Russia (CIS) Box Office for Охотник на монстров (2020)

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Monster Hunter
Theatrical Performance (US$)
Russia (CIS) Box Office $2,631,101Details
Worldwide Box Office $47,853,893Details
Home Market Performance
North America DVD Sales $5,077,250 Details
North America Blu-ray Sales $8,498,411 Details
Total North America Video Sales $13,575,661
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Behind our world, there is another: a world of dangerous and powerful monsters that rule their domain with deadly ferocity. When Lt. Artemis and her elite unit are transported through a portal from our world to a new world, they are in for the shock of their lives. In her desperate attempt to get home, the brave lieutenant encounters a mysterious hunter, whose unique skills have allowed him to survive in this hostile land. Faced with relentless and terrifying attacks from the monsters, the warriors team up to fight back and find a way home.

Metrics

Movie Details

Production Budget:$60,000,000
Russia (CIS) Releases: January 14th, 2021 (Wide), released as Охотник на монстров
Video Release: February 16th, 2021 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for sequences of creature action and violence throughout
(Rating bulletin 2615 (Cert #52041), 2/5/2020)
Running Time: 103 minutes
Keywords: Action Adventure, Scene in End Credits, Alternative Dimensions / Parallel universe
Source:Based on Game
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Impact Pictures, Screen Gems, Constantin Film, Tencent Pictures , Toho Co, AB2 Digital Pictures
Production Countries: Germany, United States
Languages: English

Weekend estimates: The Little Things launches with $4.8 million

January 31st, 2021

The Little Things

Although it will fall a little short of our weekend prediction, The Little Things will post a respectable-under-the-circumstances $4.8 million this weekend, according to Warner Bros.’ Sunday morning projection. If there wasn’t a pandemic going on, that would translate into something like a $21 million debut—in line with previous outings for Denzel Washington in action films and thrillers, such as Unstoppable ($22.7 million opening) and The Taking of Pelham 123 ($23.4 million opening), although behind the more recent The Equalizer, which started out with $34 million. It gives The Little Things bragging rights to the best opening of 2021, which everyone in the industry will be praying is a title it won’t hold for very long. More...

Weekend estimates: Wonder Woman stays top over New Year’s Weekend

January 3rd, 2021

Wonder Woman 1984

Wonder Woman 1984 will remain top at the box office this weekend, according to studio estimates released on Sunday morning, but it’ll do so in spite of a sharp fall from its opening weekend. Warner Bros. projects a $5.5-million weekend for the super hero pic, down 67% from last weekend. That’s not a huge fall for a film like this by historical standards, but it is a surprisingly-sharp decline for the New Year weekend, and considerably worse than any other film reporting, many of which increased their box office from Christmas weekend. More...

Weekend estimates: Monster Hunter tops domestic chart, Wonder Woman rules the rest of the world

December 20th, 2020

Wonder Woman 1984

As expected, Monster Hunter will top the domestic chart this weekend, but the big news is Wonder Woman 1984’s global launch to $38.5 million from 30,221 screens in 32 markets. More...

Weekend predictions: Sony and Lionsgate enter the arena

December 18th, 2020

Fatale

What will be a long, slow, and painful process of recover at the box office starts this weekend with the wide release of films from two studios that have largely stayed on the sidelines over the past few months, both in terms of releasing films, and in terms of creating headlines. Monster Hunter from Sony Pictures is getting the widest debut, in 1,736 theaters, and is likely to win the weekend. Fatale is Lionsgate’s offering and opens in 1,107 locations. We might not yet be at the “acceptance” stage of grief in the theatrical market, but we do at least now have four major studios releasing films wide, with the two newcomers joining Universal and Warner Bros., who have taken more controversial routes that combine wide releases with early PVOD or streaming debuts for their films.

More...

Weekend predictions: have we reached rock bottom?

December 11th, 2020

The Croods: A New Age

In this week’s prediction column, we could focus on the wreckage of the current theatrical market, or look ahead to better times to come. Let’s look ahead, shall we?

More...

December preview: Wonder Woman heralds the end of the theatrical window (for now?)

December 1st, 2020

Wonder Woman 1984

The worst year for the movie theatrical industry in a century will end with a series of releases that might define the business for the next decade. Only three of the major studios are daring to release films in theaters during what is shaping up to be the height of the COVID-19 pandemic. Sony Pictures is going the traditional route with Monster Hunter getting an exclusive theatrical release on Christmas Day. Universal’s deals with AMC and Cinemark to allow shortened theatrical windows in return for sharing PVOD revenue have prompted it and its specialty division Focus Features to release four films this holiday season. But all eyes (or many of them, anyway) will be on Warner Bros.’ release of Wonder Woman 1984 simultaneously in theaters and on HBO Max.

When the studio announced this release strategy back on November 18 there was speculation that, if it worked out well, they might do the same thing with some of their other upcoming films. Today they threw caution to the wind and announced that all of the studio’s 2021 films will be released in theaters and on HBO Max at the same time (in territories where HBO Max is available). While we’re still digesting the news, here are three quick takes on the rationale for Warner Bros. to make this bold leap. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2021/01/29 2 $1,036,899   1,413 $734   $1,036,899 3
2021/02/05 3 $484,337 -53% 1,570 $308   $1,812,914 4
2021/02/12 9 $185,890 -62% 1,142 $163   $2,160,781 5
2021/02/19 18 $35,296 -81% 142 $249   $2,243,316 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 1/1/2021 $676,841 283 283 1407 $2,511,040 7/8/2021
China 12/3/2020 $4,830,000 81147 81147 81147 $4,930,000 12/11/2020
Germany 7/1/2021 $199,028 0 0 0 $199,028 7/9/2021
Italy 6/17/2021 $77,772 0 21 21 $150,266 10/20/2022
Japan 3/26/2021 $2,337,141 0 0 0 $11,232,958 5/25/2021
Mexico 2/18/2020 $0 0 0 0 $1,467,943 10/19/2022
Netherlands 12/4/2020 $190,637 148 149 297 $432,667 12/14/2020
New Zealand 1/1/2021 $109,715 77 78 448 $541,344 3/31/2021
North America 12/18/2020 $2,201,269 1,736 1,817 20,193 $15,162,470 2/17/2023
Portugal 5/14/2021 $20,321 62 62 115 $34,340 6/2/2021
Romania 2/26/2021 $21,251 18 18 79 $41,326 10/20/2022
Russia (CIS) 1/14/2021 $0 0 1570 4267 $2,631,101 2/24/2021
Saudi Arabia 12/4/2020 $550,000 0 0 0 $550,000 10/19/2022
Slovakia 5/27/2021 $0 0 3 6 $11,430 7/2/2021
South Korea 2/10/2021 $4,726 1 668 1021 $865,163 3/3/2021
Spain 3/26/2021 $192,308 281 281 562 $461,201 4/8/2021
Taiwan 12/4/2020 $1,500,000 0 0 0 $2,600,000 12/18/2020
United Arab Emirates 12/4/2020 $305,000 0 0 0 $305,000 12/7/2020
United Kingdom 6/18/2021 $207,376 270 270 444 $326,660 6/30/2021
 
Rest of World $3,399,956
 
Worldwide Total$47,853,893 2/17/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Milla Jovovich    Artemis
Tony Jaa    The Hunter

Supporting Cast

T.I. Tip Harris    Link
Meagan Good    Dash
Diego Boneta    Marshall
Josh Helman    Steeler
Jin Auyeung    Axe
Ron Perlman    Admiral
Aaron Beelner    Palico
Jannik Schumann    Aiden
Hirona Yamazaki    Handler

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Paul W.S. Anderson    Director
Paul W.S. Anderson    Screenwriter
Paul W.S. Anderson    Producer
Jeremy Bolt    Producer
Robert Kulzer    Producer
Dennis Berardi    Producer
Martin Moszkowicz    Producer
Edward Cheng    Executive Producer
Howard Chen    Executive Producer
Hiro Matsuoka    Executive Producer
Glen MacPherson    Director of Photography
Edward Thomas    Production Designer
Doobie White    Editor
Danielle Knox    Costume Designer
Paul Haslinger    Composer
Ryozo Tsujimoto    Associate Producer
Kaname Fujioka    Associate Producer
Tamara-Lee Notcutt    Casting Director