Market Charts > Genres > Black Comedy
Box Office History for Black Comedy
Ticket Sales and Market Share by Year
Note: Figures for 2025 are at an annualized rate.
Top-Grossing Movies 1995-2025, Adjusted for Ticket Price Inflation
Year by Year Market Share
Year | Movies in Release | Market Share | Gross | Tickets Sold | Inflation- Adjusted Gross | Top-Grossing Movie | Gross that Year |
---|---|---|---|---|---|---|---|
1995 | 5 | 0.52% | $27,454,230 | 6,311,313 | $71,380,950 | To Die For | $21,155,211 |
1996 | 12 | 2.80% | $161,613,062 | 36,564,037 | $413,539,258 | The Cable Guy | $60,240,295 |
1997 | 9 | 0.78% | $48,225,800 | 10,506,706 | $118,830,845 | Grosse Pointe Blank | $28,084,357 |
1998 | 12 | 1.49% | $101,537,068 | 21,649,688 | $244,857,971 | The Players Club | $23,047,939 |
1999 | 16 | 2.65% | $194,821,169 | 38,350,616 | $433,745,467 | Three Kings | $59,223,104 |
2000 | 9 | 0.83% | $62,653,727 | 11,624,064 | $131,468,164 | Nurse Betty | $25,170,054 |
2001 | 7 | 0.95% | $79,075,443 | 13,970,923 | $158,011,139 | Snatch | $30,033,056 |
2002 | 7 | 0.60% | $55,121,818 | 9,487,400 | $107,302,494 | The Royal Tenenbaums | $31,656,156 |
2003 | 3 | 0.72% | $66,599,540 | 11,044,698 | $124,915,534 | Bad Santa | $56,909,596 |
2004 | 7 | 1.37% | $126,879,452 | 20,431,471 | $231,079,937 | The Stepford Wives | $59,475,623 |
2005 | 9 | 0.84% | $73,699,815 | 11,497,627 | $130,038,161 | Fun with Dick & Jane | $60,104,858 |
2006 | 9 | 1.08% | $99,419,950 | 15,178,615 | $171,670,136 | Fun with Dick & Jane | $50,445,142 |
2007 | 5 | 0.17% | $16,556,881 | 2,406,521 | $27,217,753 | Death at a Funeral | $8,580,428 |
2008 | 7 | 0.71% | $69,426,035 | 9,669,361 | $109,360,473 | Burn After Reading | $60,355,347 |
2009 | 12 | 0.87% | $92,514,316 | 12,335,238 | $139,511,542 | The Men Who Stare at Goats | $32,018,431 |
2010 | 12 | 0.92% | $95,958,334 | 12,162,014 | $137,552,378 | Kick-Ass | $48,071,303 |
2011 | 15 | 0.99% | $100,332,866 | 12,652,308 | $143,097,603 | 30 Minutes or Less | $37,053,924 |
2012 | 16 | 0.89% | $98,446,586 | 12,367,653 | $139,878,155 | Dark Shadows | $79,727,149 |
2013 | 13 | 1.76% | $192,011,623 | 23,617,660 | $267,115,735 | American Hustle | $87,903,772 |
2014 | 15 | 2.36% | $242,360,099 | 29,664,632 | $335,506,988 | American Hustle | $62,194,684 |
2015 | 14 | 0.34% | $37,803,077 | 4,484,346 | $50,717,953 | Birdman or (The Unexpected … | $18,067,553 |
2016 | 5 | 0.71% | $80,050,419 | 9,254,382 | $104,667,060 | War Dogs | $43,034,523 |
2017 | 13 | 0.61% | $66,874,424 | 7,455,339 | $84,319,884 | Three Billboards Outside Eb… | $24,164,629 |
2018 | 12 | 1.71% | $203,898,843 | 22,381,867 | $253,138,916 | BlacKkKlansman | $48,527,565 |
2019 | 11 | 0.99% | $111,631,009 | 12,186,788 | $137,832,572 | Ready or Not | $28,714,231 |
2020 | 8 | 2.14% | $43,294,447 | 4,716,168 | $53,339,860 | Parasite (기생충) | $29,518,856 |
2021 | 2 | 0.22% | $10,097,184 | 992,840 | $11,229,020 | Promising Young Woman | $5,252,785 |
2022 | 3 | 0.60% | $44,176,825 | 4,195,329 | $47,449,171 | The Menu | $35,721,551 |
2023 | 8 | 1.13% | $101,302,026 | 9,259,780 | $104,728,112 | Cocaine Bear | $64,670,240 |
2024 | 6 | 0.36% | $30,660,676 | 2,710,933 | $30,660,652 | Poor Things | $24,284,189 |
2025 | 8 | 3.91% | $120,871,382 | 10,687,125 | $120,871,384 | Mickey 17 | $46,047,147 |
Upcoming Releases
Release Date | Movie | Theatrical Distributor | Domestic Box Office to Date | Trailer |
---|---|---|---|---|
May, 2025 | ||||
May 2 | Vulcanizadora (Limited) | Oscilloscope Pict… | $18,881 | |
May 30 | The Phoenician Scheme (Limited) | Focus Features | ||
June, 2025 | ||||
June 6 | The Phoenician Scheme (Expands Wide) | Focus Features | ||
August, 2025 | ||||
August 22 | Honey Don’t (Wide) | Focus Features | ||
August 29 | The Roses (Wide) | Walt Disney | ||
September, 2025 | ||||
September 26 | One Battle After Another (Wide) | Warner Bros. | ||
One Battle After Another (IMAX) | Warner Bros. | |||
December, 2025 | ||||
During 2025 | F Marry Kill (Limited) | Lionsgate | Play |
Our Theatrical Market pages are based on the Domestic Theatrical Market performance only. The Domestic Market is defined as the North American movie territory (consisting of the United States, Canada, Puerto Rico and Guam).
The yearly amounts on our Theatrical Market pages are based on box office years. Each box office year starts on the first Monday of the year, so the previous year ends on the Sunday before the first Monday. For example, the "2017 box office year" started on January 2, 2017 so the "2016 box office year" ended on Sunday, January 1, 2017.