Adam McKay

Best known as a Producer based on credits in that role in 26 films, with $1,762,321,358 worldwide aggregate box office (rank #175)
Best-known technical roles: Ant-Man (Screenwriter), Daddy’s Home (Producer), Hustlers (Producer), Anchorman 2: The Legend Continues (Director), Anchorman 2: The Legend Continues (Screenwriter)
Best-known acting roles: Terry Cheveaux (Talladega Nights: The Ballad of Ricky Bobby), Custodian (Anchorman: The Legend of Ron Burgundy), Dirty Mike (The Other Guys)
Most productive collaborators: Will Ferrell, Paul Rudd, Christian Bale, Peyton Reed, Evangeline Lilly
Born: April 17, 1968 (56 years old)
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
As an ActorSupporting1$119,219,978$51,716,492$170,936,470
Cameo1$84,136,909$5,339,356$89,476,265
(Unclassified)1$148,213,377$14,657,148$162,870,525
In Technical RolesProducer26$1,140,514,123$621,807,235$1,762,321,358
Director10$697,548,385$230,370,061$927,918,446
Screenwriter10$877,750,548$569,026,347$1,446,776,895
Executive Producer7$239,152,553$192,371,428$431,523,981
Story Creator2$177,319,199$39,300,000$216,619,199
Character Creator1$127,413,176$44,833,047$172,246,223

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Stars at the Domestic Box Office (Rank 4,801-4,900) 4,832 $351,570,264
Top Stars at the International Box Office (Rank 25,501-25,600) 25,563 $71,712,996
Top Stars at the Worldwide Box Office (Rank 10,101-10,200) 10,174 $423,283,260
Top Grossing Director at the Domestic Box Office (Rank 101-200) 108 $697,548,385
Top Grossing Executive Producer at the Domestic Box Office (Rank 601-700) 634 $239,152,553
Top Grossing Producer at the Domestic Box Office (Rank 101-200) 106 $1,140,514,123
Top Grossing Screenwriter at the Domestic Box Office 84 $877,750,548
Top Grossing Story Creator at the Domestic Box Office (Rank 301-400) 357 $177,319,199
Top Grossing Director at the International Box Office (Rank 401-500) 432 $230,370,061
Top Grossing Executive Producer at the International Box Office (Rank 901-1,000) 974 $192,371,428
Top Grossing Producer at the International Box Office (Rank 201-300) 299 $621,807,235
Top Grossing Screenwriter at the International Box Office (Rank 201-300) 268 $569,026,347
Top Grossing Story Creator at the International Box Office (Rank 1,201-1,300) 1,274 $39,300,000
Top Grossing Director at the Worldwide Box Office (Rank 201-300) 212 $927,918,446
Top Grossing Executive Producer at the Worldwide Box Office (Rank 701-800) 778 $431,523,981
Top Grossing Producer at the Worldwide Box Office (Rank 101-200) 175 $1,762,321,358
Top Grossing Screenwriter at the Worldwide Box Office (Rank 101-200) 159 $1,446,776,895
Top Grossing Story Creator at the Worldwide Box Office (Rank 701-800) 710 $216,619,199

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture

February 24th, 2019

Green Book

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2018 Awards Season: Oscars Nominations: Final Look

February 24th, 2019

The Favourite

It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning. More...

2018 Awards Season: Oscar Highlight: Best Director

February 21st, 2019

Roma

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Director, which is not exactly competitive, but it is yet another category where we have a favorite, but where an upset wouldn’t be too shocking. More...

2018 Awards Season: Oscar Highlight: Best Original Screenplay

February 19th, 2019

The Favourite

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two Screenwriting Categories, ending with with Best Original Screenplay. This category is actually competitive with three films I can see winning. More...

2018 Awards Season: Oscar Nominations

January 23rd, 2019

The Favourite

The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each. More...

2018 - Awards Season: BAFTA - Nominations

January 12th, 2019

The Favorite

The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here. More...

2018 - Awards Season: WGA - Nominations

January 10th, 2019

Black Panther

The Writers Guild of America has a lot of categories, as they hand out nearly 30 awards. However, only three of them are for theatrical releases. The list of nominees include several major Awards Season players and not a lot of surprises. There are some clear patterns emerging, but also some surprising results. More...

2018 Awards Season: DGA - Nominations

January 9th, 2019

A Star is Born

Directors Guild of America announced their theatrical nominations this week and we are starting to see some real patterns emerge and I think the Oscar picture is getting clearer. More...

2018 - Awards Season: Golden Globes - Nominations

December 6th, 2018

Vice

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced. More...

2018 Preview: December

December 1st, 2018

Mary Poppins Returns

November turned out to be a really, really good month. I thought 2018’s lead over 2017 would shrink, potentially by $200 million to $300 million. However, the lead actually managed to grow a little bit, thanks to hits like Ralph Breaks the Internet, Dr. Seuss’ The Grinch, Fantastic Beasts: The Crimes of Grindelwald, and Bohemian Rhapsody. December has an equal number of potential hits, led by Mary Poppins Returns, which some think will top $300 million. Additionally, Spider-man Into the Spider-Verse, Aquaman, Bumblebee, and Holmes and Watson all have a realistic shot at $100 million or more. On the other hand, last December was stronger, at least on top. The Last Jedi earned more than $500 million just during December, which is more than any December release this year will earn in total. It could be more than the top two films earn in total. 2018 will win the in year-over-year competition; however, its lead won’t be as large as it is at the start of the month. More...

2015 Awards Season: Oscar Winners... And the Oscar Goes to Spotlight for Best Picture

February 28th, 2016

Spotlight

It’s Oscar day and, if all goes to plan, I will be live-blogging the ceremony tonight. Here is the list of nominees marked according to predictions from our readers, and my personal wishes. Nominees in Bold are the ones predicted to win by our readers (we’ll have a full rundown of the predictions at noon, after the contest ends). If I am predicting a different film, those are in Italics. Meanwhile, the nominees I want to win, but don’t think will win, are Underlined. There are a few categories where the film I really think deserves the award was not even nominated, plus a few I don’t have a real opinion on.

More...

2015 Awards Season: Oscar Preview

February 28th, 2016

The Revenant

It’s Oscar day and, if all goes to plan, I will be live-blogging the ceremony tonight. Here is the list of nominees marked according to predictions from our readers, and my personal wishes. Nominees in Bold are the ones predicted to win by our readers (we’ll have a full rundown of the predictions at noon, after the contest ends). If I am predicting a different film, those are in Italics. Meanwhile, the nominees I want to win, but don’t think will win, are Underlined. There are a few categories where the film I really think deserves the award was not even nominated, plus a few I don’t have a real opinion on.

If you haven’t done so already, it’s not too late to enter our Oscar competition, and win all Best Picture nominees on Blu-ray or DVD. More...

2015 Awards Season: Oscar Highlight: Best Director

February 27th, 2016

The Revenant

With our annual Oscar Prediction contest reaching its conclusion tomorrow at noon, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Best Director is one of the last categories we will look at, and it is one of the least competitive. More...

2015 Awards Season: Oscar Highlight: Best Adapted Screenplay

February 20th, 2016

The Big Short

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. The Best Adapted Screenplay category is about as competitive as the Best Original Screenplay, which is to say it isn't competitive at all. More...

2015 - Awards Season: BAFTA - Winners - Revenant and Mad Max Lead the Way

February 15th, 2016

The Revenant

The BAFTA awards were handed out over the weekend. There were two main winners, The Revenant, which won most of its five awards in the high-prestige categories, and Mad Max: Fury Road, which earn all four of its awards in technical categories. It appears the Oscars will be very similar in that breakdown. More...

2015 - Awards Season: WGA - Winners - Spotlight Shines on Potential Oscar Winners

February 15th, 2016

Spotlight

The Writers Guild of America awards were handed out over the weekend. Frankly, there wasn't a single surprise in any of the three theatrical categories, so there's not much to talk about. More...

2015 Awards Season: Oscars - Nominations

January 15th, 2016

The Revenant

The Oscar nominations were announced at 5:30 am Pacific time. Nothing is good that early in the morning. Worse still, this was a terrible year for snubs, especially when it comes to diversity of the nominees. The voters for the Oscars are 94% white and 77% male... but that's still more diverse than the list of nominees. The Revenant led the way with 12 nominations and it is expected to win a few of those, while it is a serious contender in most of the categories it was nominated in. More...

2015 - Awards Season: DGA - Nominations

January 14th, 2016

Mad Max: Fury Road

The Directors Guild of America spread out the nominations, which I always felt hurt the buzz. There are ten categories of awards, but only three of which pertain to theatrical releases. There are very few surprises across these three categories, so the Oscar nominations today shouldn't be full of surprises either. More...

2015 - Awards Season: BAFTA - Nominations

January 9th, 2016

Bridge of Spies

The BAFTA nominations were announced and you can read them on their site... in alphabetical order. Alphabetical order is very useful in most circumstances, but not here. On the other hand, the nominees within each category are not presented in alphabetical order. ... Are the BAFTAs trolling us? As for the actual nominees, the big winners here are Bridge of Spies and Carol, both of which earned nine nominations. For Carol, this is just another impressive score, but this was a pleasant surprise for Bridge of Spies. More...

2015 - Awards Season: WGA - Nominations

January 6th, 2016

Spotlight

The Writers Guild of America nominees were announced and there are only a few surprises here. Additionally, one of these three races seems too close to call at this point. More...

2015 Preview: December

December 1st, 2015

Star Wars: The Force Awakens

November ended on a positive note with a strong Thanksgiving weekend. Even so, the overall numbers were mixed with a lot of misses mixed in with a few hits. It was better than October and we will call that a victory. Meanwhile, December is potentially record-breaking. Actually, given the evidence, it is almost assuredly going to be record-breaking. Star Wars: The Force Awakens has already set a record for the most money taken from ticket pre-sales and the biggest December weekend will fall. The pre-orders alone will guarantee that. On the downside, it is very likely that no film will make as much in total as The Force Awakens will make during its opening weekend. There's a chance no film makes in total as much as The Force Awakens makes during its opening day. There are a few films that have a shot at $100 million. For example, Joy should get there, if it becomes a major player during Awards Season. If not, it will at least come close. Daddy's Home, and to a lesser extent Sisters, could be surprise $100 million hits. However, like the rest of 2015, December is shaping up to be a month of a record-breaking hit and a lot of films that struggle just to get noticed. On the other hand, last December, was a lot more balanced at the top with four films earning more than $100 million, led by The Hobbit: The Battle of the Five Armies. There's a chance The Force Awakens earns more than all four $100 million hits from last year earned combined. More...

2015 Preview: July

July 1st, 2015

Minions

June was a much better month than expected due to two films, Jurassic World and Inside Out. Had those two films merely matched expectations, then 2015 would have likely fallen behind 2014. As for this coming month, there are five weekends in July and each week there is at least one film with the potential to reach $100 million. Most weeks there are two films that at least have a shot at getting to the century mark. The biggest hit of the month will likely be Minions, which has already opened in several international markets and it's ahead of Despicable Me 2 at the same point. That film made more than $300 million and nearly $1 billion worldwide, so any growth would be fantastic. There are also a number of potential $200 million films, led by Ant-man. Ant-man is the latest release in the Marvel Cinematic Universe, a franchise that has averaged $300 million domestically over eleven films and all of the past six films have reached at least $200 million. I'm not saying this one is guaranteed to do the same, but you can't dismiss that possibility. Mission: Impossible - Rogue Nation and Pixels have smaller chances to get to $200 million, but you have to at least entertain the possibility. Additionally, last July was a lot weaker than this July looks to be, so 2015 should win in the year-over-year comparison most weeks. Or I might have let the box office success of June cloud my judgment. We will soon find out. More...

Featured Blu-ray / DVD Review: Anchorman: The Legend Continues

March 30th, 2014

Anchorman: The Legend of Ron Burgundy came out in theaters nearly a decade ago. It earned good reviews and did well at the box office managing nearly $90 million worldwide on a $25 million budget. However, it became a classic on the home market and many think it is among Will Ferrell's best movies. Rumors of a sequel persisted for quite a while before Anchorman: The Legend Continues finally came out. It earned better reviews and nearly doubled the first film's numbers at the worldwide box office. Is this because the quality is also better? Or did it unduly benefit from nearly ten years of demand? More...

Featured Blu-ray Review: Anchorman: The Legend of Ron Burgundy (Unrated Rich Mahogany Edition)

December 3rd, 2013

Anchorman: The Legend of Ron Burgundy is nine years old this year, which makes it an odd time to release a special edition Blu-ray. At least it would be an odd time if Anchorman: The Legend Continues wasn't hitting theaters in a couple of weeks. Is the movie as good as most people remember it? And is the Unrated Rich Mahogany Edition worth the upgrade from the previous edition? More...

2013 Preview: December

December 1st, 2013

The Hobbit: The Desolation of Smaug poster

We had some good news and some bad news in November. The bad news is the overall weakness at the box office continued and 2013 lost its lead over 2012. Strong runs by The Hunger Games: Catching Fire and Frozen did help it bounce back in the end, but 2013 is still going to have a tough time topping 2012. Looking forward to December, we find about a dozen wide releases, sort of. There are several films that are opening in limited release that are expected to expand wide by the end of the month, but I'm not sure that will be the case for all of them. The Hobbit: The Desolation of Smaug should be the easy winner this month and if it is a little lucky, it might even top its predecessor at the box office. There is a huge amount of hype surrounding Anchorman 2: The Legend Continues and it could double the first film's box office numbers. On the other hand, those two films might be the only two December wide releases to reach $100 million. There are a few that have the potential to get to the century mark, if they are big players during Awards Season. Obviously some of the films coming out this month will win awards, but there's already a lot of competition in theaters before the month begins. There were three $100 million movies last December, led by The Hobbit: An Unexpected Journey, so while it could be close, it looks like December will lose in the year-over-year comparison. This is really bad news, as 2013 can't afford to go out on a losing streak if it wants to top 2012. More...

All Acting Credits



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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Aug 6, 2010The Other Guys Dirty Mike $119,219,978$51,716,492$170,936,470
Aug 4, 2006Talladega Nights: The … Terry Cheveaux $148,213,377$14,657,148$162,870,525
Jul 9, 2004Anchorman: The Legend … Custodian $84,136,909$5,339,356$89,476,265
 
Averages $117,190,088$23,904,332$141,094,420
Totals 3 $351,570,264$71,712,996$423,283,260


Supporting Roles


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Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Aug 6, 2010The Other Guys $35,543,1623,651$119,219,978$170,936,47069.7%
 
Averages $35,543,1623,651$119,219,978$170,936,47069.7%
Totals 1 $119,219,978$170,936,470

Latest Ranking on All Acting Box Office Record Lists



All Technical Credits

Announced (Undated)

Average Height, Average Build

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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Nov 18, 2022The Menu Producer $41,280,699$34,539,679$75,820,378
Mar 4, 2022Fresh Producer
Dec 10, 2021Don’t Look Up Director
Screenwriter
$762,858$762,858
Feb 12, 2021Barb and Star Go to Vista D… Producer $8,389$8,389
Jun 26, 2020Eurovision Song Contest: Th… Executive Producer
Sep 13, 2019Hustlers Producer $104,963,598$45,504,321$150,467,919
May 24, 2019Booksmart Executive Producer $22,680,962$2,267,179$24,948,141
Dec 25, 2018Vice Director
Producer
Screenwriter
$47,836,282$23,057,500$70,893,782
Dec 25, 2018Holmes & Watson Producer $30,568,743$11,357,862$41,926,605
May 25, 2018Ibiza Producer
Nov 10, 2017Daddy’s Home 2 Producer $104,029,443$71,777,740$175,807,183
Jun 30, 2017The House Producer $25,584,504$5,607,921$31,192,425
Apr 8, 2016The Boss Producer $63,077,560$15,574,647$78,652,207
Mar 11, 2016The Brothers Grimsby Executive Producer $6,864,016$21,856,454$28,720,470
Dec 25, 2015Daddy’s Home Producer $150,357,137$91,147,852$241,504,989
Dec 11, 2015The Big Short Screenwriter
Director
$70,259,870$62,364,811$132,624,681
Sep 11, 2015Sleeping with Other People Producer $814,775$1,558,846$2,373,621
Jul 17, 2015Ant-Man Screenwriter $180,202,163$338,656,286$518,858,449
May 1, 2015Welcome to Me Producer $625,727$4,159$629,886
Mar 27, 2015Get Hard Story Creator
Producer
$90,411,453$21,300,000$111,711,453
Nov 20, 2014The Yes Men Are Revolting Executive Producer $50,190$50,190
Jul 2, 2014Tammy Producer $84,525,432$11,882,223$96,407,655
Dec 18, 2013Anchorman 2: The Legend Con… Director
Screenwriter
Character Creator
Producer
$127,413,176$44,833,047$172,246,223
Jan 25, 2013Hansel & Gretel: Witch Hunters Producer $55,703,475$159,246,241$214,949,716
Sep 7, 2012Bachelorette Producer $446,770$12,130,631$12,577,401
Aug 10, 2012The Campaign Story Creator
Producer
$86,907,746$18,000,000$104,907,746
May 16, 2012The Dictator Executive Producer $59,650,222$120,498,675$180,148,897
Mar 16, 2012Casa de mi Padre Producer $5,909,483$2,537,469$8,446,952
Mar 2, 2012Tim and Eric's Billion Doll… Producer $201,436$22,216$223,652
Sep 24, 2010The Virginity Hit Producer $636,706$636,706
Aug 6, 2010The Other Guys Producer
Director
Screenwriter
$119,219,978$51,716,492$170,936,470
Jun 5, 2009Land of the Lost Executive Producer $49,438,370$20,110,271$69,548,641
Jul 25, 2008Step Brothers Director
Screenwriter
Executive Producer
$100,468,793$27,638,849$128,107,642
Aug 4, 2006Talladega Nights: The Balla… Director
Screenwriter
$148,213,377$14,657,148$162,870,525
Jul 9, 2004Anchorman: The Legend of Ro… Director
Screenwriter
$84,136,909$5,339,356$89,476,265
 
Averages $62,082,633$41,198,637$96,826,191
Totals 35 $1,862,478,995$1,235,959,122$3,098,438,117


Director Credits


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Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Dec 10, 2021Don’t Look Up $762,858
Dec 25, 2018Vice $7,768,3712,534$47,836,282$70,893,78267.5%
Dec 11, 2015The Big Short $705,5272,529$70,259,870$132,624,68153.0%
Dec 18, 2013Anchorman 2: The Legen… $26,232,4253,507$127,413,176$172,246,22374.0%
Aug 6, 2010The Other Guys $35,543,1623,651$119,219,978$170,936,47069.7%
Jul 25, 2008Step Brothers $30,940,7323,182$100,468,793$128,107,64278.4%
Aug 4, 2006Talladega Nights: The … $47,042,2153,807$148,213,377$162,870,52591.0%
Jul 9, 2004Anchorman: The Legend … $28,416,3653,104$84,136,909$89,476,26594.0%
 
Averages $25,235,5423,188$99,649,769$115,989,80675.4%
Totals 8 $697,548,385$927,918,446


Producer Credits


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Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Nov 18, 2022The Menu $9,004,9573,228$41,280,699$75,820,37854.4%
Mar 4, 2022Fresh
Feb 12, 2021Barb and Star Go to Vi… $8,389
Sep 13, 2019Hustlers $33,181,3613,525$104,963,598$150,467,91969.8%
Dec 25, 2018Vice $7,768,3712,534$47,836,282$70,893,78267.5%
Dec 25, 2018Holmes & Watson $7,411,5222,780$30,568,743$41,926,60572.9%
May 25, 2018Ibiza
Nov 10, 2017Daddy’s Home 2 $29,651,1933,575$104,029,443$175,807,18359.2%
Jun 30, 2017The House $8,724,7953,134$25,584,504$31,192,42582.0%
Apr 8, 2016The Boss $23,586,6453,495$63,077,560$78,652,20780.2%
Dec 25, 2015Daddy’s Home $38,740,2033,483$150,357,137$241,504,98962.3%
Sep 11, 2015Sleeping with Other Pe… $89,102392$814,775$2,373,62134.3%
May 1, 2015Welcome to Me $38,168133$625,727$629,88699.3%
Mar 27, 2015Get Hard $33,803,2533,212$90,411,453$111,711,45380.9%
Jul 2, 2014Tammy $21,577,0493,465$84,525,432$96,407,65587.7%
Dec 18, 2013Anchorman 2: The Legen… $26,232,4253,507$127,413,176$172,246,22374.0%
Jan 25, 2013Hansel & Gretel: Witch… $19,690,9563,375$55,703,475$214,949,71625.9%
Sep 7, 2012Bachelorette $181,49460$446,770$12,577,4013.6%
Aug 10, 2012The Campaign $26,588,4603,302$86,907,746$104,907,74682.8%
Mar 16, 2012Casa de mi Padre $2,287,239475$5,909,483$8,446,95270.0%
Mar 2, 2012Tim and Eric's Billion… $87,47533$201,436$223,65290.1%
Sep 24, 2010The Virginity Hit $301,885700$636,706$636,706100.0%
Aug 6, 2010The Other Guys $35,543,1623,651$119,219,978$170,936,47069.7%
 
Averages $16,224,4862,403$57,025,706$83,920,06568.3%
Totals 23 $1,140,514,123$1,762,321,358


Writer Credits


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Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Dec 10, 2021Don’t Look Up $762,858
Dec 25, 2018Vice $7,768,3712,534$47,836,282$70,893,78267.5%
Dec 11, 2015The Big Short $705,5272,529$70,259,870$132,624,68153.0%
Jul 17, 2015Ant-Man $57,225,5263,868$180,202,163$518,858,44934.7%
Mar 27, 2015Get Hard $33,803,2533,212$90,411,453$111,711,45380.9%
Dec 18, 2013Anchorman 2: The Legen… $26,232,4253,507$127,413,176$172,246,22374.0%
Aug 10, 2012The Campaign $26,588,4603,302$86,907,746$104,907,74682.8%
Aug 6, 2010The Other Guys $35,543,1623,651$119,219,978$170,936,47069.7%
Jul 25, 2008Step Brothers $30,940,7323,182$100,468,793$128,107,64278.4%
Aug 4, 2006Talladega Nights: The … $47,042,2153,807$148,213,377$162,870,52591.0%
Jul 9, 2004Anchorman: The Legend … $28,416,3653,104$84,136,909$89,476,26594.0%
 
Averages $29,426,6043,270$105,506,975$151,217,82772.6%
Totals 11 $1,055,069,747$1,663,396,094