South Korea Box Office for Yip Man 4 (2019)

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Yip Man 4
Theatrical Performance (US$)
South Korea Box Office $502,279Details
Worldwide Box Office $192,617,891Details
Home Market Performance
North America DVD Sales $1,063,803 Details
North America Blu-ray Sales $2,413,978 Details
Total North America Video Sales $3,477,781
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Ip Man’s life remains unchanged after his wife’s death, but he and his son are slowly drifting apart. To seek a better future for his son, Ip Man decides to travel to the U.S. only to find the stable, peaceful life abroad is only skin deep. Underneath lies a deep rooted racial discrimination that is far worse than he has expected. Ip Man re-examines his position and ponders on the reason he took up martial arts in the beginning.

Metrics

Movie Details

South Korea Releases: April 1st, 2020 (Wide)
Video Release: April 21st, 2020 by Well Go USA Video
MPAA Rating: Not Rated
Running Time: 105 minutes
Franchise: Ip Man
Keywords: Martial Arts, Biography, Sports Action, Non-Drama Biographies, 1960s, Set in San Francisco, Asian-Americans, Immigration, Cancer, Terminal Illness, Martial Arts Master
Source:Based on Real Life Events
Genre:Action
Production Method:Multiple Production Methods
Creative Type:Historical Fiction
Production/Financing Companies: Tin Tin, Well Go USA Entertainment
Production Countries: Hong Kong
Languages: Cantonese

DEG Watched At Home Chart: Bad Boys Continues Sony’s Good Year

April 30th, 2020

Bad Boys for Life

Bad Boys for Life rose to first place on this week’s DEG watched at home chart, thanks to its release on DVD and Blu-ray. This wasn’t Sony’s only entry in the in the top five. In fact, the studio was tied with Disney / Fox with five in the top twenty. More...

DVD and Blu-ray Releases: Bad Boys and The Gentlemen New on Disc

April 21st, 2020

Looking for Alaska

It’s a tough week for new releases on physical disc, although not because of the quality of the new releases. In fact, there are several new releases that I’m interested in. However, Amazon is having issues that’s making it hard to research this column. The biggest release on this week’s list is Bad Boys For Life, but I’m still waiting for the screener for that movie. Guy Ritchie’s The Gentlemen is also a welcome new major release.

The review DVD for Looking for Alaska did arrive, but not until Monday, so the review will have to wait. That said, it has some of the best reviews on this week’s list, and solid extras, which is enough to be the only real contender for Pick of the Week. More...

Theater Averages: 1917 Keeps Racing to the Top

January 15th, 2020

1917

It’s rare for a film to remain in the $10,000 club for three weeks in a row, especially when they expand. However, 1917 managed this rare feat at the weekend with an average of $10,775, despite now playing in well over 3,000 theaters. More...

Theater Averages: 1917 Helps 2020 Start on a Strong Note

January 9th, 2020

1917

There were three films in the $10,000 club, all of them holdovers. 1917 led the way with an average of $56,154 in 11 theaters, which is 7% higher than its opening weekend. I’m very excited for its wide expansion this weekend. On the other hand, Just Mercy fell to an average of $19,154 in four theaters. That’s still good, but perhaps not good enough to thrive in wide release. We finally got numbers for Ashfall as its distributor was closed over the Christmas break. The film earned an average of $16,198 in two theaters during its third weekend of release. More...

Theater Averages: 1917 Helps 2019 End on a Strong Note

January 2nd, 2020

1917

Only four limited release announced box office numbers for the final weekend of 2019, but all four were in the $10,000 club. 1917 led the way with an average of $52,383 in 11 theaters. That was over the three-day weekend. It earned over $1 million during its five-day debut. Just Mercy was well back with an estimated average of $27,250 in four theaters over the three-day weekend. Ip Man: The Finale will probably turn out to be poorly named, because the movie earned over $1 million over the three-day weekend and earned an average of $20,850. I’m sure someone is trying to figure out how to continue the franchise, despite the Finale part of the name. Clemency was next with an average of $17,682 in two theaters. The final film in the $10,000 club was Star Wars: The Rise of Skywalker, which earned an average of $16,430 during its second weekend of release. More...

International Box Office: Skywalker Remains Sky High in Last Weekend of 2019

January 1st, 2020

Star Wars: The Rise of Skywalker

Star Wars: The Rise of Skywalker remained on the top of the international chart with an impressive $94.3 million in 52 markets for totals of $363.0 million internationally and $725.2 million worldwide. It got to $750 million worldwide on Monday. The film has had strong runs in a number of major markets, including the U.K. ($51.4 million); Germany ($44.1 million); France ($34.7 million); Japan ($29.2 million); and Australia ($21.2 million). The film opens in Vietnam this weekend and South Korea next weekend, but that’s the end of its run. It will get to $1 billion worldwide, which is more than enough to ensure a healthy profit, but it is far below initial expectations. More...

Christmas Releases: Little Women hopes to have a Large Opening Day

December 24th, 2019

Little Women

It’s a Tuesday Christmas Eve, and that makes for a challenging situation for box office prognosticators, with Wednesday releases adding to the difficulties. Because of that, I am going to combine the weekend predictions and the limited releases into one shorter column. I will talk about all new releases / expansions for this week without going into detail over their box office chances. Look for a more comprehensive prediction column Thursday as usual. The biggest of the Christmas Day releases should be Little Women; however, that film is making big push for awards, and will likely have very long legs as a result. Conversely, Spies in Disguise is a rare family film opening on Christmas, which makes it a real wild card. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/04/03 1 $148,993   206 $723   $220,149 1
2020/04/10 2 $96,908 -35% 200 $485   $384,522 2
2020/04/17 8 $38,403 -60% 148 $259   $469,367 3
2020/04/24 - $18,569 -52% 103 $180   $502,279 4
2020/05/01 - $1,725 -91% 15 $115   $1,488 5
2020/05/08 - $1,538 -11% 4 $385   $1,302 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 12/20/2019 $202,515 48 54 287 $893,325 12/29/2020
China 12/19/2019 $47,190,000 126344 126344 453619 $171,950,000 5/11/2020
France 7/24/2020 $370,439 359 359 714 $709,962 8/7/2020
Germany 11/29/2019 $0 0 151 151 $176,922 3/14/2020
Hong Kong 12/20/2019 $958,911 0 0 0 $3,725,263 1/20/2020
New Zealand 12/20/2019 $44,038 23 30 138 $174,463 10/19/2022
North America 12/25/2019 $1,459,523 70 125 428 $3,956,031
South Korea 4/1/2020 $148,993 206 206 676 $502,279 5/14/2020
Turkey 1/1/2020 $131,866 251 251 592 $343,019 10/19/2022
United Kingdom 12/27/2019 $114,270 32 32 73 $256,874 1/29/2020
 
Rest of World $9,929,753
 
Worldwide Total$192,617,891 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Donnie Yen    IP Man

Supporting Cast

Scott Adkins    Barton Geddes
Danny Chan*    Bruce Lee
Wu Yue    Wan Zong Hua
Vanness Wu    Hartman Wu
Chris Collins    Collins Father
Kent Cheng   
Kanin Ngo   
Vanda Margraf    Yonah

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Wilson Yip    Director
Edmond Wong    Screenwriter
Dana Fukazawa    Screenwriter
Chan Tai-lee    Screenwriter
Jill Leung    Screenwriter
Donnie Yen    Producer
Raymond Wong    Producer
Edmond Wong    Executive Producer
Anita Wong    Executive Producer
Kenneth Mak    Production Designer