| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| Further financial details... | ||
| International Releases: | January 23rd, 2023 (Festival Screening) (Mostra de Cinema de Tiradentes)
(Brazil)
May 23rd, 2024 (Limited) (Brazil) |
| Running Time: | 101 minutes |
| Comparisons: | Create your own comparison chart… |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Brazil |
| Languages: | Portuguese |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Brazil | 5/23/2024 | $0 | 0 | 0 | 0 | $0 | |
| International Total | $0 | ||||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Helena Ignez | Director |
| International Releases: | January 23rd, 2023 (Festival Screening) (Mostra de Cinema de Tiradentes)
(Brazil)
May 23rd, 2024 (Limited) (Brazil) |
| Running Time: | 101 minutes |
| Comparisons: | Create your own comparison chart… |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Brazil |
| Languages: | Portuguese |
| Helena Ignez | Director |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Brazil | 5/23/2024 | $0 | 0 | 0 | 0 | $0 | |
| International Total | $0 | ||||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
