Troublemakers: The Story of Land Art (2016)

Troublemakers: The Story of Land Art poster
Theatrical Performance
Domestic Box Office $29,462Details
International Box Office $9,109Details
Worldwide Box Office $38,571
Home Market Performance
Est. Domestic DVD Sales $174,200 Details
Total Est. Domestic Video Sales $174,200
Further financial details...

Synopsis

Troublemakers unearths the history of land art in the tumultuous late 1960s and early 1970s when a cadre of renegade New York artists sought to transcend the limitations of painting and sculpture by producing earthworks on a monumental scale in the desolate desert spaces of the American southwest. Today these works remain impressive not only for the sheer audacity of their makers but also for their out-sized ambitions to break free from traditional norms. The film casts these artists in a heroic light, which is exactly how they saw themselves. Iconoclasts who changed the landscape of art forever, these revolutionary, antagonistic creatives risked their careers on radical artistic change and experimentation, and took on the establishment to produce art on their own terms.

Metrics

Opening Weekend:$5,424 (18.4% of total gross)
Legs:5.43 (domestic box office/biggest weekend)
Domestic Share:76.4% (domestic box office/worldwide)
Theater counts:4 opening theaters/5 max. theaters, 4.6 weeks average run per theater
Infl. Adj. Dom. BO $36,717

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 14,801-14,900) 14,862 $29,462
All Time International Box Office (Rank 24,501-24,600) 24,503 $9,109
All Time Worldwide Box Office (Rank 27,801-27,900) 27,886 $38,571
All Time Domestic Highest Grossing Limited Release Movies (Rank 6,401-6,500) 6,431 $29,462

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

iTunes:iTunes

Movie Details

Domestic Releases: January 8th, 2016 (Limited) by First Run Features
International Releases: May 13th, 2016 (Wide) (United Kingdom)
Video Release: May 17th, 2016 by First Run Home
MPAA Rating: Not Rated
Running Time: 72 minutes
Comparisons: vs. Germans and Jews
Create your own comparison chart…
Keywords: Desert, 1960s, 1970s, Artists
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Summitridge Pictures, RSJC LLC
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 8, 2016 62 $5,424   4 $1,356   $5,424 1
Jan 15, 2016 62 $3,403 -37% 3 $1,134   $13,811 2
Jan 22, 2016 72 $1,081 -68% 3 $360   $19,043 3
Jan 29, 2016 73 $1,946 +80% 3 $649   $22,925 4
Feb 5, 2016 76 $1,280 -34% 2 $640   $24,924 5
Feb 12, 2016 91 $216 -83% 1 $216   $26,246 6
Feb 26, 2016 81 $1,247   4 $312   $27,936 8
Mar 11, 2016 103 $112   2 $56   $28,048 10
Mar 18, 2016 111 $88 -21% 1 $88   $28,140 11

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 8, 2016 59 $10,408   5 $2,082   $10,408 1
Jan 15, 2016 60 $7,554 -27% 5 $1,511   $17,962 2
Jan 22, 2016 72 $3,017 -60% 4 $754   $20,979 3
Jan 29, 2016 80 $2,665 -12% 3 $888   $23,644 4
Feb 5, 2016 76 $2,386 -10% 3 $795   $26,030 5
Feb 12, 2016 99 $216 -91% 1 $216   $26,246 6
Feb 19, 2016 103 $443 +105% 2 $222   $26,689 7
Mar 11, 2016 113 $116   2 $58   $28,052 10
Mar 18, 2016 123 $124 +7% 1 $124   $28,176 11
Apr 15, 2016 119 $265   1 $265   $28,581 15
Apr 22, 2016 115 $229 -14% 1 $229   $28,810 16
Apr 29, 2016 105 $652 +185% 2 $326   $29,462 17

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
United Kingdom 5/13/2016 $4,251 3 3 3 $9,109 9/8/2018
 
International Total$9,109 9/8/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Interviewee(s)

Carl Andre    Himself
Michael Heizer    Himself
Robert Smithson    Himself
Walter De Maria    Himself
Germano Celant    Himself
Dennis Oppenheim    Himself
Nancy Holt    Herself
Vito Acconci    Himself
Virginia Dwan    Herself
Charles Ross    Himself
Paula Cooper    Herself
Lawrence Weiner    Himself
Willoughby Sharp    Himself
Gianfranco Gorgoni    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

James Crump    Director
James Crump    Screenwriter
James Crump    Producer
Farley Ziegler    Producer
Michel Comte    Producer
Ronnie Sassoon    Executive Producer
Nick Tamburri    Editor
Alex Themistocleous    Cinematographer
Robert O'Haire    Cinematographer
Rick Ash    Sound Designer
Gary Gegan    Sound Designer

Home Market Releases for May 17th, 2016

May 17th, 2016

Dark Passage

The Deadpool Blu-ray arrived last Tuesday, which is par for course for Fox, as their screeners always seem to arrive as late as possible while still technically not being late. There are updates below with the extras. On a side note, the film is so good, I was tempted to make it the Pick of the Week for the second week in a row. However, in the end I went with Dark Passage, a classic Film Noir with a famous hook. The Blu-ray is the Pick of the Week. More...

Theater Averages: Anomalisa Leads Uneventful Chart with $12,738

January 13th, 2016

Anomalisa

There were only three films in the $10,000 club this weekend and all of them were holdovers. Leading the way was Anomalisa with an average of $12,738 in 17 theaters. At this pace, the film will earn some measure of mainstream success. However, unless it wins an Oscar, it likely won't match its $8 million production budget in theaters. The Revenant slipped into second place with $11,801, while the overall number one film, Star Wars: The Force Awakens, was next with $10,245. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Troublemakers unearths the history of land art in the tumultuous late 1960s and early 1970s when a cadre of renegade New York artists sought to transcend the limitations of painting and sculpture by producing earthworks on a monumental scale in the desolate desert spaces of the American southwest. Today these works remain impressive not only for the sheer audacity of their makers but also for their out-sized ambitions to break free from traditional norms. The film casts these artists in a heroic light, which is exactly how they saw themselves. Iconoclasts who changed the landscape of art forever, these revolutionary, antagonistic creatives risked their careers on radical artistic change and experimentation, and took on the establishment to produce art on their own terms.

Metrics

Opening Weekend:$5,424 (18.4% of total gross)
Legs:5.43 (domestic box office/biggest weekend)
Domestic Share:76.4% (domestic box office/worldwide)
Theater counts:4 opening theaters/5 max. theaters, 4.6 weeks average run per theater
Infl. Adj. Dom. BO $36,717

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 14,801-14,900) 14,862 $29,462
All Time International Box Office (Rank 24,501-24,600) 24,503 $9,109
All Time Worldwide Box Office (Rank 27,801-27,900) 27,886 $38,571
All Time Domestic Highest Grossing Limited Release Movies (Rank 6,401-6,500) 6,431 $29,462

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

iTunes:iTunes

Movie Details

Domestic Releases: January 8th, 2016 (Limited) by First Run Features
International Releases: May 13th, 2016 (Wide) (United Kingdom)
Video Release: May 17th, 2016 by First Run Home
MPAA Rating: Not Rated
Running Time: 72 minutes
Comparisons: vs. Germans and Jews
Create your own comparison chart…
Keywords: Desert, 1960s, 1970s, Artists
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Summitridge Pictures, RSJC LLC
Production Countries: United States
Languages: English

Interviewee(s)

Carl Andre    Himself
Michael Heizer    Himself
Robert Smithson    Himself
Walter De Maria    Himself
Germano Celant    Himself
Dennis Oppenheim    Himself
Nancy Holt    Herself
Vito Acconci    Himself
Virginia Dwan    Herself
Charles Ross    Himself
Paula Cooper    Herself
Lawrence Weiner    Himself
Willoughby Sharp    Himself
Gianfranco Gorgoni    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

James Crump    Director
James Crump    Screenwriter
James Crump    Producer
Farley Ziegler    Producer
Michel Comte    Producer
Ronnie Sassoon    Executive Producer
Nick Tamburri    Editor
Alex Themistocleous    Cinematographer
Robert O'Haire    Cinematographer
Rick Ash    Sound Designer
Gary Gegan    Sound Designer

Home Market Releases for May 17th, 2016

May 17th, 2016

Dark Passage

The Deadpool Blu-ray arrived last Tuesday, which is par for course for Fox, as their screeners always seem to arrive as late as possible while still technically not being late. There are updates below with the extras. On a side note, the film is so good, I was tempted to make it the Pick of the Week for the second week in a row. However, in the end I went with Dark Passage, a classic Film Noir with a famous hook. The Blu-ray is the Pick of the Week. More...

Theater Averages: Anomalisa Leads Uneventful Chart with $12,738

January 13th, 2016

Anomalisa

There were only three films in the $10,000 club this weekend and all of them were holdovers. Leading the way was Anomalisa with an average of $12,738 in 17 theaters. At this pace, the film will earn some measure of mainstream success. However, unless it wins an Oscar, it likely won't match its $8 million production budget in theaters. The Revenant slipped into second place with $11,801, while the overall number one film, Star Wars: The Force Awakens, was next with $10,245. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 8, 2016 62 $5,424   4 $1,356   $5,424 1
Jan 15, 2016 62 $3,403 -37% 3 $1,134   $13,811 2
Jan 22, 2016 72 $1,081 -68% 3 $360   $19,043 3
Jan 29, 2016 73 $1,946 +80% 3 $649   $22,925 4
Feb 5, 2016 76 $1,280 -34% 2 $640   $24,924 5
Feb 12, 2016 91 $216 -83% 1 $216   $26,246 6
Feb 26, 2016 81 $1,247   4 $312   $27,936 8
Mar 11, 2016 103 $112   2 $56   $28,048 10
Mar 18, 2016 111 $88 -21% 1 $88   $28,140 11

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 8, 2016 59 $10,408   5 $2,082   $10,408 1
Jan 15, 2016 60 $7,554 -27% 5 $1,511   $17,962 2
Jan 22, 2016 72 $3,017 -60% 4 $754   $20,979 3
Jan 29, 2016 80 $2,665 -12% 3 $888   $23,644 4
Feb 5, 2016 76 $2,386 -10% 3 $795   $26,030 5
Feb 12, 2016 99 $216 -91% 1 $216   $26,246 6
Feb 19, 2016 103 $443 +105% 2 $222   $26,689 7
Mar 11, 2016 113 $116   2 $58   $28,052 10
Mar 18, 2016 123 $124 +7% 1 $124   $28,176 11
Apr 15, 2016 119 $265   1 $265   $28,581 15
Apr 22, 2016 115 $229 -14% 1 $229   $28,810 16
Apr 29, 2016 105 $652 +185% 2 $326   $29,462 17

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
United Kingdom 5/13/2016 $4,251 3 3 3 $9,109 9/8/2018
 
International Total$9,109 9/8/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.