All the Money in the World (2017)

All the Money in the World
Theatrical Performance
Domestic Box Office $25,106,325Details
International Box Office $31,784,324Details
Worldwide Box Office $56,890,649
Home Market Performance
Est. Domestic DVD Sales $776,199 Details
Est. Domestic Blu-ray Sales $493,445 Details
Total Est. Domestic Video Sales $1,269,644
Further financial details...

Synopsis

The true story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother Gail to convince his billionaire grandfather to pay the ransom. When Getty Sr. refuses, Gail attempts to sway him as her son’s captors become increasingly volatile and brutal. With her son’s life in the balance, Gail and Getty’s advisor become unlikely allies in the race against time that ultimately reveals the true and lasting value of love over money.

Metrics

Opening Weekend:$5,584,684 (22.2% of total gross)
Legs:4.50 (domestic box office/biggest weekend)
Domestic Share:44.1% (domestic box office/worldwide)
Production Budget:$50,000,000 (worldwide box office is 1.1 times production budget)
Theater counts:2,074 opening theaters/2,123 max. theaters, 3.1 weeks average run per theater
Infl. Adj. Dom. BO $29,943,466

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,301-3,400) 3,372 $25,106,325
All Time International Box Office (Rank 2,701-2,800) 2,720 $31,784,324
All Time Worldwide Box Office (Rank 2,801-2,900) 2,852 $56,890,649
All Time Domestic Box Office for R Movies (Rank 1,101-1,200) 1,151 $25,106,325
All Time International Box Office for R Movies (Rank 701-800) 709 $31,784,324
All Time Worldwide Box Office for R Movies (Rank 801-900) 835 $56,890,649

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: December 25th, 2017 (Wide) by Sony Pictures
International Releases: December 27th, 2017 (Wide) (France)
January 5th, 2018 (Wide), released as All The Money In The World (Australia)
January 5th, 2018 (Wide) (India)
January 5th, 2018 (Wide), released as Tutti i Soldi del Mondo (Italy)
January 5th, 2018 (Wide), released as Visi Pasaulio Pinigai (Lithuania)
... Show all releases
Video Release: March 27th, 2018 by Sony Pictures Home Entertainment
MPAA Rating: R for language, some violence, disturbing images and brief drug content.
(Rating bulletin 2507 (Cert #51284), 12/20/2017)
Running Time: 132 minutes
Comparisons: vs. 13 Hours: The Secret Soldiers of Benghazi
Create your own comparison chart…
Keywords: Kidnap, Ransom, Dysfunctional Family, 1970s, Voiceover/Narration, Non-Chronological, True Crime, Biographical Drama, Crime
Source:Based on Factual Book/Article
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Tri-Star Pictures, Imperative Entertainment, Scott Free Films, RedRum Films
Production Countries: United Kingdom, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
New Year's Day (All Movies, 3-Day) 264 $5,584,684 Dec 29, 2017 7
New Year's Day (All Movies, 3-Day, Inflation Adjusted) 399 $6,872,981 Dec 29, 2017 7

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 3,301-3,400) 3,372 $25,106,325
All Time Domestic Inflation Adjusted Box Office (Rank 4,201-4,300) 4,238 $29,943,466
All Time Domestic Non-Sequel Box Office (Rank 2,701-2,800) 2,765 $25,106,325
Top 2017 Movies at the Domestic Box Office 92 $25,106,325
All Time Domestic Box Office for Based on Factual Book/Article Movies 98 $25,106,325
All Time Domestic Box Office for Live Action Movies (Rank 2,901-3,000) 2,931 $25,106,325
All Time Domestic Box Office for Dramatization Movies (Rank 201-300) 238 $25,106,325
All Time Domestic Box Office for Thriller/Suspense Movies (Rank 301-400) 312 $25,106,325
All Time Domestic Box Office for R Movies (Rank 1,101-1,200) 1,151 $25,106,325
All Time Domestic Box Office for Sony Pictures Movies (Rank 401-500) 455 $25,106,325

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 29, 2017 7 $5,584,684   2,074 $2,693   $12,712,380 1
Jan 5, 2018 10 $3,571,226 -36% 2,123 $1,682   $20,153,135 2
Jan 12, 2018 18 $1,223,993 -66% 1,408 $869   $23,050,053 3
Jan 19, 2018 26 $377,888 -69% 374 $1,010   $24,106,979 4
Jan 26, 2018 28 $224,789 -41% 227 $990   $24,530,696 5
Feb 2, 2018 31 $126,890 -44% 154 $824   $24,757,345 6
Feb 9, 2018 41 $58,775 -54% 63 $933   $24,885,219 7
Feb 16, 2018 45 $37,739 -36% 37 $1,020   $24,956,313 8
Feb 23, 2018 52 $25,737 -32% 30 $858   $25,004,012 9
Mar 2, 2018 57 $14,467 -44% 18 $804   $25,037,562 10
Mar 9, 2018 51 $31,431 +117% 49 $641   $25,076,269 11
Mar 16, 2018 61 $10,862 -65% 27 $402   $25,106,325 12

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Dec 25, 2017 8 $2,565,393     2,074 $1,237   $2,565,393 1
Dec 26, 2017 8 $1,760,324 -31%   2,074 $849   $4,325,717 2
Dec 27, 2017 8 $1,412,867 -20%   2,074 $681   $5,738,584 3
Dec 28, 2017 8 $1,389,112 -2%   2,074 $670   $7,127,696 4
Dec 29, 2017 7 $1,760,942 +27%   2,074 $849   $8,888,638 5
Dec 30, 2017 7 $2,074,087 +18%   2,074 $1,000   $10,962,725 6
Dec 31, 2017 8 $1,749,655 -16%   2,074 $844   $12,712,380 7
Jan 1, 2018 7 $1,630,252 -7% -36% 2,074 $786   $14,342,632 8
Jan 2, 2018 7 $940,736 -42% -47% 2,074 $454   $15,283,368 9
Jan 3, 2018 8 $703,807 -25% -50% 2,074 $339   $15,987,175 10
Jan 4, 2018 8 $594,734 -15% -57% 2,074 $287   $16,581,909 11
Jan 5, 2018 10 $1,046,045 +76% -41% 2,123 $493   $17,627,954 12
Jan 6, 2018 10 $1,563,567 +49% -25% 2,123 $736   $19,191,521 13
Jan 7, 2018 10 $961,614 -38% -45% 2,123 $453   $20,153,135 14
Jan 8, 2018 11 $322,318 -66% -80% 2,123 $152   $20,475,453 15
Jan 9, 2018 9 $550,392 +71% -41% 2,123 $259   $21,025,845 16
Jan 10, 2018 9 $453,172 -18% -36% 2,123 $213   $21,479,017 17
Jan 11, 2018 9 $347,043 -23% -42% 2,123 $163   $21,826,060 18
Jan 12, 2018 - $340,364 -2% -67% 1,408 $242   $22,166,424 19
Jan 13, 2018 - $488,257 +43% -69% 1,408 $347   $22,654,681 20
Jan 14, 2018 - $395,372 -19% -59% 1,408 $281   $23,050,053 21
Jan 15, 2018 - $260,814 -34% -19% 1,408 $185   $23,310,867 22
Jan 16, 2018 - $158,181 -39% -71% 1,408 $112   $23,469,048 23
Jan 17, 2018 - $131,694 -17% -71% 1,408 $94   $23,600,742 24
Jan 18, 2018 - $128,349 -3% -63% 1,408 $91   $23,729,091 25
Jan 19, 2018 - $114,045 -11% -66% 374 $305   $23,843,136 26
Jan 20, 2018 - $173,360 +52% -64% 374 $464   $24,016,496 27
Jan 21, 2018 - $90,483 -48% -77% 374 $242   $24,106,979 28
Jan 22, 2018 - $39,314 -57% -85% 374 $105   $24,146,293 29
Jan 23, 2018 - $60,092 +53% -62% 374 $161   $24,206,385 30
Jan 24, 2018 - $50,491 -16% -62% 374 $135   $24,256,876 31
Jan 25, 2018 - $49,031 -3% -62% 374 $131   $24,305,907 32
Jan 26, 2018 - $60,041 +22% -47% 227 $264   $24,365,948 33
Jan 27, 2018 - $98,644 +64% -43% 227 $435   $24,464,592 34
Jan 28, 2018 - $66,104 -33% -27% 227 $291   $24,530,696 35
Jan 29, 2018 - $23,608 -64% -40% 227 $104   $24,554,304 36
Jan 30, 2018 - $27,394 +16% -54% 227 $121   $24,581,698 37
Jan 31, 2018 - $24,807 -9% -51% 227 $109   $24,606,505 38
Feb 1, 2018 - $23,950 -3% -51% 227 $106   $24,630,455 39
Feb 2, 2018 - $37,982 +59% -37% 154 $247   $24,668,437 40
Feb 3, 2018 - $65,717 +73% -33% 154 $427   $24,734,154 41
Feb 4, 2018 - $23,191 -65% -65% 154 $151   $24,757,345 42
Feb 5, 2018 - $15,843 -32% -33% 154 $103   $24,773,188 43
Feb 6, 2018 - $21,120 +33% -23% 154 $137   $24,794,308 44
Feb 7, 2018 - $16,203 -23% -35% 154 $105   $24,810,511 45
Feb 8, 2018 - $15,933 -2% -33% 154 $103   $24,826,444 46
Feb 9, 2018 - $14,109 -11% -63% 63 $224   $24,840,553 47
Feb 10, 2018 - $25,257 +79% -62% 63 $401   $24,865,810 48
Feb 11, 2018 - $19,409 -23% -16% 63 $308   $24,885,219 49
Feb 12, 2018 - $8,352 -57% -47% 63 $133   $24,893,571 50
Feb 13, 2018 - $8,910 +7% -58% 63 $141   $24,902,481 51
Feb 14, 2018 - $9,019 +1% -44% 63 $143   $24,911,500 52
Feb 15, 2018 - $7,074 -22% -56% 63 $112   $24,918,574 53
Feb 16, 2018 - $8,670 +23% -39% 37 $234   $24,927,244 54
Feb 17, 2018 - $15,506 +79% -39% 37 $419   $24,942,750 55
Feb 18, 2018 - $13,563 -13% -30% 37 $367   $24,956,313 56
Feb 19, 2018 - $9,347 -31% +12% 37 $253   $24,965,660 57
Feb 23, 2018 - $6,028   -30% 30 $201   $24,984,303 61
Feb 24, 2018 - $11,678 +94% -25% 30 $389   $24,995,981 62
Feb 25, 2018 - $8,031 -31% -41% 30 $268   $25,004,012 63
Mar 2, 2018 - $3,603   -40% 18 $200   $25,026,698 68
Mar 3, 2018 - $7,839 +118% -33% 18 $436   $25,034,537 69
Mar 4, 2018 - $3,025 -61% -62% 18 $168   $25,037,562 70
Mar 9, 2018 - $8,615   +139% 49 $176   $25,053,453 75
Mar 10, 2018 - $13,759 +60% +76% 49 $281   $25,067,212 76
Mar 11, 2018 - $9,057 -34% +199% 49 $185   $25,076,269 77
Mar 16, 2018 - $2,911   -66% 27 $108   $25,098,374 82
Mar 17, 2018 - $4,182 +44% -70% 27 $155   $25,102,556 83
Mar 18, 2018 - $3,769 -10% -58% 27 $140   $25,106,325 84

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 22, 2017 11 $7,127,696   2,074 $3,437   $7,127,696 1
Dec 29, 2017 7 $9,454,213 +33% 2,074 $4,558   $16,581,909 2
Jan 5, 2018 10 $5,244,151 -45% 2,123 $2,470   $21,826,060 3
Jan 12, 2018 19 $1,903,031 -64% 1,408 $1,352   $23,729,091 4
Jan 19, 2018 26 $576,816 -70% 374 $1,542   $24,305,907 5
Jan 26, 2018 28 $324,548 -44% 227 $1,430   $24,630,455 6
Feb 2, 2018 31 $195,989 -40% 154 $1,273   $24,826,444 7
Feb 9, 2018 39 $92,130 -53% 63 $1,462   $24,918,574 8
Feb 16, 2018 45 $59,701 -35% 37 $1,614   $24,978,275 9
Feb 23, 2018 50 $44,820 -25% 30 $1,494   $25,023,095 10
Mar 2, 2018 55 $21,743 -51% 18 $1,208   $25,044,838 11
Mar 9, 2018 50 $50,625 +133% 49 $1,033   $25,095,463 12

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 2/9/2018 $125,000 0 0 0 $244,043 1/1/2019
Australia 1/5/2018 $1,153,934 223 226 920 $3,381,000 6/29/2018
Brazil 2/2/2018 $237,000 0 0 0 $516,500 6/14/2018
Bulgaria 2/2/2018 $46,039 0 0 0 $151,250 2/26/2019
China 3/2/2018 $1,068,806 0 0 0 $1,749,683 8/10/2018
Czech Republic 1/26/2018 $34,445 99 99 126 $56,801 1/1/2019
France 12/27/2017 $0 0 0 0 $2,142,723 6/29/2018
Germany 2/16/2018 $504,301 0 0 0 $514,947 6/11/2018
Hong Kong 1/26/2018 $0 0 0 0 $263,000 9/13/2018
India 1/5/2018 $0 0 0 0 $171,089 3/12/2018
Indonesia 1/19/2018 $0 0 0 0 $184,247 1/1/2019
Italy 1/5/2018 $1,554,033 0 0 0 $3,120,887 9/12/2018
Japan 5/25/2018 $0 0 0 0 $1,372,020 6/25/2018
Lithuania 1/5/2018 $20,296 39 39 88 $58,691 2/13/2018
Mexico 2/16/2018 $386,405 0 0 0 $828,192 2/26/2018
Middle East Region 1/26/2018 $401,000 0 0 0 $401,000 1/29/2018
Netherlands 1/12/2018 $218,588 74 76 321 $866,522 9/12/2018
New Zealand 1/5/2018 $90,659 52 52 191 $224,733 1/30/2018
Poland 1/26/2018 $216,197 0 0 0 $669,107 1/1/2019
Portugal 2/9/2018 $86,314 42 42 119 $252,002 3/14/2018
Russia (CIS) 2/22/2018 $536,987 491 491 943 $828,490 1/1/2019
Slovakia 1/26/2018 $27,636 64 64 93 $53,216 2/13/2018
South Korea 1/17/2018 $0 0 260 401 $530,512 3/15/2018
Spain 2/23/2018 $517,262 250 250 617 $1,180,293 6/22/2018
Taiwan 2/2/2018 $155,000 0 0 0 $283,000 9/13/2018
Turkey 2/23/2018 $31,602 50 50 60 $54,633 2/26/2019
United Kingdom 1/5/2018 $1,575,096 486 486 1,372 $4,438,867 6/29/2018
 
Rest of World $7,246,876
 
International Total$31,784,324 2/26/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 2,701-2,800) 2,720 $31,784,324
All Time International Non-Sequel Box Office (Rank 2,101-2,200) 2,125 $31,784,324
Top 2017 Movies at the International Box Office (Rank 101-200) 134 $31,784,324
All Time International Box Office for Based on Factual Book/Article Movies 61 $31,784,324
All Time International Box Office for Live Action Movies (Rank 2,201-2,300) 2,207 $31,784,324
All Time International Box Office for Dramatization Movies (Rank 101-200) 166 $31,784,324
All Time International Box Office for Thriller/Suspense Movies (Rank 201-300) 233 $31,784,324
All Time International Box Office for R Movies (Rank 701-800) 709 $31,784,324
All Time International Box Office for Sony Pictures Movies (Rank 201-300) 285 $31,784,324

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 2,801-2,900) 2,852 $56,890,649
All Time Worldwide Non-Sequel Box Office (Rank 2,201-2,300) 2,252 $56,890,649
Top 2017 Movies at the Worldwide Box Office (Rank 101-200) 107 $56,890,649
All Time Worldwide Box Office for Based on Factual Book/Article Movies 76 $56,890,649
All Time Worldwide Box Office for Live Action Movies (Rank 2,301-2,400) 2,380 $56,890,649
All Time Worldwide Box Office for Dramatization Movies (Rank 101-200) 188 $56,890,649
All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 201-300) 250 $56,890,649
All Time Worldwide Box Office for R Movies (Rank 801-900) 835 $56,890,649
All Time Worldwide Box Office for Sony Pictures Movies (Rank 301-400) 338 $56,890,649

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 15, 2018917,667 17,667$317,299$317,2993
Apr 22, 2018228,372-53% 26,039$150,361$467,6604

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 15, 20181513,874 13,874$276,922$276,9223

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Michelle Williams    Gail Harris
Christopher Plummer    J. Paul Getty
Mark Wahlberg    Fletcher Chase
Charlie Plummer    John Paul Getty III

Supporting Cast

Romain Duris    Cinquanta
Timothy Hutton    Oswald Hinge
Charlie Shotwell    Young John Paul Getty III
Andrew Buchan    John Paul Getty Jr.
Marco Leonardi    Mammoliti
Giuseppe Bonifati    Iacovoni
Nicholas Vaporidis    Il Tamia “Chipmunk”
Andrea Piedimonte    Corvo
Guglielmo Favilla    Piccolino
Nicola Di Chio    Kidnap Van Driver
Adele Tirante    Prostitute Maria
Alessandra Roca    Prostitute #1
Francesca Inaudi    Prostitute #2
Stacy Martin    Nancy Getty’s Secretary
Maya Kelly    Aileen Getty (Age 6)
Kit Cranston    Mark Getty (Age 4)
Ginevra Migliore    Ariadne Getty (Age 2)
Francesco Bomenuto    Rome Hotel Butler
Clive Wood    Bullimore
David Brooks    Playboy Interviewer
Cherise Silvestri    Secretary Getty Oil
Roy McCrerey    Attorney Getty Oil
Anna Devlin    Aileen Getty (Age 15)
Stanley Treshansky    Mark Getty (Age 13)
Josie Sayers    Ariadne Getty
Paola Scotto Di Tella    Gail’s Housekeeper
Daniel Gosling    Telegraph Reporter
Kim Fenton    Daily Mail Reporter
Oliver Ryan    BBC Reporter
Ghassan Massoud    Prince Al-Rashid
Bakar Qabbani    Prince Al-Rashid
Adam Astill    Getty Oil Landman
Olivia Grant    Millicent (Getty’s Starlet #1)
Charlotte Beckett    Annie (Getty’s Starlet #2)
Francesca Esposito    Woman at Calabrian Ruin
Alessio Montagnani    Italian Reporter #1
Antonio Lanni    Italian Reporter #2
Giuseppe Gandini    Italian Reporter #3
Paolo Bernardini    Police Tech Officer
Alessandro Grespan    Communist in Car
Lorenzo Pedrotti    Communist #1
Rachele Studer    Communist #2
Giulio Base    Coroner
Ciro Fortunato    SWAT Officer
Olivia Magnani    Factory Woman
Giampiero Judica    Sgrò
Rainer Sellien    Otto Lam
Giannina Scott    Otto Lam’s Assistant
Enzo Attanasio    Barn Man
Monica Nappo    Barn Woman
Marco De Leo    Musician
Maurizio Lombardi    Mammoliti’s Doctor
Fabio Farronato    Constable
Valeria Vaiano    Constable’s Wife
Mario Opinato    Sotheby’s Appraiser
Valentina Violo    Newspaper Editor’s Secretary
Matteo Carlomagno    Newspaper Editor
Alex Marchi    Newspaper Editor
Dean Kilby    Post Man
Dominic Cazenove    Press Conference Host
Damiano Schiozzi    Roadside Kid
Gino Nardella    Villager #1
Chantal Ughi    Villager #2
Riccardo de Torrebruna    Carabinari Captain
Lorenzo Patane    Museum Shop Attendant
Jonathan Aris    Conservator J

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ridley Scott    Director
David Scarpa    Written By
John Pearson    Based on the Book by
Kevin J. Walsh    Producer
Mark Huffam    Producer
Ridley Scott    Producer
Chris Clark    Producer
Quentin Curtis    Producer
Bradley Thomas    Producer
Dan Friedkin    Producer
Dariusz Wolski    Executive Producer
Dariusz Wolski    Director of Photography
Arthur Max    Production Designer
Claire Simpson    Editor
Janty Yates    Costume Designer
Daniel Pemberton    Music By
Aidan Elliott    Co-Producer
Marco Valerio Pugini    Co-Producer
Teresa Kelly    Co-Producer
Franco Maria Salamon*    Stunt Coordinator
Francesca Cingolani    Unit Production Manager
Kirk Raymond    First Assistant Director
Fabrizio “Roy” Bava*    First Assistant Director
Edoardo Petti    Second Assistant Director
Christina Onori    Supervising Art Director
Gianpaolo Rifino    Art Director
Saverio Sammali    Art Director
Letizia Santucci    Set Decorator
Richard Roberts    Set Decorator (UK)
Jamie Turpin    Additional Editor
Paolo Buzzetti    First Assistant Editor
Tony Lewis    Supervising Music Editor
Arabella Winter    Music Editor
Oliver Tarney    Supervising Sound Editor
Robert Killick    Dialogue Editor
Michael Fentum    Sound Effects Editor
Eilam Hoffman    Sound Effects Editor
Dawn Gough    Sound Effects Editor
Mark Taylor    Re-recording Mixer
Gilbert Lake    Re-recording Mixer
Maurizio Argentieri    Sound Mixer
Annie Penn    Script Supervisor
Jana Carboni    Make up
Samankta Mura    Hairstylist
Piernicola Pinnola    Location Manager
Luca D’Alberto    Location Manager
Elisabetta Tomasso    Location Manager
Maurizio Corridori    Special Effects Supervisor
Gary Brozenich    Visual Effects Supervisor
Christina Graham    Visual Effects Producer
Daniel Pemberton    Score Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

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The Shape of Water

The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out. More...

Weekend Wrap-Up: The Last Jedi and Jumanji Nearly Tie Over 4-day Weekend with $67 million

January 2nd, 2018

Jumanji: Welcome to the Jungle

It was a really close weekend with Star Wars: The Last Jedi and Jumanji: Welcome to the Jungle both earning around $67 million during the four-day weekend. In fact, Jumanji beat The Last Jedi on New Year’s Day. Overall, the box office grew 11% from last weekend to $194 million, which was 4.3% more than the same weekend last year. It’s going to take a bit before we have the final numbers for all studios to compare how 2017 did compared to 2016, but it is safe to say 2016 will come out on top. More...

Limited and VOD Releases: Mr. Postman, Deliver Me a Hit

December 22nd, 2017

The Post

It’s Christmas weekend, and, while there are a large number of wide releases, there are not that many limited ones. Some of them, like The Post, are going for Oscar glory. Others just feel like they are being dumped into theaters to disappear. More...

2017 - Awards Season: Golden Globes - Nominations

December 11th, 2017

The Shape of Water

The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece. More...

All the Money in the World Trailer

November 30th, 2017

Real-life thriller starring Michelle Williams, Kevi- Christopher Plummer, and Mark Wahlberg, directed by Ridley Scott, opens December 8 ... Full Movie Details. More...

All the Money in the World Trailer

September 15th, 2017

Real-life thriller starring Michelle Williams, Kevin Spacey, and Mark Wahlberg, directed by Ridley Scott opens December 8 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The true story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother Gail to convince his billionaire grandfather to pay the ransom. When Getty Sr. refuses, Gail attempts to sway him as her son’s captors become increasingly volatile and brutal. With her son’s life in the balance, Gail and Getty’s advisor become unlikely allies in the race against time that ultimately reveals the true and lasting value of love over money.

Metrics

Opening Weekend:$5,584,684 (22.2% of total gross)
Legs:4.50 (domestic box office/biggest weekend)
Domestic Share:44.1% (domestic box office/worldwide)
Production Budget:$50,000,000 (worldwide box office is 1.1 times production budget)
Theater counts:2,074 opening theaters/2,123 max. theaters, 3.1 weeks average run per theater
Infl. Adj. Dom. BO $29,943,466

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,301-3,400) 3,372 $25,106,325
All Time International Box Office (Rank 2,701-2,800) 2,720 $31,784,324
All Time Worldwide Box Office (Rank 2,801-2,900) 2,852 $56,890,649
All Time Domestic Box Office for R Movies (Rank 1,101-1,200) 1,151 $25,106,325
All Time International Box Office for R Movies (Rank 701-800) 709 $31,784,324
All Time Worldwide Box Office for R Movies (Rank 801-900) 835 $56,890,649

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: December 25th, 2017 (Wide) by Sony Pictures
International Releases: December 27th, 2017 (Wide) (France)
January 5th, 2018 (Wide), released as All The Money In The World (Australia)
January 5th, 2018 (Wide) (India)
January 5th, 2018 (Wide), released as Tutti i Soldi del Mondo (Italy)
January 5th, 2018 (Wide), released as Visi Pasaulio Pinigai (Lithuania)
... Show all releases
Video Release: March 27th, 2018 by Sony Pictures Home Entertainment
MPAA Rating: R for language, some violence, disturbing images and brief drug content.
(Rating bulletin 2507 (Cert #51284), 12/20/2017)
Running Time: 132 minutes
Comparisons: vs. 13 Hours: The Secret Soldiers of Benghazi
Create your own comparison chart…
Keywords: Kidnap, Ransom, Dysfunctional Family, 1970s, Voiceover/Narration, Non-Chronological, True Crime, Biographical Drama, Crime
Source:Based on Factual Book/Article
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Tri-Star Pictures, Imperative Entertainment, Scott Free Films, RedRum Films
Production Countries: United Kingdom, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
New Year's Day (All Movies, 3-Day) 264 $5,584,684 Dec 29, 2017 7
New Year's Day (All Movies, 3-Day, Inflation Adjusted) 399 $6,872,981 Dec 29, 2017 7

Leading Cast

Michelle Williams    Gail Harris
Christopher Plummer    J. Paul Getty
Mark Wahlberg    Fletcher Chase
Charlie Plummer    John Paul Getty III

Supporting Cast

Romain Duris    Cinquanta
Timothy Hutton    Oswald Hinge
Charlie Shotwell    Young John Paul Getty III
Andrew Buchan    John Paul Getty Jr.
Marco Leonardi    Mammoliti
Giuseppe Bonifati    Iacovoni
Nicholas Vaporidis    Il Tamia “Chipmunk”
Andrea Piedimonte    Corvo
Guglielmo Favilla    Piccolino
Nicola Di Chio    Kidnap Van Driver
Adele Tirante    Prostitute Maria
Alessandra Roca    Prostitute #1
Francesca Inaudi    Prostitute #2
Stacy Martin    Nancy Getty’s Secretary
Maya Kelly    Aileen Getty (Age 6)
Kit Cranston    Mark Getty (Age 4)
Ginevra Migliore    Ariadne Getty (Age 2)
Francesco Bomenuto    Rome Hotel Butler
Clive Wood    Bullimore
David Brooks    Playboy Interviewer
Cherise Silvestri    Secretary Getty Oil
Roy McCrerey    Attorney Getty Oil
Anna Devlin    Aileen Getty (Age 15)
Stanley Treshansky    Mark Getty (Age 13)
Josie Sayers    Ariadne Getty
Paola Scotto Di Tella    Gail’s Housekeeper
Daniel Gosling    Telegraph Reporter
Kim Fenton    Daily Mail Reporter
Oliver Ryan    BBC Reporter
Ghassan Massoud    Prince Al-Rashid
Bakar Qabbani    Prince Al-Rashid
Adam Astill    Getty Oil Landman
Olivia Grant    Millicent (Getty’s Starlet #1)
Charlotte Beckett    Annie (Getty’s Starlet #2)
Francesca Esposito    Woman at Calabrian Ruin
Alessio Montagnani    Italian Reporter #1
Antonio Lanni    Italian Reporter #2
Giuseppe Gandini    Italian Reporter #3
Paolo Bernardini    Police Tech Officer
Alessandro Grespan    Communist in Car
Lorenzo Pedrotti    Communist #1
Rachele Studer    Communist #2
Giulio Base    Coroner
Ciro Fortunato    SWAT Officer
Olivia Magnani    Factory Woman
Giampiero Judica    Sgrò
Rainer Sellien    Otto Lam
Giannina Scott    Otto Lam’s Assistant
Enzo Attanasio    Barn Man
Monica Nappo    Barn Woman
Marco De Leo    Musician
Maurizio Lombardi    Mammoliti’s Doctor
Fabio Farronato    Constable
Valeria Vaiano    Constable’s Wife
Mario Opinato    Sotheby’s Appraiser
Valentina Violo    Newspaper Editor’s Secretary
Matteo Carlomagno    Newspaper Editor
Alex Marchi    Newspaper Editor
Dean Kilby    Post Man
Dominic Cazenove    Press Conference Host
Damiano Schiozzi    Roadside Kid
Gino Nardella    Villager #1
Chantal Ughi    Villager #2
Riccardo de Torrebruna    Carabinari Captain
Lorenzo Patane    Museum Shop Attendant
Jonathan Aris    Conservator J

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ridley Scott    Director
David Scarpa    Written By
John Pearson    Based on the Book by
Kevin J. Walsh    Producer
Mark Huffam    Producer
Ridley Scott    Producer
Chris Clark    Producer
Quentin Curtis    Producer
Bradley Thomas    Producer
Dan Friedkin    Producer
Dariusz Wolski    Executive Producer
Dariusz Wolski    Director of Photography
Arthur Max    Production Designer
Claire Simpson    Editor
Janty Yates    Costume Designer
Daniel Pemberton    Music By
Aidan Elliott    Co-Producer
Marco Valerio Pugini    Co-Producer
Teresa Kelly    Co-Producer
Franco Maria Salamon*    Stunt Coordinator
Francesca Cingolani    Unit Production Manager
Kirk Raymond    First Assistant Director
Fabrizio “Roy” Bava*    First Assistant Director
Edoardo Petti    Second Assistant Director
Christina Onori    Supervising Art Director
Gianpaolo Rifino    Art Director
Saverio Sammali    Art Director
Letizia Santucci    Set Decorator
Richard Roberts    Set Decorator (UK)
Jamie Turpin    Additional Editor
Paolo Buzzetti    First Assistant Editor
Tony Lewis    Supervising Music Editor
Arabella Winter    Music Editor
Oliver Tarney    Supervising Sound Editor
Robert Killick    Dialogue Editor
Michael Fentum    Sound Effects Editor
Eilam Hoffman    Sound Effects Editor
Dawn Gough    Sound Effects Editor
Mark Taylor    Re-recording Mixer
Gilbert Lake    Re-recording Mixer
Maurizio Argentieri    Sound Mixer
Annie Penn    Script Supervisor
Jana Carboni    Make up
Samankta Mura    Hairstylist
Piernicola Pinnola    Location Manager
Luca D’Alberto    Location Manager
Elisabetta Tomasso    Location Manager
Maurizio Corridori    Special Effects Supervisor
Gary Brozenich    Visual Effects Supervisor
Christina Graham    Visual Effects Producer
Daniel Pemberton    Score Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for April 10th, 2018

April 10th, 2018

Phantom Thread

The last box office hit of 2017, The Greatest Showman, hits the home market this week. There are also a couple of Awards Season contenders, but for the most part, it is another slow week. Phantom Thread on Blu-ray is the clear Pick of the Week winner. Meanwhile, Molly’s Game on Blu-ray Combo Pack is the only real competition. More...

Home Market Releases for March 27th, 2018

March 27th, 2018

Star Wars: The Last Jedi

It’s a short week for one reason: Star Wars: The Last Jedi is coming out on DVD / Blu-ray / 4K Ultra HD and no one really wants to deal with that competition. That’s not to say there are no other releases worth picking up. Last Men in Aleppo is an Oscar nominated documentary and worth picking up. In the end, The Last Jedi was the clear Pick of the Week winner. More...

2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2017 Awards Season: Oscars Nominations: Final Look

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning. More...

2017 Awards Season: Oscars Nominations

January 23rd, 2018

The Shape of Water

The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations. More...

2017 Awards Season: BAFTA Nominations

January 11th, 2018

The Shape of Water

The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out. More...

Weekend Wrap-Up: The Last Jedi and Jumanji Nearly Tie Over 4-day Weekend with $67 million

January 2nd, 2018

Jumanji: Welcome to the Jungle

It was a really close weekend with Star Wars: The Last Jedi and Jumanji: Welcome to the Jungle both earning around $67 million during the four-day weekend. In fact, Jumanji beat The Last Jedi on New Year’s Day. Overall, the box office grew 11% from last weekend to $194 million, which was 4.3% more than the same weekend last year. It’s going to take a bit before we have the final numbers for all studios to compare how 2017 did compared to 2016, but it is safe to say 2016 will come out on top. More...

Limited and VOD Releases: Mr. Postman, Deliver Me a Hit

December 22nd, 2017

The Post

It’s Christmas weekend, and, while there are a large number of wide releases, there are not that many limited ones. Some of them, like The Post, are going for Oscar glory. Others just feel like they are being dumped into theaters to disappear. More...

2017 - Awards Season: Golden Globes - Nominations

December 11th, 2017

The Shape of Water

The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece. More...

All the Money in the World Trailer

November 30th, 2017

Real-life thriller starring Michelle Williams, Kevi- Christopher Plummer, and Mark Wahlberg, directed by Ridley Scott, opens December 8 ... Full Movie Details. More...

All the Money in the World Trailer

September 15th, 2017

Real-life thriller starring Michelle Williams, Kevin Spacey, and Mark Wahlberg, directed by Ridley Scott opens December 8 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 3,301-3,400) 3,372 $25,106,325
All Time Domestic Inflation Adjusted Box Office (Rank 4,201-4,300) 4,238 $29,943,466
All Time Domestic Non-Sequel Box Office (Rank 2,701-2,800) 2,765 $25,106,325
Top 2017 Movies at the Domestic Box Office 92 $25,106,325
All Time Domestic Box Office for Based on Factual Book/Article Movies 98 $25,106,325
All Time Domestic Box Office for Live Action Movies (Rank 2,901-3,000) 2,931 $25,106,325
All Time Domestic Box Office for Dramatization Movies (Rank 201-300) 238 $25,106,325
All Time Domestic Box Office for Thriller/Suspense Movies (Rank 301-400) 312 $25,106,325
All Time Domestic Box Office for R Movies (Rank 1,101-1,200) 1,151 $25,106,325
All Time Domestic Box Office for Sony Pictures Movies (Rank 401-500) 455 $25,106,325

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 29, 2017 7 $5,584,684   2,074 $2,693   $12,712,380 1
Jan 5, 2018 10 $3,571,226 -36% 2,123 $1,682   $20,153,135 2
Jan 12, 2018 18 $1,223,993 -66% 1,408 $869   $23,050,053 3
Jan 19, 2018 26 $377,888 -69% 374 $1,010   $24,106,979 4
Jan 26, 2018 28 $224,789 -41% 227 $990   $24,530,696 5
Feb 2, 2018 31 $126,890 -44% 154 $824   $24,757,345 6
Feb 9, 2018 41 $58,775 -54% 63 $933   $24,885,219 7
Feb 16, 2018 45 $37,739 -36% 37 $1,020   $24,956,313 8
Feb 23, 2018 52 $25,737 -32% 30 $858   $25,004,012 9
Mar 2, 2018 57 $14,467 -44% 18 $804   $25,037,562 10
Mar 9, 2018 51 $31,431 +117% 49 $641   $25,076,269 11
Mar 16, 2018 61 $10,862 -65% 27 $402   $25,106,325 12

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Dec 25, 2017 8 $2,565,393     2,074 $1,237   $2,565,393 1
Dec 26, 2017 8 $1,760,324 -31%   2,074 $849   $4,325,717 2
Dec 27, 2017 8 $1,412,867 -20%   2,074 $681   $5,738,584 3
Dec 28, 2017 8 $1,389,112 -2%   2,074 $670   $7,127,696 4
Dec 29, 2017 7 $1,760,942 +27%   2,074 $849   $8,888,638 5
Dec 30, 2017 7 $2,074,087 +18%   2,074 $1,000   $10,962,725 6
Dec 31, 2017 8 $1,749,655 -16%   2,074 $844   $12,712,380 7
Jan 1, 2018 7 $1,630,252 -7% -36% 2,074 $786   $14,342,632 8
Jan 2, 2018 7 $940,736 -42% -47% 2,074 $454   $15,283,368 9
Jan 3, 2018 8 $703,807 -25% -50% 2,074 $339   $15,987,175 10
Jan 4, 2018 8 $594,734 -15% -57% 2,074 $287   $16,581,909 11
Jan 5, 2018 10 $1,046,045 +76% -41% 2,123 $493   $17,627,954 12
Jan 6, 2018 10 $1,563,567 +49% -25% 2,123 $736   $19,191,521 13
Jan 7, 2018 10 $961,614 -38% -45% 2,123 $453   $20,153,135 14
Jan 8, 2018 11 $322,318 -66% -80% 2,123 $152   $20,475,453 15
Jan 9, 2018 9 $550,392 +71% -41% 2,123 $259   $21,025,845 16
Jan 10, 2018 9 $453,172 -18% -36% 2,123 $213   $21,479,017 17
Jan 11, 2018 9 $347,043 -23% -42% 2,123 $163   $21,826,060 18
Jan 12, 2018 - $340,364 -2% -67% 1,408 $242   $22,166,424 19
Jan 13, 2018 - $488,257 +43% -69% 1,408 $347   $22,654,681 20
Jan 14, 2018 - $395,372 -19% -59% 1,408 $281   $23,050,053 21
Jan 15, 2018 - $260,814 -34% -19% 1,408 $185   $23,310,867 22
Jan 16, 2018 - $158,181 -39% -71% 1,408 $112   $23,469,048 23
Jan 17, 2018 - $131,694 -17% -71% 1,408 $94   $23,600,742 24
Jan 18, 2018 - $128,349 -3% -63% 1,408 $91   $23,729,091 25
Jan 19, 2018 - $114,045 -11% -66% 374 $305   $23,843,136 26
Jan 20, 2018 - $173,360 +52% -64% 374 $464   $24,016,496 27
Jan 21, 2018 - $90,483 -48% -77% 374 $242   $24,106,979 28
Jan 22, 2018 - $39,314 -57% -85% 374 $105   $24,146,293 29
Jan 23, 2018 - $60,092 +53% -62% 374 $161   $24,206,385 30
Jan 24, 2018 - $50,491 -16% -62% 374 $135   $24,256,876 31
Jan 25, 2018 - $49,031 -3% -62% 374 $131   $24,305,907 32
Jan 26, 2018 - $60,041 +22% -47% 227 $264   $24,365,948 33
Jan 27, 2018 - $98,644 +64% -43% 227 $435   $24,464,592 34
Jan 28, 2018 - $66,104 -33% -27% 227 $291   $24,530,696 35
Jan 29, 2018 - $23,608 -64% -40% 227 $104   $24,554,304 36
Jan 30, 2018 - $27,394 +16% -54% 227 $121   $24,581,698 37
Jan 31, 2018 - $24,807 -9% -51% 227 $109   $24,606,505 38
Feb 1, 2018 - $23,950 -3% -51% 227 $106   $24,630,455 39
Feb 2, 2018 - $37,982 +59% -37% 154 $247   $24,668,437 40
Feb 3, 2018 - $65,717 +73% -33% 154 $427   $24,734,154 41
Feb 4, 2018 - $23,191 -65% -65% 154 $151   $24,757,345 42
Feb 5, 2018 - $15,843 -32% -33% 154 $103   $24,773,188 43
Feb 6, 2018 - $21,120 +33% -23% 154 $137   $24,794,308 44
Feb 7, 2018 - $16,203 -23% -35% 154 $105   $24,810,511 45
Feb 8, 2018 - $15,933 -2% -33% 154 $103   $24,826,444 46
Feb 9, 2018 - $14,109 -11% -63% 63 $224   $24,840,553 47
Feb 10, 2018 - $25,257 +79% -62% 63 $401   $24,865,810 48
Feb 11, 2018 - $19,409 -23% -16% 63 $308   $24,885,219 49
Feb 12, 2018 - $8,352 -57% -47% 63 $133   $24,893,571 50
Feb 13, 2018 - $8,910 +7% -58% 63 $141   $24,902,481 51
Feb 14, 2018 - $9,019 +1% -44% 63 $143   $24,911,500 52
Feb 15, 2018 - $7,074 -22% -56% 63 $112   $24,918,574 53
Feb 16, 2018 - $8,670 +23% -39% 37 $234   $24,927,244 54
Feb 17, 2018 - $15,506 +79% -39% 37 $419   $24,942,750 55
Feb 18, 2018 - $13,563 -13% -30% 37 $367   $24,956,313 56
Feb 19, 2018 - $9,347 -31% +12% 37 $253   $24,965,660 57
Feb 23, 2018 - $6,028   -30% 30 $201   $24,984,303 61
Feb 24, 2018 - $11,678 +94% -25% 30 $389   $24,995,981 62
Feb 25, 2018 - $8,031 -31% -41% 30 $268   $25,004,012 63
Mar 2, 2018 - $3,603   -40% 18 $200   $25,026,698 68
Mar 3, 2018 - $7,839 +118% -33% 18 $436   $25,034,537 69
Mar 4, 2018 - $3,025 -61% -62% 18 $168   $25,037,562 70
Mar 9, 2018 - $8,615   +139% 49 $176   $25,053,453 75
Mar 10, 2018 - $13,759 +60% +76% 49 $281   $25,067,212 76
Mar 11, 2018 - $9,057 -34% +199% 49 $185   $25,076,269 77
Mar 16, 2018 - $2,911   -66% 27 $108   $25,098,374 82
Mar 17, 2018 - $4,182 +44% -70% 27 $155   $25,102,556 83
Mar 18, 2018 - $3,769 -10% -58% 27 $140   $25,106,325 84

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 22, 2017 11 $7,127,696   2,074 $3,437   $7,127,696 1
Dec 29, 2017 7 $9,454,213 +33% 2,074 $4,558   $16,581,909 2
Jan 5, 2018 10 $5,244,151 -45% 2,123 $2,470   $21,826,060 3
Jan 12, 2018 19 $1,903,031 -64% 1,408 $1,352   $23,729,091 4
Jan 19, 2018 26 $576,816 -70% 374 $1,542   $24,305,907 5
Jan 26, 2018 28 $324,548 -44% 227 $1,430   $24,630,455 6
Feb 2, 2018 31 $195,989 -40% 154 $1,273   $24,826,444 7
Feb 9, 2018 39 $92,130 -53% 63 $1,462   $24,918,574 8
Feb 16, 2018 45 $59,701 -35% 37 $1,614   $24,978,275 9
Feb 23, 2018 50 $44,820 -25% 30 $1,494   $25,023,095 10
Mar 2, 2018 55 $21,743 -51% 18 $1,208   $25,044,838 11
Mar 9, 2018 50 $50,625 +133% 49 $1,033   $25,095,463 12

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 2/9/2018 $125,000 0 0 0 $244,043 1/1/2019
Australia 1/5/2018 $1,153,934 223 226 920 $3,381,000 6/29/2018
Brazil 2/2/2018 $237,000 0 0 0 $516,500 6/14/2018
Bulgaria 2/2/2018 $46,039 0 0 0 $151,250 2/26/2019
China 3/2/2018 $1,068,806 0 0 0 $1,749,683 8/10/2018
Czech Republic 1/26/2018 $34,445 99 99 126 $56,801 1/1/2019
France 12/27/2017 $0 0 0 0 $2,142,723 6/29/2018
Germany 2/16/2018 $504,301 0 0 0 $514,947 6/11/2018
Hong Kong 1/26/2018 $0 0 0 0 $263,000 9/13/2018
India 1/5/2018 $0 0 0 0 $171,089 3/12/2018
Indonesia 1/19/2018 $0 0 0 0 $184,247 1/1/2019
Italy 1/5/2018 $1,554,033 0 0 0 $3,120,887 9/12/2018
Japan 5/25/2018 $0 0 0 0 $1,372,020 6/25/2018
Lithuania 1/5/2018 $20,296 39 39 88 $58,691 2/13/2018
Mexico 2/16/2018 $386,405 0 0 0 $828,192 2/26/2018
Middle East Region 1/26/2018 $401,000 0 0 0 $401,000 1/29/2018
Netherlands 1/12/2018 $218,588 74 76 321 $866,522 9/12/2018
New Zealand 1/5/2018 $90,659 52 52 191 $224,733 1/30/2018
Poland 1/26/2018 $216,197 0 0 0 $669,107 1/1/2019
Portugal 2/9/2018 $86,314 42 42 119 $252,002 3/14/2018
Russia (CIS) 2/22/2018 $536,987 491 491 943 $828,490 1/1/2019
Slovakia 1/26/2018 $27,636 64 64 93 $53,216 2/13/2018
South Korea 1/17/2018 $0 0 260 401 $530,512 3/15/2018
Spain 2/23/2018 $517,262 250 250 617 $1,180,293 6/22/2018
Taiwan 2/2/2018 $155,000 0 0 0 $283,000 9/13/2018
Turkey 2/23/2018 $31,602 50 50 60 $54,633 2/26/2019
United Kingdom 1/5/2018 $1,575,096 486 486 1,372 $4,438,867 6/29/2018
 
Rest of World $7,246,876
 
International Total$31,784,324 2/26/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 2,701-2,800) 2,720 $31,784,324
All Time International Non-Sequel Box Office (Rank 2,101-2,200) 2,125 $31,784,324
Top 2017 Movies at the International Box Office (Rank 101-200) 134 $31,784,324
All Time International Box Office for Based on Factual Book/Article Movies 61 $31,784,324
All Time International Box Office for Live Action Movies (Rank 2,201-2,300) 2,207 $31,784,324
All Time International Box Office for Dramatization Movies (Rank 101-200) 166 $31,784,324
All Time International Box Office for Thriller/Suspense Movies (Rank 201-300) 233 $31,784,324
All Time International Box Office for R Movies (Rank 701-800) 709 $31,784,324
All Time International Box Office for Sony Pictures Movies (Rank 201-300) 285 $31,784,324

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 2,801-2,900) 2,852 $56,890,649
All Time Worldwide Non-Sequel Box Office (Rank 2,201-2,300) 2,252 $56,890,649
Top 2017 Movies at the Worldwide Box Office (Rank 101-200) 107 $56,890,649
All Time Worldwide Box Office for Based on Factual Book/Article Movies 76 $56,890,649
All Time Worldwide Box Office for Live Action Movies (Rank 2,301-2,400) 2,380 $56,890,649
All Time Worldwide Box Office for Dramatization Movies (Rank 101-200) 188 $56,890,649
All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 201-300) 250 $56,890,649
All Time Worldwide Box Office for R Movies (Rank 801-900) 835 $56,890,649
All Time Worldwide Box Office for Sony Pictures Movies (Rank 301-400) 338 $56,890,649

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 15, 2018917,667 17,667$317,299$317,2993
Apr 22, 2018228,372-53% 26,039$150,361$467,6604

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 15, 20181513,874 13,874$276,922$276,9223

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.