Australia Box Office for The Public (2019)

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The Public
Theatrical Performance (US$)
Australia Box Office $91,856Details
Worldwide Box Office $694,750Details
Home Market Performance
North America DVD Sales $189,525 Details
North America Blu-ray Sales $10,516 Details
Total North America Video Sales $200,041
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

What begins as an act of civil disobedience becomes a stand-off with police and library officials when a conscientious librarian turns the Cincinnati Public Library into an impromptu homeless shelter for one night during the most brutal cold snap in recent Cincinnati history.

Metrics

Movie Details

Australia Releases: June 7th, 2019 (Wide)
Video Release: July 2nd, 2019 by Universal Home Entertainment
MPAA Rating: PG-13 for thematic material, nudity, language, and some suggestive content.
(Rating bulletin 2540 (Cert #51756), 8/15/2018)
Running Time: 119 minutes
Keywords: Civil Disobedience, Police Standoff, Homeless, Librarian, Screenplay Written By the Star, Directing Yourself, Set in Cincinnati, Set in Ohio, Mental Illness, Extreme Weather, Media Circus
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Hammerstone Studios, E2 Films, Living the Dream Films
Production Countries: United States
Languages: English

Home Market Releases for July 2nd, 2019

July 3rd, 2019

JoJo’s Bizarre Adventure: Set 4, Part 1

It’s Anime week on the Home Market Release Report with more than half a dozen titles on the main list, as well as a few more in the secondary Blu-ray list. In fact, the only real contender for Pick of the Week is an Anime title, JoJo’s Bizarre Adventure: Set 4, Part 1, but it is not the only Anime title worth owning, as Cardcaptor Sakura: Clear Card - Part Two, Mobile Suit Gundam The Origin, and Steins;Gate 0 Part One and Part Two are also worth picking up. If you want something live action, then go with We Have Always Lived in the Castle. More...

Theater Averages: High Life Reaches High Heights

April 12th, 2019

High Life

High Life led the way on the theater average chart earning an average of $24,835 in four theaters. Amazing Grace was next with an average of $14,674 in eight theaters. Meanwhile, the overall number one film, Shazam, was the final film in the $10,000 club with an average of $12,688. More...

Limited and VOD Releases: Only a Couple of This Week’s Films are Amazing

April 5th, 2019

Amazing Grace

If I were to use just one phrase to describe this week’s list, it would be “Good, but not great.” More than half of the films on this week’s list have reviews that are exactly that, merely good, but not good enough for limited release. Of the exceptions, Amazing Grace is the one I want to see the most. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/06/07 - $788   1 $788   $788 1
2019/08/02 19 $40,365   57 $708   $41,798 9
2019/08/09 - $11,389 -72% 54 $211   $79,361 10
2019/08/16 - $861 -92% 4 $215   $85,819 11
2019/08/23 - $493 -43% 3 $164   $86,663 12
2019/08/30 - $1,108 +125% 3 $369   $87,909 13
2019/09/06 - $516 -53% 2 $258   $90,142 14
2019/09/13 - $426 -17% 6 $71   $91,856 15

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 6/7/2019 $788 1 57 130 $91,856 9/17/2019
New Zealand 8/1/2019 $0 0 21 52 $26,485 9/5/2019
North America 4/5/2019 $259,455 263 263 488 $573,503
United Kingdom 2/21/2020 $2,906 9 9 9 $2,906 2/26/2020
 
Worldwide Total$694,750 2/26/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Alec Baldwin    Detective Ramstead
Emilio Estevez    Stuart Goodson
Jena Malone    Myra
Taylor Schilling    Angela
Christian Slater    Prosecutor
Gabrielle Union    TV Reporter
Jeffrey Wright    Administrator
Michael Kenneth Williams    Jackson
Che “Rhymefest” Smith*    Big George
Jacob Vargas    Ernesto

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Emilio Estevez    Director
Emilio Estevez    Screenwriter
Emilio Estevez    Producer
Alex Lebovici    Producer
Steve Ponce    Producer
Lisa Niedenthal    Producer
Ray Bouderau    Executive Producer
Richard Hull    Executive Producer
Janet Templeton    Executive Producer
Jordan Bouderau    Executive Producer
Bob Bonder    Executive Producer
Bryant Goulding    Executive Producer
Donal O’Sullivan    Executive Producer
Craig Phillips    Executive Producer
Taylor Estevez    Co-Producer
Kristen Schlotman    Co-Producer
Patsy L. Bouge    Co-Producer
Christopher Lawrence    Costume Designer
Richard Chew    Editor
Yang-Hua Hu    Editor
David J. Bomba    Production Designer
Tyler Bates    Composer
Joanne Higginbottom    Composer
Juanmi Azpiroz    Director of Photography
Mary Vernieu    Casting Director
Michelle Wade Byrd    Casting Director