Romania Box Office for Flatliners (2017)

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Flatliners
Theatrical Performance (US$)
Romania Box Office $324,144Details
Worldwide Box Office $45,173,738Details
Home Market Performance
North America DVD Sales $1,266,209 Details
North America Blu-ray Sales $810,466 Details
Total North America Video Sales $2,076,675
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Five medical students, hoping to gain insight into the mystery of what lies beyond the confines of life, embark on a daring and dangerous experiment. By stopping their hearts for short periods of time, each triggers a near-death experience. As the investigation becomes more and more perilous, they are forced to confront the sins of their pasts, as well as contend with the paranormal consequences of trespassing to the other side.

Metrics

Movie Details

Production Budget:$20,000,000
Romania Releases: September 29th, 2017 (Wide)
Video Release: December 12th, 2017 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for violence and terror, sexual content, language, thematic material, and some drug references.
(Rating bulletin 2493 (Cert #50627), 9/13/2017)
Running Time: 110 minutes
Franchise: Flatliners
Keywords: Death of Other Extended Family, Supernatural, Medical Students, Near Death Experience, Delayed Sequel, Human Experimentation, Psychological Horror, Reboot
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Columbia Pictures, Further Films, Laurence Mark, Cross Creek Pictures, The Safran Company
Production Countries: United States
Languages: English

Home Market Releases for December 26th, 2017

December 25th, 2017

Haikyu: Season 1

This Tuesday is Boxing Day, which is a holiday celebrated in Canada, the U.K., and I assume other countries. It is the celebration of boxes. ... I don’t know what it is. According to Wikipedia, “There are competing theories for the origins of the term, none of which is definitive.” ... So it is probably not important. What is important is the total lack of quality DVD and Blu-ray releases. Haikyu: Season 1 is the best release on this week’s list. The Paper is the second best, and it only managed a spot on the Secondary Blu-ray releases. More...

Home Market Releases for December 12th, 2017

December 12th, 2017

Game of Thrones: Season Seven

Christmas is rapidly approaching, so most of the big releases have already hit the home market. The biggest box office release on this week’s list is Kingsman: The Golden Circle, but its reviews were only mixed. The biggest release overall is Game of Thrones: Season Seven, while the only other competition for Pick of the Week is Election: The Criterion Collection. I’m going to award the title to Game of Thrones, even though the screener didn’t arrive until Monday afternoon. More...

Weekend Wrap-Up: Kingsman Wins Three-Way Race with $16.94 million

October 3rd, 2017

American Made

The top three films on the weekend box office chart landed in the same order as predicted; however, it was a much closer race than most thought it would be. Kingsman: The Golden Circle ended up on top with $16.94 million, just ahead of It with $16.90 million. The best new release of the week was American Made with $16.78 million. The other new releases struggled, to be kind, with Flatliners earning a distant fifth place and Til Death Do Us Part opening in ninth place. Overall, the box office fell 23% from last weekend to just $90 million. It was also 21% lower than the same weekend last year, thus ending 2017’s mini-winning streak. Year-to-date, 2017 has earned $8.06 billion, putting it 4.8% or $410 million behind last year’s pace. More...

Weekend Estimates: Threeway Tie at the Top

October 1st, 2017

American Made

Warner Bros. is claiming a weekend win at the box office for It as of this morning, but whichever way you slice it, we have a threeway tie at the top of the chart, based on Sunday morning estimates. In fact, we might have a rare weekend where three different movies will top the daily chart. American Made took a lead on Friday with a $6.17 million opening day, It won on Saturday with around $7.9 million, and the eventual result for the weekend will depend on whether Kingsman: The Golden Circle wins on Sunday, and by how much. As of this morning, Kingsman is projected to make $17 million, American Made $17.02 million, and It (a slightly optimistic, for my money) $17.3 million. We’ll know the real winner on Monday morning, and It probably has a slight edge. More...

Friday Estimates: American Makes it an Exciting Race with $6.1 million

September 30th, 2017

American Made

American Made topped the box office chart on Friday with $6.1 million. This is a little better than predicted and certainly better than previews were suggesting it would make. Its 85% positive reviews should result in long legs. On the other hand, its B plus from CinemaScore is the definition of average. It could grab first place with just over $16 million, but it is not the only film on pace to earn that much this weekend. More...

Thursday Night Previews: American Only Made $960,000 in Previews

September 29th, 2017

American Made

American Made only managed $960,000 in previews, which is a little low compared to predictions. I wasn’t expecting a multi-million dollar opening in previews, but I was expecting a little more than this. Its reviews should help its legs, putting it on pace for $13 million, rather than the just under $14 million we originally prediction. Like I said, its previews were a little low side, not significantly so. On the other hand, a $13 million start is terrible for a film that reportedly cost between $60 million and $80 million. More...

Weekend Predictions: How Will September End? With A Whimper.

September 28th, 2017

American Made

It looks like September will end with a whimper, as there are three wide releases, none of which are expected to be midlevel hits. American Made should have no trouble being the biggest of the three new releases, but it has a less than 50/50 chance of earning first place. Flatliners’ buzz started out quiet and it failed to grow by any significant margin. It looks like it will open below $10 million. Finally there’s Til Death Do Us Part, which may or may not manage a spot in the top ten. 2017’s mini-winning streak looks to be over, as this weekend last year had two films earning more than $20 million, Miss Peregrine’s Home for Peculiar Children and Deepwater Horizon. This year, there will likely be none. More...

Contest: Halloween Arrives Early

September 22nd, 2017

American Made

September ends on a low note with two wide releases, American Made and Flatliners, neither of which are expected to be anything more than midlevel hits. American Made is nearly done its international run (It only has about a dozen markets left to open in) and it is not going well. That said, it is still expected to do much better than Flatliners, so it is the better choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for American Made.

We are starting the Halloween Trick or Treat contests a little early, because I still have a lot of horror films I’ve saved for this time of year and this will be the last Halloween for the Box Office Prediction contest. In fact, the Box Office Prediction contest will be ending at the end of the year. Each winner from now until Halloween will either win a horror movie or a movie so bad it is scary it was made. (Each winner will also get a TV on DVD release or a kids DVD, because I’m trying to run out of prizes by the end of the year.)

Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going over, will win a Trick or Treat Frankenprize, as described above. Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Trick or Treat Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will win the final Trick or Treat Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay! More...

2017 Preview: September

September 1st, 2017

It

As bad as July was, August actually managed to be worse. 2017 was over $300 million behind 2016’s pace during August alone. That’s worse than the rest of the summer combined. The only film that was an unqualified hit was Annabelle: Creation, although there were a couple of other films that are doing well enough to be considered financial hits. There’s some good news and some bad news for this September. The month gets off to a slow start with no wide releases the first weekend, but there are three films opening during the rest of the month that are expected to top $100 million and all three should be better than the best August had to offer. It is expected to be the biggest hit of the month and is tracking to break the record for the biggest September weekend. Both Kingsman: The Golden Circle and The Lego Ninjago Movie are expected to cross $100 million, although they are opening the same weekend, so that could hurt both of their chances. Meanwhile last September, Sully was the biggest release of the month earning $125.07 million. It should top that, while Kingsman: The Golden Circle and The Lego Ninjago Movie won’t be too far behind. 2017 should cut the gap with 2016, but sadly only by a little bit. More...

Flatliners Trailer

August 1st, 2017

Sci-fi thriller remake starring Ellen Page, Diego Luna, Nina Dobrev, James Norton, and Kiersey Clemons opens September 29 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/09/29 - $97,230   67 $1,451   $97,230 1
2017/10/06 - $59,257 -39% 55 $1,077   $206,148 2
2017/10/13 - $38,384 -35% 50 $768   $267,458 3
2017/10/20 - $16,349 -57% 40 $409   $298,608 4
2017/10/27 - $7,028 -57% 30 $234   $313,721 5
2017/11/03 - $3,026 -57% 15 $202   $321,876 6
2017/11/10 - $658 -78% 5 $132   $324,144 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/12/2017 $171,212 130 130 210 $371,816 1/1/2019
Aruba 9/28/2017 $1,880 2 3 5 $7,256 1/1/2019
Australia 9/29/2017 $879,902 228 228 724 $2,231,742 11/15/2017
Austria 12/1/2017 $53,091 40 40 141 $198,070 1/10/2018
Bahrain 9/28/2017 $47,174 9 9 19 $85,284 1/1/2019
Belgium 11/29/2017 $87,971 20 20 69 $259,870 1/10/2018
Bolivia 10/19/2017 $12,569 16 16 28 $27,957 1/1/2019
Brazil 10/19/2017 $480,182 370 370 869 $1,039,222 12/6/2017
Bulgaria 9/29/2017 $41,645 48 48 151 $161,136 2/26/2019
Cambodia 9/29/2017 $15,303 46 46 62 $24,534 1/1/2019
Central America 10/12/2017 $241,622 165 165 274 $436,603 11/1/2017
Chile 10/19/2017 $99,303 64 64 97 $169,569 1/1/2019
Colombia 11/2/2017 $124,587 89 89 158 $289,693 1/1/2019
Curacao 9/28/2017 $1,189 3 3 9 $5,278 1/1/2019
Czech Republic 11/24/2017 $93,194 104 104 202 $211,867 1/1/2019
Denmark 11/9/2017 $42,143 38 38 78 $93,455 12/14/2017
Dominican Republic 10/12/2017 $6,972 9 12 40 $19,101 1/1/2019
East Africa 9/29/2017 $2,676 1 1 2 $6,223 10/9/2017
Ecuador 10/13/2017 $84,123 48 48 151 $218,747 1/1/2019
Egypt 9/28/2017 $21,204 11 14 45 $55,572 1/1/2019
Estonia 9/29/2017 $16,069 12 12 33 $55,393 10/24/2017
France 11/22/2017 $948,758 230 239 822 $2,537,402 12/19/2017
Germany 11/30/2017 $381,646 313 322 1011 $1,059,444 1/10/2018
Ghana 9/29/2017 $394 2 3 5 $1,383 1/1/2019
Hong Kong 11/2/2017 $201,177 89 89 172 $367,645 11/29/2017
Hungary 9/28/2017 $87,489 51 54 190 $261,872 1/1/2019
Iceland 9/29/2017 $7,359 7 7 10 $15,311 1/1/2019
Indonesia 11/3/2017 $367,281 206 206 468 $930,199 1/1/2019
Iraq 9/28/2017 $2,995 4 4 8 $6,626 1/1/2019
Israel 10/12/2017 $102,483 28 28 98 $249,303 12/21/2018
Italy 11/23/2017 $442,026 0 189 205 $748,487 12/14/2017
Jamaica 9/27/2017 $5,125 3 3 7 $8,196 1/1/2019
Japan 12/22/2017 $39,390 0 45 77 $362,694 7/5/2018
Jordan 9/28/2017 $14,986 6 6 16 $43,308 1/1/2019
Kenya 9/29/2017 $1,690 10 10 17 $3,394 1/1/2019
Kuwait 9/28/2017 $91,133 11 11 19 $169,320 1/1/2019
Latvia 9/29/2017 $8,340 6 6 23 $39,400 1/1/2019
Lebanon 9/28/2017 $32,630 16 16 32 $80,015 1/1/2019
Lithuania 9/29/2017 $18,930 73 73 115 $54,116 10/24/2017
Malaysia 10/18/2017 $279,503 207 207 477 $479,302 11/21/2017
Mexico 10/13/2017 $1,114,935 825 825 1527 $2,475,816 11/15/2017
Netherlands 11/10/2017 $107,135 60 60 228 $341,630 12/19/2017
New Zealand 9/29/2017 $105,850 58 58 179 $306,252 11/1/2017
Nigeria 9/29/2017 $3,691 16 16 24 $11,086 1/1/2019
North America 9/29/2017 $6,574,326 2,552 2,552 8,089 $16,883,115 10/17/2018
Oman 9/28/2017 $24,192 10 10 11 $34,038 1/1/2019
Pakistan 9/29/2017 $876 6 6 7 $5,135 1/1/2019
Paraguay 11/2/2017 $8,481 17 17 24 $12,014 1/1/2019
Peru 10/19/2017 $127,894 98 98 121 $210,519 12/20/2018
Philippines 9/29/2017 $213,655 155 155 300 $435,010 12/20/2018
Poland 9/29/2017 $161,702 101 101 301 $482,248 1/1/2019
Portugal 9/28/2017 $66,486 44 46 134 $262,719 10/25/2017
Qatar 9/28/2017 $76,301 15 15 29 $127,536 1/1/2019
Romania 9/29/2017 $97,230 67 67 262 $324,144 12/20/2018
Russia (CIS) 11/23/2017 $1,876,544 829 829 2279 $4,236,856 1/1/2019
Singapore 10/18/2017 $91,471 23 23 55 $160,646 11/21/2017
Slovakia 9/28/2017 $60,176 66 66 131 $143,106 11/8/2017
South Africa 11/3/2017 $22,082 43 48 133 $85,285 12/6/2017
Spain 11/3/2017 $336,356 233 233 669 $778,731 12/19/2017
Suriname 10/6/2017 $777 1 1 3 $1,919 1/1/2019
Switzerland 11/23/2017 $44,027 17 45 130 $250,450 1/10/2018
Syria 9/28/2017 $1,694 1 1 2 $2,532 1/1/2019
Taiwan 11/3/2017 $165,729 90 90 207 $379,121 11/29/2017
Thailand 10/19/2017 $163,613 128 128 303 $501,503 11/15/2017
Trinidad 9/27/2017 $21,375 12 12 31 $51,588 1/1/2019
Turkey 12/1/2017 $117,235 129 129 304 $399,443 2/26/2019
Ukraine 11/23/2017 $159,507 166 182 490 $374,513 1/1/2019
United Arab Emirates 9/28/2017 $223,293 42 42 60 $368,230 12/20/2018
United Kingdom 9/29/2017 $652,266 366 366 823 $1,536,720 10/24/2017
Uruguay 10/12/2017 $16,992 9 9 27 $41,190 1/1/2019
Venezuela 10/20/2017 $44,225 51 51 120 $148,966 12/14/2017
Vietnam 11/3/2017 $118,794 130 130 278 $321,778 1/1/2019
 
Rest of World $94,094
 
Worldwide Total$45,173,738 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Elliot Page    Courtney
Diego Luna    Ray
Nina Dobrev    Marlo
James Norton    Jamie
Kiersey Clemons    Sophia

Supporting Cast

Beau Mirchoff    Brad
Wendy Raquel Robinson    Sophia’s Mother
Kiefer Sutherland    Dr. Barry Wolfson
Madison Brydges    Tessa
Jacob Soley    Alex
Anna Arden    Alicia
Miguel Anthony    Cyrus Gudgeon
Jenny Raven    Irina Wong
Charlotte McKinney    Girl on Bicycle
Steve Byers    Marlo’s Brother
Lisa Codrington    Chief Resident
Emily Piggford    Neurology Resident
Martha Girvin    Neurology Resident
Taylor Trowbridge    Lauren
Nadine Roden    Paramedic
Richard Young    The Dean’s Secretary
Mary Grant    Radiologist
Stefano DiMatteo    Paramedic
Jimi Shlag    Burly Patient
Natasha Bromfield    ICU Nurse
Daniela Barbosa    Hayley
Jelena Savic    Conference Room Medical Student
Brian King    Chemistry Teacher
Ali Schwartz    Mean Girl
Dallas Poynter    Mean Girl
Avery Bederman    Mean Girl
Danny Gallagher    TEMC Dean
Jessica Rose    Puzzle Nurse

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Niels Arden Oplev    Director
Ben Ripley    Screenwriter
Peter Filardi    Story by
Laurence Mark    Producer
Michael Douglas    Producer
Peter Safran    Producer
Michael Bederman    Executive Producer
Robert Mitas    Executive Producer
David Blackman    Executive Producer
Brian Oliver    Executive Producer
Hassan Taher    Executive Producer
Eric Kress    Director of Photography
Niels Sejer    Production Designer
Tom Elkins    Editor
Nathan Barr    Composer
Jenny Gering    Costume Designer
Angela Demo    Casting Director
Layton Morrison    Stunt Coordinator
Michael Bederman    Unit Production Manager
Jesse Nye    First Assistant Director
Karl Irvine    Second Assistant Director
Justin Ardalan-Raikes    Co-Executive Producer
Simon Fawcett    Co-Executive Producer
Michaela Cheyne    Art Director
Mary Kirkland    Set Decorator
Carolyn Arbuckle    Script Supervisor
Mark Agnes    Costume Supervisor
Donald Kozma    Make up
Rose-Mary Holosko    Make up
Steve Newburn    Special Make-up Effects
Karola Dirnberger    Hairstylist
Michael Innanen    Special Effects Coordinator
Kaz Kobielski    Special Effects Supervisor
Srdjan Vilotijevic    Location Manager
Audra Gorman    Location Manager
William Cheng    Set Designer
Emily Cook    Casting Associate
Stefni Colle    Casting Associate
Sophia Welch    Casting Assistant
Stefan Steen    Unit Production Manager
Hartley Gorenstein    Unit Production Manager
Debbie Tennant    Additional Editor
Gershon Hinkson    First Assistant Editor
Carolyn Calvert    Assistant Editor
Wendy Nomiyama    Assistant Editor
Joseph Roth    Assistant Editor
David Giammarco    Re-recording Mixer
David Esparza    Re-recording Mixer
Mandell Winter    Supervising Sound Editor
David Esparza    Sound Designer
Peter Schultz    Sound Designer
Ryan Collins    Sound Effects Editor
Dhyana Carlton-Tims    Dialogue Editor
Nerses Gezalyan    Foley Mixer
Robin Whittaker    Music Editor
Jim Schultz    Music Editor
Greg Hayes    Score Mixer
Josh Novak    Animation Supervisor
Neishaw Ali    Visual Effects Executive Producer
Wesley Sewell    Visual Effects Supervisor
George Macri    Visual Effects Producer
Peter Giliberti    Animation Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.