Turkey Box Office for Asla Gözlerini Kaçırma (2018)

← Go to main Werk ohne Autor page

Werk ohne Autor
Theatrical Performance (US$)
Turkey Box Office $17,680Details
Worldwide Box Office $9,048,951Details
Home Market Performance
North America DVD Sales $189,494 Details
North America Blu-ray Sales $52,075 Details
Total North America Video Sales $241,569
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The story of a young art student, Kurt who falls in love with fellow student, Ellie. Ellie’s father, Professor Seeband, a famous doctor, is dismayed at his daughter’s choice of boyfriend, and vows to destroy the relationship. What neither of them knows is that their lives are already connected through a terrible crime Seeband committed decades ago…

Metrics

Movie Details

Production Budget:$1,400,000
Turkey Releases: February 8th, 2019 (Wide), released as Asla Gözlerini Kaçırma
Video Release: May 14th, 2019 by Sony Pictures Home Entertainment
MPAA Rating: R for graphic nudity, sexuality and brief violent images.
(Rating bulletin 2552 (Cert #51901), 11/7/2018)
Running Time: 189 minutes
Keywords: Romance, 1930s, 1940s, Nazis, Nazis Outside of World War II, Dysfunctional Family
Source:Based on Real Life Events
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Pergamon Film, Wiedemann & Berg, Sony Pictures Classics
Production Countries: Germany
Languages: German

Theater Averages: Hotel Mumbai is Fully Booked

March 28th, 2019

Hotel Mumbai

Hotel Mumbai led the way on the theater average chart with an average of $22,016 in 4 theaters during its opening weekend. The only other film in the $10,000 club was Us with an average of $19,010. More...

2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture

February 24th, 2019

Green Book

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2018 Awards Season: Oscars Nominations: Final Look

February 24th, 2019

The Favourite

It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning. More...

Theater Averages: Everybody Knows it’s a Slow Time for the Theater Average Chart

February 14th, 2019

Everybody Knows

There was only one new release in the $10,000 club this week, Everybody Knows, which earned an average of $17,802 in four theaters. Last week’s winner, Never Look Away, expanded into three theaters earning an average of $12,942. The 2019 Oscar Shorts didn’t make the $10,000 club, but it did earn nearly $1 million in 270 theaters for an average of $3,476, which is a better than 30% increase compared to the previous installment and easily the best of the franchise. Granted, it was also the widest release in the franchise, but this is still a start worth celebrating. More...

Theater Averages: Most New Releases were Left Out in the Cold

February 6th, 2019

Never Look Away

Never Look Away held up well earning $19,033 in its lone theater. Its Oscar Nod is helping, but its real test is when the film tries to expand. The only new release in the $10,000 club was Arctic, with an average of $12,720 in four theaters. More...

Theater Averages: Most Films were Never Looked At

January 31st, 2019

Never Look Away

Never Look Away was the only film to earn a spot in the $10,000 club, as it earned $25,789 in its lone theater. It did earn an Oscar Nod for Best Foreign-Language Picture, so it could do very well in limited release. More...

Limited and VOD Releases: These Releases will Hold Your Attention

January 25th, 2019

Never Look Away

It is not a good week for limited releases. The biggest release is BlacKkKlansman, which is getting a re-release this week. King of Thieves is the biggest new release in terms of buzz, but The Image Book and Never Look Away have better reviews. More...

2018 Awards Season: Oscar Nominations

January 23rd, 2019

The Favourite

The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each. More...

2018 - Awards Season: Golden Globes - Nominations

December 6th, 2018

Vice

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced. More...

Limited and VOD Releases: Christmas Time is Nearly Here

November 30th, 2018

Anna and the Apocalypse

It’s another slow week for new releases, so like last week, I had to be a little more liberal when it came to including films on this list. There are some films that I think could find an audience, including Alanis and Bathtubs Over Broadway. However, Anna and the Apocalypse is the film I’m most interested in seeing. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/02/08 18 $5,858   16 $366   $6,633 1
2019/02/15 17 $4,492 -23% 13 $346   $17,680 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 6/20/2019 $77,382 27 31 292 $660,206 11/19/2019
Czech Republic 4/26/2019 $7,379 39 39 39 $7,828 4/30/2019
Denmark 4/17/2019 $39,061 43 43 43 $55,928 4/24/2019
Germany 10/5/2018 $449,810 0 0 0 $1,169,773 10/20/2018
Italy 10/4/2018 $159,004 0 5 12 $308,827 3/15/2019
Netherlands 1/25/2019 $120,011 55 64 602 $1,180,373 4/30/2019
New Zealand 6/6/2019 $7,415 7 9 57 $42,085 10/19/2022
North America 1/25/2019 $0 1 122 519 $1,303,747 3/15/2022
Portugal 1/18/2019 $7,614 16 16 34 $20,381 2/15/2019
Russia (CIS) 9/5/2019 $17,445 113 113 210 $55,431 10/19/2022
South Korea 2/6/2020 $1,962 1 47 152 $82,379 4/28/2020
Spain 4/5/2019 $97,238 73 73 181 $231,849 5/7/2019
Sweden 3/15/2019 $9,082 15 15 33 $26,841 4/24/2019
Turkey 2/8/2019 $5,858 16 16 29 $17,680 2/21/2019
United Kingdom 7/5/2019 $16,032 11 11 11 $16,032 7/11/2019
 
Rest of World $3,869,591
 
Worldwide Total$9,048,951 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Tom Schilling    Kurt Barnert

Supporting Cast

Sebastian Koch    Professor Carl Seeband
Paula Beer    Ellie Seeband
Oliver Masucci    Professor Antonius van Verten
Saskia Rosendah    Elisabeth May
Ina Weisse    Martha Seeband
Hanno Koffler    Günther Preusser
Joerg Schuettauf    Johann Barnert
Jeannette Hain    Waltraut Barnert
Lars Eidinger    Exhibition Guide Heiner Kersten

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Florian Henckel von Donnersmarck    Director
Florian Henckel von Donnersmarck    Screenwriter
Florian Henckel von Donnersmarck    Producer
Jan Mojto    Producer
Quirin Berg    Producer
Max Wiedemann    Producer
Christiane Henckel Von Donnersmarck    Producer
Christine Strobl    Co-Producer
Dirk Schurhoff    Co-Producer
Caleb Deschanel    Director of Photography
Patricia Rommel    Editor
Silke Buhr    Production Designer
Gabriele Binder    Costume Designer
Max Richter    Composer
Simone Bar    Casting Director
Alexandra Montag    Casting Director