Italy Box Office for Gotti (2018)

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Gotti
Theatrical Performance (US$)
Italy Box Office $1,328,961Details
Worldwide Box Office $6,601,992Details
Home Market Performance
North America DVD Sales $1,036,504 Details
North America Blu-ray Sales $450,817 Details
Total North America Video Sales $1,487,321
Further financial details...

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  6. Cast & Crew
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Metrics

Movie Details

Production Budget:$10,000,000
Italy Releases: September 13th, 2018 (Wide)
Video Release: September 25th, 2018 by Lionsgate Home Entertainment
MPAA Rating: R for strong violence and pervasive language.
(Rating bulletin 2522 (Cert #51201), 4/11/2018)
Running Time: 110 minutes
Keywords: Organized Crime, Betrayal, Redemption, 1980s, 1990s, 2000s, Set in New York City, Development Hell, Delayed Release, Biography, Biographical Drama, Famously Bad
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Emmett Furla Oasis Films, Michael Fiore Films, Highland Film Group
Production Countries: United States
Languages: English

Home Market Releases for September 25th, 2018

September 25th, 2018

Fraggle Rock

This week, Solo: A Star Wars Story hits the home market and while the film missed expectations at the box office, it is still a big enough hit to scare away most of the competition. There are a number of releases on this week’s list that are worth picking up, like Pin Cushion, Welcome to the Dollhouse, as well as Solo itself. As for contenders for Pick of the Week, it is Fraggle Rock: The Complete Series on Blu-ray and nothing else. More...

Theater Averages: Sorry isn’t a Bother

July 12th, 2018

Sorry to Bother You

Sorry to Bother You dominated the theater average chart this week with an average of $45,454 in 16 theaters. As I previously mentioned, this is the sixth-best opening average for a limited release this year. Ant-Man and the Wasp earned top spot on the weekend chart and second place here with an average of $18,025. Three Identical Strangers remained in the $10,000 club with an average of $13,427 in 51 theaters and should have no trouble expanding further. Ryuichi Sakamoto: Coda earned $12,827 in its lone theater, which is excellent for a documentary. Leave No Trace remained in the $10,000 club with an average of $10,892 in 37 theaters. It will continue to expand. More...

Theater Averages: Kingdom Crowned Leader of Theater Average Chart

June 27th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom led the way on the theater average chart with an average of $33,078, putting it ahead of Incredibles 2’s sophomore stint score of $18,219. The King was the best of the new limited releases, with an average of $14,525 in two theaters. Finally, 2001: A Space Odyssey returned to the $10,000 club with an average of $12,989. The 4K Ultra HD Combo Pack is coming out in October. More...

Theater Averages: Incredibles Tops Another Chart

June 20th, 2018

Incredibles 2

The overall number one film, Incredibles 2, earned top spot on the theater average chart with an impressive average of $41,426. Only two other wide releases have started with bigger averages: Infinity War and Black Panther. The only new limited release in the $10,000 club was Eating Animals, which earned an average of $17,262. Finally, Won’t You Be My Neighbor earned an average of $10,445 in nearly 100 theaters, earning over $1 million in the process. This bodes well for its future. More...

Weekend Estimates: $180 million Opening is Beyond Incredible

June 17th, 2018

Incredibles 2

Incredibles 2 was widely expected to dominate the box office over the weekend, but after the two previous potential monster hits missed high expectations, I thought it was wise to be a little more pessimistic. I was wrong. Incredibles 2 opened with an estimated $180 million. This is not only the best opening for a Pixar film, and an animated film in general, it is the 8th biggest opening weekend of all time. (It could slip a little in tomorrow’s final numbers, putting it in 9th place behind Captain America: Civil War.) The film is already the 50th biggest animated hit of all time and unless its legs are shorter than expected, it will quickly race to the top of that chart. Speaking of legs, Incredibles 2 has the best reviews in the top ten and earned a stunning A plus from CinemaScore. To be frank, perhaps stunning isn’t the right word. Perhaps “expected” is a better term, as Pixar has earned 7 A plus ratings out of its 20 films and has never once slipped below an A minus. Internationally, the film opened in second place with $51.5 million in 25 markets and earned a Pixar-best opening in Mexico ($12.3 million) and Argentina ($3.0 million). In fact, it was outstanding in all of Latin America. It is also the fasting opening Pixar film in Australia with $7.7 million, while it managed the studio’s second biggest opening in Russia with $5.4 million. Granted, the film is not doing as well internationally as it is domestically; however, it is still on pace for $1 billion worldwide, so there’s no way the studio isn’t celebrating this opening. More...

Friday Estimates: Incredibles Smashes Animated Records

June 16th, 2018

Incredibles 2

Incredibles 2 opened with $71.55 million on Friday. To put this in perspective, it is already the biggest digital animation of 2018 and even if it doesn’t sell a single ticket on Saturday and Sunday, this would still be the fifth biggest opening weekend for a Pixar film and the 13th biggest opening for an animated film. Assuming its 93% positive reviews and its A plus from CinemaScore help its legs, it could top Solo: A Star Wars Story’s running tally by the end of the weekend. On the other hand, an opening weekend of $180 million seems like a solid goal after an opening day like this and that will put it on pace for over $500 million domestically. More...

Limited and VOD Releases: Week of Spectacular Limited Releases

June 15th, 2018

The Year of Spectacular Men

There are not a lot of limited releases on this week’s list, and none of them stand out as potential box office hits. The Year of Spectacular Men has some of the loudest buzz and good reviews, but it is playing on Video on Demand, so it will likely do well there and not find an audience in theaters. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/09/14 4 $618,404   0     $618,404 1
2018/09/21 7 $317,392 -49% 0     $1,140,094 2
2018/09/28 16 $99,711 -69% 0     $1,328,961 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Italy 9/13/2018 $618,404 0 0 0 $1,328,961 10/1/2018
Lithuania 8/10/2018 $164 1 31 33 $26,042 8/28/2018
Mexico 9/14/2018 $303,665 0 0 0 $303,665 9/18/2018
North America 6/15/2018 $1,719,902 503 503 1,400 $4,286,367 10/21/2020
Portugal 7/27/2018 $10,094 17 17 33 $23,427 8/22/2018
Russia (CIS) 8/2/2018 $65,276 250 250 400 $120,638 2/26/2019
 
Rest of World $512,892
 
Worldwide Total$6,601,992 10/21/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

John Travolta    John Gotti

Supporting Cast

Kelly Preston    Victoria Gotti
Stacy Keach    Aniello Dellacroce
Pruitt Taylor Vince    Angelo Ruggiero
Spencer Lofranco    John Gotti, Jr.
William Demeo    Sammy Gravano
Leo Rossi    Bartholomew "Bobby" Boriello
Victor Gojcaj    Father Damien
Tyler Jon Olson*    Hydell
Megan Leonard    Kim Gotti
Ella Bleu Travolta    Angel Gotti
Lydia Hull    Diane Giacalone
Chris Kerson    Wilfred "Willie Boy" Johnson
Chris Mulkey    Frank DeCicco
Sal Rendino    Vinny "The Chin" Gigante

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kevin Connolly    Director
Leo Rossi    Screenwriter
Lem Dobbs    Screenwriter
Randall Emmett    Producer
George Furla    Producer
Michael Froch    Producer
Henry Winterstern    Executive Producer
Arianne Fraser    Executive Producer
Delphine Perrier    Executive Producer
John Travolta    Executive Producer
Randi Michel    Executive Producer
Ted Fox    Executive Producer
Wayne Marc Godfrey    Executive Producer
Robert Jones    Executive Producer
Barry Brooker    Executive Producer
Stan Wertlieb    Executive Producer
Steven Saxton    Executive Producer
Roey Zaken    Executive Producer
Rick Salomon    Executive Producer
Maurice Fadida    Executive Producer
Delvin Rosemary    Executive Producer
John Conway    Executive Producer
Vincent Lanteri    Executive Producer
Michael Lamorgese    Executive Producer
Robert Logozio Marty Ingles    Executive Producer