Hotel Artemis (2018)

Hotel Artemis
Theatrical Performance
Domestic Box Office $6,708,137Details
International Box Office $6,608,490Details
Worldwide Box Office $13,316,627
Home Market Performance
Est. Domestic DVD Sales $648,512 Details
Est. Domestic Blu-ray Sales $667,546 Details
Total Est. Domestic Video Sales $1,316,058
Further financial details...

Synopsis

Set in riot-torn, near-future Los Angeles, The Nurse runs a secret, members-only hospital for criminals.

Metrics

Opening Weekend:$3,232,790 (48.2% of total gross)
Legs:2.08 (domestic box office/biggest weekend)
Domestic Share:50.4% (domestic box office/worldwide)
Production Budget:$15,000,000 (worldwide box office is 0.9 times production budget)
Theater counts:2,407 opening theaters/2,407 max. theaters, 2.1 weeks average run per theater
Infl. Adj. Dom. BO $7,937,831

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: June 8th, 2018 (Wide) by Global Road
International Releases: June 7th, 2018 (Wide) (Israel)
June 8th, 2018 (Wide) (Estonia)
June 13th, 2018 (Wide) (Egypt)
June 14th, 2018 (Wide) (Bahrain)
June 14th, 2018 (Wide) (Greece)
... Show all releases
Video Release: August 21st, 2018 by Global Road Entertainment
MPAA Rating: R for violence and language throughout, some sexual references, and brief drug use.
(Rating bulletin 2528 (Cert #51187), 5/23/2018)
Running Time: 97 minutes
Comparisons: vs. Left Behind
Create your own comparison chart…
Keywords: Near Future, Gangs, Doctors, Medical and Hospitals, Set in Los Angeles, 2020s, Siege, Bank Robbery, Unnamed Character, Action Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Ink Factory, Global Road Entertainment, 127 Wall, Marc Platt Productions
Production Countries: United Kingdom
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 8, 2018 8 $3,232,790   2,407 $1,343   $3,232,790 1
Jun 15, 2018 14 $1,008,109 -69% 2,299 $438   $5,821,628 2
Jun 22, 2018 31 $71,554 -93% 163 $439   $6,557,528 3
Jun 29, 2018 46 $15,477 -78% 35 $442   $6,635,260 4
Jul 6, 2018 49 $10,699 -31% 18 $594   $6,656,011 5
Jul 13, 2018 41 $25,786 +141% 60 $430   $6,690,345 6

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jun 7, 2018 P $271,000     1,800 $151   $271,000  
Jun 8, 2018 8 $1,109,293     2,407 $461   $1,109,293 1
Jun 9, 2018 8 $1,166,757 +5%   2,407 $485   $2,276,050 2
Jun 10, 2018 8 $956,740 -18%   2,407 $397   $3,232,790 3
Jun 11, 2018 8 $414,350 -57%   2,407 $172   $3,647,140 4
Jun 12, 2018 8 $548,942 +32%   2,407 $228   $4,196,082 5
Jun 13, 2018 9 $373,280 -32%   2,407 $155   $4,569,362 6
Jun 14, 2018 9 $244,157 -35%   2,407 $101   $4,813,519 7
Jun 15, 2018 15 $281,177 +15% -75% 2,299 $122   $5,094,696 8
Jun 16, 2018 14 $376,777 +34% -68% 2,299 $164   $5,471,473 9
Jun 17, 2018 13 $350,155 -7% -63% 2,299 $152   $5,821,628 10
Jun 18, 2018 12 $175,019 -50% -58% 2,299 $76   $5,996,647 11
Jun 19, 2018 12 $214,739 +23% -61% 2,299 $93   $6,211,386 12
Jun 20, 2018 12 $168,060 -22% -55% 2,299 $73   $6,379,446 13
Jun 21, 2018 14 $106,528 -37% -56% 2,299 $46   $6,485,974 14
Jun 22, 2018 - $18,974 -82% -93% 163 $116   $6,504,948 15
Jun 23, 2018 - $29,765 +57% -92% 163 $183   $6,534,713 16
Jun 24, 2018 - $22,815 -23% -93% 163 $140   $6,557,528 17
Jun 25, 2018 - $14,377 -37% -92% 163 $88   $6,571,905 18
Jun 26, 2018 - $18,533 +29% -91% 163 $114   $6,590,438 19
Jun 27, 2018 - $16,847 -9% -90% 163 $103   $6,607,285 20
Jun 28, 2018 - $12,498 -26% -88% 163 $77   $6,619,783 21
Jun 29, 2018 - $3,292 -74% -83% 35 $94   $6,623,075 22
Jun 30, 2018 - $6,665 +102% -78% 35 $190   $6,629,740 23
Jul 1, 2018 - $5,520 -17% -76% 35 $158   $6,635,260 24
Jul 2, 2018 - $3,237 -41% -77% 35 $92   $6,638,497 25
Jul 3, 2018 - $3,104 -4% -83% 35 $89   $6,641,601 26
Jul 4, 2018 - $2,253 -27% -87% 35 $64   $6,643,854 27
Jul 5, 2018 - $1,458 -35% -88% 35 $42   $6,645,312 28
Jul 6, 2018 - $3,056 +110% -7% 18 $170   $6,648,368 29
Jul 7, 2018 - $4,246 +39% -36% 18 $236   $6,652,614 30
Jul 8, 2018 - $3,397 -20% -38% 18 $189   $6,656,011 31
Jul 9, 2018 - $2,788 -18% -14% 18 $155   $6,658,799 32
Jul 10, 2018 - $2,177 -22% -30% 18 $121   $6,660,976 33
Jul 11, 2018 - $1,671 -23% -26% 18 $93   $6,662,647 34
Jul 12, 2018 - $1,912 +14% +31% 18 $106   $6,664,559 35
Jul 13, 2018 - $6,758 +253% +121% 60 $113   $6,671,317 36
Jul 14, 2018 - $9,870 +46% +132% 60 $165   $6,681,187 37
Jul 15, 2018 - $9,158 -7% +170% 60 $153   $6,690,345 38
Jul 16, 2018 - $4,253 -54% +53% 60 $71   $6,694,598 39
Jul 17, 2018 - $4,604 +8% +111% 60 $77   $6,699,202 40
Jul 18, 2018 - $4,627 n/c +177% 60 $77   $6,703,829 41
Jul 19, 2018 - $4,308 -7% +125% 60 $72   $6,708,137 42

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 8, 2018 8 $4,813,519   2,407 $2,000   $4,813,519 1
Jun 15, 2018 13 $1,672,455 -65% 2,299 $727   $6,485,974 2
Jun 22, 2018 29 $133,809 -92% 163 $821   $6,619,783 3
Jun 29, 2018 50 $25,529 -81% 35 $729   $6,645,312 4
Jul 6, 2018 48 $19,247 -25% 18 $1,069   $6,664,559 5
Jul 13, 2018 40 $43,578 +126% 60 $726   $6,708,137 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/13/2018 $23,222 40 40 40 $29,401 1/1/2019
Austria 7/27/2018 $0 0 11 13 $48,356 9/14/2018
Bahrain 6/14/2018 $22,491 6 6 9 $92,840 1/1/2019
Belgium 7/25/2018 $0 0 11 13 $98,862 9/14/2018
Bolivia 11/29/2018 $0 0 6 6 $12,019 12/14/2018
Brazil 9/13/2018 $62,736 54 54 54 $107,530 10/20/2018
Chile 9/20/2018 $0 0 0 0 $15,170 1/1/2019
Colombia 9/13/2018 $19,860 22 22 22 $19,860 1/1/2019
Costa Rica 10/4/2018 $0 0 1 1 $10,186 1/1/2019
Cyprus 6/28/2018 $5,850 0 0 0 $5,850 7/6/2018
Czech Republic 7/27/2018 $16,114 73 73 98 $31,260 1/1/2019
Denmark 7/26/2018 $0 0 0 0 $40,544 9/14/2018
Dominican Republic 9/27/2018 $0 0 2 2 $2,349 1/1/2019
Ecuador 8/31/2018 $43,218 28 28 55 $109,291 1/1/2019
Egypt 6/13/2018 $13,956 0 0 0 $13,956 1/1/2019
Estonia 6/8/2018 $3,458 8 8 15 $8,074 6/28/2018
Finland 7/27/2018 $0 0 5 5 $35,025 9/14/2018
France 7/27/2018 $314,593 0 57 80 $629,607 9/14/2018
Germany 7/27/2018 $114,354 0 21 21 $207,433 8/31/2018
Greece 6/14/2018 $14,196 33 33 50 $27,134 7/6/2018
Hong Kong 6/21/2018 $207,477 38 38 72 $414,493 7/6/2018
India 7/13/2018 $4,097 0 0 0 $10,280 9/20/2018
Indonesia 6/15/2018 $143,902 0 0 0 $143,902 12/6/2018
Iraq 6/14/2018 $3,021 7 7 14 $4,374 1/1/2019
Israel 6/7/2018 $36,272 20 20 61 $83,293 1/1/2019
Italy 8/1/2019 $270,289 0 4 4 $557,828 10/19/2022
Jordan 6/14/2018 $8,720 5 5 6 $18,050 1/1/2019
Kuwait 6/14/2018 $19,198 2 2 3 $63,550 1/1/2019
Latvia 6/15/2018 $1,451 4 4 7 $4,159 1/1/2019
Lebanon 6/14/2018 $9,950 0 8 8 $9,874 1/1/2019
Lithuania 6/15/2018 $3,951 75 75 79 $8,212 6/26/2018
Malaysia 7/26/2018 $0 0 0 0 $31,426 9/20/2018
Mexico 9/28/2018 $150,591 0 3 3 $293,543 10/20/2018
Mongolia 6/22/2018 $7,055 0 0 0 $7,055 1/1/2019
Netherlands 6/29/2018 $67,368 74 295 459 $279,320 8/25/2018
Norway 7/27/2018 $0 0 1 1 $48,126 9/14/2018
Oman 6/14/2018 $4,328 3 3 4 $9,990 1/1/2019
Paraguay 9/27/2018 $0 0 0 0 $4,303 1/1/2019
Peru 10/4/2018 $0 0 1 1 $56,947 1/1/2019
Philippines 6/20/2018 $84,073 147 147 147 $151,331 1/1/2019
Portugal 7/6/2018 $23,615 36 38 77 $76,657 9/14/2018
Qatar 6/14/2018 $4,022 8 8 9 $20,327 1/1/2019
Russia (CIS) 8/23/2018 $243,483 794 800 1,595 $505,709 1/8/2019
Singapore 6/28/2018 $75,918 29 29 29 $75,918 7/6/2018
Slovakia 7/27/2018 $6,291 45 45 45 $6,291 9/7/2018
South Africa 8/3/2018 $0 0 10 10 $60,101 9/14/2018
South Korea 7/12/2018 $0 0 448 479 $580,893 9/7/2018
Sweden 7/20/2018 $0 0 0 0 $32,934 9/14/2018
Switzerland (French Speaking) 7/25/2018 $0 0 0 0 $40,126 9/14/2018
Switzerland (German Speaking) 8/23/2018 $41,598 34 34 60 $69,405 9/20/2018
Thailand 6/14/2018 $54,230 90 90 113 $91,944 7/6/2018
Turkey 7/13/2018 $0000$0
Ukraine 8/23/2018 $33,566 0 0 0 $92,329 1/1/2019
United Arab Emirates 6/14/2018 $41,893 29 29 36 $90,038 1/1/2019
United Kingdom 7/20/2018 $468,539 312 312 662 $949,067 9/14/2018
Venezuela 9/14/2018 $129 23 23 23 $464 10/22/2018
Vietnam 6/15/2018 $127,025 0 0 0 $171,484 1/1/2019
 
International Total$6,608,490 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Oct 14, 20181913,202 13,202$226,942$226,9428

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Oct 14, 20181313,069 13,069$274,318$274,3188

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Jodie Foster    The Nurse
Sterling K. Brown    Waikiki
Sofia Boutella    Nice
Jeff Goldblum    Niagara
Brian Tyree Henry    Honolulu
Jenny Slate    Morgan
Zachary Quinto    Crosby Franklin
Charlie Day    Acapulco
Dave Bautista    Everest

Supporting Cast

Kenneth Choi    Buke
Josh Tillman    P-22
Evan Jones    Trojan Nash
Nathan Davis    Rocco
Ramses Jimenez    Tariq
Angela Sprinkle    Union Califia Hologram
Lloyd Sherr    KT-Eye News Anchor
Baldeep Singh    Union Califia Bank Manager
Brandon Morales    Malibu Mob Diamond Courier
Tanner Gill    Proshield Riot Wall OP
Bruce Concepcion    Proshield Team Leader
Travis Parker    Proshield Cop #1
Antal Kalik    Proshield Cop #2
Lauren Sivan    Gatepost Network News Reporter
Sarah Shankman    Detroit Waste Disposal Operator
Mark Kubr    Mike The Wolfking’s Enforcer
Kate Higgins    Choppr Liason
Elizabeth Laime    Anxiety Tape Guru
Mason Shea Joyce    Young Beau
James Rackstraw    Dead Beau
Matthew Morgan    Dennis The Wolfking’s Chauffeur

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Drew Pearce    Director
Drew Pearce    Screenwriter
Marc Platt    Producer
Adam Siegel    Producer
Stephen Cornwell    Producer
Simon Cornwell    Producer
Drew Pearce    Executive Producer
Jeffrey Stott    Executive Producer
Joe Tsai    Executive Producer
Arthur Wang    Executive Producer
Yogita Puri    Co-Executive Producer
Ian Spence    Co-Executive Producer
Chung-Hoon Chung    Cinematographer
Ramsey Avery    Production Designer
Paul Zucker    Editor
Gardner Gould    Editor
Lisa Nora Lovaas    Costume Designer
Cliff Martinez    Composer
Brian McNelis    Music Supervisor
Eric Craig    Music Supervisor
Wylie Stateman    Sound Designer
Harry Cohen    Sound Designer
Tiffany Little Canfield    Casting Director
Jeffrey Stott    Unit Production Manager
Alex Gayner    First Assistant Director
Christophe Le Chanu    Second Assistant Director
Wade Allen    Stunt Coordinator
Alice S. Kim    Production Supervisor
Bill Wohlken    Post-Production Supervisor
Ian Fisher    Associate Producer
Jon Carlos    Art Director
Samantha Avila    Art Director
Dan Jennings    Set Designer
Rosemary Brandenberg    Set Decorator
Renetta G. Amador    Script Supervisor
Michael Costello    First Assistant Editor
Lillian Dawson Bain    First Assistant Editor
Jaclyn Tamizato    Costume Supervisor
Aurora Bergere    Make up
Molly Tissavary    Make up
Darlene Brumfield    Hairstylist
Shawn Holden    Sound Mixer
Zach Goheen    Supervising Sound Editor
Hector Gika    Sound Editor
Eric Hoehn    Re-recording Mixer
James Lorimer    Special Effects Coordinator
Michael Burmeister    Location Manager
Sean Cushing    Visual Effects Executive Producer
Donna Cullen    Visual Effects Producer
Mary Parker    Music Editor
Mark Jan Wlodarkiewicz    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for October 9th, 2018

October 9th, 2018

Eighth Grade

It’s not a bad week on the home market. The two biggest releases, Hotel Transylvania 3: Summer Vacation and Skyscraper, are both worth checking out, but not close to being Pick of the Week contenders. As for the best of the best, Eighth Grade is really the only choice, while Thelma Todd & Zasu Pitts: The Hal Roach Collection was the runner up. Killing Eve: Season One and Recovery of an MMO Junkie: The Complete Series could have been contenders, if they had significant extras. More...

Home Market Releases for August 21st, 2018

August 20th, 2018

Ash vs. Evil Dead: Season Three

It’s a good week on the home market as we not only have a monster hit that is worth being a Pick of the Week contender, Deadpool 2, we have a wide selection of other contenders. This includes a limited release, First Reformed; an Anime title,Sakura Quest: Part Two; as well as a TV on DVD release, Ash vs. Evil Dead: Season Three. In the end, I went with Ash vs. Evil Dead: Season Three, but it was a close race. More...

Weekend Wrap-Up: Incredible Doesn’t Even Begin to Describe It

June 18th, 2018

Incredibles 2

Incredibles 2 became the first potential monster hit since Infinity War to beat tracking numbers, opening with a mind-numbing $182.69 million. It is hard to describe how amazing this opening is. It has rewritten the record book when it comes to animated films and it gives Disney the top three openings of 2018 and four of the top five. This is twice as much as the rest of the box office earned over the entire weekend. There were other new releases this week, with Tag doing fine. Its $14.95 million opening is nothing special, but it should break even sometime on the home market. SuperFly, on the other hand, was a disappointment. The overall box office grew by 126% from last weekend, with Incredibles 2 earning about 50% more than the entire box office pulled in last weekend. The film was just shy of the same weekend last year, while the overall box office rose by 43%. Year-to-date, 2018 continues to have a lead over 2017, and it has grown to a commanding lead of 6.6% or $340 million at $5.44 billion to $5.10 billion. Granted, we are barely halfway through the year, but 2018 is in a great position to break the all-time yearly box office record. More...

Weekend Wrap-Up: Ocean’s 8 has Franchise Best Opening with $41.61 million

June 12th, 2018

Ocean’s 8

The weekend was very kind to Ocean’s 8, as it opened with $41.61 million. This is not only the top result this weekend, it is the best opening weekend in the franchise. Hereditary also opened on the high end of expectations, leaving just Hotel Artemis as the only disappointment of the weekend. Overall, the box office rose 13% from last weekend to $120 million. More importantly, this was 17% lower than the same weekend last year. That said, it could have been worse and 2018 still has a 5.1% / $250 million lead over 2017 at $5.11 billion to $4.86 billion. More...

Weekend Estimates: Ocean’s 8 Tops Chart, Franchise

June 10th, 2018

Ocean’s 8

Ocean’s 8 matched expectations with $41.5 million over the weekend. If it can maintain this figure, then it will open in the $10,000 club, while even if its final numbers slips a little, it still would be on pace for $100 million domestically. Its reviews have settled to 67% positive, and it managed an acceptable B plus from CinemaScore, so its legs should be average. Fortunately, with a start like this, it only needs average legs to break even early in its home market run. More...

Friday Estimates: Ocean’s 8 Opens With $15 million, Fallen Kingdom Will Steal its Thunder

June 9th, 2018

Ocean’s 8

Two of the three new releases opened well on Friday. Ocean’s 8 open with $15.8 million, putting it on pace for an opening weekend of $42 million. This is the best opening in the franchise. It is also the cheapest installment in the franchise with a $70 million production budget, so it won’t need amazing legs to break even during its initial push into the home market. Its reviews are 69% positive, while it earned a B plus from CinemaScore. Neither of those results are particularly good, but they are no reason to panic either. Unfortunately, it won’t have the same legs as its predecessors, as the market has changed in the past decade. Furthermore, films with predominately female casts don’t do as well internationally, so the film will rely a little more on its domestic numbers to break even. That said, Warner Bros. should be happy with this result. More...

Thursday Night Previews: Ocean’s Splits $4 million Opening

June 8th, 2018

Ocean’s 8

Ocean’s 8 opened with $4 million during its previews. By comparison, the most recent gender-bent remake, Ghostbusters, earned $3.4 million during its previews on its way to a $46.02 million opening weekend. The two films also have very similar reviews, so they could have similar legs. However, we have seen a number of films over-perform during previews only to come back down to earth over the weekend, so I’m not willing to change our $40 million prediction, at least not yet. More...

Weekend Predictions: Ocean’s 8 Looks to Steal Top Spot

June 7th, 2018

Ocean’s 8

Ocean’s 8 leads a trio of new releases this week and it might be the only one to reach the top five. It is certainly the only one competing for first place. Hereditary is earning amazing reviews, but it is an art house horror movie and those tend to struggle at the box office. Finally there’s Hotel Artemis, which is earning the quietest buzz of the three releases. Solo: A Star Wars Story and Deadpool 2 should remain strong helping the overall box office. However, while this year’s new releases are better than last year’s new releases, with Wonder Woman’s sophomore stint, 2018 is going to suffer another loss. Next week will be better. More...

2018 Preview: June

June 1st, 2018

Incredibles 2

This May was an odd month, as Avengers: Infinity War opened on the last weekend of April, rather than the first weekend of May. This meant May started out slowly, but Deadpool 2 and Solo: A Star Wars Story did well enough to give 2018 a healthy lead over 2017. Looking forward, there are two potential monster hits this month, Incredibles 2 and Jurassic World: Fallen Kingdom, and another $100 million hit, Ocean’s 8. Last June, there were four $100 million hits, led by Wonder Woman, which pulled in over $400 million. I think 2018 and 2017 will be an even match at the top, so 2018 will have to rely on depth to improve upon its lead over 2017. More...

Hotel Artemis Trailer

May 30th, 2018

Thriller starring Jodie Foster opens June 8 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Set in riot-torn, near-future Los Angeles, The Nurse runs a secret, members-only hospital for criminals.

Metrics

Opening Weekend:$3,232,790 (48.2% of total gross)
Legs:2.08 (domestic box office/biggest weekend)
Domestic Share:50.4% (domestic box office/worldwide)
Production Budget:$15,000,000 (worldwide box office is 0.9 times production budget)
Theater counts:2,407 opening theaters/2,407 max. theaters, 2.1 weeks average run per theater
Infl. Adj. Dom. BO $7,937,831

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: June 8th, 2018 (Wide) by Global Road
International Releases: June 7th, 2018 (Wide) (Israel)
June 8th, 2018 (Wide) (Estonia)
June 13th, 2018 (Wide) (Egypt)
June 14th, 2018 (Wide) (Bahrain)
June 14th, 2018 (Wide) (Greece)
... Show all releases
Video Release: August 21st, 2018 by Global Road Entertainment
MPAA Rating: R for violence and language throughout, some sexual references, and brief drug use.
(Rating bulletin 2528 (Cert #51187), 5/23/2018)
Running Time: 97 minutes
Comparisons: vs. Left Behind
Create your own comparison chart…
Keywords: Near Future, Gangs, Doctors, Medical and Hospitals, Set in Los Angeles, 2020s, Siege, Bank Robbery, Unnamed Character, Action Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Ink Factory, Global Road Entertainment, 127 Wall, Marc Platt Productions
Production Countries: United Kingdom
Languages: English

Lead Ensemble Members

Jodie Foster    The Nurse
Sterling K. Brown    Waikiki
Sofia Boutella    Nice
Jeff Goldblum    Niagara
Brian Tyree Henry    Honolulu
Jenny Slate    Morgan
Zachary Quinto    Crosby Franklin
Charlie Day    Acapulco
Dave Bautista    Everest

Supporting Cast

Kenneth Choi    Buke
Josh Tillman    P-22
Evan Jones    Trojan Nash
Nathan Davis    Rocco
Ramses Jimenez    Tariq
Angela Sprinkle    Union Califia Hologram
Lloyd Sherr    KT-Eye News Anchor
Baldeep Singh    Union Califia Bank Manager
Brandon Morales    Malibu Mob Diamond Courier
Tanner Gill    Proshield Riot Wall OP
Bruce Concepcion    Proshield Team Leader
Travis Parker    Proshield Cop #1
Antal Kalik    Proshield Cop #2
Lauren Sivan    Gatepost Network News Reporter
Sarah Shankman    Detroit Waste Disposal Operator
Mark Kubr    Mike The Wolfking’s Enforcer
Kate Higgins    Choppr Liason
Elizabeth Laime    Anxiety Tape Guru
Mason Shea Joyce    Young Beau
James Rackstraw    Dead Beau
Matthew Morgan    Dennis The Wolfking’s Chauffeur

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Drew Pearce    Director
Drew Pearce    Screenwriter
Marc Platt    Producer
Adam Siegel    Producer
Stephen Cornwell    Producer
Simon Cornwell    Producer
Drew Pearce    Executive Producer
Jeffrey Stott    Executive Producer
Joe Tsai    Executive Producer
Arthur Wang    Executive Producer
Yogita Puri    Co-Executive Producer
Ian Spence    Co-Executive Producer
Chung-Hoon Chung    Cinematographer
Ramsey Avery    Production Designer
Paul Zucker    Editor
Gardner Gould    Editor
Lisa Nora Lovaas    Costume Designer
Cliff Martinez    Composer
Brian McNelis    Music Supervisor
Eric Craig    Music Supervisor
Wylie Stateman    Sound Designer
Harry Cohen    Sound Designer
Tiffany Little Canfield    Casting Director
Jeffrey Stott    Unit Production Manager
Alex Gayner    First Assistant Director
Christophe Le Chanu    Second Assistant Director
Wade Allen    Stunt Coordinator
Alice S. Kim    Production Supervisor
Bill Wohlken    Post-Production Supervisor
Ian Fisher    Associate Producer
Jon Carlos    Art Director
Samantha Avila    Art Director
Dan Jennings    Set Designer
Rosemary Brandenberg    Set Decorator
Renetta G. Amador    Script Supervisor
Michael Costello    First Assistant Editor
Lillian Dawson Bain    First Assistant Editor
Jaclyn Tamizato    Costume Supervisor
Aurora Bergere    Make up
Molly Tissavary    Make up
Darlene Brumfield    Hairstylist
Shawn Holden    Sound Mixer
Zach Goheen    Supervising Sound Editor
Hector Gika    Sound Editor
Eric Hoehn    Re-recording Mixer
James Lorimer    Special Effects Coordinator
Michael Burmeister    Location Manager
Sean Cushing    Visual Effects Executive Producer
Donna Cullen    Visual Effects Producer
Mary Parker    Music Editor
Mark Jan Wlodarkiewicz    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for October 9th, 2018

October 9th, 2018

Eighth Grade

It’s not a bad week on the home market. The two biggest releases, Hotel Transylvania 3: Summer Vacation and Skyscraper, are both worth checking out, but not close to being Pick of the Week contenders. As for the best of the best, Eighth Grade is really the only choice, while Thelma Todd & Zasu Pitts: The Hal Roach Collection was the runner up. Killing Eve: Season One and Recovery of an MMO Junkie: The Complete Series could have been contenders, if they had significant extras. More...

Home Market Releases for August 21st, 2018

August 20th, 2018

Ash vs. Evil Dead: Season Three

It’s a good week on the home market as we not only have a monster hit that is worth being a Pick of the Week contender, Deadpool 2, we have a wide selection of other contenders. This includes a limited release, First Reformed; an Anime title,Sakura Quest: Part Two; as well as a TV on DVD release, Ash vs. Evil Dead: Season Three. In the end, I went with Ash vs. Evil Dead: Season Three, but it was a close race. More...

Weekend Wrap-Up: Incredible Doesn’t Even Begin to Describe It

June 18th, 2018

Incredibles 2

Incredibles 2 became the first potential monster hit since Infinity War to beat tracking numbers, opening with a mind-numbing $182.69 million. It is hard to describe how amazing this opening is. It has rewritten the record book when it comes to animated films and it gives Disney the top three openings of 2018 and four of the top five. This is twice as much as the rest of the box office earned over the entire weekend. There were other new releases this week, with Tag doing fine. Its $14.95 million opening is nothing special, but it should break even sometime on the home market. SuperFly, on the other hand, was a disappointment. The overall box office grew by 126% from last weekend, with Incredibles 2 earning about 50% more than the entire box office pulled in last weekend. The film was just shy of the same weekend last year, while the overall box office rose by 43%. Year-to-date, 2018 continues to have a lead over 2017, and it has grown to a commanding lead of 6.6% or $340 million at $5.44 billion to $5.10 billion. Granted, we are barely halfway through the year, but 2018 is in a great position to break the all-time yearly box office record. More...

Weekend Wrap-Up: Ocean’s 8 has Franchise Best Opening with $41.61 million

June 12th, 2018

Ocean’s 8

The weekend was very kind to Ocean’s 8, as it opened with $41.61 million. This is not only the top result this weekend, it is the best opening weekend in the franchise. Hereditary also opened on the high end of expectations, leaving just Hotel Artemis as the only disappointment of the weekend. Overall, the box office rose 13% from last weekend to $120 million. More importantly, this was 17% lower than the same weekend last year. That said, it could have been worse and 2018 still has a 5.1% / $250 million lead over 2017 at $5.11 billion to $4.86 billion. More...

Weekend Estimates: Ocean’s 8 Tops Chart, Franchise

June 10th, 2018

Ocean’s 8

Ocean’s 8 matched expectations with $41.5 million over the weekend. If it can maintain this figure, then it will open in the $10,000 club, while even if its final numbers slips a little, it still would be on pace for $100 million domestically. Its reviews have settled to 67% positive, and it managed an acceptable B plus from CinemaScore, so its legs should be average. Fortunately, with a start like this, it only needs average legs to break even early in its home market run. More...

Friday Estimates: Ocean’s 8 Opens With $15 million, Fallen Kingdom Will Steal its Thunder

June 9th, 2018

Ocean’s 8

Two of the three new releases opened well on Friday. Ocean’s 8 open with $15.8 million, putting it on pace for an opening weekend of $42 million. This is the best opening in the franchise. It is also the cheapest installment in the franchise with a $70 million production budget, so it won’t need amazing legs to break even during its initial push into the home market. Its reviews are 69% positive, while it earned a B plus from CinemaScore. Neither of those results are particularly good, but they are no reason to panic either. Unfortunately, it won’t have the same legs as its predecessors, as the market has changed in the past decade. Furthermore, films with predominately female casts don’t do as well internationally, so the film will rely a little more on its domestic numbers to break even. That said, Warner Bros. should be happy with this result. More...

Thursday Night Previews: Ocean’s Splits $4 million Opening

June 8th, 2018

Ocean’s 8

Ocean’s 8 opened with $4 million during its previews. By comparison, the most recent gender-bent remake, Ghostbusters, earned $3.4 million during its previews on its way to a $46.02 million opening weekend. The two films also have very similar reviews, so they could have similar legs. However, we have seen a number of films over-perform during previews only to come back down to earth over the weekend, so I’m not willing to change our $40 million prediction, at least not yet. More...

Weekend Predictions: Ocean’s 8 Looks to Steal Top Spot

June 7th, 2018

Ocean’s 8

Ocean’s 8 leads a trio of new releases this week and it might be the only one to reach the top five. It is certainly the only one competing for first place. Hereditary is earning amazing reviews, but it is an art house horror movie and those tend to struggle at the box office. Finally there’s Hotel Artemis, which is earning the quietest buzz of the three releases. Solo: A Star Wars Story and Deadpool 2 should remain strong helping the overall box office. However, while this year’s new releases are better than last year’s new releases, with Wonder Woman’s sophomore stint, 2018 is going to suffer another loss. Next week will be better. More...

2018 Preview: June

June 1st, 2018

Incredibles 2

This May was an odd month, as Avengers: Infinity War opened on the last weekend of April, rather than the first weekend of May. This meant May started out slowly, but Deadpool 2 and Solo: A Star Wars Story did well enough to give 2018 a healthy lead over 2017. Looking forward, there are two potential monster hits this month, Incredibles 2 and Jurassic World: Fallen Kingdom, and another $100 million hit, Ocean’s 8. Last June, there were four $100 million hits, led by Wonder Woman, which pulled in over $400 million. I think 2018 and 2017 will be an even match at the top, so 2018 will have to rely on depth to improve upon its lead over 2017. More...

Hotel Artemis Trailer

May 30th, 2018

Thriller starring Jodie Foster opens June 8 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 8, 2018 8 $3,232,790   2,407 $1,343   $3,232,790 1
Jun 15, 2018 14 $1,008,109 -69% 2,299 $438   $5,821,628 2
Jun 22, 2018 31 $71,554 -93% 163 $439   $6,557,528 3
Jun 29, 2018 46 $15,477 -78% 35 $442   $6,635,260 4
Jul 6, 2018 49 $10,699 -31% 18 $594   $6,656,011 5
Jul 13, 2018 41 $25,786 +141% 60 $430   $6,690,345 6

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jun 7, 2018 P $271,000     1,800 $151   $271,000  
Jun 8, 2018 8 $1,109,293     2,407 $461   $1,109,293 1
Jun 9, 2018 8 $1,166,757 +5%   2,407 $485   $2,276,050 2
Jun 10, 2018 8 $956,740 -18%   2,407 $397   $3,232,790 3
Jun 11, 2018 8 $414,350 -57%   2,407 $172   $3,647,140 4
Jun 12, 2018 8 $548,942 +32%   2,407 $228   $4,196,082 5
Jun 13, 2018 9 $373,280 -32%   2,407 $155   $4,569,362 6
Jun 14, 2018 9 $244,157 -35%   2,407 $101   $4,813,519 7
Jun 15, 2018 15 $281,177 +15% -75% 2,299 $122   $5,094,696 8
Jun 16, 2018 14 $376,777 +34% -68% 2,299 $164   $5,471,473 9
Jun 17, 2018 13 $350,155 -7% -63% 2,299 $152   $5,821,628 10
Jun 18, 2018 12 $175,019 -50% -58% 2,299 $76   $5,996,647 11
Jun 19, 2018 12 $214,739 +23% -61% 2,299 $93   $6,211,386 12
Jun 20, 2018 12 $168,060 -22% -55% 2,299 $73   $6,379,446 13
Jun 21, 2018 14 $106,528 -37% -56% 2,299 $46   $6,485,974 14
Jun 22, 2018 - $18,974 -82% -93% 163 $116   $6,504,948 15
Jun 23, 2018 - $29,765 +57% -92% 163 $183   $6,534,713 16
Jun 24, 2018 - $22,815 -23% -93% 163 $140   $6,557,528 17
Jun 25, 2018 - $14,377 -37% -92% 163 $88   $6,571,905 18
Jun 26, 2018 - $18,533 +29% -91% 163 $114   $6,590,438 19
Jun 27, 2018 - $16,847 -9% -90% 163 $103   $6,607,285 20
Jun 28, 2018 - $12,498 -26% -88% 163 $77   $6,619,783 21
Jun 29, 2018 - $3,292 -74% -83% 35 $94   $6,623,075 22
Jun 30, 2018 - $6,665 +102% -78% 35 $190   $6,629,740 23
Jul 1, 2018 - $5,520 -17% -76% 35 $158   $6,635,260 24
Jul 2, 2018 - $3,237 -41% -77% 35 $92   $6,638,497 25
Jul 3, 2018 - $3,104 -4% -83% 35 $89   $6,641,601 26
Jul 4, 2018 - $2,253 -27% -87% 35 $64   $6,643,854 27
Jul 5, 2018 - $1,458 -35% -88% 35 $42   $6,645,312 28
Jul 6, 2018 - $3,056 +110% -7% 18 $170   $6,648,368 29
Jul 7, 2018 - $4,246 +39% -36% 18 $236   $6,652,614 30
Jul 8, 2018 - $3,397 -20% -38% 18 $189   $6,656,011 31
Jul 9, 2018 - $2,788 -18% -14% 18 $155   $6,658,799 32
Jul 10, 2018 - $2,177 -22% -30% 18 $121   $6,660,976 33
Jul 11, 2018 - $1,671 -23% -26% 18 $93   $6,662,647 34
Jul 12, 2018 - $1,912 +14% +31% 18 $106   $6,664,559 35
Jul 13, 2018 - $6,758 +253% +121% 60 $113   $6,671,317 36
Jul 14, 2018 - $9,870 +46% +132% 60 $165   $6,681,187 37
Jul 15, 2018 - $9,158 -7% +170% 60 $153   $6,690,345 38
Jul 16, 2018 - $4,253 -54% +53% 60 $71   $6,694,598 39
Jul 17, 2018 - $4,604 +8% +111% 60 $77   $6,699,202 40
Jul 18, 2018 - $4,627 n/c +177% 60 $77   $6,703,829 41
Jul 19, 2018 - $4,308 -7% +125% 60 $72   $6,708,137 42

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 8, 2018 8 $4,813,519   2,407 $2,000   $4,813,519 1
Jun 15, 2018 13 $1,672,455 -65% 2,299 $727   $6,485,974 2
Jun 22, 2018 29 $133,809 -92% 163 $821   $6,619,783 3
Jun 29, 2018 50 $25,529 -81% 35 $729   $6,645,312 4
Jul 6, 2018 48 $19,247 -25% 18 $1,069   $6,664,559 5
Jul 13, 2018 40 $43,578 +126% 60 $726   $6,708,137 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/13/2018 $23,222 40 40 40 $29,401 1/1/2019
Austria 7/27/2018 $0 0 11 13 $48,356 9/14/2018
Bahrain 6/14/2018 $22,491 6 6 9 $92,840 1/1/2019
Belgium 7/25/2018 $0 0 11 13 $98,862 9/14/2018
Bolivia 11/29/2018 $0 0 6 6 $12,019 12/14/2018
Brazil 9/13/2018 $62,736 54 54 54 $107,530 10/20/2018
Chile 9/20/2018 $0 0 0 0 $15,170 1/1/2019
Colombia 9/13/2018 $19,860 22 22 22 $19,860 1/1/2019
Costa Rica 10/4/2018 $0 0 1 1 $10,186 1/1/2019
Cyprus 6/28/2018 $5,850 0 0 0 $5,850 7/6/2018
Czech Republic 7/27/2018 $16,114 73 73 98 $31,260 1/1/2019
Denmark 7/26/2018 $0 0 0 0 $40,544 9/14/2018
Dominican Republic 9/27/2018 $0 0 2 2 $2,349 1/1/2019
Ecuador 8/31/2018 $43,218 28 28 55 $109,291 1/1/2019
Egypt 6/13/2018 $13,956 0 0 0 $13,956 1/1/2019
Estonia 6/8/2018 $3,458 8 8 15 $8,074 6/28/2018
Finland 7/27/2018 $0 0 5 5 $35,025 9/14/2018
France 7/27/2018 $314,593 0 57 80 $629,607 9/14/2018
Germany 7/27/2018 $114,354 0 21 21 $207,433 8/31/2018
Greece 6/14/2018 $14,196 33 33 50 $27,134 7/6/2018
Hong Kong 6/21/2018 $207,477 38 38 72 $414,493 7/6/2018
India 7/13/2018 $4,097 0 0 0 $10,280 9/20/2018
Indonesia 6/15/2018 $143,902 0 0 0 $143,902 12/6/2018
Iraq 6/14/2018 $3,021 7 7 14 $4,374 1/1/2019
Israel 6/7/2018 $36,272 20 20 61 $83,293 1/1/2019
Italy 8/1/2019 $270,289 0 4 4 $557,828 10/19/2022
Jordan 6/14/2018 $8,720 5 5 6 $18,050 1/1/2019
Kuwait 6/14/2018 $19,198 2 2 3 $63,550 1/1/2019
Latvia 6/15/2018 $1,451 4 4 7 $4,159 1/1/2019
Lebanon 6/14/2018 $9,950 0 8 8 $9,874 1/1/2019
Lithuania 6/15/2018 $3,951 75 75 79 $8,212 6/26/2018
Malaysia 7/26/2018 $0 0 0 0 $31,426 9/20/2018
Mexico 9/28/2018 $150,591 0 3 3 $293,543 10/20/2018
Mongolia 6/22/2018 $7,055 0 0 0 $7,055 1/1/2019
Netherlands 6/29/2018 $67,368 74 295 459 $279,320 8/25/2018
Norway 7/27/2018 $0 0 1 1 $48,126 9/14/2018
Oman 6/14/2018 $4,328 3 3 4 $9,990 1/1/2019
Paraguay 9/27/2018 $0 0 0 0 $4,303 1/1/2019
Peru 10/4/2018 $0 0 1 1 $56,947 1/1/2019
Philippines 6/20/2018 $84,073 147 147 147 $151,331 1/1/2019
Portugal 7/6/2018 $23,615 36 38 77 $76,657 9/14/2018
Qatar 6/14/2018 $4,022 8 8 9 $20,327 1/1/2019
Russia (CIS) 8/23/2018 $243,483 794 800 1,595 $505,709 1/8/2019
Singapore 6/28/2018 $75,918 29 29 29 $75,918 7/6/2018
Slovakia 7/27/2018 $6,291 45 45 45 $6,291 9/7/2018
South Africa 8/3/2018 $0 0 10 10 $60,101 9/14/2018
South Korea 7/12/2018 $0 0 448 479 $580,893 9/7/2018
Sweden 7/20/2018 $0 0 0 0 $32,934 9/14/2018
Switzerland (French Speaking) 7/25/2018 $0 0 0 0 $40,126 9/14/2018
Switzerland (German Speaking) 8/23/2018 $41,598 34 34 60 $69,405 9/20/2018
Thailand 6/14/2018 $54,230 90 90 113 $91,944 7/6/2018
Turkey 7/13/2018 $0000$0
Ukraine 8/23/2018 $33,566 0 0 0 $92,329 1/1/2019
United Arab Emirates 6/14/2018 $41,893 29 29 36 $90,038 1/1/2019
United Kingdom 7/20/2018 $468,539 312 312 662 $949,067 9/14/2018
Venezuela 9/14/2018 $129 23 23 23 $464 10/22/2018
Vietnam 6/15/2018 $127,025 0 0 0 $171,484 1/1/2019
 
International Total$6,608,490 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Oct 14, 20181913,202 13,202$226,942$226,9428

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Oct 14, 20181313,069 13,069$274,318$274,3188

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.