Argentina Box Office for Monster Trucks (2016)

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Monster Trucks
Theatrical Performance (US$)
Argentina Box Office $528,685Details
Worldwide Box Office $61,642,798Details
Home Market Performance
North America DVD Sales $5,857,930 Details
North America Blu-ray Sales $3,940,543 Details
Total North America Video Sales $9,798,473
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Looking for any way to get away from the life and town he was born into, Tripp, a high school senior, builds a Monster Truck from bits and pieces of scrapped cars. After an accident at a nearby oil-drilling site displaces a strange and subterranean creature with a taste and a talent for speed, Tripp may have just found the key to getting out of town and a most unlikely friend. Melding cutting edge visual effects and state-of-the-art CGI, Monster Trucks is an action filled adventure for the whole family that will keep you on the edge of your seat and ultimately touch your heart.

Metrics

Movie Details

Production Budget:$125,000,000
Argentina Releases: February 24th, 2017 (Wide)
Video Release: March 28th, 2017 by Paramount Home Video
MPAA Rating: PG-13 for action, peril, brief scary images, and some rude humor.
(Rating bulletin 2454 (Cert #49981), 12/7/2016)
Running Time: 104 minutes
Keywords: Monster, Monster Trucks, Friendly Alien on Earth, Development Hell, 3-D, 3-D - Post-production Conversion, Family Adventure, Corporate Malfeasance
Source:Original Screenplay
Genre:Adventure
Production Method:Animation/Live Action
Creative Type:Science Fiction
Production/Financing Companies: Paramount Pictures, Nickelodeon Films, Disruption Pictures
Production Countries: United States
Languages: English

Home Market Releases for April 11th, 2017

April 12th, 2017

Hidden Figures

It is another shallow week on the home market. There are a number of Oscar-contenders on this week’s list, but the quality quickly drops off from that point. A couple of releases are contenders for Pick of the Week, but it is mostly filler. The best of this week’s list was Hidden Figures on Blu-ray and it is the Pick of the Week. More...

Weekend Wrap-Up: Split’s $40.01 million Helps Box Office Soar

January 24th, 2017

Split

Split dominated the weekend box office earning $40.01 million, which is nearly double predictions and nearly double its nearest competition, xXx: Return of Xander Cage. The overall box office still shrunk from last weekend, but it was down just 3.2%, which is excellent for a post-holiday weekend. Compared to this weekend last year, 2017 was 27% stronger. Year-to-date, 2017 is still behind 2016, but that gap has closed to 9.4% at $736 million to $812 million. More...

Friday Estimates: In a Surprise Twist, Split’s a Hit with $14.6 million

January 21st, 2017

Split

Split easily won on Friday, doubling its nearest competition, and earning $14.6 million. This is the best opening day for M. Night Shyamalan since The Last Airbender opened in 2010. Its reviews are 76% positive, and it earned a B+ from CinemaScore, which is good for a horror film. This puts it on pace for an opening weekend of $34 million, which is more than it cost to make and advertise. If the film can match this during the rest of its run, then it will break even on its domestic numbers alone. More...

Weekend Wrap-Up: Hidden Figures Really Helps the Box Office with $27.51 million

January 18th, 2017

Hidden Figures

As expected, Hidden Figures remained in first place as the box office was dominated by holdovers. The best of the new releases / wide expansions was The Bye Bye Man, which earned fifth place with $15.20 million. On the positive side, while there was only one film to earn more than $20 million over the weekend, there were seven that earned $10 million or more. That’s really good depth. It’s good enough for an 8.5% increase from last weekend reaching $149 million. However, this is still 10% lower than the same weekend last year. Year-to-date, 2017 is behind 2016 by 15% at $562 million to $659 million, but again, it is way too soon to make any predictions. More...

Weekend Estimates: Hidden Figures wins MLK Weekend

January 15th, 2017

Hidden Figures

A pile-up at the box office this weekend will leave a crush of new releases behind Hidden Figures and La La Land, which remain the top two films at the box office. Hidden Figures will be down just 10% (in part thanks to expanded distribution) to $20.45 million, for $54.8 million in total, as of Sunday evening. Fox is projecting a $25.3 million 4-day weekend for the film. La La Land is even more impressive, growing its box office by 43% and moving from fifth to second on the chart with $14.5 million, and $74.1 million to date. It’s record-breaking performance at the Golden Globes has clearly lifted it to another level with audiences. More...

Friday Estimates: Hidden Hogs the Spotlight

January 14th, 2017

Hidden Figures

Hidden Figures unexpectedly led the way on Friday with $5.53 million. This is 28% lower than last Friday, but that was the film’s first weekend wide and this is a holiday weekend, so it should bounce back a lot over the rest of the weekend. Award-worthy reviews and continued Awards Season presence will also help the film earn about $23 million over the four-day weekend. Its running tally will be about $57 million on Monday, putting it on pace for $100 million domestically. More...

Thursday Night Previews: Is Patriots Day Going Bye Bye with $560,000?

January 13th, 2017

Patriots Day

Patriots Day earned $560,000 from 2,000 theaters during its Thursday previews. This is less than half of what Hidden Figures made last week. Worse still, Patriots Day’s target audience should be more likely to go see a film’s previews than Hidden Figures’ target audience would be. That said, it is still a holiday weekend and it should bounce back over the next few days. I think it will miss our predictions, but it should come close with about $19 million. More...

Weekend Predictions: Will the Patriots Win the Weekend? Or Will Hidden Remain Up Front?

January 12th, 2017

Patriots Day

Six films are opening or expanding this weekend, which have a shot at the top ten. However, only one of them, Patriots Day, has a real shot at first place. In fact, it might be the only “new” film in the top five. The biggest wide release of the week is Monster Trucks, which is opening in 2,800 theaters. I didn’t see that coming. [Ed.: The final announced theater count for Monster Trucks is an even more impressive 3,119] Meanwhile, Sleepless is only opening in 1,800 theaters, while Silence is expanding into 750 theaters. We still haven’t mentioned all of the new films. As for holdovers, Hidden Figures has a real shot at first place, while La La Land should get a boost from its Awards Season success. This weekend last year, Ride Along 2 opened with just over $35 million over the three-day weekend. There’s no film that will match that figure during the four-day weekend. On the positive side, there were only four films that earned more than $10 million during the three-day weekend and this year we should have five. That’s not enough to win in the year-over-year competition. It likely won’t even be close. More...

2017 Preview: January

January 1st, 2017

xXx: Return of Xander Cage

December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/24/2017 $199,458 0 0 0 $528,685 1/1/2019
Australia 1/13/2017 $1,066,080 241 241 1433 $3,993,347 3/23/2017
Brazil 2/24/2017 $408,034 0 0 0 $1,455,997 6/26/2018
France 12/30/2016 $654,276 0 0 0 $836,311 8/17/2018
Germany 1/27/2017 $433,141 0 0 0 $1,562,575 6/29/2018
Italy 5/5/2017 $35,023 0 0 0 $35,023 5/11/2017
Malaysia 1/13/2017 $450,000 0 0 0 $450,000 1/18/2017
Mexico 1/4/2017 $1,079,545 0 0 0 $3,428,117 10/12/2018
New Zealand 1/13/2017 $67,944 58 58 304 $305,185 3/27/2017
North America 1/13/2017 $10,950,705 3,119 3,119 12,225 $33,370,166
Poland 1/20/2017 $148,835 0 0 0 $608,185 1/1/2019
Russia (CIS) 1/6/2017 $2,473,781 884 884 2501 $4,282,386 1/1/2019
Spain 1/6/2017 $315,955 290 290 1096 $964,100 3/30/2017
United Kingdom 12/29/2016 $2,129,569 471 471 1382 $4,418,549 9/17/2018
Vietnam 2/2/2017 $642,000 0 0 0 $642,000 12/20/2018
 
Rest of World $4,762,172
 
Worldwide Total$61,642,798 1/1/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Lucas Till    Tripp
Danny Glover    Mr. Weathers
Jane Levy    Meredith
Rob Lowe    Reece Tenneson
Frank Whaley    Wade Coley

Supporting Cast

Amy Ryan    Cindy
Holt McCallany    Burke
Thomas Lennon    Jim Dowd
Barry Pepper    Sheriff Rick
Aliyah O'Brien    Junior Scientist
Samara Weaving    Brianne
Tucker Albrizzi    Sam Geldon
Faustino Di Bauda    Roughneck
Jedidiah Goodacre    Jake
Cinta Laura    Ariel
Daniel Bacon    Technician
Ruairi MacDonald    9th Grader
Chris Gauthier    Mr. Geldon
Scott Patey    Deputy
Ryan Cowie    Deputy
Adrian Formosa    Security Merc
Maja Aro    Pretty Woman in Car
Philip Granger    Used Car Lot Owner
Daniel Boileau    Car Lot Associate
Alex Kliner    Grandpa
Pat Waldron    Grandma
Ryver Stone    Little Boy in Restaurant
Peter New    Taxi Cab Driver
Simon Chin    Security Guard
Devielle Johnson    Terravex Security Guard
Christian Sloan    Driver
Jordana Largy    Tenneson’s Secretary
Ian Carter    Oil Executive
Howard lai    Engineer
Candice Zhao    Executive
Jagen Johnson    Terravex Worker
Giacomo Baessato    Special Agent

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Chris Wedge    Director
Derek Connolly    Screenwriter
Matthew Robinson    Story by
Jonathan Aibel    Story by
Glenn Berger    Story by
Denis L. Stewart    Producer
Mary Parent    Producer
Cale Boyter    Executive Producer
Jonathan Aibel    Executive Producer
Glenn Berger    Executive Producer
Don Burgess    Director of Photography
Andrew Menzies    Production Designer
Conrad Buff    Editor
Tish Monaghan    Costume Designer
David Sardy    Composer
Spiro Razatos    Second Unit Director
Igor Meglic    Second Unit Camera
Andy Gill    Stunt Coordinator-Second Unit
Lee Gilmore    Sound Effects Editor
Jacob Riehle    Dialogue Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.