| Theatrical Performance (US$) | ||
| Portugal Box Office | $12,106 | Details |
| Worldwide Box Office | $3,541,565 | Details |
| Further financial details... | ||
| Production Budget: | $10,000,000 |
| Portugal Releases: | June 21st, 2012 (Wide) |
| Video Release: | August 10th, 2010 by Fox Home Entertainment |
| MPAA Rating: | R for language, some sexual content, teen drinking and drug use |
| Running Time: | 96 minutes |
| Production Countries: | United States |
| Languages: | English |
August 9th, 2010
There are not a lot of prime releases on this week's list, but there are a few that I'm interested in. Date Night is the biggest release of the week and depending on how strong its home market debut is, it could be a worthy pick up, or even a contender for Pick of the Week. I won't know till the screener arrives. Crumb's Blu-ray review was also a tempting choice for Pick of the Week. As was Bugs Bunny: Hare Extraordinaire and Daffy Duck: Frustrated Fowl. But in the end I went with Max Headroom: The Complete Series as Pick of the Week.
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August 8th, 2010
The Joneses is a social satire that opened in nearly 200 theaters, which is way too many for a limited release, and with 63% positive reviews, which is far too low for a limited release.
It comes as no real surprise that the film struggled during its opening and then disappeared shortly afterward.
But will it perform better on the home market?
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May 5th, 2010
Please Give opened on top of the per theater chart with an impressive average of $23,625 in 5 theaters. This suggests significant room for expansion. With summer less than a week away, it could even be the first limited release of the season to expand enough to earn some measure of mainstream success. It wouldn't be the first Nicole Holofcener film to do so. The Human Centipede earned $12,424 in its lone theater during its opening weekend. Meanwhile, the overall box office leader, A Nightmare on Elm Street, just missed the $10,000 club with an average of $9,875.
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April 20th, 2010
The City of Your Final Destination rode its pedigree to first place with $24,401 in its one theater, while Exit Through the Gift Shop was very close behind with an average of $21,345 in eight theaters. The Secret in Their Eyes opened in third place with an average of $16,787 in ten theaters. Of these three films, Exit earned the best reviews. However, the Oscar winning Secret could have the best long-term success.
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April 16th, 2010
While there are only five limited releases on this week's list, two of them are opening in more than 100 theaters. However, both of those films are only earning mixed reviews. The best-reviewed limited release of the week is Exit Through the Gift Shop, which currently has 100% positive reviews. Hopefully that will translate into a strong start at the box office.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2012/06/22 | 12 | $4,182 | 4 | $1,046 | $4,182 | 1 | |
| 2012/07/06 | 13 | $1,895 | 1 | $1,895 | $12,106 | 3 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 4/16/2010 | $507,082 | 193 | 217 | 720 | $1,475,746 | |
| Portugal | 6/21/2012 | $4,182 | 4 | 4 | 5 | $12,106 | 12/10/2015 |
| Rest of World | $2,053,713 | ||||||
| Worldwide Total | $3,541,565 | 12/10/2015 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Demi Moore | ||
| Amber Heard | ||
| David Duchovny |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
