L'avenir (2016)

L'avenir
Theatrical Performance
Domestic Box Office $388,265Details
International Box Office $4,580,413Details
Worldwide Box Office $4,968,678
Home Market Performance
Est. Domestic DVD Sales $74,886 Details
Est. Domestic Blu-ray Sales $54,803 Details
Total Est. Domestic Video Sales $129,689
Further financial details...

Synopsis

What happens when the life you’ve worked so hard to build falls apart all at once? Nathalie is a philosophy teacher with a seemingly settled existence, juggling a rich life of the mind with the day-to-day demands of career and family. But beginning with the bombshell revelation that her husband of twenty-five years is leaving her, one by one the pillars of Nathalie’s life start to crumble. For the first time in ages, she finds herself adrift, but also with a newfound sense of liberation. With nothing to hold her back, Nathalie sets out to define this new phase of her life and to rediscover herself.

Metrics

Opening Weekend:$31,936 (8.2% of total gross)
Legs:8.38 (domestic box office/biggest weekend)
Domestic Share:7.8% (domestic box office/worldwide)
Theater counts:3 opening theaters/22 max. theaters, 7.6 weeks average run per theater
Infl. Adj. Dom. BO $477,619

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 10,301-10,400) 10,382 $388,265
All Time International Box Office (Rank 6,601-6,700) 6,696 $4,580,413
All Time Worldwide Box Office (Rank 9,901-10,000) 9,967 $4,968,678
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,701-2,800) 2,761 $388,265

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon

Movie Details

Domestic Releases: December 2nd, 2016 (Limited) by IFC Films, released as Things to Come
International Releases: April 8th, 2016 (Wide), released as L'avenir (France)
June 17th, 2016 (Wide), released as L'avenir (Portugal)
September 2nd, 2016 (Limited), released as Things to Come (United Kingdom)
September 9th, 2016 (Wide), released as L'avenir (Netherlands)
September 23rd, 2016 (Wide), released as L'avenir (Spain)
... Show all releases
Video Release: May 9th, 2017 by Mpi Home Video, released as Things to Come
MPAA Rating: PG-13 for brief language and drug use.
(Rating bulletin 2449 (Cert #50763), 11/2/2016)
Running Time: 100 minutes
Comparisons: Create your own comparison chart…
Keywords: Teachers, High School, Relationships Gone Wrong, Infidelity, Dysfunctional Family, Set in Paris
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: CG Cinema, Detailfilm, Arte France Cinema, Rhone-Alpes Cinema, Cinemage , Cofinova SRG SSR, Canal Plus, ARTE France, Procirep, CNC, Hessen Invest Film
Production Countries: France, Germany
Languages: French

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 10,301-10,400) 10,382 $388,265
All Time Domestic Inflation Adjusted Box Office (Rank 10,001-10,100) 10,072 $477,619
All Time Domestic Non-Sequel Box Office (Rank 9,401-9,500) 9,465 $388,265
Top 2016 Movies at the Domestic Box Office (Rank 201-300) 289 $388,265
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,701-2,800) 2,761 $388,265
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 2,901-3,000) 2,997 $477,619
Top 2016 Limited Release Movies at the Domestic Box Office (Rank 101-200) 131 $388,265
All Time Domestic Box Office for Original Screenplay Movies (Rank 5,301-5,400) 5,345 $388,265
All Time Domestic Box Office for Live Action Movies (Rank 9,201-9,300) 9,272 $388,265
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 5,301-5,400) 5,351 $388,265
All Time Domestic Box Office for Drama Movies (Rank 2,801-2,900) 2,859 $388,265
All Time Domestic Box Office for PG-13 Movies (Rank 2,501-2,600) 2,577 $388,265
All Time Domestic Box Office for IFC Films Movies (Rank 101-200) 104 $388,265

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 2, 2016 44 $31,936   3 $10,645   $31,936 1
Dec 9, 2016 38 $46,307 +45% 14 $3,308   $93,194 2
Dec 16, 2016 35 $38,138 -18% 22 $1,734   $155,107 3
Dec 23, 2016 40 $25,344 -34% 19 $1,334   $206,022 4
Dec 30, 2016 47 $18,504 -27% 13 $1,423   $247,933 5
Jan 6, 2017 44 $19,845 +7% 19 $1,044   $282,382 6
Jan 13, 2017 41 $17,612 -11% 20 $881   $313,922 7
Jan 20, 2017 51 $9,382 -47% 15 $625   $335,929 8
Jan 27, 2017 49 $11,379 +21% 15 $759   $356,710 9
Feb 3, 2017 51 $10,527 -7% 19 $554   $375,555 10
Feb 10, 2017 67 $1,804 -83% 9 $200   $388,265 11

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 2, 2016 44 $46,877   3 $15,626   $46,877 1
Dec 9, 2016 38 $70,082 +50% 14 $5,006   $116,959 2
Dec 16, 2016 41 $63,709 -9% 22 $2,896   $180,678 3
Dec 23, 2016 48 $48,751 -23% 11 $4,432   $229,429 4
Dec 30, 2016 48 $33,108 -32% 11 $3,010   $262,537 5
Jan 6, 2017 41 $33,773 +2% 19 $1,778   $296,310 6
Jan 13, 2017 40 $30,237 -10% 20 $1,512   $326,547 7
Jan 20, 2017 47 $18,784 -38% 15 $1,252   $345,331 8
Jan 27, 2017 42 $19,697 +5% 15 $1,313   $365,028 9
Feb 3, 2017 47 $21,433 +9% 19 $1,128   $386,461 10

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 4/14/2017 $0 0 0 0 $138,009 4/27/2019
Australia 4/28/2017 $82,941 15 21 141 $417,779 8/14/2017
France 4/8/2016 $0 0 0 0 $2,196,661 10/2/2018
Italy 4/21/2017 $104,975 0 0 0 $416,038 5/18/2017
Lithuania 3/10/2017 $0 0 5 10 $1,789 5/4/2017
Netherlands 9/9/2016 $56,592 32 36 300 $532,552 11/9/2016
Portugal 6/17/2016 $9,379 8 8 29 $41,808 8/18/2016
South Korea 9/29/2016 $26,150 27 28 134 $234,453 6/27/2018
Spain 9/23/2016 $94,991 50 59 303 $525,112 1/17/2017
Turkey 4/28/2017 $1,903 0 0 0 $9,235 1/1/2019
United Kingdom 9/2/2016 $66,977 0 0 0 $66,977 9/8/2018
 
International Total$4,580,413 4/27/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 6,601-6,700) 6,696 $4,580,413
All Time International Non-Sequel Box Office (Rank 5,801-5,900) 5,832 $4,580,413
All Time International Box Office for Original Screenplay Movies (Rank 3,501-3,600) 3,515 $4,580,413
All Time International Box Office for Live Action Movies (Rank 5,501-5,600) 5,554 $4,580,413
All Time International Box Office for Contemporary Fiction Movies (Rank 3,401-3,500) 3,421 $4,580,413
All Time International Box Office for Drama Movies (Rank 1,601-1,700) 1,616 $4,580,413
All Time International Box Office for PG-13 Movies (Rank 1,401-1,500) 1,482 $4,580,413
All Time International Box Office for IFC Films Movies 55 $4,580,413

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 9,901-10,000) 9,967 $4,968,678
All Time Worldwide Non-Sequel Box Office (Rank 8,801-8,900) 8,889 $4,968,678
All Time Worldwide Box Office for Original Screenplay Movies (Rank 5,201-5,300) 5,284 $4,968,678
All Time Worldwide Box Office for Live Action Movies (Rank 8,501-8,600) 8,599 $4,968,678
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 5,201-5,300) 5,296 $4,968,678
All Time Worldwide Box Office for Drama Movies (Rank 2,401-2,500) 2,419 $4,968,678
All Time Worldwide Box Office for PG-13 Movies (Rank 2,101-2,200) 2,186 $4,968,678
All Time Worldwide Box Office for IFC Films Movies 61 $4,968,678

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Isabelle Huppert    Nathalie

Supporting Cast

Andre Marcon    Heinz
Roman Kolinka    Fabien
Edith Scob    Yvette
Sarah Le Picard    Chloe
Solal Forte    Johann
Elise Lhomeau    Esla
Lionel Dray    Hugo
Gregoire Montana-Haroche    Simon
Lina Benzerti    Antonia

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Mia Hansen-Love    Director
Mia Hansen-Love    Screenwriter
Charles Gillibert    Executive Producer
Denis Lenoir    Director of Photography
Vincent Vatoux    Sound Designer
Olivier Goinard    Sound Mixer
Marion Monnier    Editor
Anna Falgueres    Set Designer
Rachele Raoult    Costume Designer
Thi Loan Nguyen    Make up
Clara Vincienne    Special Effects
Marie Doller    First Assistant Director
Clementine Schaeffer    Script Supervisor
Julien Flick    Unit Production Manager
Sacha Guillaume-Bourbault    Production Manager

Home Market Releases for May 9th, 2017

May 10th, 2017

Get Out

It’s not a good week for top-notch releases. Fifty Shades Darker is the biggest new DVD / Blu-ray release of the week, but it is far from the best. Get Out is clearly the best new release on this week’s list, but while it is the Pick of the Week, it is only coming out on Video on Demand and I would wait for the Blu-ray. Meanwhile we have another Puck of the Week, for best Canadian release. Those are usually rare, but we’ve have a streak of them recently. This week it’s The Void, which is great, but only coming out on DVD. More...

Theater Averages: Jackie Tackles Lion Earning Average of $55,743

December 6th, 2016

Jackie

Jackie led the way on the theater average chart with an average of $55,743 in five theaters. Given this start and add in its Oscar buzz and the film has a real shot at expanding wide. Last week’s winner, Lion, fell to second place with an average of $16,651 in seven theaters. Manchester by the Sea continues its impressive run with an average of $14,592 in 156 theaters. It still has room to grow. Miss Sloane earned an average of $11,213 in four theaters. It is reportedly expanding wide this weekend, but that can mean anything from a few hundred theaters to well over 2,000. Finally, Things to Come opened with an average of $11,030 in three theaters. More...

Weekend Estimates: Moana Stands Tall as Awards Season Hots Up

December 4th, 2016

Moana

The top of the box office chart remains a tale of two movies this weekend, with Moana maintaining an impressive lead over Fantastic Beasts and Where to Find Them, but both movies doing very nicely heading into the Christmas season. Moana tops the chart again this weekend with $28.4 million, for a total of $119.9 million at the end of the weekend. By way of comparison, Frozen had earned $134.3 million at this point in its run, but fell a slightly larger 53% from Thanksgiving, compared to Moana’s 50% decline. The next few weeks should be very lucrative for the animated adventure, which is likely to sail past $300 million at the domestic box office. More...

Limited and VOD Releases: Jackie Hopes O stands for Oscar

December 2nd, 2016

Jackie

There are not a lot of limited releases on this week’s list. Things to Come is earning the best reviews, but it is a foreign-language film and that will limit its box office potential. Believe is the biggest in terms of theater count, but it’s a faith-based film and there’s a chance it will open well below the Mendoza Line. On the other hand, Jackie has the best box office potential and Natalie Portman could win an Oscar for her performance. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

What happens when the life you’ve worked so hard to build falls apart all at once? Nathalie is a philosophy teacher with a seemingly settled existence, juggling a rich life of the mind with the day-to-day demands of career and family. But beginning with the bombshell revelation that her husband of twenty-five years is leaving her, one by one the pillars of Nathalie’s life start to crumble. For the first time in ages, she finds herself adrift, but also with a newfound sense of liberation. With nothing to hold her back, Nathalie sets out to define this new phase of her life and to rediscover herself.

Metrics

Opening Weekend:$31,936 (8.2% of total gross)
Legs:8.38 (domestic box office/biggest weekend)
Domestic Share:7.8% (domestic box office/worldwide)
Theater counts:3 opening theaters/22 max. theaters, 7.6 weeks average run per theater
Infl. Adj. Dom. BO $477,619

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 10,301-10,400) 10,382 $388,265
All Time International Box Office (Rank 6,601-6,700) 6,696 $4,580,413
All Time Worldwide Box Office (Rank 9,901-10,000) 9,967 $4,968,678
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,701-2,800) 2,761 $388,265

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon

Movie Details

Domestic Releases: December 2nd, 2016 (Limited) by IFC Films, released as Things to Come
International Releases: April 8th, 2016 (Wide), released as L'avenir (France)
June 17th, 2016 (Wide), released as L'avenir (Portugal)
September 2nd, 2016 (Limited), released as Things to Come (United Kingdom)
September 9th, 2016 (Wide), released as L'avenir (Netherlands)
September 23rd, 2016 (Wide), released as L'avenir (Spain)
... Show all releases
Video Release: May 9th, 2017 by Mpi Home Video, released as Things to Come
MPAA Rating: PG-13 for brief language and drug use.
(Rating bulletin 2449 (Cert #50763), 11/2/2016)
Running Time: 100 minutes
Comparisons: Create your own comparison chart…
Keywords: Teachers, High School, Relationships Gone Wrong, Infidelity, Dysfunctional Family, Set in Paris
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: CG Cinema, Detailfilm, Arte France Cinema, Rhone-Alpes Cinema, Cinemage , Cofinova SRG SSR, Canal Plus, ARTE France, Procirep, CNC, Hessen Invest Film
Production Countries: France, Germany
Languages: French

Leading Cast

Isabelle Huppert    Nathalie

Supporting Cast

Andre Marcon    Heinz
Roman Kolinka    Fabien
Edith Scob    Yvette
Sarah Le Picard    Chloe
Solal Forte    Johann
Elise Lhomeau    Esla
Lionel Dray    Hugo
Gregoire Montana-Haroche    Simon
Lina Benzerti    Antonia

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Mia Hansen-Love    Director
Mia Hansen-Love    Screenwriter
Charles Gillibert    Executive Producer
Denis Lenoir    Director of Photography
Vincent Vatoux    Sound Designer
Olivier Goinard    Sound Mixer
Marion Monnier    Editor
Anna Falgueres    Set Designer
Rachele Raoult    Costume Designer
Thi Loan Nguyen    Make up
Clara Vincienne    Special Effects
Marie Doller    First Assistant Director
Clementine Schaeffer    Script Supervisor
Julien Flick    Unit Production Manager
Sacha Guillaume-Bourbault    Production Manager

Home Market Releases for May 9th, 2017

May 10th, 2017

Get Out

It’s not a good week for top-notch releases. Fifty Shades Darker is the biggest new DVD / Blu-ray release of the week, but it is far from the best. Get Out is clearly the best new release on this week’s list, but while it is the Pick of the Week, it is only coming out on Video on Demand and I would wait for the Blu-ray. Meanwhile we have another Puck of the Week, for best Canadian release. Those are usually rare, but we’ve have a streak of them recently. This week it’s The Void, which is great, but only coming out on DVD. More...

Theater Averages: Jackie Tackles Lion Earning Average of $55,743

December 6th, 2016

Jackie

Jackie led the way on the theater average chart with an average of $55,743 in five theaters. Given this start and add in its Oscar buzz and the film has a real shot at expanding wide. Last week’s winner, Lion, fell to second place with an average of $16,651 in seven theaters. Manchester by the Sea continues its impressive run with an average of $14,592 in 156 theaters. It still has room to grow. Miss Sloane earned an average of $11,213 in four theaters. It is reportedly expanding wide this weekend, but that can mean anything from a few hundred theaters to well over 2,000. Finally, Things to Come opened with an average of $11,030 in three theaters. More...

Weekend Estimates: Moana Stands Tall as Awards Season Hots Up

December 4th, 2016

Moana

The top of the box office chart remains a tale of two movies this weekend, with Moana maintaining an impressive lead over Fantastic Beasts and Where to Find Them, but both movies doing very nicely heading into the Christmas season. Moana tops the chart again this weekend with $28.4 million, for a total of $119.9 million at the end of the weekend. By way of comparison, Frozen had earned $134.3 million at this point in its run, but fell a slightly larger 53% from Thanksgiving, compared to Moana’s 50% decline. The next few weeks should be very lucrative for the animated adventure, which is likely to sail past $300 million at the domestic box office. More...

Limited and VOD Releases: Jackie Hopes O stands for Oscar

December 2nd, 2016

Jackie

There are not a lot of limited releases on this week’s list. Things to Come is earning the best reviews, but it is a foreign-language film and that will limit its box office potential. Believe is the biggest in terms of theater count, but it’s a faith-based film and there’s a chance it will open well below the Mendoza Line. On the other hand, Jackie has the best box office potential and Natalie Portman could win an Oscar for her performance. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 10,301-10,400) 10,382 $388,265
All Time Domestic Inflation Adjusted Box Office (Rank 10,001-10,100) 10,072 $477,619
All Time Domestic Non-Sequel Box Office (Rank 9,401-9,500) 9,465 $388,265
Top 2016 Movies at the Domestic Box Office (Rank 201-300) 289 $388,265
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,701-2,800) 2,761 $388,265
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 2,901-3,000) 2,997 $477,619
Top 2016 Limited Release Movies at the Domestic Box Office (Rank 101-200) 131 $388,265
All Time Domestic Box Office for Original Screenplay Movies (Rank 5,301-5,400) 5,345 $388,265
All Time Domestic Box Office for Live Action Movies (Rank 9,201-9,300) 9,272 $388,265
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 5,301-5,400) 5,351 $388,265
All Time Domestic Box Office for Drama Movies (Rank 2,801-2,900) 2,859 $388,265
All Time Domestic Box Office for PG-13 Movies (Rank 2,501-2,600) 2,577 $388,265
All Time Domestic Box Office for IFC Films Movies (Rank 101-200) 104 $388,265

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 2, 2016 44 $31,936   3 $10,645   $31,936 1
Dec 9, 2016 38 $46,307 +45% 14 $3,308   $93,194 2
Dec 16, 2016 35 $38,138 -18% 22 $1,734   $155,107 3
Dec 23, 2016 40 $25,344 -34% 19 $1,334   $206,022 4
Dec 30, 2016 47 $18,504 -27% 13 $1,423   $247,933 5
Jan 6, 2017 44 $19,845 +7% 19 $1,044   $282,382 6
Jan 13, 2017 41 $17,612 -11% 20 $881   $313,922 7
Jan 20, 2017 51 $9,382 -47% 15 $625   $335,929 8
Jan 27, 2017 49 $11,379 +21% 15 $759   $356,710 9
Feb 3, 2017 51 $10,527 -7% 19 $554   $375,555 10
Feb 10, 2017 67 $1,804 -83% 9 $200   $388,265 11

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 2, 2016 44 $46,877   3 $15,626   $46,877 1
Dec 9, 2016 38 $70,082 +50% 14 $5,006   $116,959 2
Dec 16, 2016 41 $63,709 -9% 22 $2,896   $180,678 3
Dec 23, 2016 48 $48,751 -23% 11 $4,432   $229,429 4
Dec 30, 2016 48 $33,108 -32% 11 $3,010   $262,537 5
Jan 6, 2017 41 $33,773 +2% 19 $1,778   $296,310 6
Jan 13, 2017 40 $30,237 -10% 20 $1,512   $326,547 7
Jan 20, 2017 47 $18,784 -38% 15 $1,252   $345,331 8
Jan 27, 2017 42 $19,697 +5% 15 $1,313   $365,028 9
Feb 3, 2017 47 $21,433 +9% 19 $1,128   $386,461 10

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 4/14/2017 $0 0 0 0 $138,009 4/27/2019
Australia 4/28/2017 $82,941 15 21 141 $417,779 8/14/2017
France 4/8/2016 $0 0 0 0 $2,196,661 10/2/2018
Italy 4/21/2017 $104,975 0 0 0 $416,038 5/18/2017
Lithuania 3/10/2017 $0 0 5 10 $1,789 5/4/2017
Netherlands 9/9/2016 $56,592 32 36 300 $532,552 11/9/2016
Portugal 6/17/2016 $9,379 8 8 29 $41,808 8/18/2016
South Korea 9/29/2016 $26,150 27 28 134 $234,453 6/27/2018
Spain 9/23/2016 $94,991 50 59 303 $525,112 1/17/2017
Turkey 4/28/2017 $1,903 0 0 0 $9,235 1/1/2019
United Kingdom 9/2/2016 $66,977 0 0 0 $66,977 9/8/2018
 
International Total$4,580,413 4/27/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 6,601-6,700) 6,696 $4,580,413
All Time International Non-Sequel Box Office (Rank 5,801-5,900) 5,832 $4,580,413
All Time International Box Office for Original Screenplay Movies (Rank 3,501-3,600) 3,515 $4,580,413
All Time International Box Office for Live Action Movies (Rank 5,501-5,600) 5,554 $4,580,413
All Time International Box Office for Contemporary Fiction Movies (Rank 3,401-3,500) 3,421 $4,580,413
All Time International Box Office for Drama Movies (Rank 1,601-1,700) 1,616 $4,580,413
All Time International Box Office for PG-13 Movies (Rank 1,401-1,500) 1,482 $4,580,413
All Time International Box Office for IFC Films Movies 55 $4,580,413

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 9,901-10,000) 9,967 $4,968,678
All Time Worldwide Non-Sequel Box Office (Rank 8,801-8,900) 8,889 $4,968,678
All Time Worldwide Box Office for Original Screenplay Movies (Rank 5,201-5,300) 5,284 $4,968,678
All Time Worldwide Box Office for Live Action Movies (Rank 8,501-8,600) 8,599 $4,968,678
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 5,201-5,300) 5,296 $4,968,678
All Time Worldwide Box Office for Drama Movies (Rank 2,401-2,500) 2,419 $4,968,678
All Time Worldwide Box Office for PG-13 Movies (Rank 2,101-2,200) 2,186 $4,968,678
All Time Worldwide Box Office for IFC Films Movies 61 $4,968,678

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.