Mexico Box Office for La Casería (2020)

← Go to main The Hunt page

The Hunt
Theatrical Performance (US$)
Mexico Box Office $536,032Details
Worldwide Box Office $12,400,979Details
Home Market Performance
North America DVD Sales $2,073,665 Details
North America Blu-ray Sales $2,612,237 Details
Total North America Video Sales $4,685,902
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don't know they’ve been chosen… for a very specific purpose… The Hunt. In the shadow of a dark internet conspiracy theory, a group of elites gathers for the very first time at a remote Manor House to hunt ordinary Americans for sport. But the elites’ master plan is about to be derailed because one of The Hunted, Crystal, knows The Hunters’ game better than they do. She turns the tables on the killers, picking them off, one by one, as she makes her way toward the mysterious woman at the center of it all.

Metrics

Movie Details

Production Budget:$18,200,000
Mexico Releases: March 13th, 2020 (Wide), released as La Casería
Video Release: March 20th, 2020 by Universal Home Entertainment
July 6th, 2020 by Netflix UK
MPAA Rating: R for strong bloody violence, and language throughout.
(Rating bulletin 2617 (Cert #52363), 2/19/2020)
Running Time: 115 minutes
Keywords: Political, Satire, Humans as Prey, Delayed Release, Hunting, Action Thriller, Mistaken Identity
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Blumhouse, Universal Pictures
Production Countries: United States
Languages: English

International Round Up: South Korea Leads the Way, Will the Rest of the World Follow?

July 23rd, 2020

Peninsula

The release at the weekend of Peninsula, the follow-up to Train to Busan, in South Korea gave us the first genuinely positive box office news in months. Some markets around Asia showed impressive relative growth. The studios are beginning to adapt to the uneven pace of recovery from the first (and hopefully, at least in some countries, last) wave of the pandemic. But there are also some notable weak spots. Here’s a round-up of current conditions at the international box office. More...

DEG Watched At Home Chart: Yellowstone is Far from Mellow

July 2nd, 2020

Yellowstone

Yellowstone led the way on the DEG Watched at Home chart last week. In fact, the show had three of the top five spots, with season three earning first spot and seasons one and two in third and fourth places respectively. More...

DEG Watched At Home Chart: Hunting for New Entries

June 19th, 2020

Sonic the Hedgehog

There were some changes on the DEG Watched at Home chart this week; however, the top film was the same. Sonic the Hedgehog earned first place for the fourth week in a row, taking full advantage of the pause in new movies caused by the COVID-19 pandemic. There are still rumors that Netflix is looking to buy Paramount. Maybe this success is enough to keep Paramount where it is, or perhaps it just increases the asking price. More...

Weekend Wrap-Up: Was Universal Trolling Us?

June 9th, 2020

Trolls: World Tour

None of the major studios have been releasing box office numbers in recent weeks, so the weekend box office chart was dominated by those independent distributors that did, in particular IFC Films and IFC Midnight. However, Deadline is reporting that Universal had in fact been dominating the box office. In fact, Trolls World Tour has been leading the way every week since it was released two months ago, and earned $3.1 million, including $300,000 in 197 theaters this past weekend. The studio’s success doesn’t end there. More...

New on DVD and Blu-ray: Never Rarely… and Mob Psycho Lead the New Releases

June 9th, 2020

Mob Psycho 100 II

It is a slower week on the home market with no really big releases to talk about, at least not when you judge them by box office numbers. The Al Adamson: The Masterpiece Collection Blu-ray is massive, when you judge it by the price and the running time, but it is filled with low-budget B-movies. The biggest box office hit is The Hunt, which couldn’t ride its controversial nature to high ticket sales. As for the best releases, it was close race between Never Rarely Sometimes Always on DVD and season two Mob Psycho 100 on Blu-ray Combo Pack. Both have stellar reviews and it was a coin toss to decide which one would come out ahead, which Mob Psycho 100 won. More...

Limited and VOD Releases: In the Land of Quarantines, VOD is the King

March 20th, 2020

Onward

The COVID-19 outbreak has hit all 50 states and in many of them it is a state of emergency. Mass theater closings hasn’t stopped all limited releases, but I assume Video on Demand will generate a lot more business this weekend. Because of the COVID-19 outbreak, there are so few theatrical releases that, starting this week, I am including made-for-VOD and streaming releases, including some original TV shows. We are also going to include theatrical releases that were fast-tracked to VOD this week. If you don't want to / can't hit theaters this week (and the overwhelming advice coming from the professionals is not to), you can watch some big movies early on the home market, including The Invisible Man, Onward, and others. Stay safe! More...

Weekend Wrap-Up: COVID-19 Scare Results in Worst Weekend in Decades

March 16th, 2020

Onward

The weekend broke a record, one that I thought would never be broken. Ticket price inflation means the smallest overall weekend record looked unbreakable, but this weekend only managed $53.50 million, although that number should be adjusted up as some indie films report numbers later in the week. This is down 47% from last weekend and down 61% from the same weekend last year. Only one film managed to top $10 million, Onward, while the total box office was less than what Captain Marvel earned this weekend last year. This is easily the worst weekend since I’ve been in the business, but I fear it will get worse before it gets better. Year-to-date is, to be blunt, a disaster. 2020 is already $100 million behind 2019’s pace and 2019 was not a good year at the box office. Furthermore, the $1.76 billion box office is only 195 million tickets sold, meaning we are on pace for the lowest ticket sales since the turn of the century. More...

Weekend Estimates: Onward Hit by Box Office Shutdown

March 15th, 2020

Onward

People are clearly taking the concept of social distancing seriously and this is causing a massive drop at the box office. Onward is going to lead the way at the box office this weekend, but with just $10.53 million. This is down 73% from its opening weekend, which is the worst in the top ten. Granted, it is a family film during its sophomore stint, so it would naturally be affected the most by social distancing. Internationally, things were much worse as some markets were shutting down theaters entirely. The film is only earning $6.8 million in 47 markets for totals of $41.4 million internationally and $101.7 million worldwide. On the positive side, its reviews are really strong, so it should find a second life on the home market. More...

Friday Estimates: COVID-19 Outbreak Takes Out Box Office

March 14th, 2020

I Still Believe

I Still Believe debuted in first place with $4.0 million on Friday, putting it on pace for close to $11 million over the full weekend. On the positive side, this is what was predicted, so at least it is matching lowered expectations. On the negative side, it won’t be enough to remain in first place for long. Its reviews are mixed, but it did earn an A-rating from CinemaScore, which is easily the best of the three new releases that came out this week. More...

Thursday Night Previews: Bloodshot Draws First Blood

March 13th, 2020

Bloodshot

Bloodshot opened with $1.2 million during Thursday previews, which is almost as much as the other two wide releases earned combined. Granted, its reviews are the weakest of the three new releases, but this start should still be enough to top our $8 million prediction. The demographics are extremely male and young and young men are the ones least likely to take precautions during something like the COVID-19 outbreak, so perhaps this is not a surprise. More...

Weekend Predictions: Trio of Films Opening Wide could be Last Wide Releases for Weeks

March 12th, 2020

I Still Believe

Wash your hands. This could be the worst weekend of the year at the box office, perhaps even the worst weekend of the past several years. COVID-19 has caused the suspension of the NBA and NHL seasons, while practically every wide release for the next several weeks has been pushed back indefinitely. This news is very likely going to hurt ticket sales as people are taking the concept of “self isolation” seriously. Last weekend, Onward and Sonic the Hedgehog were hit the hardest, which makes sense, as families would be the first to avoid going out because of a pandemic, but now I think general audiences will also avoid crowds. Worse still, none of the three wide releases were expected to be anything more than midlevel hits at the best of times. Now, I wouldn’t be surprised if none of Bloodshot, The Hunt, and I Still Believe hit $10 million over the weekend. This weekend last year, Captain Marvel earned $67.99 million during its second weekend of release. That will be more than the three new releases will open with combined. It could be more than their combined domestic totals. More...

2020 Preview: March

March 1st, 2020

Mulan

The box office had mixed results during February with Birds of Prey missing expectations by a huge margin, but Sonic the Hedgehog did well enough to almost make up the difference. This March, there are three films that will almost certainly reach $100 million domestically: Onward, A Quiet Place: Part II, and Mulan. In fact, all three at least have a slim shot at $200 million domestically. By comparison, last March Captain Marvel was released, which earned more than $400 million, while Us and Dumbo earned close to $300 million combined. I don’t think the top three films this year will match last year’s top three, or even come particularly close, and I fear 2020 will fall behind 2019 in the year-over-year comparison. So much for that lead 2020 built up in January. More...

The Hunt Trailer

February 18th, 2020

Blumhouse horror/thriller opens March 13 ... Full Movie Details.

Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don't know they’ve been chosen… for a very specific purpose… The Hunt. In the shadow of a dark internet conspiracy theory, a group of elites gathers for the very first time at a remote Manor House to hunt ordinary Americans for sport. But the elites’ master plan is about to be derailed because one of The Hunted, Crystal, knows The Hunters’ game better than they do. She turns the tables on the killers, picking them off, one by one, as she makes her way toward the mysterious woman at the center of it all. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/07/31 - $28,038   95 $295   $37,937 21
2020/08/07 - $33,027 +18% 130 $254   $93,975 22
2020/08/14 - $45,146 +37% 199 $227   $176,104 23
2020/08/21 - $41,649 -8% 242 $172   $251,737 24
2020/08/28 - $38,477 -8% 0     $301,783 25
2020/09/04 6 $37,712 -2% 0     $361,195 26
2020/09/11 - $29,723 -21% 0     $412,622 27
2020/09/18 - $21,128 -29% 0     $453,482 28
2020/09/25 - $12,133 -43% 87 $139   $460,017 29
2020/10/02 - $11,220 -8% 75 $150   $479,218 30
2020/11/13 - $2,842   19 $150   $533,161 36
2020/11/20 - $871 -69% 16 $54   $535,446 37
2020/11/27 - $254 -71% 5 $51   $536,032 38

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 4/9/2020 00$0
Austria 6/5/2020 $4,863 11 19 143 $64,865 8/12/2020
Belgium 6/17/2020 $1,719 2 25 118 $115,061 8/12/2020
Bolivia 3/12/2020 $0 0 5 18 $19,487 10/7/2020
Central America 7/2/2020 $9,639 3 16 84 $86,796 11/18/2020
Colombia 12/17/2020 $29,666 112 112 141 $51,432 3/3/2021
Czech Republic 5/15/2020 $8,574 46 54 276 $76,393 10/19/2022
Ecuador 10/16/2020 $0 0 2 2 $76,110 11/25/2020
Egypt 7/22/2020 $11,399 20 20 82 $54,726 9/16/2020
France 6/22/2020 $142,759 188 210 709 $423,817 8/19/2020
Germany 5/14/2020 $33,800 9 41 319 $237,930 6/16/2021
Greece 6/18/2020 $0 0 10 42 $30,665 8/12/2020
Hong Kong 3/19/2020 $0 0 57 123 $245,947 2/24/2021
Iceland 6/5/2020 $5,683 3 3 6 $12,795 6/24/2020
India 9/25/2020 $1,368 6 6 11 $2,917 10/9/2020
Indonesia 2/17/2021 $59,306 156 156 220 $95,179 10/20/2022
Japan 10/30/2020 $0 0 22 93 $266,965 1/27/2021
Lebanon 10/1/2020 $1,321 1 1 1 $1,689 10/7/2020
Mexico 3/13/2020 $0 0 242 868 $536,032
Middle East Region 7/16/2020 $147,497 13 15 91 $821,829 12/16/2020
Netherlands 5/22/2020 $0 0 38 311 $282,446 9/2/2020
North America 3/13/2020 $5,304,455 3,028 3,028 3,028 $5,812,500
Poland 7/24/2020 $42,887 153 153 631 $230,823 10/19/2022
Singapore 8/13/2020 $37,228 34 34 82 $82,140 9/9/2020
Slovakia 6/11/2020 $4,123 26 36 150 $65,451 8/26/2020
Slovenia 6/4/2020 $2,469 4 5 41 $22,793 10/7/2020
South Korea 4/23/2020 $14,895 27 27 50 $38,020 5/27/2020
Spain 7/31/2020 $176,650 235 266 1275 $1,205,559 10/7/2020
Sri Lanka 9/25/2020 $0 0 2 4 $4,380 2/17/2021
Sweden 3/13/2020 $0 0 23 94 $71,312 7/22/2020
Switzerland 6/6/2020 $47,442 22 33 275 $363,272 12/16/2020
Thailand 8/13/2020 $15,880 15 15 31 $28,128 9/2/2020
Trinidad 7/29/2020 $3,226 10 10 28 $9,434 10/19/2022
United Arab Emirates 7/16/2020 $49,331 31 33 127 $175,672 9/9/2020
United Kingdom 3/13/2020 $672,962 448 448 482 $788,414 9/2/2020
 
Worldwide Total$12,400,979 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Ike Barinholtz    Staten Island
Betty Gilpin    Crystal
Emma Roberts    Yoga Pants
Hilary Swank    Athena

Supporting Cast

Ethan Suplee    Gary
Amy Madigan    Ma
Reed Birney    Pop
Chris Berry    Target
Sturgill Simpson    Vanilla Nice
Kate Nowlin    Big Red
Glenn Howerton    Richard
Steve Coulter    The Doctor
Dean West    Martin
Vince Pisani    Peter
Teri Wyble    Liberty
Steve Mokate    Sergeant Dale
Sylvia Grace Crim    Dead Sexy
Jason Kirkpatrick    Rannnndeeee
Macon Blair    Fauxnvoy
J.C. MacKenzie    Paul
Tadasay Young    Nicole
Hannah Aline    Flight Attendant/Not Stewardess/Kelly
Jim Klock    Captain O’Hara
Usman Ally    Crisis Mike
Walker Babington    Bandana Man
Aril Eliaz    Dino
Alexander Babara    Bojan
Ned Yousef    Bearded Refugee
Tirol Palmer    Refugee Mother
Iyad Hajjaj    Backpack Refugee
Mikel Albagdadi    Refugee Man
Martini Harris    Agent in Charge
Yosef Kasnetzkov    Border Agent
Jeff Brockton    Border Agent
Troy Jason Roker    Border Agent

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Craig Zobel    Director
Damon Lindelof    Screenwriter
Nick Cuse    Screenwriter
Jason Blum    Producer
Damon Lindelof    Producer
Nick Cuse    Executive Producer
Craig Zobel    Executive Producer
Steven R Molen    Executive Producer
Couper Samuelson    Executive Producer
Jeanette Volturno*    Executive Producer
Darran Tiernan    Director of Photography
Jane Rizzo    Editor
David Tabbert    Costume Designer
Nathan Barr    Composer
Matthew Munn    Production Designer
Terri Taylor    Casting Director
Julie Goldstein    Co-Producer
Jennifer Scudder Trent    Co-Producer
John Brister    Unit Production Manager
Lars P. Winther    First Assistant Director
Stephen LoNano    Second Assistant Director
Tim Alverson    Additional Editor
Jason Baldwin-Stewart*    Art Director
Jessica Stumpf    Set Designer
Ryan Falkner    Story Artist
Monique Champagne    Set Decorator
Robert C. Bigelow    Sound Mixer
Matthew “Smalls” Kutcher*    Special Effects Coordinator
Suzanne Chambliss    Costume Supervisor
Lauren Thomas    Make up
Leah Vautrot    Make up
Emily Stegeman    Hairstylist
Dee Leveque    Hairstylist
David Bush    Script Supervisor
Yvette LaPlace    Location Manager
Kevin Roberts    Production Supervisor
Will Files    Supervising Sound Editor
Rich Bologna    Supervising Sound Editor
Rich Bologna    Sound Designer
Phil Barrie    Sound Editor
Diego Perez    Sound Editor
Polly McKinnon    Dialogue Editor
Ryan Collison    Foley Mixer
Nick Seaman    Foley Editor
Laura Heinzinger    Foley Editor
Will Files    Re-recording Mixer
Mark Paterson    Re-recording Mixer
Justin Burnett    Additional Music
Stephen Lukach    Additional Music
Kevin Crehan    Music Editor
Greg Hayes    Score Recordist
Greg Hayes    Score Mixer
Johnny Gibson    Visual Effects Supervisor
Ed Hawkins    Visual Effects Supervisor
Jenne Marie Guerra    Visual Effects Producer
Hank Amos    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.