| Theatrical Performance (US$) | ||
| Russia (CIS) Box Office | $70,272 | Details |
| Worldwide Box Office | $7,411,305 | Details |
| Further financial details... | ||
| Russia (CIS) Releases: | October 29th, 2020 (Wide), released as Папина дочка |
| Running Time: | 101 minutes |
| Source: | Based on Folk Tale/Legend/Fairytale |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Prelude Pictures, Pathe, StudioCanal |
| Production Countries: | Belgium, France |
| Languages: | French |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/10/30 | 13 | $35,104 | 494 | $71 | $35,104 | 1 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Czech Republic | 3/13/2020 | $265 | 44 | 44 | 44 | $284 | 10/19/2022 |
| France | 2/14/2020 | $2,621,304 | 698 | 868 | 2915 | $7,235,686 | 10/21/2020 |
| Germany | 7/30/2020 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 10/9/2020 | $0 | 0 | 0 | 0 | $0 | |
| Lithuania | 7/10/2020 | $0 | 0 | 13 | 38 | $34,574 | 10/19/2022 |
| Portugal | 9/18/2020 | $11,318 | 37 | 37 | 100 | $30,449 | 10/20/2022 |
| Russia (CIS) | 10/29/2020 | $35,104 | 494 | 494 | 906 | $70,272 | 10/19/2022 |
| Slovakia | 7/17/2020 | $373 | 13 | 28 | 83 | $40,040 | 8/14/2020 |
| United Kingdom | 8/28/2020 | $0 | 0 | 0 | 0 | $0 | |
| Worldwide Total | $7,411,305 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Omar Sy | Djibi |
| Bérénice Bejo | Clotilde | |
| Francois Damiens | Pritprout | |
| Sarah Gaye | ||
| Keyla Fala | ||
| Néotis Ronzon | Max | |
| Théo Hellermann |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Michel Hazanavicius | Director | |
| Bruno Merle | Screenwriter | |
| Noe Debre | Screenwriter | |
| Michel Hazanavicius | Screenwriter | |
| Philippe Rousselet | Producer | |
| John Blumenthal | Producer | |
| Daniel Delume | Executive Producer | |
| Laurent Ott | Production Designer | |
| Anne-Sophie Bion | Editor | |
| Howard Shore | Composer | |
| Guillaume Schiffman | Director of Photography |
