Italy Box Office for Attacco a Mumbai - Una vera storia di coraggio (2019)

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Hotel Mumbai
Theatrical Performance (US$)
Italy Box Office $1,058,627Details
Worldwide Box Office $21,132,855Details
Home Market Performance
North America DVD Sales $215,669 Details
North America Blu-ray Sales $545,648 Details
Total North America Video Sales $761,317
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A recount of the 2008 siege of the famed Taj Hotel by a group of terrorists in Mumbai, India. Among the dedicated hotel staff is the renowned chef Hemant Oberoi and a waiter who choose to risk their lives to protect their guests. As the world watches on, a desperate couple is forced to make unthinkable sacrifices to protect their newborn child.

Metrics

Movie Details

Production Budget:$17,300,000
Italy Releases: April 30th, 2019 (Wide), released as Attacco a Mumbai - Una vera storia di coraggio
Video Release: June 11th, 2019 by Universal Home Entertainment
MPAA Rating: R for disturbing violence throughout, bloody images, and language.
(Rating bulletin 2564 (Cert #52021), 2/6/2019)
Running Time: 123 minutes
Keywords: Set in India, 2000s, Terrorism, Muslims, Religious Extremism, Hotel, Hostage, Action Thriller
Source:Based on Real Life Events
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Screen Australia, Xeitgeist Entertainment Group, South Australian Film Corp., Arclight Films, Adelaide Film Festival, Double Guess, Screenwest, Hamilton Entertainment, Thunder Road Film, Electric Pictures , Lotterywest
Production Countries: Australia
Languages: English, Hindi, Persian, Punjabi, Russian, Urdu

Home Market Releases for June 18th, 2019

June 19th, 2019

Us

It is a shallow week with a lot of films on the main list that would be secondary Blu-ray releases on a normal week. There are only two contenders for Pick of the Week: Us and Killing Eve: Season Two. The Us Blu-ray screener hasn’t arrived yet, but it is still Pick of the Week, even with an unknown quality of extras. More...

Home Market Releases for June 11th, 2019

June 12th, 2019

Captain Marvel

It is a very busy week on the home market, but like last week, there’s a lot of what would be filler in a normal week. In fact, there’s only one big release, Captain Marvel, which is also one of the better releases on this week’s list. The only other release that was really in contention for Pick of the Week was The Mustang, but the lack of extras on the Blu-ray hurt its chances. More...

Theater Averages: Smells Like Victory

April 18th, 2019

Her Smell

While there were no breakout hits on this week’s theater average chart, but there are few members of the $10,000 club. Her Smell led the way with an average of $12,314 in three theaters. Teen Spirit did well with an average of $10,905 in four theaters. Meanwhile, Wild Nights with Emily just managed to grab a spot in the $10,000 club with an average of $10,070 in three theaters. More...

Theater Averages: High Life Reaches High Heights

April 12th, 2019

High Life

High Life led the way on the theater average chart earning an average of $24,835 in four theaters. Amazing Grace was next with an average of $14,674 in eight theaters. Meanwhile, the overall number one film, Shazam, was the final film in the $10,000 club with an average of $12,688. More...

Theater Averages: Dumbo is Lonely at the Top

April 4th, 2019

Dumbo

Dumbo was the only film in the $10,000 Club at the weekend, as it earned an average of $10,798 while earning first place on the overall chart. The best limited release was Diane, which earned an average of $8,156 in three theaters. More...

Weekend Wrap-Up: Dumbo Marches to the Top

April 2nd, 2019

Dumbo

Dumbo wasn’t able to match expectations, but it still topped the chart over the weekend with $45.99 million. This isn’t enough for this weekend to match last weekend, as it fell 7.3% to $137 million. This is better than the same weekend last year by a tiny 0.6%, but anything that keeps 2019’s winning streak alive is good news in my book. Year-to-date, 2019 is still behind 2018 by practically the same margin as it was last weekend. In fact, the margin in raw dollars rose to $470 million, while the percent gap dipped below 17% at $2.34 billion to $2.81 billion. Hopefully things will improve in April. More...

Weekend Estimates: Dumbo Tops Chart with $45 million

March 31st, 2019

Dumbo

Dumbo will open in first place with over the weekend with an estimated $45.0 million. This is lower than expected and not a strong opening for a film that reportedly cost $170 million to make. It did marginally better internationally, earning $71.0 million, but it is also playing in all major markets, so it has almost nowhere to expand at this point. Going forward, the film should have decent legs, in part because it is a family film. Also, while its reviews are not going to be a major asset, it did earn an A minus from CinemaScore, so its word-of-mouth is going to be better than its critical reception. However, unless it has really long legs, it is going to be a real challenge to pay for that production budget any time soon. Part of the reason I think this film is struggling is “Franchise Fatigue”. Granted, I’m not sure I would call Disney’s Live Action Remakes a real franchise, not unless they start doing some crossovers to unite the universe. (Don’t do that. Please don’t do that.) However, I do think it is susceptible to the same fatigue and this is a real problem for Disney, because they have two more major releases for this year, plus about a dozen further releases in various stages of development. More...

Friday Estimates: Dumbo Flies, But Doesn’t Reach Blockbuster Heights

March 30th, 2019

Dumbo

Dumbo opened with $15.32 million on Friday. This is weaker than expected, but hardly a bad start. Its reviews are merely mixed, while it got an A minus from CinemaScore, so its legs should be decent. I don’t think it will reach $50 million over the weekend, so it will miss even low end expectations. That said, a $46 million opening is more than enough to get it to $100 million domestically and if it can find an audience internationally, it will break even sometime during its home market run. More...

Thursday Night Previews: Dumbo Doesn’t Fly High During Previews

March 29th, 2019

Dumbo

Dumbo earned $2.6 million during its previews, which is on the low end of expectations. It is just a fraction of the $16.3 million Beauty and the Beast managed in 2017. Additionally, this film’s reviews are the weaker and this could also affect its legs. On the other hand, Beauty and the Beast had such massive buzz is was destined to be more front-loaded that Dumbo will be. I still think Dumbo will miss our $58 million prediction, but I don’t think it will be as bad as this number first makes it appear. More...

Weekend Predictions: Can Dumbo Soar Like the Original Did?

March 29th, 2019

Dumbo

Dumbo essentially has the weekend to itself and should earn first place with ease. Both The Beach Bum and Unplanned are opening in just over 1,000 theaters, but neither is expected to be a major player at the box office. Finally, Hotel Mumbai is expanding into nearly 1,000 theaters and could reach the top ten. At least one of these smaller films will reach the top ten; in fact, all three of them could reach the top ten. However, this is due to really weak competition, not any box office strength these films possess. This weekend last year, Ready Player One led the way with $41 million, while Acrimony earned second place with $17 million. There’s a chance Dumbo will earn more than those two films earned. There’s also a chance Us and Captain Marvel will match those two films at the box office. It should be a good weekend for 2019 in the year-over-year comparison. More...

Theater Averages: Hotel Mumbai is Fully Booked

March 28th, 2019

Hotel Mumbai

Hotel Mumbai led the way on the theater average chart with an average of $22,016 in 4 theaters during its opening weekend. The only other film in the $10,000 club was Us with an average of $19,010. More...

Weekend Estimates: Us Appeals to a lot of us with $70 Million Opening

March 24th, 2019

Us

Us made the most of its opening weekend with an estimated debut of $70.25 million, which is much higher than even the high end of expectations. If this opening holds, it would be the tenth-biggest March opening, but that’s a big if. It’s just behind 300 and just ahead of The Lorax, so I expect it to change a spot when Monday’s final numbers are released. The film should have reasonable legs going forward, as its reviews are a major asset, while it earned a B from CinemaScore, which is a good result for a horror film. Internationally, the film is opening ahead of Get Out, but far behind its domestic debut with an estimated $16.7 million in 47 markets. This includes the U.K., where it earned $3.7 million during its opening weekend. However, it only cracked $1 million in three other markets: France ($2 million); Germany ($1.4 million); and Spain ($1.2 million). More...

Limited and VOD Releases: New Releases are Getting Lost in a Maze

March 22nd, 2019

Maze

I missed last week. Last week there were a number of films that earned great reviews. This week, none of the films with more than a handful of reviews are doing well enough to be optimistic about their box office chances. Both Buddy and Maze are earning 100% positive reviews, so maybe one of them will beat the odds. More...

2019 Preview: March

March 1st, 2019

Captain Marvel

2019 has been terrible so far and by the end of February, will be about half a billion dollars behind 2018’s pace. March should be the first step in 2019’s attempt to recover from this hole it has dug for itself. Captain Marvel will be the biggest film of the year so far and tracking has it opening with more than $100 million during the second weekend of March. While that film is undoubtedly going to become the biggest hit of the month, it isn’t the only potential hit opening in March, as both Us and Dumbo are expected to earn $100 million domestically; Dumbo might even top $200 million domestically. As for last March, there were only two films that hit $100 million, A Wrinkle in Time and Ready Player One, and neither of them came close to $200 million. There’s a slim chance this March will be better than last year, even if we ignore Captain Marvel. We could cut the deficit in half by the end of the month, if everything goes well. Then again, if everything went well during the first two months of the year, we wouldn’t be in such a deep hole at this point. More...

Hotel Mumbai Trailer

February 12th, 2019

Real-life thriller starring Armie Hammer and Dev Patel opens March 22 ... Full Movie Details.

A true story of humanity and heroism, Hotel Mumbai recounts the 2008 siege of the famed Taj Hotel by a group of terrorists in Mumbai, India. Refusing to leave their guests, the renowned chef Hemant Oberoi and a waiter choose to risk their lives to keep everyone safe. As the world watches on, a desperate couple is forced to make unthinkable sacrifices to protect their newborn child. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/05/03 4 $478,479   0     $652,474 1
2019/05/10 9 $184,578 -61% 0     $940,246 2
2019/05/17 18 $58,010 -69% 0     $1,049,036 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/21/2019 $57,085 71 71 71 $84,867 10/9/2019
Australia 2/22/2019 $1,599 1 278 1738 $2,277,525 3/23/2020
Brazil 7/12/2019 $204,364 108 108 219 $432,552 8/4/2019
Germany 5/3/2019 $0 0 82 82 $1,041,310 5/24/2019
Italy 4/30/2019 $478,479 0 10 10 $1,058,627 5/31/2019
Lithuania 5/10/2019 $24,628 62 62 247 $117,876 7/16/2019
Mexico 6/21/2019 $220,160 0 0 0 $541,194 10/19/2022
Netherlands 5/3/2019 $325,115 60 61 415 $1,299,981 10/19/2022
North America 3/22/2019 $88,065 4 930 3,196 $9,619,500 7/29/2019
Portugal 5/24/2019 $37,845 24 26 92 $151,679 7/16/2019
Russia (CIS) 5/9/2019 $218,964 470 470 1057 $586,554 10/19/2022
South Korea 5/10/2019 $5,465 5 196 441 $512,101 6/13/2019
Spain 9/6/2019 $57,996 71 71 137 $127,291 9/19/2019
Turkey 6/21/2019 $14,154 98 98 173 $47,450 7/18/2019
 
Rest of World $3,234,348
 
Worldwide Total$21,132,855 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Dev Patel    Arjun
Armie Hammer    David
Nazanin Boniadi    Zahra
Tilda Cobham-Hervey    Sally
Anupam Kher    Oberoi
Jason Isaacs    Vasili

Supporting Cast

Amandeep Singh    Imran
Suhail Nayyar    Abdullah
Manoj Mehra    Houssam
Dinesh Kumar    Rashid
Amritpal Singh    Ismail
Kapil Kumar Netra    Ajmal
Adithi Kalkunte    Dimple
Alex Pinder    Butler Jomon
Vipin Sharma    Dilip
Gaurav Paswala    Sanjay
Natasha Liu Bordizzo    Bree
Angus McLaren    Eddie
Naina Sareen    Lani
Sachin Joab    Vijay Goswami
Chantal Contouri    Mrs. Karvelas
Vitthal Kale    DC Kanu
Nagesh Bhonsle    Officer D.C. Vam
Carmen Duncan    Lady Wynn
Ansuya Nathan    Laila (Opthalmologist)/News Voiceover
Pawan Singh    The Bull
Raunakk Bhnder    Gunman
Ishan Khanna    Gunman
Harjit Singh    Gunman
Nitin Dhiman    Gunman
Mariette Valsan    Nisha
Aradhna Dhawan    Olga
Akhilesh Harsh    Kitchen Hand
Pallavi Sharda    News Voiceover
Devyani Mandavgane    Receptionist #1
Divya Unny    Receptionist #2
Bhidhisha Ghosh    Receptionist #3
Trishaan Sarkar    Chief of Police
Mariella Hosseini    Zahra’s Mother
Yogesh Rau    Police Officer
Carmel Johnson    Rosemary (Woman Hostage)
Priti Srivastava    Dimple’s Friend
Puven Pather    Sikh Hotel Guest
Jesrin Joseph    Wedding Guest Teenager
Takila Wood    Bath Maid
Dimple Shah    Baby Gift Maid
Ashwani Kumar    Staff Member #1
Piazza Priyam    Staff Member #2
Zenia Starr    Prahba
Daljinder Singh Nagpal    Doorman
Manasi Joshi    Oberoi’s Assistant
Rohan Mirchandaney    Chef Manu
Rodney Afif    Maître D’
Marc Iserlis    TV Reporter
Mona Mathews    TV Reporter
Abhiroy Singh    TV Reporter
Lee Perry    TV Reporter
Jude Henshaw    Mrs. Watson
Shiv Dev Singh    Imran’s Father
Rory Walker    Eion (Irish Hostage)
Mahinga Senger    Older Man

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Anthony Maras    Director
Anthony Maras    Screenwriter
John Collee    Screenwriter
Basil Iwanyk    Producer
Gary Hamilton    Producer
Mike Gabrawy    Producer
Julie Ryan    Producer
Andrew Ogilvie    Producer
Jomon Thomas    Producer
Kent Kubena    Executive Producer
Jonathan Fuhrman*    Executive Producer
Ryan Hamilton    Executive Producer
Ying Ye    Executive Producer
Mark Montgomery    Executive Producer
Natalya Pavchinskaya    Executive Producer
Dev Patel    Executive Producer
John Collee    Executive Producer
Joseph N. Cohen    Executive Producer
Gary Ellis    Executive Producer
Pravesh Sahni    Line Producer
Barbara Gibbs    Co-Producer
Brian Hayes    Co-Producer
Nick Remy Matthews*    Director of Photography
Steven Jones-Evans    Production Designer
Anna Borghesi    Costume Designer
Volker Bertelmann    Composer
Peter McNulty    Editor
Anthony Maras    Editor
Laura Katz    Music Supervisor
Marty Pepper    Visual Effects Supervisor
Sam Petty    Sound Designer
Ann Fay    Casting Director
Leigh Pickford    Casting Director
Trishaan Sarkar    Casting Director
Chris Webb    First Assistant Director
Mojgan Khadem    Script Supervisor
Paul Cross    Post-Production Supervisor
Cleland Jones    Additional Editor
Jack Smith    First Assistant Editor
Karen McKay    Assistant Editor
Sam Matthews    Assistant Editor
Sam Petty    Sound Supervisor
Petar Ristic    Supervising Dialogue Editor
Sam Petty    Music Editor
Lisa Simpson    Foley Recordist
Duncan Campbell    Foley Editor
Pete Smith    Re-recording Mixer
Sam Petty    Re-recording Mixer
Nathan Stone    Visual Effects Supervisor
Stuart Campbell    Visual Effects Producer
Tara Finegan    Executive Music Producer
Philip Moross    Executive Music Producer
Daniel Kresco    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.