Synopsis
Bethany Hamilton’s complete and untold story that follows her journey from childhood into motherhood—the ups, downs and her powerful resilience against all odds to become one of the leading professional surfers of all time. In 2016 alone Bethany’s capacity to inspire reached new heights as she beat a six-time world champion and the top-ranked surfer in the world at a major competition. From chasing her toddler, to chasing the biggest waves, Bethany is continuously rewriting the rules on being a fearless athlete, and brings new meaning to the phrase “Surfs Like a Girl.”
Metrics
Movie Details
July 18th, 2019
The Farewell topped the theater average chart with an average of $87,833 in four theaters. This was not only the best of the weekend, it overtook Avengers: Endgame for the best theater average of the year. Anytime a film does better than Endgame, it is serious reason to celebrate. The Art of Self-Defense was well back with an average of $16,339 in seven theaters. This is still a good start, but I don’t know if it is good enough for its planned wide expansion. The final film in the $10,000 club was Sword of Trust with an average of $11,256 in two theaters.
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July 12th, 2019
For the first time in a while, there are a lot of limited releases to talk about. This includes a trio that have a real shot at mainstream success: The Art of Self-Defense, The Farewell, and Sword of Trust. It is very unlikely all three will thrive at the box office, but hopefully one of them will.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2020/03/13 |
18 |
$58,372 |
|
48 |
$1,216 |
$58,372 |
1 |
2020/03/20 |
- |
$1,178 |
-98% |
17 |
$69 |
$57,024 |
2 |
2024/05/17 |
- |
$645 |
|
10 |
$65 |
$66,310 |
219 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits