Nicolas Pesce

Best known as a Director based on credits in that role in 4 films, with $49,700,387 worldwide aggregate box office (rank #1,717)
Best-known technical roles: The Grudge (Director), The Grudge (Screenwriter), The Grudge (Story Creator), The Eyes of My Mother (Director), The Eyes of My Mother (Screenwriter)
Most productive collaborators: Andrea Riseborough, Demián Bichir, John Cho, Betty Gilpin, Jeff Buhler
Born: January 18, 1990 (34 years old)
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesDirector4$21,259,103$28,441,284$49,700,387
Screenwriter3$21,259,103$28,441,284$49,700,387
Story Creator1$21,216,148$28,286,969$49,503,117

Latest Ranking on Selected Box Office Record Lists


2020 Preview: January

January 1st, 2020

Bad Boys for Life

It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there. More...

All Acting Credits



All Technical Credits

Announced (Undated)

Visitation

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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Jan 3, 2020The Grudge Director
Story by
Screenwriter
$21,216,148$28,286,969$49,503,117
Feb 1, 2019Piercing Director
Screenwriter
$15,856$132,875$148,731
Dec 2, 2016The Eyes of My Mother Director
Screenwriter
$27,099$21,440$48,539
 
Averages $7,086,368$9,480,428$16,566,796
Totals 3 $21,259,103$28,441,284$49,700,387


Director Credits


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Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Jan 3, 2020The Grudge $11,404,1132,642$21,216,148$49,503,11742.9%
Feb 1, 2019Piercing $8,75218$15,856$148,73110.7%
Dec 2, 2016The Eyes of My Mother $8,90817$27,099$48,53955.8%
 
Averages $3,807,258892$7,086,368$16,566,79636.4%
Totals 3 $21,259,103$49,700,387


Writer Credits


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Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Jan 3, 2020The Grudge $11,404,1132,642$21,216,148$49,503,11742.9%
Feb 1, 2019Piercing $8,75218$15,856$148,73110.7%
Dec 2, 2016The Eyes of My Mother $8,90817$27,099$48,53955.8%
 
Averages $3,807,258892$7,086,368$16,566,79636.4%
Totals 3 $21,259,103$49,700,387