Mexico Box Office for Vencedor (2019)

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Overcomer
Theatrical Performance (US$)
Mexico Box Office $102,881Details
Worldwide Box Office $38,093,564Details
Home Market Performance
North America DVD Sales $8,952,375 Details
North America Blu-ray Sales $4,657,561 Details
Total North America Video Sales $13,609,936
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Life changes overnight for coach John Harrison when his high school basketball team and state championship dreams are crushed under the weight of unexpected news. When the largest manufacturing plant shuts down and hundreds of families leave their town, John questions how he and his family will face an uncertain future. After reluctantly agreeing to coach cross-country, John and his wife, Amy, meet an aspiring athlete who’s pushing her limits on a journey toward discovery. Inspired by the words and prayers of a new-found friend, John becomes the least likely coach helping the least likely runner attempt the impossible in the biggest race of the year.

Metrics

Movie Details

Production Budget:$5,000,000
Mexico Releases: September 13th, 2019 (Wide), released as Vencedor
Video Release: December 17th, 2019 by Sony Pictures Home Entertainment
MPAA Rating: PG for some thematic elements.
(Rating bulletin 2571 (Cert #51644), 3/27/2019)
Running Time: 115 minutes
Keywords: Screenplay Written By the Star, Directing Yourself, Family Affair, Basketball, High School, High School Sports, Fired, Economic Crash, Faith-Based Film, Faith-Based Drama
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Affirm Films, Sony Pictures, Faithstep Films, Provident Films, Kendrick Brothers Productions
Production Countries: United States
Languages: English

Home Market Releases for December 17th, 2019

December 18th, 2019

Abominable

There’s almost exactly a week till Christmas, which explains the slim number of new releases. That said, nearly every film on the main list is worth picking up with a few contenders for Pick of the Week. It was a close three-way race, but in the end, Abominable earned Pick of the Week. More...

Home Market Releases for November 26th, 2019

November 27th, 2019

MST3K

It is an even worse week on the home market than it was last week. There are two Pick of the Week contenders, MST3K: The Gauntlet and RoboCop: Limited Edition Collector’s Set. The latter has far more extras, but it has also been released on the home market far too many times. It’s not even the first time it has come out on Blu-ray. It was still a very close competitoion, but in the end, MST3K won the title of Pick of the Week. More...

Weekend Wrap-Up: It Dominates the Chart, Maybe Reinvigorates the Box Office

September 10th, 2019

It: Chapter Two

It: Chapter Two dominated the box office by almost as large a margin as expected. It certainly did well enough that I’m considering it a victory. It earned $91.06 million over the weekend, which is almost exactly what the total box office made last weekend. More importantly, it is almost as much as the top five made this weekend last year, giving the weekend box office a massive increase of 48% from last weekend to $136 million and more importantly, this was 12% more than the same weekend last year. 2019 is still behind 2018 by a massive margin of $500 million or 6.0% at $7.83 billion to $8.33 billion. However, we did catch up to 2017’s ticket sales pace, so as long as we can maintain this pace for the rest of the year, it won’t look like a disaster at the end of the year. More...

Weekend Estimates: Chapter Two is Number Two on September Chart

September 8th, 2019

It: Chapter Two

It: Chapter Two is missing expectations with an estimated opening weekend of $91.0 million. However, while this is 10% lower than predicted, it is still more than enough to earn second place on the September chart. In fact, it is nearly 70% higher than the third biggest September debut of all time, The Nun, which opened this weekend last year. That’s really going to help the year-over-year comparison. As for the film’s long-range chances, they are mixed. Horror movies rarely have long legs and this is also true of sequels, so horror sequels almost never do well long-term. Additionally, this film’s reviews are much weaker than the first film’s reviews, but on the positive side, it did match its predecessor when it came to the CinemaScore, as both earned B plus ratings. More...

Friday Estimates: It on Pace for Second-Best September Debut

September 7th, 2019

It: Chapter Two

It: Chapter Two isn’t living up to predictions or its predecessor, but it is still on pace to become one of the best September debuts of all time. The film pulled in $37.4 million on Friday, putting it on pace for just over $90 million over the full weekend. It is going to have shorter legs that the original had, thanks in part to the Sequel Effect, but also due to its weaker reviews. On the positive side, it matched the original’s B plus from CinemaScore, so that’s a good sign. More...

Weekend Predictions: It is All We Got

September 5th, 2019

It: Chapter Two

It’s going to be a short prediction column, because there’s not much to talk about. It: Chapter Two is the only wide release of the week and there weren’t even any wide releases last weekend to give It any real competition. In fact, two of the likely top five films have already been in theaters for more than a month. last year, The Nun led the way with $53.81 million. It: Chapter Two could double that during its opening weekend. More...

Weekend Wrap-Up: Almost Nothing Worked on Labor Day Long Weekend

September 4th, 2019

Angel Has Fallen

There were no new wide releases this past weekend and unfortunately, the holdovers weren’t able to take advantage. Angel Has Fallen remained on top, but it did so with only $11.80 million over the three-day weekend. This wasn’t enough to match expectations or last year’s number one film, Crazy Rich Asians. The overall box office fell 18% from last weekend, falling to $89 million. Worse still, this is 10% lower than this weekend last year, putting 2019 behind 2018 by a 6.2% or $510 million at $7.64 billion to $8.15 billion. On the positive note, this is likely the low point of the year and the Fall looks a lot stronger, starting with It: Chapter Two this coming weekend. More...

Weekend Estimates: Everyone Takes it Easy on Labor Day

September 1st, 2019

Angel Has Fallen

There were no wide releases this weekend, so I really thought the holdovers would hold on a lot better than they did. According to estimates, Angel Has Fallen has fallen 46% during its second weekend of release to $11.58 million and is projected to earn $15 million over the four-day weekend. A 46% sophomore stint decline would have been great, if this weren’t a holiday weekend. As it is, it’s a little disappointing, but the film will still do well enough to earn a profit. ... “Profitable disappointment.” How many times can that phrase be used this year? More...

Friday Estimates: Holdovers Also Go on Holiday

August 31st, 2019

Angel Has Fallen

There were no new wide releases on Friday, and sadly the holdovers didn’t thrive as a result. It’s going to be a brutal weekend at the box office. Angel Has Fallen topped the chart on Friday, but wasn’t able to match expectations with $2.9 million. That said, it is still on pace for $15 million over the full four-day weekend for a two-week total of $44 million, which is a good result for this time of year. More...

Weekend Predictions: New Releases Go on Holidays

August 29th, 2019

Angel Has Fallen

It’s the final weekend of the summer, Labor Day weekend. Officially it is the final weekend of the summer, but if you’ve been paying attention to the box office, then you know summer really ended with the release of Fast and Furious Presents: Hobbs and Shaw weeks ago. This long weekend, movie studios have just given up and there are no wide, or even semi-wide releases to talk about. This means the top five will look about the same as it did last weekend with Angel Has Fallen on top, while some of the holdovers, specifically Good Boys and The Lion King, should take advantage of the lack of competition. Meanwhile, this weekend last year, Crazy Rich Asians remained the top film at the box office and will likely beat any of this week’s offerings. In fact, none of the films playing this year will earn as much over four days as Crazy Rich Asians did over three. More...

Weekend Wrap-Up: Angel has a Divine Debut

August 27th, 2019

Angel Has Fallen

Angel Has Fallen led the way at the weekend with $21.38 million. There were some other pleasant surprises in the top ten and this helped the overall box office to a surprise win. It was down 9.6% from last weekend to $108 million; however, this was 5.6% higher than the same weekend last year and we haven’t had many reasons to celebrate in the year-over-year competition, so let’s focus on that. Year-to-date, 2019 is still behind 2018 and is so by nearly identical margins as last weekend at 6.3% or $500 million. This is still a deep hole to try and climb out of, especially since there are only four months left in the year, and I will be happy if we can just cut that gap in half by the end of the year. More...

Weekend Estimates: Angel Doesn’t Fall, Overcome Can’t, Ready Was Ready

August 25th, 2019

Angel Has Fallen

There is some good news to talk about and that’s been depressingly rare this year. Angel Has Fallen is beating expectations with an estimated opening of $21.25 million. This opening is just behind London Has Fallen’s debut. Additionally, Angel has better reviews and matched the previous film’s A minus from CinemaScore, so it should have similar legs. It is too soon to tell how it will do internationally, but given the franchise’s performance so far, I remain optimistic. More...

Friday Estimates: Angel Rises from London

August 24th, 2019

Angel Has Fallen

Angel Has Fallen earned an estimated $7.9 million on Friday. Amazingly, this is an improvement over the $7.51 million earned by London has Fallen during its opening day. Most people, myself included, assumed this film would suffer a deep decline. This film also earned better reviews, while both films earned an A minus from CinemaScore. On the other hand, the film did earn less during the 24-hour Friday period, so that suggests a slightly smaller opening weekend. Even so, it will beat our prediction with just over $21 million. More...

Thursday Night Previews: Angel Has Fallen Rises to Franchise High

August 23rd, 2019

Angel Has Fallen

Angel Has Fallen had the best previews in the franchise earning $1.5 million last night, putting it on pace for about $15 million over the weekend. This matches our expectations nearly perfectly and should be enough to keep Lionsgate happy. More...

Weekend Predictions: Summer Slows to a Crawl

August 22nd, 2019

Angel Has Fallen

There are three wide releases this week, but only one of them, Angel Has Fallen, is widely expected to do anything at the box office. Overcomer is a faith-based film and those are a risk at the box office, but the people behind this one do have a good track record. Finally there’s Ready or Not, the widest ever release for Fox Searchlight and its reviews are easily the best of the week, but the buzz suggests that won’t be enough to thrive. This weekend last year, Crazy Rich Asians dipped just 6% earning just over $24 million. No film is going to match that figure this week. There’s a chance all three wide releases won’t match that figure this week, combined. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/09/20 10 $102,881   0     $102,881 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/25/2019 $435 0 0 0 $3,903 11/10/2019
Australia 8/23/2019 $144,387 77 82 276 $398,740 4/3/2023
Brazil 11/22/2019 $464,273 426 426 1459 $2,261,390 12/28/2019
Mexico 9/13/2019 $0 0 0 0 $102,881 9/24/2019
New Zealand 8/22/2019 $57,592 32 33 114 $172,097 10/19/2022
North America 8/23/2019 $8,146,533 1,723 2,293 12,429 $34,700,142 8/27/2020
 
Rest of World $454,411
 
Worldwide Total$38,093,564 4/3/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Alex Kendrick    Coach John Harrison
Priscilla Shirer    Olivia Brooks
Aryn Wright-Thompson    Hannah Scott
Shari Rigby    Amy Harrison

Supporting Cast

Cameron Arnett    Thomas Hill
Denise Armstrong    Barbara Scott
Ben Davies    Coach Myers
Elizabeth Becka    Mrs. Charles
Jack Sterner    Ethan Harrison
Karen Boles    Coach

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Alex Kendrick    Director
Alex Kendrick    Screenwriter
Stephen Kendrick    Screenwriter
Stephen Kendrick    Producer
Aaron Burns    Producer
Justin Tolley    Producer
Shannon Kendrick    Executive Producer
Larry Frenzel    Associate Producer
Bob M. Scott    Director of Photography
Alex Kendrick    Editor
Stephen Hullfish    Editor
Bill Ebel    Editor
Katherine Tucker    Production Designer
Paul Mills    Composer
Anna Redmon    Costume Designer
Kimberly Helms Stewart    Casting Director