Spain Box Office for Objetivo: Washington D.C (2019)

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Angel Has Fallen
Theatrical Performance (US$)
Spain Box Office $3,604,840Details
Worldwide Box Office $133,345,583Details
Home Market Performance
North America DVD Sales $8,669,445 Details
North America Blu-ray Sales $12,494,481 Details
Total North America Video Sales $21,163,926
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

When there is an assassination attempt on U.S. President Allan Trumbull, his trusted confidant, Secret Service Agent Mike Banning, is wrongfully accused and taken into custody. After escaping from capture, he becomes a man on the run and must evade his own agency and outsmart the FBI in order to find the real threat to the President. Desperate to uncover the truth, Banning turns to unlikely allies to help clear his name, keep his family from harm and save the country from imminent danger.

Metrics

Movie Details

Production Budget:$40,000,000
Spain Releases: August 30th, 2019 (Wide), released as Objetivo: Washington D.C
Video Release: November 12th, 2019 by Lionsgate Home Entertainment
MPAA Rating: R for violence and language throughout.
(Rating bulletin 2586 (Cert #52112), 7/10/2019)
Running Time: 114 minutes
Franchise: Has Fallen
Keywords: Secret Service Agent, Political, Political Assassination, Framed, Fugitive / On the Run, Sequel With Lead Character Recast, Action Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lionsgate, Millennium Media, Millennium Films, G-Base
Production Countries: United States
Languages: English

Home Market Releases for November 26th, 2019

November 27th, 2019

MST3K

It is an even worse week on the home market than it was last week. There are two Pick of the Week contenders, MST3K: The Gauntlet and RoboCop: Limited Edition Collector’s Set. The latter has far more extras, but it has also been released on the home market far too many times. It’s not even the first time it has come out on Blu-ray. It was still a very close competitoion, but in the end, MST3K won the title of Pick of the Week. More...

Home Market Releases for November 12th, 2019

November 14th, 2019

Star Trek: Discovery: Season Two

There are not many new releases on this week’s list, but there are several that are contenders for Pick of the Week. The two leading contenders are The Farewell and Star Trek: Discovery: Season Two. The former is the better show, but it is close, meanwhile, the latter has much better extras, giving it the slight advantage overall. On a side note, Yesterday Was a Lie was also in the competition for Pick of the Week. It didn’t quite win, but its Blu-ray deserves to be seen by a lot more people. More...

Thursday Night Previews: New Releases Are Not Exactly Reaching the Stars

September 20th, 2019

Downton Abbey

Downton Abbey is going to top expectations this weekend, unless something really strange happens. The film earned $2.1 million during last night’s previews, making it easily the best of this weekend’s crop. (It also made $2.2 million in previous paid previews, so it is off to a $4.3 million start.) Additionally, its reviews are solid, even if its average score is below 7 out of 10. Finally, its target audience isn’t the type to rush out to see a movie opening night, so this start is even more impressive. I am a little concerned that the Fanboy Effect is in play here, despite the target audience, so keep that in mind. More...

Weekend Wrap-Up: Hustlers Helps Box Office Thrive

September 17th, 2019

Hustlers

It: Chapter Two and Hustlers both topped expectations by large margins over the weekend and that helped the overall box office earn $110 million. Granted, this is 20% lower than last weekend; however, this was also 2.2% higher than the same weekend last year and that is by far the more important detail. 2019 is still behind 2018, but the gap closed by a little bit and is now at 5.9% or $500 million at $7.98 billion to $8.48 billion. Fortunately, the international box office is doing better and overall 2019 is merely mediocre and it still has time to improve. More...

Weekend Estimates: Hustlers and It Both Surprise Over Weekend

September 15th, 2019

Hustlers

It is shaping up to be a great weekend at the box office with both Hustlers and It: Chapter Two topping expectations. It: Chapter Two is going to repeat on top, with an estimated sophomore stint of $40.74 million for a running tally of $153.80 million. This represents a 55% decline, which is certainly fantastic for a horror sequel. It still likely means $250 million domestically is out of the question, but even $200 million is amazing for a movie that cost less than $70 million to make. Internationally, the film pulled in another $47 million in 78 markets for a two-week total of $169.5 million. It has already made over $300 million worldwide, which might be enough to break even, depending on its advertising budget and exact share of the box office. If not, it will break even very shortly. More...

Friday Estimates: Hustlers Helps the Box Office Get Lucky on Friday the 13th

September 14th, 2019

Hustlers

Hustlers did surprisingly well to earn first place on Friday with an estimated $13.1 million. This puts it on pace for $32 million over the full weekend, which is more than enough for the biggest opening in STX Entertainment’s history and the biggest live-action opening in Jennifer Lopez’s career. It is not that far behind Crazy Rich Asians’ five-day opening and will also be Constance Wu’s best opening. There’s more good news: The film’s reviews are the best in the top ten at 87% positive and STX Entertainment has tended to have a lot of success giving their films long legs. The Bad Moms franchise is evidence of that. On the downside, the movie only managed a B minus from CinemaScore, but it is a dark comedy and those can be divisive. Additionally, while it earned first place on Friday, it won’t stay there for long. More...

Weekend Predictions: Can Hustle Con Its Way Past It?

September 12th, 2019

It: Chapter Two

There are only two wide releases this weekend, Hustlers and The Goldfinch. The buzz surrounding Hustlers has grown at the perfect time, but it has a non-zero chance of topping It: Chapter Two for top spot on the weekend box office chart. On the other hand, The Goldfinch is seen as busted Oscar-bait and will only open in the top five due to extremely weak competition. This weekend last year, The Predator earned first place with close to $25 million, while the other two wide releases earned about that combined. This means last year’s three new releases will be more potent than this year’s two new releases, but I think 2019 will earn a comfortable win, in part thanks to this year’s much better depth. More...

Weekend Wrap-Up: It Dominates the Chart, Maybe Reinvigorates the Box Office

September 10th, 2019

It: Chapter Two

It: Chapter Two dominated the box office by almost as large a margin as expected. It certainly did well enough that I’m considering it a victory. It earned $91.06 million over the weekend, which is almost exactly what the total box office made last weekend. More importantly, it is almost as much as the top five made this weekend last year, giving the weekend box office a massive increase of 48% from last weekend to $136 million and more importantly, this was 12% more than the same weekend last year. 2019 is still behind 2018 by a massive margin of $500 million or 6.0% at $7.83 billion to $8.33 billion. However, we did catch up to 2017’s ticket sales pace, so as long as we can maintain this pace for the rest of the year, it won’t look like a disaster at the end of the year. More...

Weekend Estimates: Chapter Two is Number Two on September Chart

September 8th, 2019

It: Chapter Two

It: Chapter Two is missing expectations with an estimated opening weekend of $91.0 million. However, while this is 10% lower than predicted, it is still more than enough to earn second place on the September chart. In fact, it is nearly 70% higher than the third biggest September debut of all time, The Nun, which opened this weekend last year. That’s really going to help the year-over-year comparison. As for the film’s long-range chances, they are mixed. Horror movies rarely have long legs and this is also true of sequels, so horror sequels almost never do well long-term. Additionally, this film’s reviews are much weaker than the first film’s reviews, but on the positive side, it did match its predecessor when it came to the CinemaScore, as both earned B plus ratings. More...

Friday Estimates: It on Pace for Second-Best September Debut

September 7th, 2019

It: Chapter Two

It: Chapter Two isn’t living up to predictions or its predecessor, but it is still on pace to become one of the best September debuts of all time. The film pulled in $37.4 million on Friday, putting it on pace for just over $90 million over the full weekend. It is going to have shorter legs that the original had, thanks in part to the Sequel Effect, but also due to its weaker reviews. On the positive side, it matched the original’s B plus from CinemaScore, so that’s a good sign. More...

Weekend Predictions: It is All We Got

September 5th, 2019

It: Chapter Two

It’s going to be a short prediction column, because there’s not much to talk about. It: Chapter Two is the only wide release of the week and there weren’t even any wide releases last weekend to give It any real competition. In fact, two of the likely top five films have already been in theaters for more than a month. last year, The Nun led the way with $53.81 million. It: Chapter Two could double that during its opening weekend. More...

International Box Office: Hobbs and Shaw Plummet in China Still Top the International Chart

September 4th, 2019

Hobbs and Shaw

Fast and Furious Presents: Hobbs and Shaw had a very steep decline in China, but still managed to earn first place on the international chart with $37.9 million in 68 markets over the weekend for totals of $528.7 million internationally and $$687.9 million worldwide. The film plummeted 72% during its second weekend in China earning $27.65 million for a two-week total of $170.36 million. This drop-off is extreme, even for China. However, it doesn’t matter. The movie will hit $200 million in that market and $700 million worldwide, which is more than enough to break even and get yet another installment in the franchise. More...

Weekend Wrap-Up: Almost Nothing Worked on Labor Day Long Weekend

September 4th, 2019

Angel Has Fallen

There were no new wide releases this past weekend and unfortunately, the holdovers weren’t able to take advantage. Angel Has Fallen remained on top, but it did so with only $11.80 million over the three-day weekend. This wasn’t enough to match expectations or last year’s number one film, Crazy Rich Asians. The overall box office fell 18% from last weekend, falling to $89 million. Worse still, this is 10% lower than this weekend last year, putting 2019 behind 2018 by a 6.2% or $510 million at $7.64 billion to $8.15 billion. On the positive note, this is likely the low point of the year and the Fall looks a lot stronger, starting with It: Chapter Two this coming weekend. More...

Weekend Estimates: Everyone Takes it Easy on Labor Day

September 1st, 2019

Angel Has Fallen

There were no wide releases this weekend, so I really thought the holdovers would hold on a lot better than they did. According to estimates, Angel Has Fallen has fallen 46% during its second weekend of release to $11.58 million and is projected to earn $15 million over the four-day weekend. A 46% sophomore stint decline would have been great, if this weren’t a holiday weekend. As it is, it’s a little disappointing, but the film will still do well enough to earn a profit. ... “Profitable disappointment.” How many times can that phrase be used this year? More...

Friday Estimates: Holdovers Also Go on Holiday

August 31st, 2019

Angel Has Fallen

There were no new wide releases on Friday, and sadly the holdovers didn’t thrive as a result. It’s going to be a brutal weekend at the box office. Angel Has Fallen topped the chart on Friday, but wasn’t able to match expectations with $2.9 million. That said, it is still on pace for $15 million over the full four-day weekend for a two-week total of $44 million, which is a good result for this time of year. More...

Weekend Predictions: New Releases Go on Holidays

August 29th, 2019

Angel Has Fallen

It’s the final weekend of the summer, Labor Day weekend. Officially it is the final weekend of the summer, but if you’ve been paying attention to the box office, then you know summer really ended with the release of Fast and Furious Presents: Hobbs and Shaw weeks ago. This long weekend, movie studios have just given up and there are no wide, or even semi-wide releases to talk about. This means the top five will look about the same as it did last weekend with Angel Has Fallen on top, while some of the holdovers, specifically Good Boys and The Lion King, should take advantage of the lack of competition. Meanwhile, this weekend last year, Crazy Rich Asians remained the top film at the box office and will likely beat any of this week’s offerings. In fact, none of the films playing this year will earn as much over four days as Crazy Rich Asians did over three. More...

Weekend Wrap-Up: Angel has a Divine Debut

August 27th, 2019

Angel Has Fallen

Angel Has Fallen led the way at the weekend with $21.38 million. There were some other pleasant surprises in the top ten and this helped the overall box office to a surprise win. It was down 9.6% from last weekend to $108 million; however, this was 5.6% higher than the same weekend last year and we haven’t had many reasons to celebrate in the year-over-year competition, so let’s focus on that. Year-to-date, 2019 is still behind 2018 and is so by nearly identical margins as last weekend at 6.3% or $500 million. This is still a deep hole to try and climb out of, especially since there are only four months left in the year, and I will be happy if we can just cut that gap in half by the end of the year. More...

Weekend Estimates: Angel Doesn’t Fall, Overcome Can’t, Ready Was Ready

August 25th, 2019

Angel Has Fallen

There is some good news to talk about and that’s been depressingly rare this year. Angel Has Fallen is beating expectations with an estimated opening of $21.25 million. This opening is just behind London Has Fallen’s debut. Additionally, Angel has better reviews and matched the previous film’s A minus from CinemaScore, so it should have similar legs. It is too soon to tell how it will do internationally, but given the franchise’s performance so far, I remain optimistic. More...

Friday Estimates: Angel Rises from London

August 24th, 2019

Angel Has Fallen

Angel Has Fallen earned an estimated $7.9 million on Friday. Amazingly, this is an improvement over the $7.51 million earned by London has Fallen during its opening day. Most people, myself included, assumed this film would suffer a deep decline. This film also earned better reviews, while both films earned an A minus from CinemaScore. On the other hand, the film did earn less during the 24-hour Friday period, so that suggests a slightly smaller opening weekend. Even so, it will beat our prediction with just over $21 million. More...

Thursday Night Previews: Angel Has Fallen Rises to Franchise High

August 23rd, 2019

Angel Has Fallen

Angel Has Fallen had the best previews in the franchise earning $1.5 million last night, putting it on pace for about $15 million over the weekend. This matches our expectations nearly perfectly and should be enough to keep Lionsgate happy. More...

Weekend Predictions: Summer Slows to a Crawl

August 22nd, 2019

Angel Has Fallen

There are three wide releases this week, but only one of them, Angel Has Fallen, is widely expected to do anything at the box office. Overcomer is a faith-based film and those are a risk at the box office, but the people behind this one do have a good track record. Finally there’s Ready or Not, the widest ever release for Fox Searchlight and its reviews are easily the best of the week, but the buzz suggests that won’t be enough to thrive. This weekend last year, Crazy Rich Asians dipped just 6% earning just over $24 million. No film is going to match that figure this week. There’s a chance all three wide releases won’t match that figure this week, combined. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Angel Has Fallen Trailer

June 10th, 2019

Thriller starring Gerard Butler and Morgan Freeman opens August 23 ... Full Movie Details.

Secret Service Agent Mike Banning is framed for the attempted assassination of the President and must evade his own agency and the FBI as he tries to uncover the real threat. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/08/30 2 $932,904   306 $3,049   $955,623 1
2019/09/06 3 $589,382 -37% 313 $1,883   $2,079,364 2
2019/09/13 5 $449,620 -24% 297 $1,514   $2,893,080 3
2019/09/20 - $245,431 -45% 272 $902   $3,289,367 4
2019/09/27 12 $113,282 -54% 206 $550   $3,485,297 5
2019/10/04 15 $59,313 -48% 143 $415   $3,604,840 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/13/2019 $102,405 162 162 326 $219,339 10/20/2019
Australia 8/23/2019 $1,210,304 328 328 1268 $3,962,381 10/17/2019
Brazil 11/15/2019 $686,310 475 475 1238 $1,511,186 12/7/2019
Bulgaria 8/30/2019 $39,228 0 0 0 $170,496 10/18/2019
China 12/31/2019 $2,310,000 18568 18568 18568 $9,421,528 2/20/2020
France 8/30/2019 $1,243,527 239 277 1198 $3,029,241 10/9/2019
Germany 8/30/2019 $882,914 0 0 0 $2,660,258 9/26/2019
Italy 8/28/2019 $1,036,151 0 6 6 $3,267,650 10/19/2022
Japan 11/15/2019 $330,207 0 0 0 $475,151 11/24/2019
Lithuania 9/6/2019 $5,714 8 8 15 $39,793 10/2/2019
Mexico 8/30/2019 $1,634,492 0 0 0 $3,905,867 10/19/2022
Netherlands 8/23/2019 $587,224 114 115 874 $2,940,991 10/19/2022
New Zealand 8/22/2019 $199,090 70 72 360 $533,014 10/1/2019
North America 8/23/2019 $21,380,987 3,286 3,336 18,519 $69,030,436
Poland 8/23/2019 $0 0 123 123 $285,746 10/19/2022
Portugal 8/23/2019 $300,282 93 93 400 $1,235,677 10/19/2022
Romania 8/30/2019 $177,763 85 85 353 $672,277 11/21/2019
Russia (CIS) 8/22/2019 $410,750 922 922 1910 $854,141 10/19/2022
Slovenia 8/30/2019 $14,045 23 23 69 $47,539 10/7/2019
South Korea 11/13/2019 $652,658 601 601 773 $1,233,989 12/4/2019
Spain 8/30/2019 $932,904 306 313 1537 $3,604,840 10/10/2019
Turkey 8/23/2019 $71,793 229 229 466 $209,826 10/19/2022
United Kingdom 8/23/2019 $2,602,266 537 557 2690 $9,592,568 10/30/2019
 
Rest of World $14,441,649
 
Worldwide Total$133,345,583 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Gerard Butler    Mike Banning
Danny Huston    Wade Jennings
Jada Pinkett Smith    FBI Agent Thompson
Nick Nolte    Clay Banning
Lance Reddick    Secret Service Director Gentry
Piper Perabo    Leah Banning
Morgan Freeman    President Trumbull

Supporting Cast

Michael Landes    Sam Wilcox
Tim Blake Nelson    Vice President Kirby
Antonio Bustorff   
Mark Arnold    CIA Director James Haskell
Chris Browning    Militia Man
Frederick Schmidt    Travis Cole
Jospeh Millson    Agent Ramirez
Sophia Del Pizzo    New Age Instructor
Sapir Azulay    Agent Peterson
Chris Dodd    State Trooper
Ori Pfeffer    Agent Skip Murphy
Mark 'Rhino' Smith    U.S. Marshall Driver
Brendan Kelly    Big Truck Driver
Bryan Larkin    SAS Lieutenant
Kerry Shale    Admiral Paul Sebring
Wayne Gordon    Mercenary #1
Atanas Srebrev    CAT Agent #3
Jag Patel    Whitehouse Press Journalist
Ryan Oliva    Merc Truck Driver
Joelle Koissi    News Reporter
Chris Rogers    ICU Colleague
Hadrian Howard    Agent Stevens
Daniel Eghan    Reporter
Stuart Whelan    Press
Osi Okerafor    Billy
Ty Hurley    Journalist
Laurel Lefkow    MSNBC Reporter
Ian Porter    Fox Reporter
Clayton Adams    Bellhop Nine
Nathanael Cooper    Cat
Halima Nagori    White House
Henrihs Ahmadejevs    FBI Officer
Martin Behrman    FBI Agent
Laura Matassa    Reporter
Christian Stevens    FBI One
Ian Brown    Washington Police Officer
Richard Curtis    Secret Service Agent
Mark Lockhart    U.S. State Trooper

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ric Roman Waugh    Director
Creighton Rothenberger    Screenwriter
Katrin Benedikt    Screenwriter
Robert Mark Kamen    Screenwriter
Matt Cook    Screenwriter
Creighton Rothenberger    Story by
Katrin Benedikt    Story by
Creighton Rothenberger    Character Creator
Katrin Benedikt    Character Creator
Gerard Butler    Producer
Alan Siegel    Producer
John Thompson    Producer
Matt O'Toole    Producer
Les Weldon    Producer
Yariv Lerner    Producer
Gabriel Fleming    Editor
David Buckley    Composer
Jules O'Loughlin    Director of Photography