Career Summary
| | Movies | Domestic Box Office | International Box Office | Worldwide Box Office |
As an Actor | Supporting | 21 | $776,597,756 | $957,556,242 | $1,734,153,998 |
| Leading | 3 | $0 | $459,688 | $459,688 |
| Lead Ensemble Member | 2 | $42,371,907 | $60,219,178 | $102,591,085 |
| (Unclassified) | 5 | $38,836,117 | $22,820,630 | $61,656,747 |
Career Trend
This graph shows Amy Ryan’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
Top 100 Stars in Leading Roles at the Domestic Box Office (Rank 2,501-2,600) |
2,540 |
$42,371,907 |
Top Stars at the Domestic Box Office (Rank 1,401-1,500) |
1,453 |
$857,805,780 |
Top 100 Stars in Leading Roles at the International Box Office (Rank 2,101-2,200) |
2,172 |
$60,678,866 |
Top Stars at the International Box Office (Rank 1,601-1,700) |
1,640 |
$1,041,055,738 |
Top 100 Stars in Leading Roles at the Worldwide Box Office (Rank 2,301-2,400) |
2,342 |
$103,050,773 |
Top Stars at the Worldwide Box Office (Rank 1,501-1,600) |
1,546 |
$1,898,861,518 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
March 13th, 2020
The COVID-19 outbreak hangs heavily over the film business this weekend, and raises a lot of questions about how much business we will see at the box office. It is going to affect family films most of all, because families are more likely to stay home than adults when it comes to diseases like this. However, the second group to be affected could be art house films, because these tend to only play in large cities, and large cities have been hit harder by the outbreak so far. The advise is to stay three feet away from anyone else, which is impossible if you are using the New York City subway system, for example. I don’t think any of the films on this week’s list are going to thrive, at least not in theaters. That’s too bad, because there are several that deserve audiences, including Big Time Adolescence, Never, Rarely, Sometimes, Always, and others.
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October 1st, 2015
September ended on a record note with the debut of Hotel Transylvania 2. Additionally, there was great depth and 2015's lead over 2014 grew to nearly $500 million. How do things look going forward? The month starts out with The Martian, which should have no trouble becoming the biggest hit of the month and might even top $200 million. On the other hand, no other film is expected to get to $100 million. There's only one or two that will even come close. Fortunately, last October was very similar with one $100 million hit, Gone Girl, while two other films came close, Annabelle and Fury. It looks like it will be up to the depth films from both years to determine which year comes out on top.
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February 1st, 2014
Escape Plan features two of the biggest action stars of the 1980s, Sylvester Stallone and Arnold Schwarzenegger. It earned mixed reviews and failed to find an audience here. (It did perform well enough internationally that it could break even early on the home market.) Is the film better than its box office performance? Or did it fail to find an audience for a reason?
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