A Small Good Thing (2016)

A Small Good Thing
Theatrical Performance
Domestic Box Office $1,196Details
Further financial details...

Synopsis

The stories of six people moving away from a philosophy of “more is better” toward a more holistic conception of well-being — one based on a close connection to themselves, their families, the natural world, and to the greater good. For the longest time, we’ve been living as though the more we have - the more money, the more goods, the more territory—the happier we’ll be. Surprisingly, over the last fifty years as our standard of living has improved, our happiness has not. It examines how our ideal of the American Dream has come to the end of its promise. The film tells the stories of people moving away from a philosophy of “more is better” and toward a more holistic conception of happiness — one based on a close connection to their bodies and health, to the natural world, and to the greater good.

Metrics

Opening Weekend:$1,196 (100.0% of total gross)
Legs:1.00 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:2 opening theaters/2 max. theaters, 1.0 weeks average run per theater
Infl. Adj. Dom. BO $1,488

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 18,201-18,300) 18,277 $1,196
All Time Worldwide Box Office (Rank 37,901-38,000) 37,917 $1,196
All Time Domestic Highest Grossing Limited Release Movies (Rank 9,101-9,200) 9,199 $1,196

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: August 19th, 2016 (Limited) by Kino Lorber
Video Release: December 20th, 2016 by Kino Lorber
MPAA Rating: Not Rated
Running Time: 73 minutes
Comparisons: Create your own comparison chart…
Keywords: Compilations, Life on a Farm, Addiction
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Mystic Artists
Production Countries: Rwanda, United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 19, 2016 89 $1,196   2 $598   $1,196 1

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 19, 2016 103 $1,196   2 $598   $1,196 1

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Tim Durrin    Himself
Jen Salinetti    Herself
Peter Salinetti    Himself
Sean Stanton    Himself
Mark Gerow    Himself
Shirley Edgerton    Herself

Interviewee(s)

Bill McKibben    Himself/Author/Environmentalist, Founder 350.org
Jeremy Rifkin    Himself/Founder/President, The Foundation on Economic Trends
Dacher Keltner    Himself/Professor of Psychology, University of California, Berkeley, Founder, Greater Good Science Center
Stephen Cope    Himself/Founder/Director, Kripalu Institute for Extraordinary Living

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Pamela Tanner Boll    Director
Will Dunning    Consulting Producer
Michelle Seligson    Consulting Producer
Paula Kirk    Producer
Kerthy Fix    Producer
Pamela Tanner Boll    Executive Producer
Gary Henoch    Director of Photography
T.C. Johnstone    Editor
Nancy C. Kennedy*    Editor
Lillie Zuck    Associate Editor
Joshua Myers    Composer

Theater Averages: Darkness has a Lovely Start with an Average of $18,585

August 24th, 2016

A Tale of Love and Darkness

Natalie Portman’s feature-length directorial debut, A Tale of Love and Darkness, was the only film in the $10,000 club earning an average of $18,585 in two theaters. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The stories of six people moving away from a philosophy of “more is better” toward a more holistic conception of well-being — one based on a close connection to themselves, their families, the natural world, and to the greater good. For the longest time, we’ve been living as though the more we have - the more money, the more goods, the more territory—the happier we’ll be. Surprisingly, over the last fifty years as our standard of living has improved, our happiness has not. It examines how our ideal of the American Dream has come to the end of its promise. The film tells the stories of people moving away from a philosophy of “more is better” and toward a more holistic conception of happiness — one based on a close connection to their bodies and health, to the natural world, and to the greater good.

Metrics

Opening Weekend:$1,196 (100.0% of total gross)
Legs:1.00 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:2 opening theaters/2 max. theaters, 1.0 weeks average run per theater
Infl. Adj. Dom. BO $1,488

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 18,201-18,300) 18,277 $1,196
All Time Worldwide Box Office (Rank 37,901-38,000) 37,917 $1,196
All Time Domestic Highest Grossing Limited Release Movies (Rank 9,101-9,200) 9,199 $1,196

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: August 19th, 2016 (Limited) by Kino Lorber
Video Release: December 20th, 2016 by Kino Lorber
MPAA Rating: Not Rated
Running Time: 73 minutes
Comparisons: Create your own comparison chart…
Keywords: Compilations, Life on a Farm, Addiction
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Mystic Artists
Production Countries: Rwanda, United States
Languages: English

Documentary Subject(s)

Tim Durrin    Himself
Jen Salinetti    Herself
Peter Salinetti    Himself
Sean Stanton    Himself
Mark Gerow    Himself
Shirley Edgerton    Herself

Interviewee(s)

Bill McKibben    Himself/Author/Environmentalist, Founder 350.org
Jeremy Rifkin    Himself/Founder/President, The Foundation on Economic Trends
Dacher Keltner    Himself/Professor of Psychology, University of California, Berkeley, Founder, Greater Good Science Center
Stephen Cope    Himself/Founder/Director, Kripalu Institute for Extraordinary Living

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Pamela Tanner Boll    Director
Will Dunning    Consulting Producer
Michelle Seligson    Consulting Producer
Paula Kirk    Producer
Kerthy Fix    Producer
Pamela Tanner Boll    Executive Producer
Gary Henoch    Director of Photography
T.C. Johnstone    Editor
Nancy C. Kennedy*    Editor
Lillie Zuck    Associate Editor
Joshua Myers    Composer

Theater Averages: Darkness has a Lovely Start with an Average of $18,585

August 24th, 2016

A Tale of Love and Darkness

Natalie Portman’s feature-length directorial debut, A Tale of Love and Darkness, was the only film in the $10,000 club earning an average of $18,585 in two theaters. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 19, 2016 89 $1,196   2 $598   $1,196 1

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 19, 2016 103 $1,196   2 $598   $1,196 1

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.