Mexico Box Office for Teen Titans Go! To The Movies (2018)

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Teen Titans Go! To The Movies
Theatrical Performance (US$)
Mexico Box Office $3,400,000Details
Worldwide Box Office $51,620,593Details
Home Market Performance
North America DVD Sales $585,744 Details
North America Blu-ray Sales $3,037,363 Details
Total North America Video Sales $3,623,107
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

When the Teen Titans go to the big screen, they go big! Teen Titans GO! to the Movies finds our egocentric, wildly satirical Super Heroes in their first feature film extravaganza—a fresh, gleefully clever, kid-appropriately crass and tongue-in-cheek play on the superhero genre, complete with musical numbers. It seems to the Teens that all the major superheroes out there are starring in their own movies—everyone but the Teen Titans, that is! But de facto leader Robin is determined to remedy the situation, and be seen as a star instead of a sidekick. If only they could get the hottest Hollywood film director to notice them. With a few madcap ideas and a song in their heart, the Teen Titans head to Tinsel Town, certain to pull off their dream. But when the group is radically misdirected by a seriously Super-Villain and his maniacal plan to take over the Earth, things really go awry. The team finds their friendship and their fighting spirit failing, putting the very fate of the Teen Titans themselves on the line!

Metrics

Movie Details

Production Budget:$10,000,000
Mexico Releases: August 24th, 2018 (Wide)
Video Release: October 30th, 2018 by Warner Home Video
MPAA Rating: PG for action and rude humor.
(Rating bulletin 2525 (Cert #51579), 5/2/2018)
Running Time: 92 minutes
Keywords: 2D Digitally Animated Films, D.C. Comics, Movie Business, Celebrity Worship, Cyborg, Friendly Alien on Earth, Demons, Shapeshifter, Coming of Age, Family Adventure
Source:Based on TV
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Warner Animation Group
Production Countries: United States
Languages: English

Home Market Releases for October 30th, 2018

October 30th, 2018

Made In Abyss

It’s another slow week on the home market, with not a lot of big releases and not a lot of Pick of the Week contenders. There were several that came close, including 2001: A Space Odyssey, Never Goin’ Back, The Princess Bride, etc. In the end, Mandy on Blu-ray was the only true contender for that title. More...

Weekend Prediction: Smallfoot Looking for Big Box Office

September 26th, 2018

Night School

The final weekend of September is home to three wide releases. Two of these, Night School and Smallfoot could be solid hits. And since they are aimed at vastly different audiences, they shouldn’t cannibalize each other at the box office. On the other hand, Hell Fest is a low-budget horror movie that should earn more during its opening weekend than its $5.5 million production budget. Meanwhile, last week’s number one film, The House with a Clock in its Walls, should still have a solid weekend haul, giving the box office reasonable depth. This weekend last year, no film earned more than $20 million, while this year we should have two above that mark. Last year did have better depth, but I think 2018 will end its mini-losing streak in the year-over-year comparison. More...

Weekend Wrap-Up: Fallout Continues its Mission

August 7th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout remained on top of the weekend box office chart thanks in part to a stronger than expected hold and in part to weaker than expected competition. Christopher Robin was the only new release to make any real noise opening in second place with $24.59 million, while The Spy Who Dumped Me opened with less than half of that. Overall, the box office earned $139 million, 11% lower than last weekend. More importantly, this was 14% higher than this weekend last year. 2018 extended its lead over 2017 to just under $600 million or 8.7% at $7.46 billion to $6.86 billion. More...

Weekend Wrap-Up: July Ends on an Impossibly Good Weekend

July 30th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout was easily the biggest hit of the weekend earning more than the rest of the top five combined. Its opening weekend of $61.24 million was the best in the franchise, but it wasn’t enough to prevent the overall box office from dropping 9.3% from last weekend earning $156 million. This is 8.0% higher than the same weekend last year, which is the more important result. 2018 is now ahead of 2017 by a margin of 8.5% or $570 million at $7.23 billion to $6.66 billion. More...

Weekend Estimates: Impossible Tops Chart with Franchise Best $61.5 million Debut

July 29th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout dominated the weekend box office chart with $61.5 million over the weekend. This is the best opening in the franchise, unless you take inflation into account. Assuming the film can have the same legs as Rogue Nation, it will be able to top $200 million domestically. The film’s reviews and its A from CinemaScore, and the nearly total lack of quality competition in August, make that seem likely; however, I think we should wait a week before predicting a final box office tally. Internationally, the film made $92 million in 36 markets, which is close to 20% higher than Rogue Nation’s debuts in those markets, which should be enough to keep Paramount happy. Although given the studio’s struggles in the past few years, if the film was just marginally profitable, it would have been reason for Paramount to celebrate. More...

Friday Estimates: Fallout on top Friday with Franchise Record

July 28th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout earned $23.0 million on Friday, putting it on pace for an opening weekend of $58 million, according to Paramount. This is the fastest start in the franchise; although given the age of the franchise and the ticket price inflation, that’s much less impressive. The film’s reviews are among the best we’ve seen from a wide release this year, while it earned an A from CinemaScore, so its legs should be long. That said, this is weaker than we predicted. I really thought the reviews would translate into more ticket sales. More...

Thursday Night Previews: Fallout Rises to the Top

July 27th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout had the best previews in the franchise with $6 million; although that’s a bit of a backhanded compliment, as only Rogue Nation is new enough to be part of the preview era of Hollywood releases. That film pulled in $4 million during its previews; however, it also opened three years ago when previews were not as lucrative, so it is not a good comparison. On the other hand, The Equalizer 2 is a solid comparison as both are action sequels. If the two films have the same legs, then Fallout will open with nearly $70 million. Its reviews strongly suggest it will have better legs, but the long-running franchise suggests slighly longer legs. Overally, I’m still happy with our $67 million prediction and I expect the film to earn a little more than that, but be close enough to call it a victory. More...

Weekend Predictions: Can Teen Titans do the Impossible?

July 26th, 2018

Mamma Mia: Here We Go Again!

The last weekend of the month has two wide releases, both of which are earning stellar reviews. Mission: Impossible—Fallout is the sixth film in the franchise. It wasn’t that long ago where a sixth installment in a franchise would be impressive. Teen Titans Go! To the Movie is the first big screen appearance for most of these characters. There should also be three, maybe four other films with $10 million or more during the weekend. 2018 won’t need that depth to win in the year-over-year comparison, as this weekend last year was pretty weak, so the month should end on a winning note. More...

Weekend Wrap-Up: Equalizer 2 Also has no Equal

July 23rd, 2018

The Equalizer 2

The Equalizer 2 was the surprise winner at the weekend box office chart with $36.01 million over the weekend, which put it just ahead of the $34.95 million earned by Mamma Mia: Here We Go Again! The overall box office topped expectations with $171 million, up 2.7% from last week. This is 5.1% lower than the same weekend last year, but this is better than expected. Also, 2018 is still ahead of 2017 by a sizable margin of $560 million / 8.8% at $6.98 billion to $6.42 billion. Again, if 2018 just maintains the raw dollar margin for the rest of the year, it will be a reason to celebrate. More...

Weekend Estimates: Equalizer more than Equals Mamma Mia

July 22nd, 2018

The Equalizer 2

In a shocking turn of events, The Equalizer 2 overtook Mamma Mia: Here We Go Again! over the weekend with $35.83 million. This is better than predicted and is better than the original managed. Its reviews are not great, but it earned an A from CinemaScore and it is aimed at a more mature target audience, so it should have better than average legs. We will have a better picture this time next week. Internationally, the film managed $3.3 million on 704 screens in 11 markets, including $2.2 million in Australia. The film first didn’t do great internationally, so while this is a 30% improvement, it is still nothing special. More...

2018 Preview: July

July 1st, 2018

Ant-Man and the Wasp

June was amazing, with two absolute monster hits and a solid $100 million hit. By the end of the month, 2018’s lead over 2017 will be well over $500 million, or close to 10%. Even if 2018 only managed to maintain this lead in terms of raw numbers for the rest of the year, it will be a massive jump at the box office. As for July, there are a couple of potential monster hits, Ant-Man and the Wasp and Mission: Impossible—Fallout, plus four potential $100 million hits. Last July, there was only one monster hit, Spider-Man: Homecoming, and three $100 million hits. I don’t think 2018 will match 2017 at the top, but 2018 appears to have more depth and that should put it a little ahead over the full month. More...

Teens Titans Go! to the Movies Trailer

June 26th, 2018

Animated comedy opens July 27 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/08/24 3 $1,208,949   0     $1,208,949 1
2018/08/31 5 $837,952 -31% 735 $1,140   $2,362,922 2
2018/09/07 6 $413,305 -51% 0     $2,977,461 3
2018/09/14 8 $233,181 -44% 0     $3,370,519 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 7/27/2018 $503,000 194 194 194 $931,000 12/2/2018
Australia 9/7/2018 $176,704 230 235 1217 $2,064,832 11/8/2018
Brazil 8/31/2018 $1,000,000 694 746 2118 $3,238,707 8/7/2020
Bulgaria 8/17/2018 $40,136 0 0 0 $199,301 2/26/2019
Italy 8/17/2018 $56,869 0 284 284 $757,324 9/24/2018
Mexico 8/24/2018 $1,208,949 0 735 735 $3,400,000 9/19/2018
Netherlands 8/10/2018 $93,805 114 114 398 $385,460 9/4/2018
North America 7/27/2018 $10,411,189 3,188 3,188 10,071 $29,790,236
Peru 8/17/2018 $0 0 0 0 $489,000 1/1/2019
Poland 8/10/2018 $268,849 0 0 0 $1,100,000 1/1/2019
Portugal 8/10/2018 $70,781 65 65 261 $261,725 11/20/2018
Spain 8/31/2018 $367,122 188 203 944 $1,241,098 10/11/2018
Turkey 8/3/2018 $83,468 261 261 720 $237,843 2/26/2019
United Arab Emirates 8/3/2018 $0 0 0 0 $319,000 1/1/2019
United Kingdom 8/3/2018 $507,456 458 480 1390 $2,300,000 9/17/2018
 
Rest of World $4,905,067
 
Worldwide Total$51,620,593 8/7/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Greg Cipes    Beast Boy
Scott Menville    Robin
Khary Payton    Cyborg
Tara Strong    Raven
Hynden Walch    Starfire
Will Arnett    Slade Wilson/Deathstroke

Supporting Cast

Kristen Bell    Jade Wilson
Nicolas Cage    Superman
Eric Bauza    Aquaman, Stan Lee’s Assistant
Michael Bolton    Tiger
Kal-El Cage    Young Bruce Wayne
Joey Cappabianca    Plastic Man
Greg Davies    Balloon Man
John DiMaggio    Guard, Synth Skate Voice
Halsey    Wonder Woman
David Kaye    Trailer Voice, Announcer Inside Premiere
Tom Kenny    Machine Voice
Jimmy Kimmel    Batman
Vanessa Marshall    Vault Voice
Phil Morris    Red Carpet Announcer, Doomsday Device
Patton Oswalt    Atom
Alexander Polinsky    Control Freak
Meredith Salenger    Supergirl
Dave Stone    Challengers of the Unknown
Fred Tatasciore    Jor-El, Security Guard
James Arnold Taylor    Fake Slade Actor
Lil Yachty    Green Lantern
Wil Wheaton    Flash

Cameos

Stan Lee    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Aaron Horvath    Director
Peter Rida Michail    Director
Aaron Horvath    Screenwriter
Michael Jelenic    Screenwriter
Bob Haney    Story Based on ‘Teen Titans’ by
Bruno Premiani    Story Based on ‘Teen Titans’ by
Aaron Horvath    Story Based on ‘Teen Titans’ by
Michael Jelenic    Story Based on ‘Teen Titans’ by
Aaron Horvath    Producer
Michael Jelenic    Producer
Will Arnett    Producer
Peter Rida Michail    Producer
Peggy Regan    Producer
Sam Register    Executive Producer
Michael E. Uslan    Executive Producer
Dan Hipp    Production Designer
Nick Kenway    Editor
Jared Faber    Music by
Luke Cormican    Head of Story
Gerald DeJesus    Art Director
Rafael Hurtado    Art Director
Eric J. Pringle    Animation Director
Crystal Stromer    Animation Director
Eric Erickson    Visual Effects Supervisor
Marina Gardner    Lead Character Designer
Junpei Takayama    Character Designer
Halima K. Gilliam    First Assistant Editor
Noelleen Westcombe    First Assistant Editor
Christopher J. Sacco    Production Manager
Janice Evans    Production Supervisor
Angela Chisholm    Production Designer
Rebecca Macinnes    Animation Director
Ron Doucet    Animation Director
Daniel Luke Smits    Animation Supervisor
Francis Jason Lerma    Animation Director
Benjy Brooke    Animation Director
McKenzie Kerman    Animation Supervisor
Edwin Poon    Animation Director
Kang Hei Chui    Animation Director
Todd Toon    Sound Designer
Todd Toon    Supervising Sound Editor
David E. Fluhr    Re-recording Mixer
Gregg Rudloff    Re-recording Mixer
Dane Leon    Music Editor
Greg ten Bosch    Sound Effects Editor
Luke Gibleon    Sound Effects Editor
Rob McIntyre    Sound Effects Editor
G. W. Brown    Supervising Dialogue/ADR Editor
Charles W. Ritter    Sound Editor
Evan Dockter    Sound Editor
Kelly Foley Downs    Supervising Dialogue Editor
Mark A. Keatts    Dialogue Editor
Noah Snyder    Score Mixer
Harrison T. Barth    Assistant Editor
Gabriel Gianola    Assistant Editor
Matt Hanchey    Assistant Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.