Market Charts > Creative Types > Contemporary Fiction
Box Office History for Contemporary Fiction
Ticket Sales and Market Share by Year
Note: Figures for 2025 are at an annualized rate.
Top-Grossing Movies 1995-2025, Adjusted for Ticket Price Inflation
Year by Year Market Share
| Year | Movies in Release | Market Share | Gross | Tickets Sold | Inflation- Adjusted Gross | Top-Grossing Movie | Gross that Year |
|---|---|---|---|---|---|---|---|
| 1995 | 176 | 55.00% | $2,923,022,296 | 671,959,063 | $7,599,857,003 | Ace Ventura: When Nature Calls | $104,371,496 |
| 1996 | 195 | 61.82% | $3,568,300,306 | 807,307,662 | $9,130,649,657 | Twister | $243,783,813 |
| 1997 | 212 | 59.43% | $3,681,677,957 | 802,108,386 | $9,071,845,846 | Liar Liar | $181,410,615 |
| 1998 | 207 | 50.62% | $3,453,093,250 | 736,267,113 | $8,327,181,048 | There's Something About Mary | $174,711,965 |
| 1999 | 241 | 56.21% | $4,125,024,597 | 812,012,596 | $9,183,862,461 | The Sixth Sense | $276,386,495 |
| 2000 | 239 | 51.79% | $3,894,928,097 | 722,621,053 | $8,172,844,109 | Mission: Impossible 2 | $215,409,889 |
| 2001 | 227 | 54.31% | $4,507,239,024 | 796,331,872 | $9,006,513,472 | Rush Hour 2 | $226,164,286 |
| 2002 | 233 | 45.01% | $4,120,854,168 | 709,269,104 | $8,021,833,566 | My Big Fat Greek Wedding | $227,898,505 |
| 2003 | 242 | 49.25% | $4,529,297,902 | 751,127,230 | $8,495,248,971 | Bruce Almighty | $242,704,995 |
| 2004 | 218 | 43.34% | $4,027,323,253 | 648,522,156 | $7,334,785,584 | The Bourne Supremacy | $176,087,450 |
| 2005 | 210 | 48.19% | $4,241,960,729 | 661,772,237 | $7,484,644,000 | Wedding Crashers | $209,218,368 |
| 2006 | 328 | 49.03% | $4,500,828,862 | 687,149,273 | $7,771,658,278 | The Da Vinci Code | $217,536,138 |
| 2007 | 385 | 43.68% | $4,267,726,456 | 620,308,894 | $7,015,693,591 | The Bourne Ultimatum | $227,471,070 |
| 2008 | 398 | 43.42% | $4,233,743,527 | 589,657,725 | $6,669,028,870 | Quantum of Solace | $166,820,413 |
| 2009 | 298 | 42.63% | $4,535,607,012 | 604,747,493 | $6,839,694,146 | Up | $293,004,164 |
| 2010 | 299 | 39.60% | $4,151,729,699 | 526,201,365 | $5,951,337,438 | The Karate Kid | $176,591,618 |
| 2011 | 347 | 34.47% | $3,506,997,673 | 442,244,207 | $5,001,781,981 | The Hangover Part II | $254,464,305 |
| 2012 | 370 | 37.76% | $4,156,314,966 | 522,149,933 | $5,905,515,742 | Skyfall | $296,804,366 |
| 2013 | 338 | 33.75% | $3,674,836,331 | 452,009,219 | $5,112,224,267 | Gravity | $255,621,667 |
| 2014 | 364 | 30.30% | $3,112,101,111 | 380,917,938 | $4,308,181,879 | 22 Jump Street | $191,719,337 |
| 2015 | 409 | 33.13% | $3,733,216,526 | 442,848,756 | $5,008,619,430 | Furious 7 | $353,007,020 |
| 2016 | 361 | 23.87% | $2,689,968,433 | 310,978,843 | $3,517,170,714 | Jason Bourne | $162,192,920 |
| 2017 | 330 | 27.45% | $3,017,980,352 | 336,452,515 | $3,805,277,945 | The Fate of the Furious | $225,764,765 |
| 2018 | 310 | 30.06% | $3,591,179,070 | 394,201,755 | $4,458,421,849 | Mission: Impossible—Fallout | $220,159,104 |
| 2019 | 296 | 29.70% | $3,334,655,265 | 364,045,216 | $4,117,351,393 | Joker | $333,772,511 |
| 2020 | 196 | 30.01% | $606,136,983 | 66,027,895 | $746,775,492 | Bad Boys For Life | $204,417,855 |
| 2021 | 208 | 22.66% | $1,023,929,600 | 100,681,292 | $1,138,705,413 | F9: The Fast Saga | $173,005,945 |
| 2022 | 230 | 30.08% | $2,224,754,062 | 211,277,590 | $2,389,549,543 | Top Gun: Maverick | $718,732,821 |
| 2023 | 266 | 33.17% | $2,972,799,494 | 271,736,595 | $3,073,340,889 | Barbie | $636,225,983 |
| 2024 | 314 | 23.75% | $2,047,362,946 | 181,022,231 | $2,047,361,433 | Twisters | $267,762,265 |
| 2025 | 99 | 23.88% | $448,337,935 | 39,640,838 | $448,337,878 | One of Them Days | $50,054,690 |
Upcoming Releases
Our Theatrical Market pages are based on the Domestic Theatrical Market performance only. The Domestic Market is defined as the North American movie territory (consisting of the United States, Canada, Puerto Rico and Guam).
The yearly amounts on our Theatrical Market pages are based on box office years. Each box office year starts on the first Monday of the year, so the previous year ends on the Sunday before the first Monday. For example, the "2017 box office year" started on January 2, 2017 so the "2016 box office year" ended on Sunday, January 1, 2017.