -33% | -27% | 227 | $291 | $24,530,696 | 35 |
| Jan 29, 2018 | - | $23,608 | -64% | -40% | 227 | $104 | $24,554,304 | 36 |
| Jan 30, 2018 | - | $27,394 | +16% | -54% | 227 | $121 | $24,581,698 | 37 |
| Jan 31, 2018 | - | $24,807 | -9% | -51% | 227 | $109 | $24,606,505 | 38 |
| Feb 1, 2018 | - | $23,950 | -3% | -51% | 227 | $106 | $24,630,455 | 39 |
| Feb 2, 2018 | - | $37,982 | +59% | -37% | 154 | $247 | $24,668,437 | 40 |
| Feb 3, 2018 | - | $65,717 | +73% | -33% | 154 | $427 | $24,734,154 | 41 |
| Feb 4, 2018 | - | $23,191 | -65% | -65% | 154 | $151 | $24,757,345 | 42 |
| Feb 5, 2018 | - | $15,843 | -32% | -33% | 154 | $103 | $24,773,188 | 43 |
| Feb 6, 2018 | - | $21,120 | +33% | -23% | 154 | $137 | $24,794,308 | 44 |
| Feb 7, 2018 | - | $16,203 | -23% | -35% | 154 | $105 | $24,810,511 | 45 |
| Feb 8, 2018 | - | $15,933 | -2% | -33% | 154 | $103 | $24,826,444 | 46 |
| Feb 9, 2018 | - | $14,109 | -11% | -63% | 63 | $224 | $24,840,553 | 47 |
| Feb 10, 2018 | - | $25,257 | +79% | -62% | 63 | $401 | $24,865,810 | 48 |
| Feb 11, 2018 | - | $19,409 | -23% | -16% | 63 | $308 | $24,885,219 | 49 |
| Feb 12, 2018 | - | $8,352 | -57% | -47% | 63 | $133 | $24,893,571 | 50 |
| Feb 13, 2018 | - | $8,910 | +7% | -58% | 63 | $141 | $24,902,481 | 51 |
| Feb 14, 2018 | - | $9,019 | +1% | -44% | 63 | $143 | $24,911,500 | 52 |
| Feb 15, 2018 | - | $7,074 | -22% | -56% | 63 | $112 | $24,918,574 | 53 |
| Feb 16, 2018 | - | $8,670 | +23% | -39% | 37 | $234 | $24,927,244 | 54 |
| Feb 17, 2018 | - | $15,506 | +79% | -39% | 37 | $419 | $24,942,750 | 55 |
| Feb 18, 2018 | - | $13,563 | -13% | -30% | 37 | $367 | $24,956,313 | 56 |
| Feb 19, 2018 | - | $9,347 | -31% | +12% | 37 | $253 | $24,965,660 | 57 |
| Feb 23, 2018 | - | $6,028 | -30% | 30 | $201 | $24,984,303 | 61 | |
| Feb 24, 2018 | - | $11,678 | +94% | -25% | 30 | $389 | $24,995,981 | 62 |
| Feb 25, 2018 | - | $8,031 | -31% | -41% | 30 | $268 | $25,004,012 | 63 |
| Mar 2, 2018 | - | $3,603 | -40% | 18 | $200 | $25,026,698 | 68 | |
| Mar 3, 2018 | - | $7,839 | +118% | -33% | 18 | $436 | $25,034,537 | 69 |
| Mar 4, 2018 | - | $3,025 | -61% | -62% | 18 | $168 | $25,037,562 | 70 |
| Mar 9, 2018 | - | $8,615 | +139% | 49 | $176 | $25,053,453 | 75 | |
| Mar 10, 2018 | - | $13,759 | +60% | +76% | 49 | $281 | $25,067,212 | 76 |
| Mar 11, 2018 | - | $9,057 | -34% | +199% | 49 | $185 | $25,076,269 | 77 |
| Mar 16, 2018 | - | $2,911 | -66% | 27 | $108 | $25,098,374 | 82 | |
| Mar 17, 2018 | - | $4,182 | +44% | -70% | 27 | $155 | $25,102,556 | 83 |
| Mar 18, 2018 | - | $3,769 | -10% | -58% | 27 | $140 | $25,106,325 | 84 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2017 | 11 | $7,127,696 | 2,074 | $3,437 | $7,127,696 | 1 | |
| Dec 29, 2017 | 7 | $9,454,213 | +33% | 2,074 | $4,558 | $16,581,909 | 2 |
| Jan 5, 2018 | 10 | $5,244,151 | -45% | 2,123 | $2,470 | $21,826,060 | 3 |
| Jan 12, 2018 | 19 | $1,903,031 | -64% | 1,408 | $1,352 | $23,729,091 | 4 |
| Jan 19, 2018 | 26 | $576,816 | -70% | 374 | $1,542 | $24,305,907 | 5 |
| Jan 26, 2018 | 28 | $324,548 | -44% | 227 | $1,430 | $24,630,455 | 6 |
| Feb 2, 2018 | 31 | $195,989 | -40% | 154 | $1,273 | $24,826,444 | 7 |
| Feb 9, 2018 | 39 | $92,130 | -53% | 63 | $1,462 | $24,918,574 | 8 |
| Feb 16, 2018 | 45 | $59,701 | -35% | 37 | $1,614 | $24,978,275 | 9 |
| Feb 23, 2018 | 50 | $44,820 | -25% | 30 | $1,494 | $25,023,095 | 10 |
| Mar 2, 2018 | 55 | $21,743 | -51% | 18 | $1,208 | $25,044,838 | 11 |
| Mar 9, 2018 | 50 | $50,625 | +133% | 49 | $1,033 | $25,095,463 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/9/2018 | $125,000 | 0 | 0 | 0 | $244,043 | 1/1/2019 | |||
| Australia | 1/5/2018 | $1,153,934 | 223 | 226 | 920 | $3,381,000 | 6/29/2018 | |||
| Brazil | 2/2/2018 | $237,000 | 0 | 0 | 0 | $516,500 | 6/14/2018 | |||
| Bulgaria | 2/2/2018 | $46,039 | 0 | 0 | 0 | $151,250 | 2/26/2019 | |||
| China | 3/2/2018 | $1,068,806 | 0 | 8,644 | 0 | $1,749,683 | 4/4/2026 | |||
| Czech Republic | 1/26/2018 | $34,445 | 99 | 99 | 126 | $56,801 | 1/1/2019 | |||
| France | 12/27/2017 | $0 | 0 | 0 | 0 | $2,142,723 | 6/29/2018 | |||
| Germany | 2/16/2018 | $504,301 | 0 | 0 | 0 | $514,947 | 6/11/2018 | |||
| Hong Kong | 1/26/2018 | $0 | 0 | 0 | 0 | $263,000 | 9/13/2018 | |||
| India | 1/5/2018 | $0 | 0 | 0 | 0 | $171,089 | 3/12/2018 | |||
| Indonesia | 1/19/2018 | $0 | 0 | 0 | 0 | $184,247 | 1/1/2019 | |||
| Italy | 1/5/2018 | $1,554,033 | 0 | 0 | 0 | $3,120,887 | 9/12/2018 | |||
| Japan | 5/25/2018 | $0 | 0 | 0 | 0 | $1,372,020 | 6/25/2018 | |||
| Lithuania | 1/5/2018 | $20,296 | 39 | 39 | 88 | $58,691 | 2/13/2018 | |||
| Mexico | 2/16/2018 | $386,405 | 0 | 0 | 0 | $828,192 | 2/26/2018 | |||
| Middle East Region | 1/26/2018 | $401,000 | 0 | 0 | 0 | $401,000 | 1/29/2018 | |||
| Netherlands | 1/12/2018 | $218,588 | 74 | 76 | 321 | $866,522 | 9/12/2018 | |||
| New Zealand | 1/5/2018 | $90,659 | 52 | 52 | 191 | $224,733 | 1/30/2018 | |||
| Poland | 1/26/2018 | $216,197 | 0 | 0 | 0 | $669,107 | 1/1/2019 | |||
| Portugal | 2/9/2018 | $86,314 | 42 | 42 | 119 | $252,002 | 3/14/2018 | |||
| Russia (CIS) | 2/22/2018 | $536,987 | 491 | 491 | 943 | $828,490 | 1/1/2019 | |||
| Slovakia | 1/26/2018 | $27,636 | 64 | 64 | 93 | $53,216 | 2/13/2018 | |||
| South Korea | 1/17/2018 | $0 | 0 | 260 | 401 | $530,512 | 3/15/2018 | |||
| Spain | 2/23/2018 | $517,262 | 250 | 250 | 617 | $1,180,293 | 6/22/2018 | |||
| Taiwan | 2/2/2018 | $155,000 | 0 | 0 | 0 | $283,000 | 9/13/2018 | |||
| Turkey | 2/23/2018 | $31,602 | 50 | 50 | 60 | $54,633 | 2/26/2019 | |||
| United Kingdom | 1/5/2018 | $1,575,096 | 486 | 486 | 1,372 | $4,438,867 | 4/4/2026 | |||
| Rest of World | $7,246,876 | |||||||||
| International Total | $31,784,324 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michelle Williams | Gail Harris | |
| Christopher Plummer | J. Paul Getty | |
| Mark Wahlberg | Fletcher Chase | |
| Charlie Plummer | John Paul Getty III |
Supporting
| Romain Duris | Cinquanta | |
| Timothy Hutton | Oswald Hinge | |
| Charlie Shotwell | Young John Paul Getty III | |
| Andrew Buchan | John Paul Getty Jr. | |
| Marco Leonardi | Mammoliti | |
| Giuseppe Bonifati | Iacovoni | |
| Nicholas Vaporidis | Il Tamia “Chipmunk” | |
| Andrea Piedimonte | Corvo | |
| Guglielmo Favilla | Piccolino | |
| Nicola Di Chio | Kidnap Van Driver | |
| Adele Tirante | Prostitute Maria | |
| Alessandra Roca | Prostitute #1 | |
| Francesca Inaudi | Prostitute #2 | |
| Stacy Martin | Nancy Getty’s Secretary | |
| Maya Kelly | Aileen Getty (Age 6) | |
| Kit Cranston | Mark Getty (Age 4) | |
| Ginevra Migliore | Ariadne Getty (Age 2) | |
| Francesco Bomenuto | Rome Hotel Butler | |
| Clive Wood | Bullimore | |
| David Brooks | Playboy Interviewer | |
| Cherise Silvestri | Secretary Getty Oil | |
| Roy McCrerey | Attorney Getty Oil | |
| Anna Devlin | Aileen Getty (Age 15) | |
| Stanley Treshansky | Mark Getty (Age 13) | |
| Josie Sayers | Ariadne Getty | |
| Paola Scotto Di Tella | Gail’s Housekeeper | |
| Daniel Gosling | Telegraph Reporter | |
| Kim Fenton | Daily Mail Reporter | |
| Oliver Ryan | BBC Reporter | |
| Ghassan Massoud | Prince Al-Rashid | |
| Bakar Qabbani | Prince Al-Rashid | |
| Adam Astill | Getty Oil Landman | |
| Olivia Grant | Millicent (Getty’s Starlet #1) | |
| Charlotte Beckett | Annie (Getty’s Starlet #2) | |
| Francesca Esposito | Woman at Calabrian Ruin | |
| Alessio Montagnani | Italian Reporter #1 | |
| Antonio Lanni | Italian Reporter #2 | |
| Giuseppe Gandini | Italian Reporter #3 | |
| Paolo Bernardini | Police Tech Officer | |
| Alessandro Grespan | Communist in Car | |
| Lorenzo Pedrotti | Communist #1 | |
| Rachele Studer | Communist #2 | |
| Giulio Base | Coroner | |
| Ciro Fortunato | SWAT Officer | |
| Olivia Magnani | Factory Woman | |
| Giampiero Judica | Sgrò | |
| Rainer Sellien | Otto Lam | |
| Giannina Scott | Otto Lam’s Assistant | |
| Enzo Attanasio | Barn Man | |
| Monica Nappo | Barn Woman | |
| Marco De Leo | Musician | |
| Maurizio Lombardi | Mammoliti’s Doctor | |
| Fabio Farronato | Constable | |
| Valeria Vaiano | Constable’s Wife | |
| Mario Opinato | Sotheby’s Appraiser | |
| Valentina Violo | Newspaper Editor’s Secretary | |
| Matteo Carlomagno | Newspaper Editor | |
| Alex Marchi | Newspaper Editor | |
| Dean Kilby | Post Man | |
| Dominic Cazenove | Press Conference Host | |
| Damiano Schiozzi | Roadside Kid | |
| Gino Nardella | Villager #1 | |
| Chantal Ughi | Villager #2 | |
| Riccardo de Torrebruna | Carabinari Captain | |
| Lorenzo Patane | Museum Shop Attendant | |
| Jonathan Aris | Conservator J |
Production and Technical Credits
| Ridley Scott | Director | |
| David Scarpa | Written By | |
| John Pearson | Based on the Book by | |
| Kevin J. Walsh | Producer | |
| Mark Huffam | Producer | |
| Ridley Scott | Producer | |
| Chris Clark | Producer | |
| Quentin Curtis | Producer | |
| Bradley Thomas | Producer | |
| Dan Friedkin | Producer | |
| Dariusz Wolski | Executive Producer | |
| Dariusz Wolski | Director of Photography | |
| Arthur Max | Production Designer | |
| Claire Simpson | Editor | |
| Janty Yates | Costume Designer | |
| Daniel Pemberton | Music By | |
| Aidan Elliott | Co-Producer | |
| Marco Valerio Pugini | Co-Producer | |
| Teresa Kelly | Co-Producer | |
| Franco Maria Salamon* | Stunt Coordinator | |
| Francesca Cingolani | Unit Production Manager | |
| Kirk Raymond | First Assistant Director | |
| Fabrizio “Roy” Bava* | First Assistant Director | |
| Edoardo Petti | Second Assistant Director | |
| Christina Onori | Supervising Art Director | |
| Gianpaolo Rifino | Art Director | |
| Saverio Sammali | Art Director | |
| Letizia Santucci | Set Decorator | |
| Richard Roberts | Set Decorator (UK) | |
| Jamie Turpin | Additional Editor | |
| Paolo Buzzetti | First Assistant Editor | |
| Tony Lewis | Supervising Music Editor | |
| Arabella Winter | Music Editor | |
| Oliver Tarney | Supervising Sound Editor | |
| Robert Killick | Dialogue Editor | |
| Michael Fentum | Sound Effects Editor | |
| Eilam Hoffman | Sound Effects Editor | |
| Dawn Gough | Sound Effects Editor | |
| Mark Taylor | Re-recording Mixer | |
| Gilbert Lake | Re-recording Mixer | |
| Maurizio Argentieri | Sound Mixer | |
| Annie Penn | Script Supervisor | |
| Jana Carboni | Make up | |
| Samankta Mura | Hairstylist | |
| Piernicola Pinnola | Location Manager | |
| Luca D’Alberto | Location Manager | |
| Elisabetta Tomasso | Location Manager | |
| Maurizio Corridori | Special Effects Supervisor | |
| Gary Brozenich | Visual Effects Supervisor | |
| Christina Graham | Visual Effects Producer | |
| Daniel Pemberton | Score Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.