South Korea Box Office for Spies in Disguise (2019)

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Spies in Disguise
Theatrical Performance (US$)
South Korea Box Office $3,018,924Details
Worldwide Box Office $165,124,093Details
Home Market Performance
North America DVD Sales $3,520,765 Details
North America Blu-ray Sales $5,127,638 Details
Total North America Video Sales $8,648,403
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Super spy Lance Sterling and scientist Walter Beckett are almost exact opposites. Lance is smooth, suave and debonair. Walter is… not. Walter is a great mind but perhaps not a great socializer. What he lacks in social skills though, he makes up for in smarts and invention: Walter is the scientific genius who invents the gadgets Lance uses on his missions. But when events take an unexpected turn, Walter and Lance suddenly have to rely on each other in a whole new way. And if this odd couple can’t learn to work as a team, the whole world is in peril.

Metrics

Movie Details

Production Budget:$100,000,000
South Korea Releases: January 22nd, 2020 (Wide)
Video Release: March 10th, 2020 by Fox Home Entertainment
MPAA Rating: PG for action, violence, and rude humor.
(Rating bulletin 2601 (Cert #52396), 10/23/2019)
Running Time: 104 minutes
Keywords: Secret Agent, Shootout, Talking Animals, Human Animal Transformation, 3-D, 3-D - Shot in 3-D, Animal Lead, Scientific Experiment Gone Awry, Family Adventure
Source:Based on Short Film
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: 20th Century Fox Animation, Chernin Entertainment, Blue Sky Studios, 20th Century Fox
Production Countries: United States
Languages: English

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July 16th, 2020

Trolls World Tour

The pandemic continues to impact the DEG Watched at Home chart, which is little changed from last week. Trolls World Tour remains in first place on the chart and Universal is the top studio, this time with six entries in the top 20, up from five last week. More...

DEG Watched At Home Chart: Sonic Sneaks into First Place

May 28th, 2020

Sonic the Hedgehog

Sonic the Hedgehog was released on DVD / Blu-ray / 4K last week and that helped it climb into first place on the DEG Watched at Home chart. The film was already in fifth place last week on the strength of its digital releases, so it has had a very profitable run on the home market already. More...

Home Market Releases for March 10th, 2020

March 11th, 2020

Love Chunibyo and Other Delusions

It’s another terrible week on the home market. There are a couple of Oscar-bait releases to talk about, but neither are Pick of the Week contenders, at least in my opinion. There are no movies that are anything more than midlevel hits. The best new release of the week, at least in my opinion, is Love, Chunibyo & Other Delusions: Ultimate Collector’s Edition Blu-ray. More...

International Box Office: Star Wars Keeps Competition Away from Top Spot

January 15th, 2020

Star Wars: The Rise of Skywalker

As previously reported, Star Wars: The Rise of Skywalker entered the billion dollar club on Tuesday. Over the weekend, it earned $24.2 million in 55 markets for totals, as of the end of the weekend, of $511.4 million internationally and $989.6 million worldwide. It struggled in South Korea, earning second place with $2.16 million on 948 screens over the three-day weekend for a total opening of $3.09 million. I’ll talk about the film that beat it below. Rise of Skywalker did relatively better in the Philippines with an opening of $1.0 million over the weekend, and $3.0 million including previews. More...

Weekend Wrap-Up: Star Wars Earns Trilogy of Wins with $34.5 Million

January 7th, 2020

Star Wars: The Rise of Skywalker

2020 got off to a great start with The Grudge opening better than expected, while most of the holdovers also held strong. Granted, it is still a post-holiday weekend and the total box office did fall 28% from last weekend earning $142 million. However, this is 2.4% higher than the first weekend of last year and that’s a much more important figure. It’s way too early for the year-to-date comparisons to matter, but 2020 did get off to a faster start than 2019 did and has a 7.7% / $17 million lead at $231 million to $215 million. Again, it is way too early to make any predictions, but any victory now will make it easier for 2020 to keep pace with last year during the inevitable slow times. More...

Weekend Predictions: Can the Grudge Hold Audience’s Attention?

January 2nd, 2020

The Grudge

It is the first weekend of the new year and the only wide release to talk about is a low-budget horror movie, The Grudge, with nearly no buzz and almost no reviews. Unfortunately, it has almost no chance of matching last year’s low-budget horror film, Escape Room. Fortunately, this year’s holdovers, led by Star Wars: The Rise of Skywalker, will outpace last year’s holdovers giving 2020 its first win during the first weekend of the year. More...

Weekend Wrap-Up: Box Office Rises Over Last Year Helping 2019 End on a Positive Note

December 31st, 2019

Star Wars: The Rise of Skywalker

The last weekend of the year had some good news and some bad news. Unfortunately, Star Wars: The Rise of Skywalker was part of the later, as it fell 59% to $72.39 million over the weekend. However, this was still a dominate performance at the box office, earning more than the next three films combined. It helped the overall weekend remained strong at $197 million. Granted, this is 20% lower than last weekend, but more importantly, it is 5.0% higher than the same weekend last year. Furthermore, 2019 cut the deficit with 2018 by about $100 million since The Rise of Skywalker came out and now it is fighting with 2016 to be the second biggest year at the box office of all time. It is true that the year is still behind 2018 by a massive 4.5% / $520 million at $11.04 billion to $11.56 billion, but not being able to maintain a record pace for two years in a row is hardly a serious concern. Even if you look at ticket sales and take into account inflation, then 2019 was a reasonably good year, as it isn’t too far behind 2017 and hardly the worst we’ve seen in the past decade. There are reasons to be optimistic going into 2020. More...

Weekend Estimate: Skywalker Heads Earthwards

December 29th, 2019

Star Wars: The Rise of Skywalker

The weekend isn’t looking good for Star Wars: The Rise of Skywalker, as it is falling a lot faster than I expected. If estimates hold, it will fall 59% to $72.0 million over the weekend for a running tally of $361.8 million after two weeks of release. However, this is still a massive amount of money. It is already the seventh-biggest hit released in 2019, and is on pace to earn third place on that chart, maybe even second. Internationally, the film added $94.3 million in 52 markets for a running tally of $363.0 million internationally and $724.8 million worldwide. That’s without any earnings from South Korea, where it will debut in a couple of weeks. It should have no trouble getting to $1 billion worldwide by the end of its run, but most were expecting a lot more than that. It is yet another profitable disappoint—and we saw too many of those in 2019. More...

Friday Estimates: Rise has a Sharp Fall, but Still Dominates Box Office

December 28th, 2019

Star Wars: The Rise of Skywalker

The last weekend of the year began on Friday and there’s some good news and some bad news. Bad news, Star Wars: The Rise of Skywalker fell faster than expected, down 71% from its opening Friday to just $26.23 million. Granted, this was still more than enough to blow past the $300 million mark in just eight days, putting it in a tie for fifth fastest to reach $300 million. The film will bounce back over the rest of the weekend and it is projected to earn $76 million over the three-day weekend for a running tally of $366 million. If it ended there, then the film could still break even, eventually. In reality, the film has two more weeks of no serious competition, so it will have no trouble getting past a couple of more major milestones before it is done it box office run. More...

Weekend Predictions: Will the Year End on a High Note, or will Rise have a Troubling Fall?

December 27th, 2019

Star Wars: The Rise of Skywalker

The weekend after Christmas tends to be even bigger at the box office than the weekend before Christmas, as people are no longer rushing around making sure they have their last minute gifts and food for Christmas dinner. That said, Star Wars: The Rise of Skywalker will likely still fall, as monster blockbusters rarely have extremely long legs. The other sophomore films opened so poorly that I can image theater owners will be pushing them to the smallest screens, perhaps with limited showings. As for the new releases, none of Little Women, Uncut Gems, or Spies in Disguise got off to a great start on Christmas Day, but none of them bombed either. This weekend last year, Aquaman led the way with over $52 million, while the top three earned almost exactly $100 million. This year, The Rise of Skywalker could earn $100 million all by itself. The year will end on a very positive note. More...

Christmas Releases: Little Women hopes to have a Large Opening Day

December 24th, 2019

Little Women

It’s a Tuesday Christmas Eve, and that makes for a challenging situation for box office prognosticators, with Wednesday releases adding to the difficulties. Because of that, I am going to combine the weekend predictions and the limited releases into one shorter column. I will talk about all new releases / expansions for this week without going into detail over their box office chances. Look for a more comprehensive prediction column Thursday as usual. The biggest of the Christmas Day releases should be Little Women; however, that film is making big push for awards, and will likely have very long legs as a result. Conversely, Spies in Disguise is a rare family film opening on Christmas, which makes it a real wild card. More...

2019 Preview: December

December 1st, 2019

Star Wars: The Rise of Skywalker

Frozen II wasn’t the only box office hit to debut in November, but it was by far the largest. It helped save November and kept 2019 from turning completely sour at the last minute. As for December, we have several potential $100 million hits, plus a couple of monster hits. There are some who think Star Wars: The Rise of Skywalker will be the biggest domestic hit released in 2019, but most think it will have to settle for second place. Jumanji: The Next Level should also be a monster hit, even if it doesn’t come really close to its predecessor. As for last December, Aquaman was the undisputed champion, earning almost as much as the next two films combined. Jumanji could top Aquaman at the box office, while we could also have more $100 million films than we had last year. Add in Star Wars and the year should end on a really positive note, making up for the extended slumps we had to deal with through a lot of the year. 2019 won’t be able to close the gap entirely, but it will do enough that we will be able to celebrate. More...

Spies in Disguise Trailer

July 5th, 2019

Animated adventure with the voices of Will Smith and Tom Holland opens December 25 ... Full Movie Details.

Super spy Lance Sterling and scientist Walter Beckett are almost exact opposites. Lance is smooth, suave and debonair. Walter is… not. Walter is a great mind but perhaps not a great socializer. What he lacks in social skills though, he makes up for in smarts and invention: Walter is the scientific genius who invents the gadgets Lance uses on his missions. But when events take an unexpected turn, Walter and Lance suddenly have to rely on each other in a whole new way. And if this odd couple can’t learn to work as a team, the whole world is in peril. More...

Spies in Disguise Trailer

November 2nd, 2018

Animated adventure starring Will Smith and Tom Holland opens September 13, 2019 ... Full Movie Details.

Super spy Lance Sterling and scientist Walter Beckett are almost exact opposites. Lance is smooth, suave and debonair. Walter is… not. Walter is a great mind but perhaps not a great socializer. What he lacks in social skills though, he makes up for in smarts and invention: Walter is the scientific genius who invents the gadgets Lance uses on his missions. But when events take an unexpected turn, Walter and Lance suddenly have to rely on each other in a whole new way. And if this odd couple can’t learn to work as a team, the whole world is in peril. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/01/24 4 $1,259,199   712 $1,769   $1,656,503 1
2020/01/31 3 $367,395 -71% 667 $551   $2,961,751 2
2020/02/07 8 $56,389 -85% 228 $247   $3,095,257 3
2020/02/14 - $2,032 -96% 7 $290   $3,102,248 4
2020/04/24 - $8,617   5 $1,723   $3,018,924 14

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/31/2020 $200,000 0 181 318 $1,061,192 3/26/2020
Australia 12/27/2019 $0 0 323 2217 $7,037,491 3/1/2021
Brazil 1/24/2020 $600,000 0 0 0 $1,524,708 3/26/2020
Bulgaria 12/27/2019 $83,846 0 0 0 $259,719 3/4/2020
China 1/3/2020 $3,700,000 36669 36669 77326 $15,070,000 10/19/2022
Czech Republic 12/27/2019 $122,815 125 125 438 $480,002 10/19/2022
Denmark 2/7/2020 $200,000 0 0 0 $300,000 10/19/2022
Finland 1/31/2020 $200,000 0 0 0 $200,000 10/19/2022
France 12/27/2019 $2,200,000 0 0 0 $7,981,536 3/26/2020
Germany 12/27/2019 $1,200,000 0 0 0 $4,891,196 3/26/2020
Hong Kong 1/24/2020 $500,000 0 0 0 $1,076,395 3/14/2020
India 12/27/2019 $128,114 0 0 0 $258,592 1/20/2020
Indonesia 12/27/2019 $800,000 0 0 0 $1,341,129 2/22/2020
Italy 12/25/2019 $607,634 0 0 0 $1,249,605 10/19/2022
Lithuania 1/10/2020 $76,650 25 25 123 $290,868 9/1/2021
Mexico 12/25/2019 $1,418,779 0 0 0 $6,287,193 10/19/2022
Netherlands 12/27/2019 $424,376 0 129 959 $2,090,200 10/19/2022
New Zealand 1/1/2020 $154,895 92 93 810 $873,245 10/19/2020
North America 12/25/2019 $13,354,798 3,502 3,502 15,937 $66,757,013
Norway 1/31/2020 $200,000 0 0 0 $200,000 10/19/2022
Philippines 1/24/2020 $300,000 0 0 0 $300,000 1/27/2020
Poland 1/10/2020 $225,451 0 0 0 $1,284,665 10/19/2022
Portugal 12/26/2019 $205,930 84 84 548 $816,864 3/10/2020
Romania 12/27/2019 $93,100 89 89 455 $367,364 3/23/2020
Russia (CIS) 1/9/2020 $3,340,221 1567 1567 6207 $6,539,520 10/19/2022
Slovakia 12/27/2019 $92,566 64 64 302 $295,413 6/16/2020
Slovenia 12/27/2019 $24,590 30 30 152 $103,165 4/8/2020
South Korea 1/22/2020 $1,259,199 712 712 1619 $3,018,924 5/7/2020
Spain 12/27/2019 $721,271 363 363 1948 $3,554,083 3/14/2020
Sweden 1/31/2020 $200,000 0 0 0 $200,000 10/19/2022
Taiwan 1/24/2020 $400,000 0 0 0 $1,372,464 2/29/2020
Turkey 1/10/2020 $70,860 202 202 301 $176,332 10/19/2022
United Kingdom 12/27/2019 $1,947,425 549 554 3592 $10,176,557 11/25/2020
 
Rest of World $17,688,658
 
Worldwide Total$165,124,093 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Will Smith    Lance Sterling
Tom Holland    Walter Beckett
Ben Mendelsohn    Killian
Karen Gillan    Eyes
Rashida Jones    Marcy Kappel
D.J. Khaled    Ears
Masi Oka    Kimura
Reba McEntire    Joyless
Rachel Brosnahan    Wendy

Supporting Cast

Jarrett Bruno    Young Walter/Pigeon
Claire Crosby    Unitee
Toru Uchikado    Yakuza #1
Hisato Masuyama    Yakuza #2
Mark Ronson    Agency Control Room Technician
Toshiya Agata    Yakuza #3
Michi Yamato    Yakuza #4
Hiroshi Otaguro    Yakuza #5
Carla Jimenez    Geraldine
Tawny Newsome    Agency Employee #1
JB Blanc    Agency Employee #2/Marcy’s Agent #3
Adrian Gonzalez    Agency Employee #2/Marcy’s Agent #1
William Christopher Stephens    Agency Employee #4/Marcy’s Agent #5
Bex Marsh    Agency Employee #5/Female Tourist
Peter S. Kim    Agency Employee #6/Joon/Marcy’s Agent #4
Gabriel Conte    Agency Employee #7
Jess Conte    Agency Employee #8
Rashawn Nadine Scott    Agency Employee #9
Stefania Spampinato    Agency Employee #10/Italian Woman
Nick Bruno    Agency Employee #11/Pigeon
Troy Quane    Agency Employee #12
Eddie Mujica    Agency Accountant/Male Tourist
Emily Altman    Lead Agency Lab Tech/Scooter Girl
Randy Trager    Terrance/Pigeon
Christopher Campbell    Marcy’s Agent #2
Matthew Munn    Weapons Lab Soldier
Kimberly Brooks    Lance’s Car
Youn So    Soo-Min
Min-Hyuck Jang    Joon
Randall Thom    Various Voices/Pigeon
Krizia Bajos    Receptionist
Reggie De Leon    Weapons Lab Tech
Paolo Constantino Cenci    Scooter Guy
Casey Roberts    Launch Control Voice
Hideo Kimura    Additional Voice
Daniel Booko    Additional Voice
Jen Cain    Additional Voice
Dina Morrone    Additional Voice
Oscar Camacho    Additional Voice
Dyana Ortelli    Additional Voice
David Chen    Additional Voice
Arthur Ortiz    Additional Voice
Johnny Gidcomb    Additional Voice
Chrystee Pharris    Additional Voice
Annie Gonzalez    Additional Voice
Ben Pronsky    Additional Voice
Maya Goodwin    Additional Voice
Stan Sellers    Additional Voice
Danielle Hartnett    Additional Voice
Shane Sweet    Additional Voice
Marabina Jaimes    Additional Voice
Michael Woodley    Additional Voice
Masa Kanome    Additional Voice
Vivian Yoon    Additional Voice
Ruth Zalduondo    Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Nick Bruno    Director
Troy Quane    Director
Kristen Orlando    Screenwriter
Michelle Painchaud    Screenwriter
Lucas Martell    Story based on “Pigeon: Impossible” by
Cindy Davis    Story by
Peter Chernin    Producer
Michael J. Travers    Producer
Jenno Topping    Producer
Chris Wedge    Executive Producer
Kori Adelson    Executive Producer
Michael Knapp    Production Designer
Randy Trager    Editor
Christopher Campbell    Editor
Theodore Shapiro    Composer
Anthony Nisi    Associate Producer
Mark Ronson    Executive Music Producer
Christian Kaplan    Casting Director
Jacqueline Jones Gladis    Production Manager
Robert Cavaleri    Visual Effects Supervisor
Matthew D. Simmons    Visual Effects Supervisor
Adam Cootes    Head of Story
Joseph Antonuccio    Animation Supervisor
Jeff Gabor    Animation Supervisor
Jeremy Lazare    Animation Supervisor
Julianne Jordan    Music Supervisor
Trygge Toven    Music Supervisor
Randy Thom    Supervising Sound Designer
Jeremy Bowker    Supervising Sound Editor
Leff Lefferts    Supervising Sound Editor
Lora Hirschberg    Re-recording Mixer
Randy Thom    Re-recording Mixer
Ian Abando    Story Artist
Lubomir Arsov    Story Artist
Seth Boyden    Story Artist
Esteban Bravo    Story Artist
Jeff Call    Story Artist
Bryan Cox    Story Artist
Remi Godin    Story Artist
John Jackson    Story Artist
Heather Larkin    Story Artist
Warren Leonhardt    Story Artist
Lyndon Ruddy    Story Artist
William Battaglia    First Assistant Editor
Annlyn Huang    Character Designer
Sang Jun Lee    Character Designer
Jose Manuel Fernandez Oli    Character Designer
Bobby Pontillas    Character Designer
Dan Seddon    Character Designer
Aidan Sugano    Character Designer
Tyler Carter    Set Designer
Greg Couch    Set Designer
Sandeep Menon    Set Designer
Jon Townley    Set Designer
Kevin Yang    Set Designer
Vandana Pulijaal    Production Supervisor
Samson Neslund    Sound Effects Editor
David Farmer    Sound Effects Editor
Michael Silvers    Dialogue/ADR Editor
Chris Manning    Foley Editor
Scott Curtis    Foley Mixer
Thomas Drescher    Music Editor
Nadia Tzuo    Art Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.