Mexico Box Office for Sing Ven y Canta (2016)

← Go to main Sing page

Sing
Theatrical Performance (US$)
Mexico Box Office $14,123,971Details
Worldwide Box Office $631,064,182Details
Home Market Performance
North America DVD Sales $29,792,639 Details
North America Blu-ray Sales $42,522,946 Details
Total North America Video Sales $72,315,585
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Set in a world like ours but entirely inhabited by animals, Buster Moon, a dapper koala who presides over a once-grand theater that has fallen on hard times. Buster is an eternal—some might even say delusional—optimist who loves his theater above all and will do anything to preserve it. Now faced with the crumbling of his life’s ambition, he has one final chance to restore his fading jewel to its former glory by producing the world’s greatest singing competition. Five lead contestants emerge: Mike, a mouse who croons as smoothly as he cons; Meena, a timid teenage elephant with an enormous case of stage fright; Rosita, an overtaxed mother run ragged tending a litter of 25 piglets; Johnny, a young gangster gorilla looking to break free of his family’s felonies; and Ash, a punk-rock porcupine struggling to shed her arrogant boyfriend and go solo. Each arrives under Buster’s marquee believing that this is their shot to change the course of their life. And as Buster coaches each of his contestants closer and closer to the grand finale, he starts to learn that maybe the theater isn’t the only thing that is in need of saving.

Metrics

Movie Details

Production Budget:$75,000,000
Mexico Releases: December 16th, 2016 (Wide), released as Sing Ven y Canta
Video Release: March 21st, 2017 by Universal Home Entertainment
MPAA Rating: PG for some rude humor and mild peril.
(Rating bulletin 2440 (Cert #50642), 8/31/2016)
Running Time: 108 minutes
Franchise: Sing
Keywords: Animal Lead, Talking Animals, Singers, Musicians, Theater, Talent Contest, Ensemble, Money Troubles, Directing Yourself, Prologue, Voiceover/Narration, Organized Crime, Dysfunctional Family, Gangs, Father’s Footsteps, Stage Fright, Heist, Prison Break, Gambling, Relationships Gone Wrong, Bank Foreclosure, 3-D, 3-D - Shot in 3-D, IMAX: DMR, Jukebox Musical
Source:Original Screenplay
Genre:Musical
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Illumination Entertainment
Production Countries: United States
Languages: English

International Box Office: Beast Mode Engaged as Beauty earns $180.0 million

March 22nd, 2017

Beauty and the Beast

Beauty and the Beast dominated the international chart even more than it dominated the domestic one earning $180.0 million in 44 markets. The film’s worldwide opening was the second best for March, behind only Batman v Superman: Dawn of Justice; however, BvS opened truly worldwide, while Beauty and the Beast only opened in about two thirds of the international market. Unsurprisingly, the film’s biggest single market was China, where it pulled in $44.72 million over the weekend, $45.01 million including Thursday’s previews. It was also a monster hit in the U.K., where it earned $24.37 million in 567 theaters, which was the biggest March opening of all time in that market. The next biggest market was South Korea with $10.68 million on 1,625 screens over the weekend and $11.88 million in total. It also cracked $10 million in Mexico ($11.6 million); Germany ($10.7 million), and Brazil ($10.4 million). At this point, getting to $1 billion worldwide seems like a safe bet, especially with openings in France, Australia, Japan, and other markets left to go. We will of course track its progress there. More...

Home Market Releases for March 21st, 2017

March 21st, 2017

Sing

It is an interesting week on the home market with Rogue One: A Star Wars Story dominating the competition. However, it is only coming out on Video on Demand and doesn’t come out till Friday. As for Tuesday releases, there are a few contenders, but no film that immediately jumps out as the Pick of the Week. If you go with quality, extras, and overall audience appeal, then Sing on Blu-ray Combo Pack comes out on top. I would also definitely checkout Insecure: Season One and Lifeboat, if you don’t already own the latter. More...

Featured Blu-ray and DVD Review: Sing

March 19th, 2017

Sing

Sing was the last big animated film released in 2016 and it was a good year for animated films. Both Zootopia and Finding Dory earned stunnign reviews and more than $1 billion worldwide. Sing couldn’t compete with those box office numbers, but is it at least close in terms of quality? More...

International Box Office: Logan Scored Nearly $250 million Worldwide in Opening Weekend

March 8th, 2017

Logan

Logan dominated the international box office chart with $152.7 million in 81 markets for a worldwide opening of $240.9 million. This is almost twice as much as the film cost to make, so it has nearly paid for its entire production budget during the film’s opening weekend. Assuming it has any legs, it will break even before it reaches the home market. China was the biggest single market, as it earned $45.60 million over the weekend for a total opening of $46.38 million, including Thursday previews. The U.K. was well back with an opening of $11.48 million in 602 theaters. Up next is Brazil, which earned $8.2 million, while the film had a total opening of $8.16 million on 954 screens in South Korea, while it earned $8.02 million on 1,200 screens in Russia. The film doesn’t open in Japan until June and it could have over $500 million worldwide by then. More...

International Box Office: Fifty Opens a Shade Below $100 million

February 16th, 2017

Fifty Shades Darker

Fifty Shades Darker earned first place on the international chart during it opening weekend, pulling in $97.78 million on 9,726 screens in 57 markets. This is the biggest international weekend of the year so far, so that’s reason for the studio to celebrate. The film’s biggest market was Germany, where it made $10.5 million, while the U.K. and Ireland were close behind with $9.4 million. The film cracked $5 million in France ($8.3 million); Brazil ($7.3 million); Italy ($6.9 million); Russian ($6.5 million); Australia ($5.8 million); and Spain ($5 million). The film has yet to open in Japan, but that’s the only major market left. By the end of the first weekend of release, the film had made enough worldwide to cover its entire production budget. By the end of the second, it will likely come completely in the black. By the time it makes its initial push into the home market, it will likely have paid for the production budget of Fifty Shades Freed as well.

More...

Weekend Wrap-Up: Split’s $40.01 million Helps Box Office Soar

January 24th, 2017

Split

Split dominated the weekend box office earning $40.01 million, which is nearly double predictions and nearly double its nearest competition, xXx: Return of Xander Cage. The overall box office still shrunk from last weekend, but it was down just 3.2%, which is excellent for a post-holiday weekend. Compared to this weekend last year, 2017 was 27% stronger. Year-to-date, 2017 is still behind 2016, but that gap has closed to 9.4% at $736 million to $812 million. More...

Weekend Predictions: Will Xander’s Return Result in Box Office Dominance?

January 19th, 2017

Split

It is a deceptively busy week with five films opening or expanding wide. At least that’s what the dsitributors are saying. In reality, there are only two truly wide releases, xXx: Return of Xander Cage and Split. There is also one semi-wide release, The Resurrection of Gavin Stone, as well as two semi-wide expansions, The Founder and 20th Century Women. Return of Xander Cage and Split are the only two of the films that have a shot at the top ten and they could be in a close race for first place. This weekend last year, there were three wide releases, but none of them made significantly more than $10 million at the box office. The biggest film of the weekend, The Revenant, earned just $16.01 million. 2017 could finally win in the year-over-year comparison. More...

Weekend Wrap-Up: Hidden Figures Really Helps the Box Office with $27.51 million

January 18th, 2017

Hidden Figures

As expected, Hidden Figures remained in first place as the box office was dominated by holdovers. The best of the new releases / wide expansions was The Bye Bye Man, which earned fifth place with $15.20 million. On the positive side, while there was only one film to earn more than $20 million over the weekend, there were seven that earned $10 million or more. That’s really good depth. It’s good enough for an 8.5% increase from last weekend reaching $149 million. However, this is still 10% lower than the same weekend last year. Year-to-date, 2017 is behind 2016 by 15% at $562 million to $659 million, but again, it is way too soon to make any predictions. More...

Weekend Estimates: Hidden Figures wins MLK Weekend

January 15th, 2017

Hidden Figures

A pile-up at the box office this weekend will leave a crush of new releases behind Hidden Figures and La La Land, which remain the top two films at the box office. Hidden Figures will be down just 10% (in part thanks to expanded distribution) to $20.45 million, for $54.8 million in total, as of Sunday evening. Fox is projecting a $25.3 million 4-day weekend for the film. La La Land is even more impressive, growing its box office by 43% and moving from fifth to second on the chart with $14.5 million, and $74.1 million to date. It’s record-breaking performance at the Golden Globes has clearly lifted it to another level with audiences. More...

Friday Estimates: Hidden Hogs the Spotlight

January 14th, 2017

Hidden Figures

Hidden Figures unexpectedly led the way on Friday with $5.53 million. This is 28% lower than last Friday, but that was the film’s first weekend wide and this is a holiday weekend, so it should bounce back a lot over the rest of the weekend. Award-worthy reviews and continued Awards Season presence will also help the film earn about $23 million over the four-day weekend. Its running tally will be about $57 million on Monday, putting it on pace for $100 million domestically. More...

Weekend Predictions: Will the Patriots Win the Weekend? Or Will Hidden Remain Up Front?

January 12th, 2017

Patriots Day

Six films are opening or expanding this weekend, which have a shot at the top ten. However, only one of them, Patriots Day, has a real shot at first place. In fact, it might be the only “new” film in the top five. The biggest wide release of the week is Monster Trucks, which is opening in 2,800 theaters. I didn’t see that coming. [Ed.: The final announced theater count for Monster Trucks is an even more impressive 3,119] Meanwhile, Sleepless is only opening in 1,800 theaters, while Silence is expanding into 750 theaters. We still haven’t mentioned all of the new films. As for holdovers, Hidden Figures has a real shot at first place, while La La Land should get a boost from its Awards Season success. This weekend last year, Ride Along 2 opened with just over $35 million over the three-day weekend. There’s no film that will match that figure during the four-day weekend. On the positive side, there were only four films that earned more than $10 million during the three-day weekend and this year we should have five. That’s not enough to win in the year-over-year competition. It likely won’t even be close. More...

International Box Office: Rogue gets $56.6 million Closer to $1 Billion

January 12th, 2017

Rogue One: A Star Wars Story

Rogue One: A Star Wars Story remained in first place with $56.6 million in 57 markets for totals of $437.1 million internationally and $914.5 million worldwide. It is now in fifth place on the 2016 worldwide chart. ... The entire top five worldwide is from Disney. This is unprecedented. As for this past weekend, Rogue One earned first place in China with $30.11 million over the weekend and $30.65 million including previews. This is on par with expectations, although some were worried it would struggle due to... I was going to say weather, but is smog weather? China is currently dealing with a smog crisis and has been issuing warnings to stay inside. This is the last market for the film, but it should cruise to $1 billion on holdovers. It will likely reach second place on the 2016 worldwide chart, but I think Captain America: Civil War is safe on the top of the chart. More...

Weekend Wrap-Up: Hidden Figures is in the Spotlight earning $22.80 million

January 10th, 2017

Hidden Figures

The first weekend of the year wasn’t as potent as anticipated, as none of the holdovers held on as well as expected. This helped Hidden Figures earn first place with $22.80 million, putting it just ahead of Rogue One: A Star Wars Story, which pulled in $22.06 million. The box office was down 26% from last weekend to $137 million, but this is a post-holiday weekend, so this decline was expected. The box office was also down 14% from this weekend last year. It is still way too soon to compare the box office year-over-year. In fact, we should wait till The Force Awakens faded out of the top five before we can really get a picture of how 2017 will do. That was President’s Day long weekend. So once we get past President’s Day long weekend, the year-over-year comparison will begin it have some real value. More...

Friday Estimates: Hidden Gets the Jump on the Competition with $7.6 million

January 7th, 2017

Hidden Figures

It’s looking like a surprisingly close weekend at the box office. The Friday results show three films with a real shot at top spot: Hidden Figures, Rogue One: A Star Wars Story, and Sing. Hidden Figures led the way on Friday with $7.6 million, putting it on pace for between $21 million and $23 million for the weekend. There’s a wide range here, because the studio has made a push to go after African-American churchgoers, so this could really boost the film’s Sunday box office. The film’s legs will be helped by its amazing reviews, as well as its A+ rating from CinemaScore. If it does land on the high end of expectations, then it has a real shot at top spot for the weekend. It does have a lot of competition, on the other hand. More...

Weekend Predictions: Underworld is a Serious Underdog

January 5th, 2017

Underworld: Blood Wars

It’s the first weekend of the year and there’s only one wide release, Underworld: Blood Wars, plus one wide expansion, Hidden Figures. (As expected, A Monster Calls is not expanding truly wide and it won’t grow enough to make the top ten. I don’t think it will top $3 million over the weekend.) None of these films are really going to challenge the top two holdovers, Rogue One: A Star Wars Story and Sing, although that pair should be in a close race for first place. This weekend last year was very similar to this weekend, with one new release, one wide expansion, and a Star Wars holdover on top. Unfortunately, this year is much weaker. 2017 is going to get off on a losing note. More...

International Box Office: Rogue’s Threepeat to Tenth Place on 2016 Worldwide Chart

January 5th, 2017

Rogue One: A Star Wars Story

Rogue One: A Star Wars Story added $45.8 million in 55 markets to its running tally, which now sits at $350.0 million internationally and $775.0 million worldwide. By the end of Sunday, the film was already in tenth place for the year and while it is not doing as well internationally as it is domestically, it is still on pace to hit fifth place by as early as this weekend. Its biggest market is the U.K., where it has pulled in $64.4 million, but the U.K. might not stay on top for long, because the film opens in China this weekend. More...

Theater Averages: Hidden Stands Out with Average of $34,329

January 4th, 2017

Hidden Figures

Hidden Figures rose to first place during its first full weekend of release with an average of $34,329 in 25 theaters. It already has more than $2 million and it expands wide on Friday. 20th Century Women was next with an average of $27,800 in four theaters. It isn’t a major player during Awards Season, but it is picking up enough nominations to help it stick around in theaters. Patriots Day was down just 8% earning an average of $21,117 in seven theaters. Last week’s winner, Silence, fell to an average of $20,827 in four theaters. If it has a similar drop next week, it will put its wide release in jeopardy. The best limited release of the week was Paterson, which earned an average of $17,334 in four theaters. Toni Erdmann earned an average of $14,000 in three theaters during its first full week of release. La La Land continues to expand, but remained in the $10,000 club with an average of $12,738. The overall number one film, Rogue One: A Star Wars Story, was next with an average of $11,934, while the second place film, Sing, was right behind with an average of $10,647. More...

Weekend Wrap-Up: Rogue One Wins Weekend, Doesn’t Quite win the Year with $65.62 million

January 4th, 2017

Rogue One: A Star Wars Story

The final weekend of the year wasn’t as potent as we had predicted, but there were still a number of reasons to celebrate. Rogue One: A Star Wars Story won the weekend and is on its way to becoming the biggest hit of the year. Sing was relatively close behind and will get to $200 million this upcoming weekend. Overall, the box office rose by 2.9% from last weekend hitting $186 million. This is 15% lower than the same weekend last year, which again was actually the first weekend of 2016. We need to switch to the Strowbrinian Calendar. I’m not kidding about this. As for the year-over-year comparison, that’s a little confusing. If you just look at the calender years, then 2016 broke the record earning $11.4 billion. However, the movie year actually begins the first Monday of the year and ends the final Sunday before the first Monday of the next year. Going by this definition of the year, 2016 actually just failed to overtake 2015, because we lost a few days of The Force Awakens and only got one extra day of Rogue One. More...

Weekend Estimates: Rogue One Tops Sing

January 1st, 2017

Rogue One: A Star Wars Story

With most studios closed for New Year’s Day, the weekend estimates have a rather piecemeal look as of this morning. We do have an official weekend estimate for Sing, which Universal projects will make $41.5 million over the three-day weekend and $53.4 million over four, for a total coming out of the holidays at an impressive $177.3 million. That will put it in second place, not far behind Rogue One: A Star Wars Story. Disney won’t be releasing numbers until tomorrow, but we should see a three-day weekend around $50 million, $65 million over four days, and a total of about $440 million by Tuesday morning. More...

Friday Estimates: Rogue One and Sing Hold a High Note with $18.18 million and $16.8 million

December 31st, 2016

Rogue One: A Star Wars Story

Rogue One: A Star Wars Story and Sing continue to dominate the box office, which is great news for us, as Disney and Universal are practically the only major studios releasing numbers this weekend. The holidays are incredibly important at the box office, but they also make our job harder to do. As for the actual box office numbers, Rogue One led the way with $18.18 million on Friday for an 15-day total of $393.55 million. This is lower than expected and it will fall week-to-week; however, it will finish the three-day weekend with just over $50 million becoming the third film released in 2016 to get to $400 million domestically in the process. It also remained on pace for $500 million domestically and $1 billion worldwide. More...

Weekend Predictions: Old Movies Ring Out the New Year

December 29th, 2016

Rogue One: A Star Wars Story

The weekend after Christmas Day is usually a boring weekend with no wide releases to speak of. On the other hand, we do have a monster hit to keep track of, as well as some Awards Season hopefuls that are expanding significantly and could make the top ten. Of course, Rogue One: A Star Wars Story will win this weekend and it should in fact grow from last weekend, because Christmas Eve is a dead zone at the box office. Likewise, Sing should grow even better, as it is the last weekend for families to hit theaters before school starts. Some of the other films that debuted last week are not looking so good. This weekend last year was actually the first weekend of 2016, which makes it harder to compare the two weekends. Again, we need to switch to the Strowbrinian Calendar that I mentioned at the end of the December Preview. The Force Awakens earned just over $90 million and while Rogue One won’t match that, it should be closer than most were expecting. More...

International Box Office: Rogue Remains in First with $135.5 million, While International Films Flourish

December 29th, 2016

Rogue One: A Star Wars Story

Rogue One: A Star Wars Story remained in first place with $47.1 million in 54 markets for totals of $237.4 million internationally and $523.4 million worldwide. The film “struggled” over the weekend, but mainly due to the holidays. Christmas Eve is as big of a dead zone in most of Europe as it is here; in fact, a lot of theaters close on Christmas Eve. Likewise, a lot of theaters in the U.K. and Australia are closed on Christmas day. Even so, the film has already cracked $10 million in a number of major markets, starting with the the U.K., where it has $42.1 million. Germany and France are neck-and-neck with $21.8 million and $19.6 million respectively. The film has pulled in $17.84 million in Australia and $16.7 million in Japan. Next week we will have a better picture where the film is heading, as the holidays will be over in most places. I think $1 billion worldwide is a safe bet. More...

Friday Estimates: Rogue One and Sing perform a duet with $22.78 million and $13.07 million

December 24th, 2016

Rogue One: A Star Wars Story

Rogue One: A Star Wars Story grew by 36% on Friday, earning $22.78 million for a running tally of $244.77 million. It has now overtaken Doctor Strange for ninth place on the yearly chart. By comparison, The Force Awakens rose by 80% on this day in its run, but this day in its run was Christmas Day. As I said before, we won’t be able to really compare numbers until after Boxing Day. More...

Thursday Box Office: Rogue One Bounces Back with $16.77 million, while most New Releases Tumble

December 23rd, 2016

Rogue One: A Star Wars Story

Rogue One: A Star Wars Story grew by 12% to $16.77 million on Thursday for a first-week total of $222.00 million. This shows that it was hit by new releases on Wednesday, at least a little bit. It is impossible to compare this day to The Force Awakens, because this day in its run was Christmas Eve. For the record though, The Force Awakens fell by 28% to $27.40 million on that day and had pulled in $390.86 million during the same time period. More...

Wednesday Box Office: Rogue Wins with $14.97 million, but Sing Hits the High Note with $11.01 million

December 22nd, 2016

Rogue One: A Star Wars Story

As expected, Rogue One: A Star Wars Story led the way on Wednesday. It fell 15% to $14.97 million on Wednesday for a 6-day total of $204.23 million. By comparison, The Force Awakens rose 2% to $38.02 million on Wednesday for a six-day total of $363.46 million; however, it didn’t have to deal with three wide releases. In fact, it’s only “new” competition was the semi-wide expansion of The Big Short. Comparing the two movies’ daily numbers will get less illuminating until we get past Boxing Day, because the misalignment in the holidays will be playing a major role in the day-to-day changes. More...

Weekend Predictions: Will Any of the New Releases have a Christmas Miracle?

December 21st, 2016

Sing

This week is an utter mess when it comes to new releases. There are five films opening or expanding wide this week, three of them opening on Wednesday. Assassin’s Creed, Passengers, and Sing are all trying to get a head start on the weekend, while Why Him? debuts on Friday. Finally, Fences is expected to expand wide on Sunday, Christmas Day, but we’ve seen recently that “wide expansion” isn’t a meaningful term when studios use it. None of these films are expected to top Rogue One: A Star Wars Story, or even come close. Comparing this weekend to the same weekend last year is nearly impossible, because Christmas Eve lands on Saturday this year and Christmas Eve is a dead zone at the box office, while last year it landed on the Thursday, which is the best day of the week for optimal box office numbers. On the other hand, Monday is Boxing Day, which is a holiday for some. It doesn’t balance out, but fortunately 2016 still has a substantial lead over 2015, so even a really bad weekend won’t put 2016 behind. More...

2016 - Awards Season: Golden Globes - Nominations

December 12th, 2016

La La Land

The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season. More...

2016 Preview: December

December 1st, 2016

Rogue One: A Star Wars Story

November was good, but not great. Fortunately, 2016 had a large enough lead going into November that the month only needed to be good. In fact, it could have been mediocre and 2016 would have still had an excellent shot to end the year above 2015. As for December, it’s a race between Star Wars and Star Wars. Almost no one thinks Rogue One is going to match The Force Awakens, but if Rogue One earns just half of what The Force Awakens managed, then 2016 will come out on top in the year-over-year comparison. There are only two other films with a better than 50/50 chance of hitting $100 million, Passengers and Sing. Either one could earn second place for the month, but Passengers will likely start faster. Last December, the only other film to earn more than $100 million was Daddy’s Home, which earned just a hair over $150 million. There’s a chance both Passengers and Sing will earn more than $150 million, which would be a boon to the box office. However, Star Wars: The Force Awakens was just too strong last year and it would take a miracle for 2016 to have a stronger December. That said, it would take a complete collapse for 2016 not to top 2015 in raw dollars. The growth might not be enough to keep pace with ticket price inflation, on the other hand. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/12/16 4 $379,096   0     $379,096 1
2016/12/23 1 $1,701,033 +349% 0     $3,449,614 2
2016/12/30 1 $1,550,177 -9% 0     $7,955,571 3
2017/01/06 2 $1,187,077 -23% 698 $1,701   $10,697,314 4
2017/01/13 3 $919,071 -23% 0     $11,496,739 5
2017/01/20 3 $650,952 -29% 0     $12,301,859 6
2017/01/27 6 $417,132 -36% 572 $729   $13,469,048 7
2017/02/03 9 $224,990 -46% 0     $14,262,766 8
2017/02/10 - $37,938 -83% 137 $277   $14,093,144 9
2017/02/17 - $11,899 -69% 40 $297   $14,113,868 10
2017/02/24 - $5,450 -54% 14 $389   $14,121,286 11
2017/03/03 - $969 -82% 7 $138   $14,123,285 12
2017/03/10 - $203 -79% 2 $102   $14,123,788 13
2017/04/28 - $121   1 $121   $14,123,971 20

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/5/2017 $1,971,312 188 188 931 $5,829,969 1/1/2019
Australia 12/26/2016 $3,219,578 360 386 2659 $21,122,062 10/20/2022
Austria 12/9/2016 $773,356 80 88 884 $3,115,580 4/20/2017
Belgium 12/21/2016 $310,070 132 132 1309 $4,377,353 5/4/2017
Brazil 12/22/2016 $3,300,000 550 550 2241 $11,049,943 4/12/2017
Bulgaria 12/16/2016 $13,002 0 0 0 $613,286 2/26/2019
Chile 12/22/2016 $291,852 63 79 554 $3,593,346 12/20/2018
China 2/17/2017 $11,970,000 44971 44971 88967 $30,690,815 4/20/2017
Colombia 12/22/2016 $366,018 182 182 978 $3,005,012 12/20/2018
Croatia 12/8/2016 $43,764 33 33 232 $270,718 1/1/2019
Czech Republic 12/16/2016 $9,516 17 94 765 $1,083,983 1/1/2019
Denmark 12/25/2016 $401,490 109 109 810 $3,421,818 4/27/2017
Finland 12/23/2016 $131,362 216 220 1261 $2,368,203 4/12/2017
France 1/25/2017 $5,050,892 663 830 5577 $22,901,602 5/19/2017
Germany 12/9/2016 $3,931,666 659 721 7717 $20,263,928 1/11/2018
Greece 12/16/2016 $146,043 98 115 858 $1,252,767 4/5/2017
Hong Kong 12/22/2016 $1,064,797 42 43 188 $2,870,661 2/15/2017
Hungary 12/22/2016 $182,089 67 68 501 $1,273,915 1/1/2019
India 12/30/2016 $0 0 0 0 $342,501 10/3/2018
Indonesia 12/9/2016 $599,000 0 0 0 $599,000 12/31/2018
Israel 12/22/2016 $305,643 35 35 565 $3,535,985 1/1/2019
Italy 1/4/2017 $3,077,675 443 472 1919 $10,544,421 8/17/2017
Japan 3/17/2017 $5,888,589 360 590 4364 $45,778,021 6/30/2017
Lithuania 12/23/2016 $6,426 10 284 1062 $491,637 10/10/2018
Malaysia 12/9/2016 $89,882 128 128 638 $1,607,233 3/28/2017
Mexico 12/16/2016 $379,096 0 698 1471 $14,123,971 5/4/2017
Netherlands 12/16/2016 $447,473 142 147 2292 $9,306,846 6/30/2017
New Zealand 12/26/2016 $267,618 95 100 895 $2,571,240 3/27/2017
North America 12/21/2016 $35,258,145 4,022 4,029 28,297 $270,329,045 4/3/2018
Norway 12/9/2016 $764,980 113 113 661 $2,539,964 4/20/2017
Panama 12/22/2016 $635,954 156 170 662 $3,018,518 1/1/2019
Peru 12/22/2016 $597,583 83 83 463 $3,837,935 12/20/2018
Philippines 1/4/2017 $435,935 113 113 263 $931,593 1/1/2019
Poland 1/6/2017 $1,499,482 159 206 1525 $7,506,002 1/1/2019
Portugal 12/8/2016 $274,442 119 135 994 $2,371,163 11/20/2018
Russia (CIS) 3/2/2017 $6,126,241 1430 1434 5645 $17,395,112 1/1/2019
Singapore 12/9/2016 $520,003 58 58 232 $1,806,364 2/23/2017
Slovakia 12/16/2016 $11,308 19 56 451 $692,211 6/12/2017
Slovenia 12/8/2016 $33,619 24 24 289 $413,753 3/16/2017
South Africa 12/23/2016 $252,004 116 116 925 $2,210,884 4/5/2017
South Korea 11/24/2016 $0 0 795 2425 $11,053,918 4/20/2017
Spain 12/22/2016 $1,660,034 589 635 4833 $17,088,494 7/13/2017
Sweden 12/23/2016 $540,981 148 150 1216 $5,239,426 4/27/2017
Switzerland 12/8/2016 $354,182 78 106 939 $3,854,305 5/12/2017
Taiwan 12/9/2016 $608,060 163 163 655 $1,998,106 2/8/2017
Thailand 12/22/2016 $158,143 100 100 353 $528,518 2/8/2017
Turkey 12/9/2016 $255,989 215 215 705 $709,836 2/26/2019
United Kingdom 1/27/2017 $13,142,080 554 623 6546 $35,387,113 7/27/2017
Venezuela 12/23/2016 $32,569 64 64 538 $773,630 4/20/2017
 
Rest of World $13,372,476
 
Worldwide Total$631,064,182 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Matthew McConaughey    Buster Moon
Reese Witherspoon    Rosita
Seth MacFarlane    Mike
Tori Kelly    Meena
John C. Reilly    Eddie
Taron Egerton    Johnny
Scarlett Johansson    Ash

Supporting Cast

Jennifer Saunders    Nana
Jennifer Hudson    Young Nana
Garth Jennings    Miss Crawly/Additional Voices
Peter Serafinowicz    Big Daddy
Nick Kroll    Gunter
Beck Bennett    Lance
Jay Pharoah    Meena’s Grandfather
Nick Offerman    Norman
Leslie Jones    Meena’s Mother
Rhea Perlman    Judith
Laraine Newman    Meena’s Grandmother/Additional Voices
Adam Buxton    Stan
Brad Morris    Baboon
Bill Farmer    News Reporter Dog
Oscar Jennings    Piglet
Leo Jennings    Piglet
Caspar Jennings    Piglet
Asa Jennings    Piglet
Carlos Alazraqui    Additional Voice
Sara Mann    Additional Voice
Wes Anderson    Additional Voice
Igor Khait    Additional Voice
David Arnott    Additional Voice
Daamen Krall    Additional Voice
Bob Bergen    Additional Voice
Jeremy Maxwell    Additional Voice
Doug Burch    Additional Voice
Daniel Mora    Additional Voice
Britt Burton    Additional Voice
Catherine Cavadini*    Additional Voice
Jason Pace    Additional Voice
Townsend Coleman    Additional Voice
Gregory Perler    Additional Voice
Abby Craden    Additional Voice
James J. Cummings    Additional Voice
Jessica Rau    Additional Voice
John DeMita    Additional Voice
Chris Renaud    Additional Voice
Marisa De Silva    Additional Voice
Jessica Rotter    Additional Voice
Willow Geer    Additional Voice
Tara Strong    Additional Voice
Jess Harnell    Additional Voice
Barbara Harris    Additional Voice
Tom Walters    Additional Voice
Andrew Walton    Additional Voice
Edgar Wright    Additional Voice
Robert Taylor    Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Garth Jennings    Director
Garth Jennings    Screenwriter
Janet Healy    Producer
Chris Meledandri*    Producer
Gregory Perler    Editor
Christophe Lourdelet    Co-Director
Harvey Mason Jr.    Executive Music Producer
Jojo Villanueva    Music Supervisor
Joby Talbot    Composer
Eric Guillon    Production Designer
Eric Guillon    Character Designer
Robert Taylor    Associate Producer
Brett Hoffman    Associate Producer
Joy Poirel    Production Supervisor
Patrick Delage    Animation Director
Pierre Leduc    Animation Director
Pierre Avon    Supervising Animator
Simon Cuisinier    Supervising Animator
Luc Degardin    Supervising Animator
Christophe Delisle    Supervising Animator
Audrey Fobis    Supervising Animator
Gwenole Oulchen    Supervising Animator
Christele Jolens    Technical Animation Supervisor
Francois Moret    Art Director
Igor Khait    Co-Producer
Andrew Walton    Associate Editor
Tom Walters    First Assistant Editor
Fanny Bensussan    Assistant Editor
Andrew Kilcoin*    Assistant Editor
Anna Catalano    Assistant Editor
Justine Bonnard    Story Artist
Julien Perron    Story Artist
Chloe Nicolay    Story Artist
Nima Azarba    Story Artist
David Canoville    Story Artist
Habib Louati    Story Artist
Seth Kearsley    Story Artist
Sei Riondet    Story Artist
Martin Fuller    Story Artist
Kelly Lake    Script and Recording Supervisor
Loic Rastout    Set Designer
Brett Nystul    Set Designer
Charlotte Hutchinson    Set Designer
Alexandre Saint-Martin    Set Designer
Thomas Reteuna    Set Designer
Benoit Tranchet    Set Designer
Vincent Massy De La Chesneraye    Set Designer
Caroline Huchet    Character Effects Supervisor
Etienne Pecheux    Supervising Technical Director
Allison Jones    Casting Director
Benjamin Harris    Casting Associate
Peter Kousakis    Casting Assistant
Dennis Leonard    Supervising Sound Editor
Gary A. Rizzo    Re-recording Mixer
Lora Hirschberg    Re-recording Mixer
Steve Boeddeker    Sound Designer
Steve Boeddeker    Additional Sound Re-recording Mixer
Cheryl Nardi    Dialogue Editor
Mac Smith    Sound Effects Editor
Dustin Cawood    Sound Effects Editor
Luke Dunn Gielmuda    Sound Effects Editor
Scott Curtis    Foley Mixer
Jason Butler    Foley Mixer
Michael Connell    Supervising Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.