| Theatrical Performance (US$) | ||
| New Zealand Box Office | $260 | Details |
| Worldwide Box Office | $108,423,749 | Details |
| Further financial details... | ||
| New Zealand Releases: | May 6th, 2021 (Wide) |
| Video Release: | April 10th, 2001 by Paramount Home Video |
| MPAA Rating: | PG (On appeal.) |
| Running Time: | 131 minutes |
| Franchise: | Terms of Endearment |
| Keywords: | Dysfunctional Family, Oscars Best Picture Winner, Comedy Drama, 1984 Oscars Best Picture Nominee |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/05/07 | - | $260 | 1 | $260 | $260 | 1 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| France | 9/28/2022 | $0 | 0 | 0 | 0 | $0 | |
| New Zealand | 5/6/2021 | $260 | 1 | 1 | 1 | $260 | 5/11/2021 |
| North America | 11/23/1983 | $3,498,813 | 260 | 1,259 | 20,945 | $108,423,489 | |
| Worldwide Total | $108,423,749 | 5/11/2021 | |||||
| Debra Winger | Emma Greenway Horton | |
| Shirley MacLaine | Aurora Greenway |
| Jack Nicholson | Garrett Breedlove | |
| Danny DeVito |
| John Lithgow | Sam Burns | |
| Jeff Daniels | Flap Horton |
| Mary Kay Place | Doris | |
| Albert Brooks | Rudyard Greenway |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| James L. Brooks | Director | |
| Jennifer L. Parsons | Costumer: Women |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
