Metrics
Theatrical Performance (US$) | ||
Malaysia Box Office | $424,949 | Details |
Worldwide Box Office | $2,223,048,786 | Details |
Further financial details... |
February 10th, 2023
Magic Mike’s Last Dance launches in a modest 1,550 theaters this weekend—Warner Bros. have not announced a precise figure—but that might be enough for it to pull off a win at the box office. Several films are in with a shot though, including Avatar: The Way of Water, the re-release of Titanic, and maybe even 80 for Brady, which has been perched at the top of the daily chart since last Sunday.
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October 31st, 2019
We are happy to announce that we have added a switch to our custom movie comparison pages that allows for switching between the actual figures and figures adjusted for inflation. The switch, located above the titles when creating a movie comparison chart, can change the Production Budget, Domestic Opening Weekend, Domestic Box Office, International Box Office, and Worldwide Box Office from "Actuals" to "Infl-Adj".
Our Movie Comparison feature creates a custom graph and table of up to 6 films, allowing for the easy comparison of total box office results and a breakdown of the films' daily, weekend, and weekly results. These are also adjusted for inflation at the flick of the switch.
The Movie Comparison tool can be accessed by selecting it from the Research Tools tab at the top of the page or by going to a film's page and selecting "Compare this performance with other movies…" in the film's Box Office tab. For example, if you were curious about the performance of a few of the films that James Cameron has had a hand in writing, you can build a custom chart comparing Avatar, Titanic, and Alita: Battle Angel and adjust the figures for inflation to have an easier time making a realistic comparison.
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December 6th, 2017
It was another stellar weekend at the box office, at least as far as the theater average chart was concerned. The Shape of Water earned an average of $83,282 in two theaters. This is the fourth best of the year so far. Call Me by Your Name was right behind with an average of $73,890 in four theaters. This is by far the best result of the year for a holdover, more than doubling Lady Bird’s sophomore stint. However, Lady Bird expanded its theater count during its second weekend of release, while Call Me by Your Name did not. The Disaster Artist was close behind with an average of $63,755 in 19 theaters. You could argue this was the best result of the week, because the film was playing in many more theaters than the two films above it. Wonder Wheel was well back with an average of $28,111 in five theaters. Normally this would be an amazing start, but this week it won’t make an impact and it could fade away by the end of the year. Finally, Darkest Hour was the final film in the $10,000 club earning an average of $27,093 in four theaters during its second weekend of release.
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December 1st, 2017
It’s an incredibly busy week with about 30 films coming out. However, the vast majority of them have too few reviews to be worth talking about. In fact, there would have been more entries in the secondary VOD than the main list, except I bent the rules a little. There are still some releases that are certainly worth checking out, including The Disaster Artist, The Other Side of Hope, A Bad Idea Gone Wrong, and The Shape of Water. If I were to pick just one, it would easily be The Shape of Water.
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November 23rd, 2012
This weekend is Thanksgiving and as always that means Black Friday and Cyber Monday plus 48 hours of shopping in-between. Unlike most years, I'm only halfway done with my Christmas shopping. So what recent, and not so recent releases are prime candidates for the perfect gift this year? Over the next month, we will go over several dozen possibilities with our annual Holiday Gift Guide, which is divided into into four sections. This week we start with Major Movie Releases. These are first run releases, franchise box sets, etc. However, before we get into the individual titles, we will start with an update on...
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October 2nd, 2012
There was a wide variety of new releases to reach the top ten on the Blu-ray Sales Chart this week. Indiana Jones Blu-ray Box Set opened in first place with 239,000 units / $15.55 million, which is excellent for a box set.
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September 25th, 2012
New releases took the top four or five spots on the Blu-ray Sales Chart this week, it depends on which measure you take, units or revenue. Snow White and the Huntsman led the way in both with 893,000 units / $17.86 million. Its opening week Blu-ray share was 55%, which is excellent, even for a visually impressive film like this. In fact, given its slightly more female demographic, this is an even more impressive result.
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September 11th, 2012
This week is again dominated with TV on DVD releases, including more than half the first page on Amazon.com's list of best-selling new releases. There is one first-run release that is doing really well: Snow White and the Huntsman - Extended Edition on DVD or Blu-ray Combo Pack. It's worth picking up, but not Pick of the Week material. To find contenders for that title, one must look to the TV on DVD releases, including 30 Rock: Season Six and Absolutely Fabulous: 20th Anniversary Specials. But the winner was Castle: Season Four.
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September 10th, 2012
For a long time, Titanic was the highest-grossing movie of all time. It made $600 million while the second highest-grossing film at the time had barely topped $400 million. It made more internationally than any film up to that point had made worldwide. It crushed the competition. It then went on to earn a record-tying 14 Oscar nominations and won a record-tying 11 wins. Everyone has seen this movie. ... Everyone it seems but me. It was recently re-released in a 3D format, and that version of the film made its home market debut on Monday the 10th, and I was going to get it to review, making me one of the few people to have seen the movie first in 3D. Except that 3D version didn't arrive, so I have to review the plain 2D version instead. So is the film as good as its box office? Or is it as bad as the backlash that hit it afterward? And are there any new extras on the Blu-ray to warrant a double-dip?
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September 3rd, 2012
This week is again loaded with TV on DVD releases, including several in the top best sellers according to Amazon.com. The best TV on DVD release in terms of comedy is 2 Broke Girls: Season One on DVD or Blu-ray, while Person of Interest: Season One on DVD or Blu-ray is the best TV on DVD release as far as the dramas are concerned. Both are contenders for Pick of the Week, but neither quite gets there. The Five-Year Engagement on Blu-ray Combo Pack comes a little close, but in the end I went with Headhunters on DVD or Blu-ray. Just keep an eye on the price of the Blu-ray.
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May 3rd, 2012
The weekend international numbers came in a little late for two main reasons. Firstly, it was May Day. In North America the normal reaction to that is, "Huh?" (My knowledge of the holiday is limited to a joke on Red Dwarf.) But internationally, it's a pretty big deal. Secondly, it takes a long time to count to $200 million, which what The Avengers made. Technically, it made $185.1 million on 12,152 screens in 39 markets over the weekend, for a total opening of $218.2 million. To put this into perspective, this is more than Captain America made in total on the international scene, as well as both of the Hulk films. It is possible that the film will reach $300 million internationally by the end of business on Thursday, while by the end of this weekend, it will be one of the biggest hits Marvel has produced.
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April 26th, 2012
For the second weekend in a row, Battleship and Titanic 3D were battling for top spot on the international chart, but this week Battleship came out on top. It managed $60 million on 9,038 screens in 50 markets for an early total of $131.1 million. The film opened in second place in China with $17 million on 2,287 screens, while it placed first in Russia with $11.20 million on 809. It also maintained first place in a trio of major markets, led by South Korea with $3.44 million on 624 screens over the weekend for a total of $12.68 million. It also repeated on top in Germany ($2.16 million on 637 screens for a total of $7.39 million) and in the U.K. ($2.06 million on 497 screens for a total of $9.80 million).
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April 19th, 2012
It has been nearly a month since we've had a new release top the box office chart, but it looks like The Hunger Games is finally going to be pushed from top spot. It looks like The Lucky One will be the film that breaks The Hunger Games winning streak, as it is the only saturation level release. On the other hand, Think Like a Man and Chimpanzee are barely opening wide. Fortunately, the three wide releases this year appear about as strong as the three wide releases from last year. Unfortunately, last year was led by Rio during its second weekend of release, so 2012 has about a $25 million hole it will need to plug if it is to avoid the first three-week slump of the year.
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April 18th, 2012
Titanic 3D had an insane second weekend on re-release on the international chart earning $98.90 million on 10,066 screens in 69 markets for totals of $157.15 million internationally and $201.87 million worldwide. Its complete total is now $2.04 billion, which is a stunning figure. The majority of the film's weekend haul came from China, where it broke records with $67 million, which broke Transformers: Dark of the Moon's record opening weekend in that market. The film remained in top spot in Russia with $3.15 million on 972 screens for a total of $10.34 million after two. Its total in the U.K. rose to $12.68 million after two weeks of release, including $2.87 million on 429 screens this past weekend. At this point, I can imagine studio heads looking at every film that earned more than $300 million and trying to figure out if they can be converted to 3D or not. If it only costs $18 million to convert a film and it can make $200 million worldwide, it's an easy way to make money. Of course, it's also an easy way to over-saturate the market to the point of no return.
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April 18th, 2012
Titanic 3D opened in China and earned $7 million on 64 IMAX screens. This not only broke records in that market, it represented nearly half of the film's $15 million global IMAX haul, which was earned over two weeks in 408 IMAX theaters. At this rate, the film's total IMAX returns might be enough to cover the film's 3D conversion.
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April 16th, 2012
The overall box office went about as well as expected over the weekend; however, that's not particularly good news, as expectations were low to begin with. The Hunger Games remained on top of the box office for the fourth time, making it the first film since Avatar to accomplish that feat. However, there wasn't a lot of celebrate over the weekend, as the box office fell 8% from last weekend to $114 million. More importantly, this was 12% lower than the same weekend last year, making this the worst year-over-year decline of 2012. That said, 2012 still has a massive lead on 2011 up $2.98 billion to $2.50 billion and if the summer is as good as the first part of the year was, that lead will be even greater by the time the Fall rolls around.
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April 12th, 2012
After a fantastic three-month run in which 2012 only lost once in the year-over-year comparison and built a 20% lead over 2011, it looks like the box office is returning normal. This weekend there are three films opening wide: The Cabin in the Woods, Lockout, and The Three Stooges. However, despite the number of new releases, there are many who think The Hunger Games will remain on top for the fourth weekend in a row. This would be terrible news for everyone, with the possible exception of Lionsgate, which is the distributor for both The Hunger Games and The Cabin in the Woods, as it is a sign of profound weakness at the box office. How weak is the box office? There is a chance that all three films combined won't open with as much as last year's number one film, Rio, opened with. And there's a chance none of the new wide releases will open with as much as the second place film, Scream 4, opened with. There's little hope 2012 will walk away with a win this time around.
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April 11th, 2012
Wrath of the Titans is really struggling domestically, but it could mitigate some of the losses here with its box office numbers internationally. This weekend it added $42.1 million on 13,070 screens in 61 markets for a total of $151.6 million. Its best market of the weekend was Russia, where it earned $4.09 million on 1,116 screens over the weekend for a total of $19.55 million after two. It has yet to open in Japan, and if it can get to $300 million worldwide, it should break even very early in the film's home market run.
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April 10th, 2012
Titanic 3D led the Global IMAX box office with $3.6 million on 159 screens over the weekend. Of that, $2.0 million was earned on 79 domestic screens giving the film a $25,000 per screen average. Wrath of the Titans was in a very close second place with $3.3 million worldwide.
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April 9th, 2012
There's good news and bad news at the box office this weekend. The good news was The Hunger Games, which not only earned its third first place finish on the chart, but it also held on better than expected and crossed a major milestone. The bad news was practically everything else. Neither American Reunion or Titanic 3D matched expectations, while the overall box office suffered as a result falling 17% to $123 million. Fortunately, this was higher than last year by a margin of 6%. Year-to-date, 2012 is still ahead of 2011 with $2.81 billion to $2.34 billion. Unfortunately, we needed the new releases this weekend to be stronger if we have a chance of winning over the next couple weekends.
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April 5th, 2012
A trio of films are looking to grab top spot on the box office chart this weekend. Some think American Reunion will win. It is the latest installment in a very popular franchise, one that hasn't had a theatrical release in almost nine years. Some think Titanic 3D will lead the way. It is a 3D re-release of the second-biggest hit of all time. While still others think The Hunger Games will win for the third weekend in a row. It is by far the biggest hit of the year and topped the chart on Wednesday, despite the debut of Titanic. All three films are have a chance to make more than $30 million over the weekend. On the other hand, this weekend last year, no films made more than $30 million and only one, Hop, made more than $20 million. This means 2012 should win with ease.
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April 1st, 2012
There's good news / bad news going forward into April. First the good news, aside from one week where we saw a minor dip, March was fantastic. There were a number of films beating expectations and the overall the month was even stronger than predicted. As of this weekend, the box office is now 20% higher than the same pace last year. The bad news? That winning streak will certainly come to an end in April. Last year, there was one film that reached $200 million, Fast Five, plus two others that reached $100 million, Hop and Rio. Granted, due to the shifting calendar, Hop is actually being compared to the last weekend in March, so this April only needs one $200 million hit and a $150 million hit to keep pace. But even so, there's almost no chance that will happen. In fact, there's a chance that we might not have one film topping $100 million this year. Only three films have a real shot at this milestone: American Reunion, Five-Year Engagement, and Titanic 3D. And quite frankly, only the first one has a 50/50 chance of getting there. We will likely see 2012 shed some of its lead over 2011, but it should still end the month with a solid year-over-year lead.
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June 4th, 2008
It may be ten years since the movie was released, but Fox continues to receive corrections and updates to the international box office reports for Titanic, which is, as every Numbers reader knows, the highest-grossing movie of all time.
We just received the latest numbers...
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2023/02/10 | - | $243,808 | 0 | $243,808 | 1 | ||
2023/02/17 | - | $53,599 | -78% | 0 | $424,949 | 2 |
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 2/5/1998 | $0 | 0 | 0 | 0 | $498,347 | 2/21/2023 |
Australia | 12/19/1997 | $0 | 0 | 208 | 354 | $3,338,789 | 8/19/2024 |
Austria | 1/9/1998 | $0 | 0 | 0 | 0 | $323,143 | 3/6/2023 |
Belgium | 1/7/1998 | $0 | 0 | 0 | 0 | $920,867 | 4/10/2023 |
Brazil | 2/9/2023 | $0 | 0 | 0 | 0 | $1,212,776 | 2/27/2023 |
Chile | 2/5/1998 | $0 | 0 | 0 | 0 | $566,474 | 2/27/2023 |
China | 4/3/2023 | $6,177 | 0 | 7250 | 16247 | $8,770,000 | 5/8/2023 |
Colombia | 2/13/1998 | $0 | 0 | 0 | 0 | $154,000 | 2/21/2023 |
Croatia | 2/10/2023 | $52,697 | 33 | 33 | 81 | $126,203 | 3/24/2023 |
Czech Republic | 2/5/1998 | $0 | 0 | 106 | 200 | $260,285 | 3/7/2023 |
Denmark | 1/23/1998 | $0 | 0 | 0 | 0 | $112,927 | 3/13/2023 |
Finland | 2/10/2023 | $71,714 | 53 | 53 | 139 | $314,246 | 4/24/2023 |
France | 1/7/1998 | $0 | 0 | 0 | 0 | $6,542,831 | 4/17/2023 |
Germany | 2/9/2023 | $0 | 0 | 0 | 0 | $2,371,359 | 4/17/2023 |
Hong Kong | 12/18/1997 | $0 | 0 | 0 | 0 | $454,726 | 2/21/2023 |
India | 3/13/1998 | $0 | 0 | 0 | 0 | $147,883 | 2/14/2023 |
Indonesia | 1/5/1998 | $0 | 0 | 0 | 0 | $652,645 | 2/21/2023 |
Italy | 2/9/2023 | $854,621 | 0 | 0 | 0 | $51,011,998 | 2/27/2023 |
Japan | 12/20/1997 | $0 | 0 | 0 | 0 | $4,998,372 | 2/21/2023 |
Malaysia | 12/18/1997 | $0 | 0 | 0 | 0 | $424,949 | 2/21/2023 |
Mexico | 2/9/2023 | $0 | 0 | 0 | 0 | $2,326,213 | 2/28/2023 |
Netherlands | 4/6/2012 | $0 | 0 | 124 | 461 | $2,697,743 | 4/10/2023 |
New Zealand | 12/18/1997 | $0 | 0 | 62 | 202 | $8,521,816 | 12/28/2023 |
North America | 12/19/1997 | $28,638,131 | 2,674 | 3,265 | 93,184 | $674,460,013 | 9/12/2014 |
Norway | 2/10/2023 | $0 | 0 | 0 | 0 | $228,915 | 2/27/2023 |
Philippines | 2/8/2023 | $0 | 0 | 0 | 0 | $122,744 | 2/21/2023 |
Poland | 2/13/1998 | $0 | 0 | 0 | 0 | $1,070,878 | 4/17/2023 |
Portugal | 2/9/2023 | $0 | 0 | 50 | 63 | $116,046 | 2/28/2023 |
Romania | 3/6/1998 | $0 | 0 | 106 | 285 | $342,663 | 5/1/2023 |
Russia (CIS) | 4/5/2012 | $0 | 0 | 36 | 52 | $13,798,282 | 2/15/2023 |
Singapore | 2/9/2023 | $0 | 0 | 0 | 0 | $64,076 | 2/22/2023 |
Slovakia | 2/9/2023 | $18,660 | 31 | 31 | 49 | $48,680 | 3/7/2023 |
South Korea | 2/20/1998 | $0 | 0 | 447 | 1071 | $8,326,207 | 2/22/2023 |
Spain | 2/10/2023 | $0 | 0 | 290 | 685 | $1,159,994 | 3/2/2023 |
Sweden | 2/10/2023 | $0 | 0 | 0 | 0 | $245,275 | 3/13/2023 |
Switzerland | 2/8/2023 | $0 | 0 | 0 | 0 | $332,202 | 2/27/2023 |
Taiwan | 12/20/1997 | $0 | 0 | 0 | 0 | $285,233 | 2/22/2023 |
Thailand | 2/9/2023 | $0 | 0 | 0 | 0 | $204,125 | 2/22/2023 |
Turkey | 2/10/1998 | $0 | 0 | 118 | 294 | $613,883 | 3/2/2023 |
United Kingdom | 2/10/2023 | $1,051,124 | 485 | 482 | 1005 | $99,339,339 | 3/6/2023 |
Rest of World | $1,325,541,639 | ||||||
Worldwide Total | $2,223,048,786 | 8/19/2024 |
Leonardo DiCaprio | Jack Dawson | |
Kate Winslet | Rose DeWitt Bukater |
Billy Zane | Cal Hockley | |
Kathy Bates | Molly Brown | |
Frances Fisher | Ruth DeWitt Bukater | |
Gloria Stuart | Old Rose | |
Bill Paxton | Brock Lovett | |
Bernard Hill | Capt. Edward J. Smith | |
Jonathan Hyde | J. Bruce Ismay | |
Victor Garber | Thomas Andrews | |
David Warner | Spicer Lovejoy | |
Danny Nucci | Fabrizio | |
Suzy Amis | Lizzy Calvert | |
Bernard Fox | Col. Archibald Gradie | |
Eric Braeden | John Jacob Astor |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
James Cameron | Director | |
James Cameron | Producer | |
James Cameron | Screenwriter | |
Jon Landau | Producer | |
Al Giddings | Co-Producer | |
Grant Hill | Co-Producer | |
Sharon Mann | Co-Producer | |
James Horner | Composer | |
Russell Carpenter | Cinematographer | |
Conrad Buff | Cinematographer | |
James Cameron | Cinematographer | |
Richard A. Harris | Cinematographer | |
Randy Gerston | Music Supervisor | |
Peter Lamont | Production Designer | |
Charles Lee | Supervising Art Director | |
Martin Laing | Art Director | |
Marco Niro | Set Designer | |
Dominic Masters | Set Designer | |
Peter Francis | Set Designer | |
Michael Ford | Set Decorator | |
Deborah L. Scott | Costume Designer | |
Mark Ulano | Supervising Sound Editor | |
Christopher Boyes | Sound Designer | |
Tom Johnson | Re-recording Mixer | |
Robert Legato | Visual Effects Supervisor | |
Thomas L. Fisher | Special Effects Supervisor | |
Pamela Easley Harris | Associate Producer | |
Josh McLaglen | Assistant Director | |
Steven Quale | Second Unit Director | |
Roy Unger | Second Unit Camera | |
Aaron E. Schneider | Second Unit Camera | |
Simon Crane | Stunt Coordinator | |
Mali Finn | Casting Director | |
Richard Roberts | Assistant Set Decorator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.