This graph shows Tom Holland’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
After a couple of months away from theaters and nearly $1.9 billion in worldwide earnings, Spider-Man: No Way Home once again casts its web into cinemas this weekend, playing in an impressive 3,935 locations and once again becoming the widest release of the week. The new cut of Spider-Man: No Way Home, billed as Spider-Man: No Way Home—The More Fun Stuff Version was announced on twitter back in June in jokey video from all three Spider-Men (Tobey Maguire, Andrew Garfield and Tom Holland). The mega-blockbuster film is not the only wide release to hit theaters this weekend however as Honk for Jesus. Save Your Soul makes its theatrical debut in a solid 1,880 locations, while Gigi & Nate arrives in 1,184 theaters. As an extra bonus, another cult classic makes its way back into cinemas as Jaws is being released in 1,246 movie houses.
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If Thursday’s preview numbers for Uncharted are anything to go by, Tom Holland is just about the biggest star in the movie business right now. After nine weeks of near-total domination at the box office for Spider-Man: No Way Home, Holland’s new film looks set for an easy win over Presidents Day weekend, with a very good shot of posting the biggest weekend of 2022 so far.
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Although still early in the year, we have our first 2022 film debuting in over 4,000 theaters, and first to do since Spider-Man: No Way Home opened in 4,336 locations back in mid December. This week’s widest release, Uncharted, arrives in 4,275 theaters as it kicks off its theatrical run (Tom Holland seems to be popular these days, huh?). Two other wide releases make their way into theaters this holiday weekend in the way of a buddy comedy and a horror feature.
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Street-smart thief Nathan Drake is recruited by seasoned treasure hunter Victor “Sully” Sullivan to recover a fortune lost by Ferdinand Magellan 500 years ago. What starts as a heist job for the duo becomes a globe-trotting, white-knuckle race to reach the prize before the ruthless Moncada, who believes he and his family are the rightful heirs. If Nate and Sully can decipher the clues and solve one of the world’s oldest mysteries, they stand to find $5 billion in treasure and perhaps even Nate’s long-lost brother… but only if they can learn to work together.
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Spider-Man: No Way Home arrives in theaters in a big way this weekend, landing in a stellar 4,336 locations. That count places it as the second-widest release of the year, behind No Time to Die’s 4,407 and in front of Ghostbusters: Afterlife’s 4,315. This latest Spider-Man feature again pairs director Jon Watts and Tom Holland (as Spider-Man) from 2019’s Spider-Man: Far From Home; a film that went on to score over $1 billion worldwide. Spider-Man: No Way Home carries a $200m budget, eclipsing its predecessor by $40m. Also making its theatrical debut this week is Nightmare Alley. The neo-noir psychological thriller directed by Guillermo del Toro is set to release in 2,145 locations. The film, which is based on the 1946 novel of the same name by William Lindsay Gresham contains a bevy of top Hollywood actors.
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This weekend will be a pleasant change from the last one at the box office as we see two new wide releases make their way into North American theaters. Both are starting out with targeted releases, rather than opening as wide as possible. The one with the largest release is the romantic musical West Side Story, which is directed by Steven Spielberg and stars a distinguished ensemble cast including Ansel Elgort and Ariana DeBose. West Side Story will open in 2,820 locations. Also new this week is National Champions. The film from STX Entertainment follows a star collegiate quarterback who ignites a players’ strike hours before the biggest game of the year in order to fight for fair compensation, equality, and respect for the athletes who put their bodies and health on the line for their schools. Arriving in 1,197 locations, National Champions stars Stephan James and J.K. Simmons, along with an array of cameos from the NFL and sports world.
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Todd Hewitt lives on the distant planet of New World—a new hope for humanity until struck by “The Noise,” a virus which inflicts immersive visions of ones’ every thought. The cacophony drives many mad until Todd makes a hidden, silent discovery: there is a girl named Viola, who may be the key to unlocking New World’s many layered secrets. Together, the two unlikely companions are forced on a white-knuckle adventure into an unexplored planet—trying to escape and hide in an environment where all thought is heard, all movement seen—as they both discover the truth about the lives they left behind and the spectacular world they’ve learned to call home.
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The box office had mixed results during February with Birds of Prey missing expectations by a huge margin, but Sonic the Hedgehog did well enough to almost make up the difference. This March, there are three films that will almost certainly reach $100 million domestically: Onward, A Quiet Place: Part II, and Mulan. In fact, all three at least have a slim shot at $200 million domestically. By comparison, last MarchCaptain Marvel was released, which earned more than $400 million, while Us and Dumbo earned close to $300 million combined. I don’t think the top three films this year will match last year’s top three, or even come particularly close, and I fear 2020 will fall behind 2019 in the year-over-year comparison. So much for that lead 2020 built up in January.
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Frozen II wasn’t the only box office hit to debut in November, but it was by far the largest. It helped save November and kept 2019 from turning completely sour at the last minute. As for December, we have several potential $100 million hits, plus a couple of monster hits. There are some who think Star Wars: The Rise of Skywalker will be the biggest domestic hit released in 2019, but most think it will have to settle for second place. Jumanji: The Next Level should also be a monster hit, even if it doesn’t come really close to its predecessor. As for last December, Aquaman was the undisputed champion, earning almost as much as the next twofilms combined. Jumanji could top Aquaman at the box office, while we could also have more $100 million films than we had last year. Add in Star Wars and the year should end on a really positive note, making up for the extended slumps we had to deal with through a lot of the year. 2019 won’t be able to close the gap entirely, but it will do enough that we will be able to celebrate.
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Spider-Man: Far From Home was the first installment in the M.C.U. to come out after Endgame. It not only needs to tell a story by itself, it has the unenviable goal of setting up the post-Infinity Stones era of the M.C.U. Is it able to accomplish both of these tasks?
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Super spy Lance Sterling and scientist Walter Beckett are almost exact opposites. Lance is smooth, suave and debonair. Walter is… not. Walter is a great mind but perhaps not a great socializer. What he lacks in social skills though, he makes up for in smarts and invention: Walter is the scientific genius who invents the gadgets Lance uses on his missions. But when events take an unexpected turn, Walter and Lance suddenly have to rely on each other in a whole new way. And if this odd couple can’t learn to work as a team, the whole world is in peril.
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Super spy Lance Sterling and scientist Walter Beckett are almost exact opposites. Lance is smooth, suave and debonair. Walter is… not. Walter is a great mind but perhaps not a great socializer. What he lacks in social skills though, he makes up for in smarts and invention: Walter is the scientific genius who invents the gadgets Lance uses on his missions. But when events take an unexpected turn, Walter and Lance suddenly have to rely on each other in a whole new way. And if this odd couple can’t learn to work as a team, the whole world is in peril.
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Avengers: Infinity War and its still unnamed sequel are the culmination of ten years of the MCU. This is a massive undertaking, even more so than the first Avengers movie, and with the MCU’s outstanding track record with critics and moviegoers alike, expectations couldn’t be higher. Can the movie possibly live up to expectations? Or was it destined to disappoint?
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Like we did with The Force Awakens, we are going to do a spoiler-free, detail-free review for Avengers: Infinity War. In other words, we are going to rate all of the movies in the MCU to see where Infinity War and the rest fit into place.
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Well, March has ended and it was a very disappointing month. Black Panther made more than any of the new releases did. The only potential big hit that didn’t miss expectations was Ready Player One. Because of this, 2018 lost its lead over 2017 and is now over $100 million behind last year’s pace. April is usually a terrible month, because it is a dumping ground, especially late in the month. No studio wants to compete with the first monster hit of the Summer. This year, the first monster hit of the summer, Avengers: Infinity War, opens in April. It will make more during its opening weekend than any other April release will make in total. It might make more opening day than any other April release will make in total. The only film that has a real chance to earn more than $100 million is Rampage, a video game adaptation. Last April, The Fate of the Furious earned more than $1.2 billion worldwide, but “only” earned $225.76 million of that domestically. Infinity War should earn more than that opening weekend. The second biggest hit of last April was Smurfs: The Lost Village and Going in Style, both of which earned $45.02 million. If 2018 doesn’t retake the lead by the end of the month, then 2018 is in trouble at the box office.
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It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, and normally franchise box sets as well, but this year none jump out as essential additions to the Holiday Gift guide. Worse still, 2017 has been awful at the box office with potential blockbuster after potential blockbuster getting savaged by critics and struggling at the box office. Additionally, some of the biggest and some of the best have been on the home market for nearly half a year, meaning nearly everyone who would want them, already own them. That doesn’t mean there are no films worth adding to this list, but the list is a little shorter than usual. On a side note, two of the films on this year’s list are from the MCU and it would have been three, but Thor: Ragnarok is still in theaters. If you know someone who loves the MCU, but has all of the movies, then check out this site, which has some more unique gift ideas. I specifically like the Spider-man Drone.
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It was a terrible summer at the box office, but Spider-Man: Homecoming was one of the few bright spots. It was one of three films to cross $300 million domestically and has a slim shot at finishing in the top five for the year. Does it deserve this success? Or did it thrive just because it’s part of the MCU?
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I hate it when the first of the month lands on a Saturday. By the time this story goes live, we will still have almost no box office data for Despicable Me 3, so we won’t know if June ended on a positive note. Fortunately, Wonder Woman beat expectations and might end up as the biggest hit of the summer, at least for a little while. July begins with Spider-Man: Homecoming, which should make at least $300 million and is the last film being released this summer that has a shot at being a $400 million hit domestically. It is very likely that nothing else this month will come within $100 million of that movie, so that could help its legs. There are a few potential $100 million hits, including War for the Planet of the Apes, Dunkirk, and a couple of other long shots. Last July had a similar feel with The Secret Life of Pets topping the list with well over $300 million, while there were five other $100 million hits. This July would have to beat expectations substantially to match this performance. I’m not confident 2017 will be able to maintain its pace at the box office. I’m worried at least one big film will struggled and 2017 will end the month behind 2016’s pace.
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The BAFTA winners were announced on Sunday and there were very few surprises to talk about. La La Land again won the most awards with five, while only two other films, Lion and Manchester by the Sea, earned more than one award. They each won two.
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The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece.
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November ended on a positive note with a strong Thanksgiving weekend. Even so, the overall numbers were mixed with a lot of misses mixed in with a few hits. It was better than October and we will call that a victory. Meanwhile, December is potentially record-breaking. Actually, given the evidence, it is almost assuredly going to be record-breaking. Star Wars: The Force Awakens has already set a record for the most money taken from ticket pre-sales and the biggest December weekend will fall. The pre-orders alone will guarantee that. On the downside, it is very likely that no film will make as much in total as The Force Awakens will make during its opening weekend. There's a chance no film makes in total as much as The Force Awakens makes during its opening day. There are a few films that have a shot at $100 million. For example, Joy should get there, if it becomes a major player during Awards Season. If not, it will at least come close. Daddy's Home, and to a lesser extent Sisters, could be surprise $100 million hits. However, like the rest of 2015, December is shaping up to be a month of a record-breaking hit and a lot of films that struggle just to get noticed. On the other hand, last December, was a lot more balanced at the top with four films earning more than $100 million, led by The Hobbit: The Battle of the Five Armies. There's a chance The Force Awakens earns more than all four $100 million hits from last year earned combined.
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How I Live Now is based on a 2004 Young Adult novel, which puts it in a category that includes nearly all films made in the past decade or so. That's exaggerating, but it is one of the crowded genres today with numerous examples coming out each year. How I Live Now wasn't one of the more lucrative examples. In fact, it opened in limited release missing the Mendoza Line before quickly disappearing from theaters. Granted, it was also a Video on Demand premiere so that has a serious effect on box office numbers. Should it have performed better? Or does it suffer from too many of the clichés of the genre.
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