Sweden Box Office for Triple 9 (2016)

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Triple 9 poster
Theatrical Performance (US$)
Sweden Box Office $161,528Details
Worldwide Box Office $25,943,792Details
Home Market Performance
North America DVD Sales $2,141,044 Details
North America Blu-ray Sales $2,010,361 Details
Total North America Video Sales $4,151,405
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A crew of dirty cops is blackmailed by the Russian mob to execute a virtually impossible heist. The only way to pull it off is to manufacture a 999, police code for “officer down”. Their plan is turned upside down when the unsuspecting rookie they set up to die foils the attack, triggering a breakneck, action-packed finale filled with double-crosses, greed and revenge.

Metrics

Movie Details

Production Budget:$20,000,000
Sweden Releases: March 18th, 2016 (Wide)
Video Release: May 31st, 2016 by Universal Home Entertainment
MPAA Rating: R for strong violence and language throughout, drug use and some nudity.
(Rating bulletin 2409 (Cert #49882), 1/27/2016)
Running Time: 115 minutes
Keywords: Russian Mafia, Corrupt Cops, Heist, Blackmail, Action Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Anonymous Content, Sierra Films, Worldview Entertainment, Open Road Films, MadRiver Pictures, Surefire Entertianment Capital
Production Countries: United States
Languages: English

Home Market Releases for May 31st, 2016

May 29th, 2016

Veggies Tales

It's a big week for first-run releases with four such films coming out. However, none of them are top-notch releases. Race is the best, but even then it is only worth a rental. Sadly, none of the limited releases, TV on DVD releases, catalog releases, etc. are really big releases either. Hello, My Name is Doris is a great movie, but it is only coming out on Video on Demand this week. I'm going with Veggie Tales: And Now It's Time for Silly Songs with Larry: The Complete Collection on DVD as the Pick of the Week. It really is a slow week for new releases. More...

Weekend Wrap-Up: Zootopia Wins Weekend With Record-breaking Result of $75.06 million

March 8th, 2016

Zootopia

As expected Zootopia dominated the weekend box office earning $75.06 million. This is half of what The Hunger Games opened with, but it was still the fifth Biggest March Opening. It also broke a couple of smaller records, but more on that down below. Second place went to London Has Fallen, but it was way, way back with just $21.64 million. This is terrible for a film that cost more than $100 million to make. Overall, the box office was $159 million. This is 41% more than last weekend and 77% more than the same weekend last year. 2016's lead over 2015 rose to just a hair under 10% at $1.97 billion to $1.79 billion. Granted, by this time in 2015, none of the year's $1 billion hits had been released, so things can change rapidly, but this is still a great start so far. More...

Thursday Night Previews: Zootopia Hopps to the Top - Update

March 4th, 2016

Zootopia

Judy Hopps and the rest of the cast of Zootopia got off to a great start earning $1.7 million during its Thursday previews. This doesn't sound like a lot compared to Deadpool, which earned more than $12 million just a few weeks ago. However, family films rarely do this well during previews. In fact, Kung Fu Panda 3 didn't even bother with previews. A good comparison is Home, which opened this month last year. That film earned $650,000 during its previews and its reviews were only mixed. As expected, Zootopia is no longer earning 100% positive reviews, but its Tomatometer Score is still a stunning 99% positive. This should help its word-of-mouth and a record-breaking run is still well within reach. More...

Weekend Wrap-Up: Deadpool Remains Immortal pulling in $31.12 million

February 29th, 2016

Deadpool

As anticipated, Deadpool easily won the weekend with $31.12 million. This was more than double its nearest competitor, Gods of Egypt, which earned $14.12 million. Unfortunately, those were the only two films that earned more than $10 million over the weekend. The overall box office was $112 million, which was 21% lower than last weekend. This was still 5.1% more than the same weekend last year, while 2016's year-to-date advantage crept up ever so slightly to 3.9% at $1.78 billion to $1.71 billion. Hopefully March can continue this pace. More...

Weekend Estimates: Deadpool Enjoys Third Weekend Win

February 28th, 2016

Deadpool

This is shaping up to be a triumphant weekend for 20th Century Fox. The studio will take three out of the top five spots at the box office this weekend, with Deadpool claiming a third straight win with $31.5 million, taking it to a huge (for the time of year) $285.6 million by close of business on Sunday. The studio’s Kung Fu Panda 3 will be down just 28% to $9 million in third place, for $128.5 million to date, and their new release Eddie the Eagle will land in fifth with a slightly disappointing, but not horrible, $6.3 million. Oh, and The Revenant is still in the top ten in its tenth weekend in release, and is the hot favorite to win Best Picture at the Oscars this evening (more on that in a moment).

All of which is a roundabout way of saying that Gods of Egypt had a horrible opening weekend… More...

Friday Estimates: Deadpool Delivers a Mortal Blow to Gods of Egypt

February 27th, 2016

Deadpool

Deadpool will again earn first place at the box office, and with more than anticipated. It earned $8.95 million on Friday, which is 45% lower than last Friday's box office. If it maintains this run, then it will earn $31 million over the weekend for a total of $285 million. By this time next weekend, it will be over $300 million domestically. I don't think the studio was expecting $300 million worldwide when it gave the film the greenlight. More...

Thursday Night Previews: Gods off to a Mortal Start

February 26th, 2016

Gods of Egypt

Gods of Egypt had the best showing among new releases from its Thursday previews; however, best is being used as a relative term, as it only managed $800,000. By comparison, 13 Hours pulled in $900,000 earlier this year. If the film’s reviews hurt its word of mouth, and I can’t imagine they won’t, then we are looking at a domestic total of about $40 million on a $140 million production budget. In fact, it will likely make less during its opening weekend than the $15.3 million reportedly spend on TV ads leading up to its release. More...

Weekend Predictions: Gods of Egypt Eye Top Spot

February 26th, 2016

Gods of Egypt

There are three wide releases looking to overtake Deadpool at the box office. I seriously doubt any of them will be able to do so. In fact, all three combined might not top Deadpool over the weekend. Gods of Egypt is by far the biggest costing $140 million, but it likely won't earn 10% of that over the weekend. Triple 9 is a rather generic action film that bombed in its debut in the U.K., which doesn't bode well for its run here. Finally, Eddie the Eagle is a feel-good inspirational sports movie based on a real life story. Unfortunately, the sport in question is ski-jumping, which isn't popular enough to expect the movie will find an audience in theaters. This weekend last year, Focus was the top film, but Deadpool will likely beat it by $10 million over the weekend. It should be a relatively good week for 2016. More...

2016 Preview: February

February 1st, 2016

Deadpool

As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/03/18 8 $58,651   54 $1,086   $58,651 1
2016/04/01 4 $14,065   26 $541   $153,571 3
2016/04/08 15 $3,118 -78% 5 $624   $160,587 4
2016/04/15 6 $910 -71% 1 $910   $161,528 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/4/2016 $336,390 145 145 341 $712,923 6/9/2016
Belgium 4/13/2016 $62,667 20 20 20 $62,667 6/9/2016
Bulgaria 3/11/2016 $15,077 39 39 116 $52,484 2/26/2019
China 7/27/2016 $244,704 0 0 0 $944,264 8/27/2018
France 3/16/2016 $719,344 0 240 371 $1,669,404 6/9/2016
Iraq 3/10/2016 $8,825 4 4 7 $15,278 12/31/2018
Italy 4/21/2016 $605,451 0 0 0 $1,296,473 6/9/2016
Kuwait 3/10/2016 $112,514 6 9 20 $287,785 12/31/2018
Lebanon 3/10/2016 $29,256 11 11 20 $48,661 12/31/2018
Lithuania 3/11/2016 $7,931 10 10 10 $13,950 6/9/2016
Netherlands 4/7/2016 $144,864 51 51 185 $470,594 6/9/2016
North America 2/26/2016 $6,109,085 2,205 2,205 5,551 $12,639,297 7/28/2017
Oman 3/10/2016 $42,631 10 10 23 $101,178 12/31/2018
Philippines 2/24/2016 $14,329 45 45 45 $14,275 12/31/2018
Poland 3/18/2016 $93,219 106 106 157 $219,088 12/31/2018
Portugal 2/25/2016 $35,685 21 21 48 $71,416 6/9/2016
Romania 3/9/2016 $69,335 54 54 162 $158,948 12/31/2018
Russia (CIS) 3/4/2016 $272,348 604 604 1166 $523,156 12/31/2018
Singapore 3/17/2016 $44,867 8 8 17 $83,197 6/9/2016
South Africa 3/11/2016 $24,256 49 49 49 $24,256 6/9/2016
South Korea 4/20/2016 $5,983 0 324 324 $269,362 9/10/2018
Spain 5/6/2016 $233,376 285 285 609 $599,286 6/9/2016
Sweden 3/18/2016 $58,651 54 54 86 $161,528 6/9/2016
Switzerland 4/7/2016 $98,464 28 28 28 $98,464 6/9/2016
Taiwan 4/1/2016 $33,342 14 15 32 $78,279 6/9/2016
Thailand 3/17/2016 $25,515 29 29 32 $38,103 6/9/2016
Turkey 3/18/2016 $33,315 61 61 94 $77,678 2/26/2019
United Arab Emirates 3/10/2016 $228,828 42 42 66 $488,553 12/31/2018
United Kingdom 2/19/2016 $1,165,546 448 448 1144 $2,488,219 6/9/2016
 
Rest of World $2,235,026
 
Worldwide Total$25,943,792 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Casey Affleck    Chris Allen
Chiwetel Ejiofor    Michael Belmont
Anthony Mackie    Marcus Atwood
Aaron Paul    Gabe Welch
Norman Reedus    Russel Welch
Woody Harrelson    Sgt. Detective Jeffrey Allen
Kate Winslet    Irina Vlaslov

Supporting Cast

Clifton Collins, Jr.    Franco Rodriguez
Teresa Palmer    Michelle Allen
Michael Kenneth Williams    Sweet Pea
Gal Gadot    Elena
Michelle Ang    Trina Ling
Terence Rosemore    Joshua Parks
Luis Dasilva, Jr.    Luis Pinto
Ian Casselberry    Gomez
E. Roger Mitchell    Smith
Michael Harding    Walter Sims
Karen Kaia Livers    Shanice
Jon Eyez    Ispuk Member
Hakim Callender    Banger
Mary Rachel Dudley    Police Pathologist
Natalie Pero    Beaten Woman in Trunk
Dean Napolitano    DHS Guard
Christine Horn    Female Security Guard
Jaime Sukonnik    Beaten Woman in Trunk

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

John Hillcoat    Director
Matt Cook    Screenwriter
Keith Redmon    Producer
Bard Dorros    Producer
Marc Butan    Producer
Anthony Katagas    Producer
Christopher Woodrow    Producer
John Hillcoat    Producer
Steve Golin    Executive Producer
Paul Green    Executive Producer
Tom Ortenberg    Executive Producer
Peter Lawson    Executive Producer
Molly Conners    Executive Producer
Maria Cestone    Executive Producer
Sarah E. Johnson    Executive Producer
Kimberly Fox    Executive Producer
Isabel Dos Santos    Executive Producer
Nicolas Karakatsanis    Director of Photography
Tim Grimes    Production Designer
Dylan Tichenor    Editor
Margot Wilson    Costume Designer
Atticus Ross    Composer
Claudia Sarne    Composer
Leopold Ross    Composer
Bobby Krlic    Composer
Lisa Fincannon    Casting Director
Craig Fincannon    Casting Director
Michael Flynn    Co-Producer
Jonathan Pavesi    Co-Producer
Meryl Emmerton    Co-Producer
Adriana Randall    Co-Producer
Matt Cook    Co-Producer
Jared D. Underwood    Co-Executive Producer
Andrew C. Robinson    Co-Executive Producer
Tracy McKnight    Music Supervisor
Jacqueline Jacobson*    Set Decorator
Jay Meagher    Sound Mixer
Leslie Shatz    Sound Designer
Leslie Shatz    Re-recording Mixer
Michael Patterson    Re-recording Mixer
Nicholas Renbeck    Re-recording Mixer
Caius Man    Special Effects Coordinator
Eran Dinur    Visual Effects Supervisor
Richard Friedlander    Visual Effects Producer
Glenn Allen    Visual Effects Producer
Mickey Giacomazzi    Stunt Coordinator
Doug Torres    Assistant Director
Dan Bradley    Second Unit Director
David Emmerichs    Second Unit Camera

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.