Cindy Marty

Best known as a Sound Effects Editor based on credits in that role in 5 films, with $1,092,490,435 worldwide aggregate box office (rank #107)
Best-known technical roles: We’re the Millers (Sound Designer), We’re the Millers (Sound Effects Editor), Austin Powers in Goldmember (Sound Effects Editor), Central Intelligence (Sound Effects Editor), Charlie's Angels: Full Throttle (Sound Effects Editor)
Most productive collaborators: Toby Emmerich, Ed Helms, Richard Brener, Barry Peterson, Mike Sale
                                    

  1. Summary
  2. Acting Credits
  3. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesSound Effects Editor5$658,075,625$434,414,810$1,092,490,435
Sound Editor3$240,299,120$94,696,573$334,995,693
Sound Designer1$150,394,119$117,422,157$267,816,276

Latest Ranking on Selected Box Office Record Lists


All Acting Credits



All Technical Credits



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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Jun 17, 2016Central Intelligence Sound Effects Editor $127,440,871$89,753,934$217,194,805
Aug 7, 2013We’re the Millers Sound Designer
Effects Editor
$150,394,119$117,422,157$267,816,276
Jun 27, 2003Charlie's Angels: Full Thro… Sound Effects Editor $100,814,328$126,348,945$227,163,273
Jul 25, 2002Austin Powers in Goldmember Sound Effects Editor $213,117,789$83,220,874$296,338,663
Jul 29, 1998The Parent Trap Sound Effects Editor $66,308,518$17,668,900$83,977,418
Jun 3, 1994Renaissance Man Sound Editor $24,172,899$24,172,899
Aug 7, 1992Unforgiven Sound Editor $101,157,447$58,000,000$159,157,447
Jun 3, 1988Big Sound Editor $114,968,774$36,696,573$151,665,347
 
Averages $112,296,843$75,587,340$178,435,766
Totals 8 $898,374,745$529,111,383$1,427,486,128