Australia Box Office for Split (2017)

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Split
Theatrical Performance (US$)
Australia Box Office $9,295,082Details
Worldwide Box Office $278,754,594Details
Home Market Performance
North America DVD Sales $8,236,464 Details
North America Blu-ray Sales $8,003,952 Details
Total North America Video Sales $16,240,416
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

While the mental divisions of those with dissociative disorder have long fascinated and eluded science, it is believed that some can also manifest unique physical attributes for each for each personality, a cognitive and physiological prism within a single being. Though Kevin has evidenced 23 personalities to his trusted psychiatrist, Dr. Fletcher, there remains one still submerged who is set to materialize and dominate all the others. Compelled to abduct three teenage girls led by the willful, observant Casey, Kevin reaches a war for survival among all of those contained within him—as well as everyone around him—as the walls between his compartments shatter apart.

Metrics

Movie Details

Production Budget:$9,000,000
Australia Releases: January 27th, 2017 (Wide)
December 4th, 2020 (Limited)
Video Release: April 18th, 2017 by Universal Home Entertainment
MPAA Rating: PG-13 for disturbing thematic content and behavior, violence and some language.
(Rating bulletin 2447 (Cert #50611), 10/19/2016)
Running Time: 116 minutes
Franchise: Unbreakable
Keywords: Kidnap, Multiple Personality, Mental Illness, Villain's Point of View, Secret Sequel, Surprise Twist, Psychological Horror
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Blumhouse, Universal Pictures, Blinding Edge Pictures
Production Countries: United States
Languages: English

International Box Office: Dangal Dominates China in Groundbreaking Run

May 25th, 2017

Dangal

Dangal became the first Indian film to have its biggest single market not be India. It earned first place in China with $34.22 million over the weekend for totals of $113.55 million in China, $185.6 million internationally, and $198.0 million worldwide. It will shortly become the second Indian film to earn more than $200 million worldwide. More...

Home Market Releases for April 18th, 2017

April 18th, 2017

MST3K

We are entering the worst time of the year on the home market. There’s only a trickle of last year’s Awards Season contenders left to deal with, while it is way too early for the major spring releases to come out on DVD / Blu-ray. There are some classic titles that are on this list, like Donnie Darko: 15th Anniversary Limited Edition or Ocean Waves Blu-ray Combo Pack. However, the Pick of the Week isn’t either of these titles, but MST3K: Season 11, which you can watch on Netflix right now. More...

International Box Office: Resident Evil here to Stay with $96.67 million

March 2nd, 2017

Resident Evil: The Final Chapter

Resident Evil: The Final Chapter rocketed to the top of the chart of the international chart with $96.67 million on 24,465 screens in 75 markets for totals of $211.87 million internationally and $238.52 million worldwide. The film opened in China over the weekend earning $90.76 million over the weekend and $92.98 million including Thursday previews. At this point, the studio’s share of the worldwide box office is approximately $80 million, or twice as much as it cost to make. If the film hasn’t already broken even, it will do so shortly. I know the film is called The Final Chapter, but I can see the franchise continuing, focusing almost entirely on the foreign market. More...

Thursday Night Previews: Get Out Starts Out on Top with $1.8 million

February 24th, 2017

Get Out

Get Out opened with $1.8 million during its midnight previews. This isn’t the best previews we’ve seen this year, but it is near the top. For example, it is just 10% lower than Split managed in January and only three other films topped $2 million during previews. The film’s 100% positive reviews should certainly help the film’s legs over the weekend and that’s great news for the studio. In fact, there are some who think it will earn more than $35 million over the weekend. That’s a little too bullish for my tastes, but I can’t entirely dismiss those predictions. Opening with just over $30 million, on the other hand, now feels more likely. Since the film only cost $5 million to make, it could earn more over the opening weekend than it cost to make and advertise. More...

Weekend Predictions: Will Moviegoers Get Out to the Theater This Weekend?

February 23rd, 2017

Get Out

There are three films opening wide this weekend, which is a surprise. The buzz for Collide and Rock Dog are so quiet that I’m surprised they are playing in more than 2,000 theaters and I will be equally surprised if they open above the Mendoza Line by averaging more than $2,000 per theater. On the other hand, Get Out has nearly 100 reviews and its Tomatometer Score is 100% positive. It could be a surprise smash hit. Then again... It could be another Keanu. If that happens, The Lego Batman Movie will earn its third first-place finish in a row. That’s would be bad news for the overall box office. This weekend last year there were a similar selection of new releases. Gods of Egypt struggled while the other two new releases bombed, and only Deadpool saved the box office. If Get Out matches Deadpool’s total weekend of $31 million this time last year, I will be so happy. I don’t think it will happen, but it could be close. More...

Weekend Wrap-Up: Lego Batman Begins with $53.00 million

February 14th, 2017

The Lego Batman Movie

As expected, it was a big weekend at the box office with three massive hits. The Lego Batman Movie did earn first place, but not with as much as predicted at just $53.00 million. Fifty Shades Darker wasn’t that far behind with $46.61 million. Meanwhile, John Wick: Chapter Two just cracked $30 million, which is one of the ten best third place openings of all time. Week-over-week, the box office nearly doubled growing 90% from last weekend. Sadly, it was down 22% from last year. Granted, Valentine’s Day landed on a Sunday last year, so that boosted the weekend box office and 2017 should make some of that decline back on Tuesday. Year-to-date, 2017 has pulled in $1.28 billion, putting it $40 million or 3.0% behind 2016’s pace. It is still way too soon to tell how 2017 will finish in the end, but hopefully things will turn around soon. More...

Weekend Predictions: Will Batman Become a Billionaire?

February 9th, 2017

The Lego Batman Movie

This should be the biggest weekend of the month with three potential hits, all of which are sequels. Of the three, The Lego Batman Movie is widely expected to be the biggest hit of the weekend. In fact, it is widely expected to become the biggest hit of the year so far. Fifty Shades Darker could be one of those rare sequels that earns less in total than the original made during its opening weekend. However, I’m not that pessimistic. On the other hand, John Wick: Chapter Two should open significantly better than its predecessor opened with, but it is still aiming to become a midlevel hit, nothing more. This weekend last year, Deadpool opened with $132 million. That could be more than the top two films open with this weekend. Even though 2017 does have better depth, I think it will lose in the year-over-year comparison. More...

Weekend Wrap-Up: Split Scores Another Touchdown with $14.42 million

February 7th, 2017

Split

As expected, Split earned first place over the weekend with $14.42 million. That’s not bad for Super Bowl weekend. In fact, the overall depth was better than expected, not that you could tell from the week-over-week decline. The overall box office fell 31% to just $98 million. However, this was still 2.5% better than the same weekend last year. That’s a surprise victory. Granted, 2017 is still behind 2016 by 5.1% at $1.06 billion to $1.12 billion, but every little victory helps. More...

Weekend Estimates: Split Wins Third Weekend

February 5th, 2017

Split

Rings managed to win on Friday, but the weekend as a whole will belong to Split, which is expected to top the chart with $14.6 million, according to Universal’s Sunday morning projection. Rings will finish second with $13 million or so, and A Dog’s Purpose will win Sunday (making this a rare weekend where three different films will top the daily chart) to finish the weekend with $10.8 million, and $32.9 million to date. More...

Friday Estimates: Rings Wins Friday with $5.2 million, Split will Repeat over Weekend

February 4th, 2017

Rings

It will be a close race this weekend with Rings topping the chart on Friday with $5.6 million, putting it just ahead of Split … for now. Its word-of-mouth is terrible. It did get its first positive review, but its Tomatometer Score is just 6% positive, while it earned a C minus from CinemaScore. On the positive side, overall this is actually better than predicted, and it looks like it will earn close to $14 million, instead of just under $13 million. More...

Weekend Predictions: Will Split Be Separated from the Top Spot?

February 2nd, 2017

Rings

The new releases this week are not strong, so we could see Split remain on top for the third weekend in a row. Rings should at least be in a fight for first place, if it just does as well as Resident Evil: The Final Chapter did last weekend. On the other hand, The Space Between Us is being eviscerated by the critics and it really needed good word of mouth to thrive. If it opens in the top five, I will be impressed. This weekend last year, Hail, Caesar! was the number one new release and it earned just $11.36 million. Rings should top that. Unfortunately, the number one film was Kung Fu Panda 3, which earned more than than $20 million. There’s no way Split will match that, so 2017 is going to lose in the year-over-year competition. More...

Weekend Wrap-Up: Split Outnumbers the Competition with $25.66 million

January 31st, 2017

Split

It was a surprisingly strong weekend at the box office, no thanks to the new releases. Split easily won with $25.66 million over the weekend, well ahead of A Dog’s Purpose, which earned second place with $18.22 million. Resident Evil: The Final Chapter got off to a fast start, but collapsed over the rest of the weekend. Finally, the less said about Gold the better. Overall, the box office was really strong with $141 million. Granted, this was 2.5% lower than last week, but it was 1.3% better than the same weekend last year. This growth is entirely due to Split’s hold plus the Oscar bounce a number of films got. Year-to-date, 2017 has earned $929 million, which is 4.7% lower than last year’s pace of $975 million. It is still too soon to make any real predictions for 2017’s long term success. That said, 2017 did cut into 2016’s lead and it is now down by $46 million or 4.7%. More...

Weekend Estimates: Split Retains Box Office Crown with Big Second Weekend

January 29th, 2017

Split

An impressive decline of 34% in its second weekend and a crop of middling to poor performances by new releases will be enough to keep Split safely at the top of the box office chart this weekend. With Universal projecting $26.3 million for the weekend as of Sunday morning, Split is well ahead of the studio’s new release, A Dog’s Purpose, which will come in with around $18.4 million. Split will finish the weekend with around $78 million in total. More...

Friday Estimates: Dog Doesn’t Have Universal Appeal

January 28th, 2017

A Dog’s Purpose

Friday was the beginning of a good weekend for Universal, but it wasn’t a good day for the box office as a whole, as two of the three new wide releases struggled. Split was down just 46% when compared to last Friday and earned $7.9 million. Assuming it acts like, well, practically every film ever made, it will have an even better Saturday and that puts it on pace to earn about $25 million over the weekend. It will top $100 million during the first weekend of February and will still be in wide release over Presidents’ Day long weekend. This is fantastic news for the studio. More...

Thursday Night Previews: Resident Moves into Theaters with $1 million in Previews - Update

January 27th, 2017

Resident Evil: The Final Chapter

Resident Evil: The Final Chapter opened with $1 million in previews on Thursday, easily topping the competition. It was only half as much as Split managed last weekend, but if The Final Chapter earned half as much during its opening weekend, the studio would be very happy. That seems unlikely, as this is the latest installment in a franchise, so it should be more front-loaded as a result. Additionally, its reviews are much weaker than Split’s are, so the word of mouth won’t be as strong. That said, we predicted just over $17 million and we’re sticking with that for now. More...

Weekend Predictions: Will Final Come in First? Or will Dog Find a Purpose?

January 26th, 2017

Resident Evil: The Final Chapter

It is not a good week at the box office. There are two films opening at saturation level theaters counts, 3,000 or more theaters, and both have a shot at first place. A Dog’s Purpose was expected to win with relative ease, but recent controversy, and weak reviews, have put that in doubt. This leaves an opening for Resident Evil: The Final Chapter to squeak out a win. However, it will be dealing with direct competition and that’s going to hurt. Finally there’s Gold, which is barely opening truly wide and is just hoping for a spot in the top ten. This weekend last year, Kung Fu Panda 3 opened with just over $40 million. This could be more than all three wide releases open with this weekend. 2017 does have better depth, but it won’t be enough to win in the year-over-year comparison. More...

Theater Averages: Split Separates Itself from the Pack with $13,170

January 25th, 2017

Split

The overall number one film, Split, was also the only film in the $10,000 club, earning an average of $13,170. The closest competition was Tanpopo, which earned $7,677 in one theater during its 13th week of re-release. More...

Weekend Wrap-Up: Split’s $40.01 million Helps Box Office Soar

January 24th, 2017

Split

Split dominated the weekend box office earning $40.01 million, which is nearly double predictions and nearly double its nearest competition, xXx: Return of Xander Cage. The overall box office still shrunk from last weekend, but it was down just 3.2%, which is excellent for a post-holiday weekend. Compared to this weekend last year, 2017 was 27% stronger. Year-to-date, 2017 is still behind 2016, but that gap has closed to 9.4% at $736 million to $812 million. More...

Weekend Estimates: Split Stuns with $40 Million Debut

January 22nd, 2017

Split

2017 has its first surprise hit. Split is set for a weekend just north of $40 million, according to Sunday morning’s projection from Universal. That’s not just the biggest weekend of the year so far, but it almost doubles the $22.8 million earned by Hidden Figures a couple of weeks ago, and moves the studio ahead of Fox as the leading distributor for the year so far. It also marks, of course, a return to form for M. Night Shyamalan. It basically ties the debut of The Last Airbender back in 2010, and his last movie to do significantly better on opening weekend was The Village, which started out with $50.7 million in the Summer of 2004. More...

Friday Estimates: In a Surprise Twist, Split’s a Hit with $14.6 million

January 21st, 2017

Split

Split easily won on Friday, doubling its nearest competition, and earning $14.6 million. This is the best opening day for M. Night Shyamalan since The Last Airbender opened in 2010. Its reviews are 76% positive, and it earned a B+ from CinemaScore, which is good for a horror film. This puts it on pace for an opening weekend of $34 million, which is more than it cost to make and advertise. If the film can match this during the rest of its run, then it will break even on its domestic numbers alone. More...

Thursday Night Previews: Split Consolidates Movie Audiences with $2 million in Previews

January 20th, 2017

Split

Split started off with $2 million in previews, which is better than anticipated. It is also nearly double what The Visit managed during its previews in 2015. This doesn’t mean Split will earn twice as much as The Visit did. Different times of year and different levels of competition make that very unlikely. Even so, an opening of $25 million is now more likely than it was before these numbers came out. More...

Weekend Predictions: Will Xander’s Return Result in Box Office Dominance?

January 19th, 2017

Split

It is a deceptively busy week with five films opening or expanding wide. At least that’s what the dsitributors are saying. In reality, there are only two truly wide releases, xXx: Return of Xander Cage and Split. There is also one semi-wide release, The Resurrection of Gavin Stone, as well as two semi-wide expansions, The Founder and 20th Century Women. Return of Xander Cage and Split are the only two of the films that have a shot at the top ten and they could be in a close race for first place. This weekend last year, there were three wide releases, but none of them made significantly more than $10 million at the box office. The biggest film of the weekend, The Revenant, earned just $16.01 million. 2017 could finally win in the year-over-year comparison. More...

2017 Preview: January

January 1st, 2017

xXx: Return of Xander Cage

December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/01/27 2 $2,615,176   289 $9,049   $2,773,115 1
2017/02/03 2 $1,780,462 -32% 291 $6,118   $5,575,599 2
2017/02/10 3 $1,241,393 -30% 233 $5,328   $7,356,053 3
2017/02/17 5 $745,112 -40% 223 $3,341   $8,548,370 4
2017/02/24 8 $418,173 -44% 207 $2,020   $9,203,801 5
2017/03/03 14 $134,911 -68% 129 $1,046   $9,308,687 6
2017/03/10 - $42,711 -68% 52 $821   $9,349,785 7
2017/03/17 - $17,531 -59% 25 $701   $9,581,197 8
2017/03/24 - $2,429 -86% 4 $607   $9,501,094 9
2017/03/31 - $367 -85% 2 $184   $9,526,058 10
2017/04/07 - $1,289 +251% 2 $645   $9,505,294 11
2020/12/04 - $60   1 $60   $9,295,082 202

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/23/2017 $596,896 135 137 592 $2,680,363 1/1/2019
Australia 1/27/2017 $2,615,176 289 291 1458 $9,295,082 12/11/2020
Austria 1/27/2017 $184,207 37 40 198 $697,849 4/27/2017
Belgium 2/22/2017 $277,279 41 49 335 $1,224,736 6/1/2017
Brazil 3/23/2017 $1,588,090 471 471 1469 $4,834,767 5/19/2017
Bulgaria 1/20/2017 $18,172 0 0 0 $89,728 2/26/2019
Chile 3/16/2017 $224,370 61 61 187 $802,058 12/20/2018
Colombia 2/23/2017 $0 0 165 253 $910,396 1/1/2019
Croatia 1/26/2017 $34,484 20 20 80 $126,644 1/1/2019
Czech Republic 1/19/2017 $72,286 92 92 250 $321,661 1/1/2019
Denmark 1/26/2017 $96,596 38 38 109 $374,849 3/21/2017
Finland 1/20/2017 $92,589 48 48 165 $330,530 3/21/2017
France 2/22/2017 $3,575,123 311 370 2272 $13,077,247 5/19/2017
Germany 1/26/2017 $2,697,188 402 500 3483 $11,105,055 12/29/2017
Greece 1/26/2017 $216,524 54 55 215 $873,226 3/28/2017
Hong Kong 1/19/2017 $691,202 34 34 191 $2,520,229 3/16/2017
Hungary 1/19/2017 $205,872 34 54 241 $825,928 1/1/2019
India 2/24/2017 $168,179 0 0 0 $338,359 10/3/2018
Israel 2/2/2017 $184,429 17 19 174 $872,742 1/1/2019
Italy 1/26/2017 $2,030,078 347 419 1018 $5,798,079 3/9/2017
Japan 5/12/2017 $686,667 180 180 481 $2,551,686 6/30/2017
Lithuania 1/20/2017 $21,231 50 50 143 $74,555 3/8/2017
Malaysia 1/19/2017 $135,956 33 33 158 $662,092 3/28/2017
Mexico 2/17/2017 $2,024,778 0 391 571 $8,407,985 5/19/2017
Netherlands 1/19/2017 $282,899 64 64 505 $1,668,818 7/27/2017
New Zealand 2/3/2017 $219,611 52 59 347 $872,180 4/5/2017
North America 1/20/2017 $40,010,975 3,038 3,373 20,502 $138,141,585 12/24/2018
Norway 1/20/2017 $182,631 88 88 228 $649,701 3/21/2017
Panama 2/16/2017 $351,522 121 121 364 $1,112,190 1/1/2019
Peru 2/23/2017 $344,397 91 91 232 $1,175,083 1/1/2019
Philippines 1/18/2017 $386,134 135 135 246 $827,395 1/1/2019
Poland 1/20/2017 $118,991 73 77 271 $550,972 1/1/2019
Portugal 2/2/2017 $138,053 46 46 174 $449,527 3/21/2017
Russia (CIS) 3/16/2017 $4,269,654 746 749 2536 $9,984,996 1/1/2019
Singapore 1/19/2017 $183,709 24 24 124 $897,103 4/20/2017
Slovakia 1/20/2017 $52,678 54 54 142 $216,199 3/10/2017
Slovenia 1/19/2017 $9,359 9 9 39 $33,490 3/9/2017
South Africa 1/20/2017 $30,111 17 17 73 $153,263 3/21/2017
South Korea 2/22/2017 $5,184,412 952 952 2004 $11,977,665 4/20/2017
Spain 1/27/2017 $2,160,667 355 482 2205 $8,114,497 5/19/2017
Sweden 1/20/2017 $277,600 87 87 375 $1,253,308 4/12/2017
Switzerland 1/26/2017 $205,448 34 36 300 $1,308,872 6/8/2017
Taiwan 2/3/2017 $1,416,069 76 76 394 $5,283,129 3/28/2017
Thailand 2/2/2017 $233,085 43 43 118 $519,523 3/1/2017
Turkey 2/17/2017 $125,272 99 101 298 $503,049 2/26/2019
United Kingdom 1/20/2017 $3,139,340 450 472 2513 $13,970,959 3/28/2017
Venezuela 2/17/2017 $51,267 55 55 247 $395,778 5/4/2017
 
Rest of World $9,899,466
 
Worldwide Total$278,754,594 12/11/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

James McAvoy    Dennis/Patricia/Hedwig/The Beast/Kevin Wendell Crumb/Barry/Orwell/Jade

Supporting Cast

Anya Taylor-Joy    Casey Cooke
Betty Buckley    Dr. Karen Fletcher
Jessica Sula    Marcia
Haley Lu Richardson    Claire Benoit
Izzie Leigh Coffey    Five-Year-Old Casey
Brad William Henke    Uncle John
Sebastian Arcelus    Casey’s Father
Neal Huff    Mr. Benoit
Ukee Washington    News Anchor
Ann Wood    Game Show Enthusiast
Michael Robert Kelly    Joe
M. Night Shyamalan    Jai, Hooters Lover
Rosemary Howard    Kevin’s Mother
Jerome Gallman    Vince, Security Guard
Lyne Renee    Academic Moderator
Kate Jacoby    Dr. Fletcher’s Patient
Peter Patrikios    Taxi Driver
Kash Goins    Flower Kiosk Seller
Roy James Wilson    Security Guy with Dog
Christopher Lee Phillips    Older Worker
Julie Potter    Paramedic
Ameerah Briggs    Police Officer #1
Nakia Dillard    Police Officer #2
Robin Rieger    Television Reporter
Emlyn Morinelli McFarland    Diner Waitress
Dann Fink    Game Show Contestant Voice
Bruce Winant    Game Show Host Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

M. Night Shyamalan    Director
M. Night Shyamalan    Screenwriter
M. Night Shyamalan    Producer
Jason Blum    Producer
Marc Bienstock    Producer
Ashwin Rajan    Executive Producer
Steven Schneider    Executive Producer
Kevin Frakes    Executive Producer
Buddy Patrick    Executive Producer
Michael Gioulakis    Director of Photography
Mara Lepere-Schloop    Production Designer
Luke Ciarrocchi    Editor
Paco Delgado    Costume Designer
West Dylan Thordson    Composer
Manny Siverio    Stunt Coordinator
Douglas Aibel    Casting Director
Marc Bienstock    Unit Production Manager
John Rusk    First Assistant Director
Amy Lauritsen    Second Assistant Director
Dominic Catanzarite    Associate Producer
Matthew Shapiro    Post-Production Supervisor
Skip Lievsay    Supervising Sound Editor
Charles S. Rowe    Script Supervisor
Tod A. Maitland    Sound Mixer
Rita Squitiere    Costume Supervisor
Pamela Peitzman    Make up
Ray Santoleri    Make up
Diane Dixon    Hairstylist
Janice Innella    Hairstylist
Jesse Rosenthal    Art Director
Dave Kellom    Art Department Coordinator
Jennifer Engel    Set Decorator
Staci Hagenbaugh    Location Manager
Henry Russell Bergstein    Casting Associate
Kathryn Cates    Assistant Editor
Bryan Baker    Assistant Editor
Skip Lievsay    Re-recording Mixer
Larry Zipf    Sound Effects Editor
Michael Feuser    Dialogue Editor
George A. Lara*    Foley Mixer
Suzana Peric    Music Editor
John Carbonara    Music Editor
Edwardo Mendez    Visual Effects Supervisor
Bob Lowery    Visual Effects Executive Producer
Leah Orsini    Visual Effects Executive Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.