New Zealand Box Office for The Wretched (2020)

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The Wretched
Theatrical Performance (US$)
New Zealand Box Office $49,861Details
Worldwide Box Office $4,594,221Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Following his parents’ separation, a rebellious teenage boy, Ben, is sent to live with his father for the summer and work at the local marina in order to gain some form of discipline. The idyllic tourist town offers little solace for him, however, as he is forced to deal with the local, privileged teens and his father’s new girlfriend. Ben’s problems grow increasingly disturbing when he makes a chilling discovery about the family renting the house next door. A malevolent spirit from the woods has taken a hold of the parents and starts playing a sinister game of house, preying upon the children and wiping away any trace of their existence. Ben’s suspicions of the supernatural horrors go unheeded and he launches a perilous crusade in order to put an end to the skin-walking witch’s reign of terror.

Metrics

Movie Details

Production Budget:$66,000
New Zealand Releases: June 11th, 2020 (Wide)
Video Release: May 1st, 2020 by IFC Video
MPAA Rating: Not Rated
Running Time: 96 minutes
Keywords: Witches, Supernatural
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Little Runway
Production Countries: United States
Languages: English

Weekend estimates: Honest Thief wins weekend with $3.7 million

October 18th, 2020

Honest Thief

Honest Thief will top the domestic box office this weekend with a $3.7 million opening that is in line with expectations, and provides more evidence that the theatrical business is at least stable in the United States. Relatively good numbers for the re-release of The Nightmare Before Christmas bolster that argument, although 2 Hearts is underperforming hopes. Overall, it’s a story of two steps forward, one step back. More...

Weekend estimates: The War with Grandpa pulls off surprise win

October 11th, 2020

The War with Grandpa

Although the theatrical market is still in the doldrums, The War with Grandpa is providing some welcome good news this weekend with a surprise win. 101 Studios is projecting $3.608 million for the weekend, which is more than double our prediction, and wouldn’t be a particularly surprising result for a film like this from a new distributor under normal circumstances. Its performance raises some interesting questions about what films will and won’t work in theaters at the moment. More...

Theatrical Update: Invisible Man Reappears at the Box Office

June 16th, 2020

The Invisible Man

We still have very few distributors actually releasing box office numbers, so there’s no real change at the weekend box office chart compared to last week, when it comes to films with official numbers released. However, Deadline is reporting a top ten with The Invisible Man coming out on top with an estimated $383,000 over the weekend for a total of $67.8 million so far. This represents a 37% growth from last week. The film climbed ahead of Trolls World Tour, which dipped 9% to $276,000 over the weekend for a total of $3.6 million after ten weeks of release. More...

Weekend Wrap-Up: Was Universal Trolling Us?

June 9th, 2020

Trolls: World Tour

None of the major studios have been releasing box office numbers in recent weeks, so the weekend box office chart was dominated by those independent distributors that did, in particular IFC Films and IFC Midnight. However, Deadline is reporting that Universal had in fact been dominating the box office. In fact, Trolls World Tour has been leading the way every week since it was released two months ago, and earned $3.1 million, including $300,000 in 197 theaters this past weekend. The studio’s success doesn’t end there. More...

New on DVD and Blu-ray: Never Rarely… and Mob Psycho Lead the New Releases

June 9th, 2020

Mob Psycho 100 II

It is a slower week on the home market with no really big releases to talk about, at least not when you judge them by box office numbers. The Al Adamson: The Masterpiece Collection Blu-ray is massive, when you judge it by the price and the running time, but it is filled with low-budget B-movies. The biggest box office hit is The Hunt, which couldn’t ride its controversial nature to high ticket sales. As for the best releases, it was close race between Never Rarely Sometimes Always on DVD and season two Mob Psycho 100 on Blu-ray Combo Pack. Both have stellar reviews and it was a coin toss to decide which one would come out ahead, which Mob Psycho 100 won. More...

Weekend Wrap-Up: Wretched Remains Unbeatable

June 1st, 2020

The Wretched

Another weekend has passed, and The Wretched remains lodged in top spot on the box office chart. This week the film pulled in $176,000 in 75 theaters for a running tally of $836,000 after a month of release. It is on pace to crack $1 million by this time next week. It is rare for a limited-release horror film to reach this milestone under the best of circumstances, so it is really worth celebrating now. It also wasn’t the only glimmer of light on the box office front. More...

Weekend Wrap-Up: Wretched is a Legitimate Hit

May 26th, 2020

The Wretched

It was Memorial Day long weekend this past weekend, not that this really mattered when it comes to the box office chart. Until the pandemic is no longer a serious concern, holidays won’t have a significant impact at the box office. That said, The Wretched is doing well enough to be considered a legitimate hit, even under normal circumstances. More...

Wretched is the First Pandemic Box Office Hit

May 20th, 2020

The Wretched

We are still adjusting to the new normal when it comes to the weekend box office, and determining what the difference is between a hit and a miss under the circumstances. We can say with a lot of confidence that The Wretched is a hit, as the film has earned just over $300,000 in three weeks, including $91,975 in 21 drive-in theaters this past weekend. This would be a good run for a horror film in limited release under normal circumstances. How to Build a Girl saw its weekend box office and its theater average rise with $32,052 in 9 theaters during its second weekend in theaters for a two-week total of $51,854. This is a disappointment for a limited release, but a strong showing given the Covid-19 outbreak. Additionally, the healthy growth during its second weekend of release could be a sign that films will have longer legs as a result of the pandemic. That’s something to keep in mind in the future. More...

What a Theatrical Hit Looks Like During a Pandemic

May 13th, 2020

How to Build a Girl

For obvious reasons, it has been a while since we have had a column on theater averages. However, we are beginning to actually have some box office numbers to talk about. This past weekend, How to Build a Girl opened with $13,000 in 6 theaters for an average of $2,200. Given the strange times we live in, that prompts the question, is that a good result? More...

VOD Releases: Will Arkansas earn an A on VOD?

May 1st, 2020

Arkansas

This was the week that Black Widow was supposed to open. That level of competition was going to scare away most limited releases, so it was always going to be a slow week. Fortunately, while the quantity is low, the quality is high and there are several films earning strong reviews. In fact, the only films on this week’s list that don’t have overwhelmingly positive reviews are those with no reviews are all opening on Tuesday, so they have time to gain reviews. This does include Arkansas, which is the biggest film on this week’s list, at least based on pre-release buzz. It might not live up to that buzz. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/06/12 - $1,165   3 $388   $1,165 1
2020/06/19 10 $9,024 +675% 15 $602   $10,347 2
2020/06/26 10 $13,805 +53% 30 $460   $25,435 3
2020/07/03 13 $8,965 -35% 29 $309   $36,176 4
2020/07/10 - $5,441 -39% 20 $272   $45,697 5
2020/07/24 - $505   10 $51   $50,107 7
2020/07/31 114 $14 -97% 2 $7   $50,350 8
2020/08/14 - $47   2 $24   $49,861 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 6/5/2020 $1,865 1 23 95 $40,106 7/28/2020
Czech Republic 7/31/2020 $61,850 82 82 266 $311,639 10/19/2022
Germany 8/14/2020 $149,175 273 316 1391 $619,296 9/22/2020
Netherlands 6/26/2020 $46,124 70 71 251 $238,783 10/19/2022
New Zealand 6/11/2020 $1,165 3 30 111 $49,861 8/17/2020
North America 5/1/2020 $65,908 12 101 799 $1,815,440 12/14/2020
Russia (CIS) 10/9/2020 $121,728 488 691 1702 $401,911 10/19/2022
Slovakia 8/21/2020 $41,342 62 62 140 $115,454 11/24/2020
South Korea 7/22/2021 $1,617 16 16 16 $2,246 7/28/2021
Spain 7/17/2020 $100,008 192 192 715 $470,694 9/3/2020
Turkey 9/4/2020 $6,576 140 140 280 $23,191 10/19/2022
 
Rest of World $505,600
 
Worldwide Total$4,594,221 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

John-Paul Howard    Ben

Supporting Cast

Piper Curda    Mallory
Zarah Mahler    Abbie
Kevin Bigley    Ty
Gabriela Quezada Bloomgarten    JJ
Richard Ellis    Gage
Blane Crockarell    Dillon
Jamison Jones    Liam
Azie Tesfai    Sara
Ja’layah Washington    Lily
Judah Paul    Nathan

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Brett Pierce    Director
Drew T. Pierce    Director
Drew T. Pierce    Screenwriter
Brett Pierce    Screenwriter
Chang Tseng    Producer
Ed Polgardy    Producer
Brett Pierce    Producer
Drew T. Pierce    Producer
Leman Porter    Executive Producer
Lanier Porter    Executive Producer
Willis King    Executive Producer
Travis Cultreri    Co-Producer
Conor Murphy    Director of Photography
Marlena Feehery*    Production Designer
Terry Yates    Editor
Laura Cristina Ortiz    Costume Designer
Devin Burrows    Composer
Lisa Essary    Casting Director