Mexico Box Office for La maldición renace (2019)

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The Grudge
Theatrical Performance (US$)
Mexico Box Office $1,872,870Details
Worldwide Box Office $49,503,117Details
Home Market Performance
North America DVD Sales $638,701 Details
North America Blu-ray Sales $421,171 Details
Total North America Video Sales $1,059,872
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A house is cursed by a vengeful ghost that dooms those who enter it with a violent death.

Metrics

Movie Details

Production Budget:$10,000,000
Mexico Releases: February 14th, 2020 (Wide), released as La maldición renace
Video Release: March 10th, 2020 by Lionsgate Home Entertainment
MPAA Rating: R for disturbing violence and bloody images, terror and some language.
(Rating bulletin 2600 (Cert #52323), 10/16/2019)
Running Time: 94 minutes
Franchise: Grudge
Keywords: Haunted House, Haunting, Reboot, Delayed Sequel, Supernatural Horror, Supernatural, Curses, Possessed, Suicide, Non-Chronological, 2000s, Terminal Illness, Faulty Memory, Police Detective
Source:Based on Movie
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Screen Gems, Stage 6 Films, Ghost House Pictures
Production Countries: United States
Languages: English

Home Market Releases for March 24th, 2020

March 23rd, 2020

Leave Her to Heaven

The COVID-19 outbreak had basically ended the theatrical market with most theaters closed. Only drive-ins are showing any signs of life. Unfortunately, this is having an effect on the home market as well, some of it positive, some of it very negative. There is a rush to get movies from theaters to the home market and that’s helping improve the list this week. On the other hand, uncertainty with supply chains and stores being open means we could have a very short list next weekend, and next month. There are some big releases this week, including 1917, while Birds of Prey leads the VOD list. However, for Pick of the Week, I went with a much older film, Leave Her to Heaven, which is getting a Criterion Collection release this week. More...

Home Market Releases for March 10th, 2020

March 11th, 2020

Love Chunibyo and Other Delusions

It’s another terrible week on the home market. There are a couple of Oscar-bait releases to talk about, but neither are Pick of the Week contenders, at least in my opinion. There are no movies that are anything more than midlevel hits. The best new release of the week, at least in my opinion, is Love, Chunibyo & Other Delusions: Ultimate Collector’s Edition Blu-ray. More...

Weekend Estimates: Bad Boys Enjoy Life at the Top

February 2nd, 2020

Bad Boys for Life

Bad Boys for Life is extending its run at the top of the chart the weekend with Sony projecting a total of $17.675 million as of Sunday morning. That’s down 48% from last weekend, which is another solid hold, and takes the film to the brink of $150 million at the domestic box office—it’s expected to have around $148 million by close of business. The studio is baking in a big 71% drop today thanks to competition with the Super Bowl, so it may end up doing just a little better than predicted. More...

Weekend Predictions: The Box Office Looks far from Super

January 31st, 2020

Gretel and Hansel

It is Super Bowl weekend, which is one of the biggest media events of the year. Even people who have no interest in the NFL tend to at least pay attention to the game. Because of that, no studio wants to release a typical film this time of year and instead focus on counter-programming, usually female-led counter-programming. Neither The Rhythm Section nor Gretel and Hansel are expected to challenge Bad Boys for Life for first place, but the pair could be in a close race with each other. This weekend last year, no movie earned $10 million or more, while Miss Bala opened with less than $10 million. 2020 should end the month on a huge winning note. More...

Weekend Estimates: Bad Boys are Doing Well

January 26th, 2020

Bad Boys for Life

Bad Boys for Life will remain in first place on the weekend chart with an estimated $34.0 million, which is down just 46% from the film’s opening weekend. This amazing hold not only beat predictions by a significant margin, it helped the film blow past $100 million yesterday. Its running tally will sit at $120.0 million at the end of the weekend, assuming the estimate holds. Internationally, the film held even better, earning $42 million on 12,700 screens in 58 markets for a total of $95 million so far. This includes a $4.7 million debut in Russia, as well as a $3.5 million hold in the U.K. The film is already ahead of the franchise average, both domestically and globally, while it is rapidly approaching first place in both. At this rate, not only will there be yet another sequel, I could see a spin-off happening as well. More...

Friday Estimates: Audiences Turn Away from New Releases

January 25th, 2020

Bad Boys for Life

Bad Boys for Life remained in first place earning $8.93 million on Friday, down 62% from its opening Friday. This is significantly better than anticipated and it means the film could fall less than 50% during the full weekend. Regardless, the film will reach $100 million domestically tonight, becoming the first film released in 2020 to get to that milestone. Obviously it won’t be the last. More...

Weekend Predictions: The Box Office will have a Gentle Weekend

January 23rd, 2020

The Gentlemen

It is a post-holiday weekend and the weekend before the Super Bowl. Needless to say, there are no prime releases coming out in theaters. The Gentlemen is the widest release of the week a should open in the top five, even if it doesn’t compete for top spot. The Turning is a low-budget horror movie, and we’ve already had one of those struggle at the box office this year. There’s little hope this one will be better. Finally, there’s The Last Full Measure, which is only opening nationwide, not even semi-wide. It’s not even going to make the top ten, so we will talk about that film with the other limited releases. This leaves Bad Boys for Life as the only real contender for first place this weekend. The question is more about how far it falls from last weekend. As for this weekend last year, we were in a similar situation with the two new releases, The Kid Who Would Be King and Serenity, failing to make any real impact, leaving Glass in first place for the second weekend in a row. The Upside was the only other film to earn more than $10 million that weekend, while this weekend we will have four, perhaps even five films above $10 million. 2020 should walk away with an easy win. More...

Weekend Wrap-Up: Star Wars Earns Trilogy of Wins with $34.5 Million

January 7th, 2020

Star Wars: The Rise of Skywalker

2020 got off to a great start with The Grudge opening better than expected, while most of the holdovers also held strong. Granted, it is still a post-holiday weekend and the total box office did fall 28% from last weekend earning $142 million. However, this is 2.4% higher than the first weekend of last year and that’s a much more important figure. It’s way too early for the year-to-date comparisons to matter, but 2020 did get off to a faster start than 2019 did and has a 7.7% / $17 million lead at $231 million to $215 million. Again, it is way too early to make any predictions, but any victory now will make it easier for 2020 to keep pace with last year during the inevitable slow times. More...

Weekend Estimates: Skywalker Slips on Saturday, Still Scores First Place

January 5th, 2020

Star Wars: The Rise of Skywalker

Star Wars: The Rise of Skywalker isn’t going to live up to projections based on Friday estimates, but it is still expected to land a little north of weekend predictions with an estimated weekend haul of $33.74 million for a three-week total of $450.80 million. A 53% decline at this time of year isn’t a great result and it is clear the film’s reviews and its mere B plus from CinemaScore are not doing it any favors. That said, it is still one of the biggest hits released in 2019, both domestically and worldwide. Internationally, the film is pulling in $50.5 million in 53 markets for totals of $468.0 million internationally and $918.8 million worldwide. The film had no major market openings this weekend, but it debuts in South Korea and the Philippines this coming weekend and that should help it hit $1 billion worldwide. More...

Friday Estimates: Skywalker is still Sky High, Grudge Makes Many Moviegoers Mad

January 4th, 2020

Star Wars: The Rise of Skywalker

It looks like it is going to be a good weekend at the box office, as Star Wars: The Rise of Skywalker is beating expectations at the box office, and it isn’t the only film to do so. The latest in the Star Wars franchise earned an estimated $11.0 million on Friday, putting it on pace for $37 million over the full weekend. The film needed about $31 million to remain on pace to hit $500 million domestically, so with this result, it is no longer a matter of if it will get there, but how fast it will get there. On the other hand, this is not enough to make a realistic run at The Lion King for second place on the 2019 domestic chart. More...

Thursday Night Previews: Grudge Grabs $1.8 million in Previews

January 3rd, 2020

The Grudge

The Grudge is the only new wide release, so that should have given it an advantage this weekend and its previews suggest that will be the case. The film managed $1.8 million from previews on Thursday, which isn’t that far behind the $2.3 million Escape Room earned during its previews this time last year. Granted, its reviews are not going to be a selling point, but even so, the film has an excellent shot at topping my $10 million prediction by a huge margin. It looks like 2020 will get off to a fast start. More...

Weekend Predictions: Can the Grudge Hold Audience’s Attention?

January 2nd, 2020

The Grudge

It is the first weekend of the new year and the only wide release to talk about is a low-budget horror movie, The Grudge, with nearly no buzz and almost no reviews. Unfortunately, it has almost no chance of matching last year’s low-budget horror film, Escape Room. Fortunately, this year’s holdovers, led by Star Wars: The Rise of Skywalker, will outpace last year’s holdovers giving 2020 its first win during the first weekend of the year. More...

2020 Preview: January

January 1st, 2020

Bad Boys for Life

It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there. More...

The Grudge Trailer

October 30th, 2019

Horror movie starring Andrea Riseborough opens January 3 ... Full Movie Details.

A house is cursed by a vengeful ghost that dooms those who enter it with a violent death. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/02/14 4 $969,305   0     $969,305 1
2020/02/21 8 $292,351 -70% 0     $1,594,642 2
2020/02/28 - $69,631 -76% 301 $231   $1,817,218 3
2020/03/06 - $13,176 -81% 72 $183   $1,864,968 4
2020/03/13 - $1,369 -90% 11 $124   $1,871,915 5
2020/03/20 - $326 -76% 3 $109   $1,872,870 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/13/2020 $187,334 130 130 242 $346,141 3/17/2020
Aruba 1/2/2020 $1,325 3 3 5 $2,509 1/15/2020
Australia 1/31/2020 $1,490,258 184 184 1509 $1,073,943 8/28/2020
Austria 1/10/2020 $125,984 59 62 254 $331,682 10/19/2022
Bahrain 1/2/2020 $51,718 10 10 19 $111,510 1/29/2020
Belgium 1/15/2020 $116,607 39 39 161 $326,305 2/25/2020
Bolivia 2/13/2020 $15,827 20 20 33 $33,502 3/9/2020
Brazil 2/13/2020 $335,249 468 468 835 $663,514 3/23/2020
Cambodia 1/2/2020 $48,914 68 68 135 $106,862 1/22/2020
Central America 2/13/2020 $89,213 120 120 151 $134,650 3/2/2020
Chile 2/20/2020 $53,981 60 60 102 $107,608 3/17/2020
Colombia 2/13/2020 $157,964 180 180 296 $280,465 3/2/2020
Croatia 1/2/2020 $60,093 54 54 132 $133,374 2/4/2020
Curacao 1/2/2020 $2,641 3 3 8 $7,191 1/22/2020
Czech Republic 1/2/2020 $99,389 101 101 185 $187,260 10/19/2022
Denmark 1/2/2020 $114,653 51 51 152 $269,549 10/19/2022
Dominican Republic 2/27/2020 $8,754 26 26 51 $21,204 3/17/2020
Ecuador 2/14/2020 $104,356 42 42 146 $264,161 3/9/2020
Egypt 1/1/2020 $73,436 22 22 77 $276,548 3/17/2020
Estonia 1/3/2020 $26,387 21 21 48 $62,938 1/29/2020
Finland 1/10/2020 $117,855 60 60 211 $298,028 3/17/2020
France 1/15/2020 $694,387 178 179 781 $1,721,408 2/25/2020
Germany 1/9/2020 $525,991 232 234 1195 $1,265,569 3/11/2020
Greece 1/9/2020 $82,990 46 46 90 $206,394 1/29/2020
Hungary 1/2/2020 $146,382 38 48 188 $329,599 10/19/2022
Iceland 1/3/2020 $11,553 8 8 16 $25,987 1/29/2020
India 1/3/2020 $253,718 532 532 556 $359,684 1/22/2020
Indonesia 12/31/2019 $776,682 589 589 915 $1,318,019 1/29/2020
Iraq 1/2/2020 $19,161 10 10 29 $62,785 2/19/2020
Israel 1/2/2020 $78,896 15 15 96 $277,317 10/19/2022
Italy 2/27/2020 $0 0 9 16 $73,234 7/17/2020
Jamaica 1/1/2020 $7,181 4 4 9 $17,409 1/22/2020
Jordan 1/2/2020 $22,591 4 4 11 $63,500 1/29/2020
Kenya 3/6/2020 $1,258 14 14 19 $1,939 3/17/2020
Kuwait 1/2/2020 $182,224 18 18 38 $422,011 2/12/2020
Latvia 1/3/2020 $9,928 8 8 23 $28,646 2/4/2020
Lebanon 1/2/2020 $33,141 19 19 35 $60,143 2/4/2020
Lithuania 1/3/2020 $60,327 14 14 34 $131,464 1/29/2020
Malaysia 1/2/2020 $278,817 250 320 780 $607,518 2/19/2020
Mexico 2/14/2020 $969,305 0 301 387 $1,872,870 10/19/2022
Middle East Region 1/2/2020 $380,843 13 13 29 $917,656 1/22/2020
Mongolia 1/3/2020 $38,541 9 9 29 $71,954 1/29/2020
Netherlands 1/10/2020 $242,857 73 73 305 $811,906 10/19/2022
New Zealand 1/30/2020 $51,485 44 44 118 $146,359 10/19/2022
North America 1/3/2020 $11,404,113 2,642 2,642 7,144 $21,216,148
Norway 1/24/2020 $120,303 109 109 264 $325,849 3/11/2020
Oman 1/2/2020 $36,356 19 19 31 $58,081 1/22/2020
Pakistan 1/3/2020 $47,578 54 54 177 $161,936 3/9/2020
Paraguay 2/13/2020 $6,369 17 17 22 $9,949 3/9/2020
Peru 2/13/2020 $192,649 123 123 168 $293,703 2/26/2020
Philippines 1/15/2020 $531,194 239 239 556 $1,260,894 2/19/2020
Poland 1/3/2020 $171,062 97 97 252 $386,593 10/19/2022
Portugal 1/1/2020 $105,947 45 45 154 $288,833 10/19/2022
Qatar 1/2/2020 $90,478 13 13 30 $157,109 1/29/2020
Romania 1/3/2020 $180,859 78 78 316 $470,968 3/5/2020
Russia (CIS) 1/16/2020 $1,080,966 865 865 1964 $1,959,284 10/19/2022
Serbia and Montenegro 1/2/2020 $25,271 25 25 77 $62,105 2/25/2020
Singapore 1/2/2020 $93,552 33 33 88 $182,464 2/4/2020
Slovakia 1/2/2020 $74,017 59 59 181 $148,843 6/16/2020
Slovenia 1/2/2020 $15,029 11 12 38 $32,630 4/6/2020
South Africa 1/17/2020 $16,752 15 19 63 $56,776 3/24/2020
Spain 1/1/2020 $452,045 296 307 948 $1,610,449 10/19/2022
Suriname 1/9/2020 $1,792 1 1 4 $5,671 2/12/2020
Sweden 1/3/2020 $297,607 111 111 381 $809,601 3/17/2020
Switzerland 1/9/2020 $102,934 37 37 147 $259,922 3/17/2020
Syria 1/2/2020 $9,416 2 2 4 $16,251 1/15/2020
Taiwan 2/27/2020 $57,941 79 79 208 $154,314 3/24/2020
Thailand 2/13/2020 $92,495 101 101 192 $262,655 10/19/2022
Trinidad 1/1/2020 $32,551 14 14 35 $56,850 1/29/2020
Turkey 2/21/2020 $35,035 167 167 333 $64,965 10/31/2024
Ukraine 1/16/2020 $199,806 290 290 549 $361,739 2/12/2020
United Arab Emirates 1/2/2020 $346,387 62 62 128 $597,392 1/29/2020
United Kingdom 1/24/2020 $603,739 390 390 984 $1,507,511 3/11/2020
Uruguay 2/13/2020 $13,701 9 9 24 $29,030 3/23/2020
Venezuela 2/14/2020 $6,935 46 46 47 $12,632 10/19/2022
Vietnam 1/3/2020 $271,725 209 209 629 $810,242 1/29/2020
 
Rest of World $39,413
 
Worldwide Total$49,503,117 10/31/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Andrea Riseborough    Detective Muldoon

Supporting Cast

Demián Bichir    Goodman
John Cho    Peter
Betty Gilpin    Nina Spencer
William Sadler    Detective Wilson
Frankie Faison    Wiliam Matheson
Tara Westwood    Fiona Landers
Dave Brown    Sam Landers
Lin Shaye    Faith Matheson
Jacki Weaver    Lorna Moody
Junko Bailey    Kayako Ghost
Zoe Fish    Melinda Landers
John Hansen    Burke
Joel Marsh Garland    Detective Greco
Bradley Sawatzky    Officer Michaels
Stephanie Sy    Amnio Nurse
Stephen Ratzlaff    Dr. Maher
Marina Stephenson-Kerr    Woman Neighbor
Maria Grant    Orderly
Nancy Sorel    Agent Cole
Ray Strachan    Agent Horne
Adam Brooks    Agent Palmer
Ernesto Griffith    Psychiatric Hospital Orderly
Tracy Penner    Nurse

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Nicolas Pesce    Director
Nicolas Pesce    Screenwriter
Nicolas Pesce    Story by
Jeff Buhler    Story by
Takashi Shimizu    Screenwriter
Sam Raimi    Producer
Robert Tapert    Producer
Taka Ichise    Producer
Roy Lee    Executive Producer
Doug Davison    Executive Producer
John Powers Middleton    Executive Producer
Schuyler Weiss    Executive Producer
Nathan Kahane    Executive Producer
Erin Westerman    Executive Producer
Brady Fujikawa    Executive Producer
Andrew Pfeffer    Executive Producer
Zachary Galler    Director of Photography
Jean Andre Carriere    Production Designer
Ken Blackwell    Editor
Gardner Gould    Editor
Patricia J. Henderson    Costume Designer
The Newton Brothers*    Composer
The Newton Brothers*    Composer
Kelli Konop    Co-Producer
Romel Adam    Co-Producer
Stephanie Holbrook    Casting Director
Carmen Kotyk    Casting Director
Rhonda Baker    Co-Producer
Eve Stewart    Unit Production Manager
Ronaldo Nacionales    First Assistant Director
Michelle Fitzpatrick    Second Assistant Director
Chris Slater Johnson    Second Assistant Director
Jeff Betancourt    Additional Editor
Rick Skene    Stunt Coordinator
Danielle Depeyre    Script Supervisor
Sara McCudden    Set Decorator
Louis-Rene Landry    Art Director
Edgar Ozolins    Sound Mixer
Tony Kenny    Special Effects Coordinator
J.R. Kenny    Special Effects Coordinator
Sandy Soke    Sets Supervisor
Brandi Boulet    Make up
Neal Baksh    Location Manager
Renee Minasian    Post-Production Supervisor
Brooks Larsen    First Assistant Editor
Eric R. Brodeur    First Assistant Editor
Bryan Parker    Supervising Sound Editor
Jeffrey A. Pitts    Sound Designer
Angelina Faulkner    Dialogue Editor
Paul Bercovitch    Dialogue Editor
Michael Baird    Dialogue Editor
Ron Eng    Dialogue Editor
Susan Dudek    Dialogue Editor
Michael Baird    Sound Effects Editor
Joshua Adeniji    Sound Effects Editor
Igor Yashin    Foley Editor
Ilia Popel    Foley Editor
Rustam Gimadiev    Foley Mixer
Jason Dotts    Re-recording Mixer
Gabe Serrano    Re-recording Mixer
Ben Zales    Music Editor
Nicholas Fitzgerald    Music Editor
Andrew Silver    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.