Spider-Man: Into The Spider-Verse 3D (2018)

Spider-Man: Into The Spider-Verse 3D
Theatrical Performance
Domestic Box Office $190,173,195Details
International Box Office $185,291,432Details
Worldwide Box Office $375,464,627
Home Market Performance
Est. Domestic DVD Sales $11,657,312 Details
Est. Domestic Blu-ray Sales $40,161,512 Details
Total Est. Domestic Video Sales $51,818,824
Further financial details...

Synopsis

“Spider-Man: Into the Spider-Verse” introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse, where more than one can wear the mask.

Metrics

Opening Weekend:$35,363,376 (18.6% of total gross)
Legs:5.38 (domestic box office/biggest weekend)
Domestic Share:50.7% (domestic box office/worldwide)
Production Budget:$90,000,000 (worldwide box office is 4.2 times production budget)
Theater counts:3,813 opening theaters/3,813 max. theaters, 8.6 weeks average run per theater
Infl. Adj. Dom. BO $224,671,823

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon 4K UHD VOD, Amazon VOD, Amazon VOD, Amazon 4K UHD VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: December 14th, 2018 (Wide) by Sony Pictures
December 14th, 2018 (IMAX) by Sony Pictures
International Releases: December 7th, 2018 (Sneak Peek), released as Spider-Man: Paralelné svety (Slovakia)
December 12th, 2018 (Wide) (Philippines)
December 12th, 2018 (Wide), released as Spider-Man: Into the Spider-Verse (South Korea)
December 12th, 2018 (Wide) (Switzerland)
December 12th, 2018 (Wide), released as Spider-Man: Into The Spider-Verse (United Kingdom)
... Show all releases
Video Release: February 26th, 2019 by Sony Pictures Home Entertainment
MPAA Rating: PG for frenetic sequences of animated action violence, thematic elements, and mild language.
(Rating bulletin 2554 (Cert #51438), 11/21/2018)
Running Time: 117 minutes
Franchise: Spider-Man
Sony’s Marvel Universe
Comparisons: vs. Spider-Man: Across the Spider-Verse
Create your own comparison chart…
Keywords: Alternative Dimensions / Parallel universe, Animal Lead, Talking Animals, Orphan, Film Noir, Anime, 3-D, 3-D - Shot in 3-D, IMAX: DMR, Action Adventure
Source:Based on Comic/Graphic Novel
Genre:Adventure
Production Method:Digital Animation
Creative Type:Super Hero
Production/Financing Companies: Columbia Pictures, Marvel Studios, Avi Arad, Lord Miller, Pascal Pictures, Sony Pictures Animation
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest 10th Tuesday 88 $248,321 Feb 19, 2019 68
Biggest 10th Monday 22 $695,152 Feb 18, 2019 67
Biggest 10th Sunday 81 $736,296 Feb 17, 2019 66
Biggest 9th Thursday 79 $303,814 Feb 14, 2019 63
Biggest 9th Sunday 90 $933,025 Feb 10, 2019 59
Biggest 9th Saturday 84 $1,474,318 Feb 9, 2019 58
Biggest 8th Tuesday 87 $501,031 Feb 5, 2019 54
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 341 $5,479,664 Feb 1, 2019 52
Biggest 8th Saturday 57 $2,429,142 Feb 2, 2019 51
Biggest 7th Sunday 80 $1,857,160 Jan 27, 2019 45
Biggest 7th Saturday 72 $2,915,671 Jan 26, 2019 44
Biggest 6th Monday 18 $2,580,751 Jan 21, 2019 39
Biggest 6th Sunday 75 $2,569,387 Jan 20, 2019 38
Martin Luther King (All Movies, 3-Day) 177 $7,570,269 Jan 18, 2019 38
Martin Luther King (All Movies, 3-Day, Inflation Adjusted) 295 $9,119,835 Jan 18, 2019 38
Martin Luther King (All Movies, 4-Day, Fri-Mon) 135 $10,151,020 Jan 18, 2019 38
Martin Luther King (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 178 $12,228,837 Jan 18, 2019 38
New Year's Day (All Movies, 3-Day) 91 $13,126,885 Jan 4, 2019 24
New Year's Day (All Movies, 3-Day, Inflation Adjusted) 203 $15,813,830 Jan 4, 2019 24
Biggest 3rd Thursday 57 $3,107,542 Jan 3, 2019 21
Biggest 3rd Wednesday 52 $3,411,566 Jan 2, 2019 20
Biggest 3rd Tuesday 20 $6,185,793 Jan 1, 2019 19
Biggest 3rd Monday 56 $4,023,183 Dec 31, 2018 18
Christmas (All Movies, 3-Day) 61 $18,794,532 Dec 28, 2018 17
Christmas (All Movies, 3-Day, Inflation Adjusted) 129 $22,641,595 Dec 28, 2018 17
Biggest 2nd Thursday 52 $5,883,626 Dec 27, 2018 14
Biggest 2nd Wednesday 55 $5,901,236 Dec 26, 2018 13
Biggest 2nd Tuesday 92 $5,630,385 Dec 25, 2018 12
Biggest Domestic December Weekend 55 $35,363,376 Dec 14, 2018 3
Top Sony Pictures Weekend Domestic 79 $35,363,376 Dec 14, 2018 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 14, 2018 1 $35,363,376   3,813 $9,274   $35,363,376 1
Dec 21, 2018 4 $16,463,662 -53% 3,813 $4,318   $64,563,725 2
Dec 28, 2018 4 $18,794,532 +14% 3,813 $4,929   $104,123,262 3
Jan 4, 2019 5 $13,126,885 -30% 3,419 $3,839   $133,978,231 4
Jan 11, 2019 4 $9,050,583 -31% 3,029 $2,988   $147,826,028 5
Jan 18, 2019 5 $7,570,269 -16% 2,712 $2,791   $158,571,654 6
Jan 25, 2019 5 $6,110,126 -19% 2,383 $2,564   $169,000,242 7
Feb 1, 2019 5 $4,548,595 -26% 2,234 $2,036   $175,424,664 8
Feb 8, 2019 9 $3,043,626 -33% 1,726 $1,763   $179,825,253 9
Feb 15, 2019 11 $2,019,009 -34% 1,207 $1,673   $182,774,913 10
Feb 22, 2019 16 $884,085 -56% 743 $1,190   $184,924,110 11
Mar 1, 2019 11 $2,151,246 +143% 2,404 $895   $187,437,456 12
Mar 8, 2019 15 $649,380 -70% 824 $788   $188,791,064 13
Mar 15, 2019 20 $317,037 -51% 366 $866   $189,482,090 14
Mar 22, 2019 19 $255,377 -19% 278 $919   $189,873,385 15
Mar 29, 2019 23 $178,764 -30% 218 $820   $190,173,195 16

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Dec 13, 2018 P $3,500,000     0     $3,500,000  
Dec 14, 2018 1 $12,665,081     3,813 $3,322   $12,665,081 1
Dec 15, 2018 1 $13,012,817 +3%   3,813 $3,413   $25,677,898 2
Dec 16, 2018 1 $9,685,478 -26%   3,813 $2,540   $35,363,376 3
Dec 17, 2018 1 $2,765,829 -71%   3,813 $725   $38,129,205 4
Dec 18, 2018 1 $4,301,097 +56%   3,813 $1,128   $42,430,302 5
Dec 19, 2018 2 $2,783,837 -35%   3,813 $730   $45,214,139 6
Dec 20, 2018 2 $2,885,924 +4%   3,813 $757   $48,100,063 7
Dec 21, 2018 4 $4,807,821 +67% -62% 3,813 $1,261   $52,907,884 8
Dec 22, 2018 4 $6,206,634 +29% -52% 3,813 $1,628   $59,114,518 9
Dec 23, 2018 4 $5,449,207 -12% -44% 3,813 $1,429   $64,563,725 10
Dec 24, 2018 4 $3,349,758 -39% +21% 3,813 $879   $67,913,483 11
Dec 25, 2018 5 $5,630,385 +68% +31% 3,813 $1,477   $73,543,868 12
Dec 26, 2018 4 $5,901,236 +5% +112% 3,813 $1,548   $79,445,104 13
Dec 27, 2018 3 $5,883,626 n/c +104% 3,813 $1,543   $85,328,730 14
Dec 28, 2018 4 $6,431,491 +9% +34% 3,813 $1,687   $91,760,221 15
Dec 29, 2018 4 $6,509,977 +1% +5% 3,813 $1,707   $98,270,198 16
Dec 30, 2018 4 $5,853,064 -10% +7% 3,813 $1,535   $104,123,262 17
Dec 31, 2018 4 $4,023,183 -31% +20% 3,813 $1,055   $108,146,445 18
Jan 1, 2019 4 $6,185,793 +54% +10% 3,813 $1,622   $114,332,238 19
Jan 2, 2019 3 $3,411,566 -45% -42% 3,813 $895   $117,743,804 20
Jan 3, 2019 3 $3,107,542 -9% -47% 3,813 $815   $120,851,346 21
Jan 4, 2019 4 $4,073,858 +31% -37% 3,419 $1,192   $124,925,204 22
Jan 5, 2019 5 $5,388,064 +32% -17% 3,419 $1,576   $130,313,268 23
Jan 6, 2019 5 $3,664,963 -32% -37% 3,419 $1,072   $133,978,231 24
Jan 7, 2019 3 $1,268,371 -65% -68% 3,419 $371   $135,246,602 25
Jan 8, 2019 4 $1,600,986 +26% -74% 3,419 $468   $136,847,588 26
Jan 9, 2019 3 $1,002,421 -37% -71% 3,419 $293   $137,850,009 27
Jan 10, 2019 3 $925,436 -8% -70% 3,419 $271   $138,775,445 28
Jan 11, 2019 5 $2,200,810 +138% -46% 3,029 $727   $140,976,255 29
Jan 12, 2019 4 $4,087,944 +86% -24% 3,029 $1,350   $145,064,199 30
Jan 13, 2019 4 $2,761,829 -32% -25% 3,029 $912   $147,826,028 31
Jan 14, 2019 4 $688,578 -75% -46% 3,029 $227   $148,514,606 32
Jan 15, 2019 3 $1,120,509 +63% -30% 3,029 $370   $149,635,115 33
Jan 16, 2019 4 $702,369 -37% -30% 3,029 $232   $150,337,484 34
Jan 17, 2019 4 $663,901 -5% -28% 3,029 $219   $151,001,385 35
Jan 18, 2019 5 $1,767,109 +166% -20% 2,712 $652   $152,768,494 36
Jan 19, 2019 5 $3,233,773 +83% -21% 2,712 $1,192   $156,002,267 37
Jan 20, 2019 4 $2,569,387 -21% -7% 2,712 $947   $158,571,654 38
Jan 21, 2019 5 $2,580,751 n/c +275% 2,712 $952   $161,152,405 39
Jan 22, 2019 5 $765,302 -70% -32% 2,712 $282   $161,917,707 40
Jan 23, 2019 5 $471,052 -38% -33% 2,712 $174   $162,388,759 41
Jan 24, 2019 5 $501,357 +6% -24% 2,712 $185   $162,890,116 42
Jan 25, 2019 7 $1,337,295 +167% -24% 2,383 $561   $164,227,411 43
Jan 26, 2019 5 $2,915,671 +118% -10% 2,383 $1,224   $167,143,082 44
Jan 27, 2019 5 $1,857,160 -36% -28% 2,383 $779   $169,000,242 45
Jan 28, 2019 5 $400,590 -78% -84% 2,383 $168   $169,400,832 46
Jan 29, 2019 5 $588,102 +47% -23% 2,383 $247   $169,988,934 47
Jan 30, 2019 5 $427,067 -27% -9% 2,383 $179   $170,416,001 48
Jan 31, 2019 5 $460,068 +8% -8% 2,383 $193   $170,876,069 49
Feb 1, 2019 6 $1,118,088 +143% -16% 2,234 $500   $171,994,157 50
Feb 2, 2019 5 $2,429,142 +117% -17% 2,234 $1,087   $174,423,299 51
Feb 3, 2019 5 $1,001,365 -59% -46% 2,234 $448   $175,424,664 52
Feb 4, 2019 6 $305,960 -69% -24% 2,234 $137   $175,730,624 53
Feb 5, 2019 6 $501,031 +64% -15% 2,234 $224   $176,231,655 54
Feb 6, 2019 6 $298,642 -40% -30% 2,234 $134   $176,530,297 55
Feb 7, 2019 7 $251,330 -16% -45% 2,234 $113   $176,781,627 56
Feb 8, 2019 10 $636,283 +153% -43% 1,726 $369   $177,417,910 57
Feb 9, 2019 9 $1,474,318 +132% -39% 1,726 $854   $178,892,228 58
Feb 10, 2019 8 $933,025 -37% -7% 1,726 $541   $179,825,253 59
Feb 11, 2019 10 $210,367 -77% -31% 1,726 $122   $180,035,620 60
Feb 12, 2019 10 $264,586 +26% -47% 1,726 $153   $180,300,206 61
Feb 13, 2019 11 $151,884 -43% -49% 1,404 $108   $180,452,090 62
Feb 14, 2019 14 $303,814 +100% +21% 1,404 $216   $180,755,904 63
Feb 15, 2019 11 $434,639 +43% -32% 1,207 $360   $181,190,543 64
Feb 16, 2019 11 $848,074 +95% -42% 1,207 $703   $182,038,617 65
Feb 17, 2019 11 $736,296 -13% -21% 1,207 $610   $182,774,913 66
Feb 18, 2019 9 $695,152 -6% +230% 1,207 $576   $183,470,065 67
Feb 19, 2019 11 $248,321 -64% -6% 1,207 $206   $183,718,386 68
Feb 20, 2019 11 $172,024 -31% +13% 1,207 $143   $183,890,410 69
Feb 21, 2019 11 $149,615 -13% -51% 1,207 $124   $184,040,025 70
Feb 22, 2019 - $204,064 +36% -53% 743 $275   $184,244,089 71
Feb 23, 2019 - $405,662 +99% -52% 743 $546   $184,649,751 72
Feb 24, 2019 15 $274,359 -32% -63% 743 $369   $184,924,110 73
Feb 25, 2019 15 $79,184 -71% -89% 743 $107   $185,003,294 74
Feb 26, 2019 - $111,193 +40% -55% 743 $150   $185,114,487 75
Feb 27, 2019 14 $87,957 -21% -49% 743 $118   $185,202,444 76
Feb 28, 2019 15 $83,766 -5% -44% 743 $113   $185,286,210 77
Mar 1, 2019 14 $411,031 +391% +101% 2,404 $171   $185,697,241 78
Mar 2, 2019 11 $1,035,517 +152% +155% 2,404 $431   $186,732,758 79
Mar 3, 2019 10 $704,698 -32% +157% 2,404 $293   $187,437,456 80
Mar 4, 2019 12 $185,371 -74% +134% 2,404 $77   $187,622,827 81
Mar 5, 2019 15 $225,657 +22% +103% 2,404 $94   $187,848,484 82
Mar 6, 2019 13 $167,792 -26% +91% 2,404 $70   $188,016,276 83
Mar 7, 2019 13 $125,408 -25% +50% 2,404 $52   $188,141,684 84
Mar 8, 2019 - $138,376 +10% -66% 824 $168   $188,280,060 85
Mar 9, 2019 15 $305,033 +120% -71% 824 $370   $188,585,093 86
Mar 10, 2019 14 $205,971 -32% -71% 824 $250   $188,791,064 87
Mar 11, 2019 14 $80,738 -61% -56% 824 $98   $188,871,802 88
Mar 12, 2019 14 $113,218 +40% -50% 824 $137   $188,985,020 89
Mar 13, 2019 13 $93,184 -18% -44% 824 $113   $189,078,204 90
Mar 14, 2019 13 $86,849 -7% -31% 824 $105   $189,165,053 91
Mar 15, 2019 - $87,994 +1% -36% 366 $240   $189,253,047 92
Mar 16, 2019 - $139,066 +58% -54% 366 $380   $189,392,113 93
Mar 17, 2019 - $89,977 -35% -56% 366 $246   $189,482,090 94
Mar 18, 2019 - $32,566 -64% -60% 366 $89   $189,514,656 95
Mar 19, 2019 - $41,284 +27% -64% 366 $113   $189,555,940 96
Mar 20, 2019 - $32,826 -20% -65% 366 $90   $189,588,766 97
Mar 21, 2019 - $29,242 -11% -66% 366 $80   $189,618,008 98
Mar 22, 2019 - $62,754 +115% -29% 278 $226   $189,680,762 99
Mar 23, 2019 - $116,519 +86% -16% 278 $419   $189,797,281 100
Mar 24, 2019 - $76,104 -35% -15% 278 $274   $189,873,385 101
Mar 25, 2019 - $28,191 -63% -13% 278 $101   $189,901,576 102
Mar 26, 2019 - $34,895 +24% -15% 278 $126   $189,936,471 103
Mar 27, 2019 - $30,501 -13% -7% 278 $110   $189,966,972 104
Mar 28, 2019 - $27,459 -10% -6% 278 $99   $189,994,431 105
Mar 29, 2019 - $44,385 +62% -29% 218 $204   $190,038,816 106
Mar 30, 2019 - $84,751 +91% -27% 218 $389   $190,123,567 107
Mar 31, 2019 - $49,628 -41% -35% 218 $228   $190,173,195 108

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 14, 2018 1 $48,100,063   3,813 $12,615   $48,100,063 1
Dec 21, 2018 4 $37,228,667 -23% 3,813 $9,764   $85,328,730 2
Dec 28, 2018 4 $35,522,616 -5% 3,813 $9,316   $120,851,346 3
Jan 4, 2019 4 $17,924,099 -50% 3,419 $5,242   $138,775,445 4
Jan 11, 2019 4 $12,225,940 -32% 3,029 $4,036   $151,001,385 5
Jan 18, 2019 5 $11,888,731 -3% 2,712 $4,384   $162,890,116 6
Jan 25, 2019 5 $7,985,953 -33% 2,383 $3,351   $170,876,069 7
Feb 1, 2019 6 $5,905,558 -26% 2,234 $2,643   $176,781,627 8
Feb 8, 2019 11 $3,974,277 -33% 1,404 $2,831   $180,755,904 9
Feb 15, 2019 11 $3,284,121 -17% 1,207 $2,721   $184,040,025 10
Feb 22, 2019 15 $1,246,185 -62% 743 $1,677   $185,286,210 11
Mar 1, 2019 11 $2,855,474 +129% 2,404 $1,188   $188,141,684 12
Mar 8, 2019 15 $1,023,369 -64% 824 $1,242   $189,165,053 13
Mar 15, 2019 20 $452,955 -56% 366 $1,238   $189,618,008 14
Mar 22, 2019 19 $376,423 -17% 278 $1,354   $189,994,431 15

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/10/2019 $420,474 241 241 801 $1,332,324 5/24/2019
Aruba 12/13/2018 $603 2 2 7 $8,055 1/10/2019
Australia 12/14/2018 $1,870,565 421 421 2,290 $10,194,083 1/29/2024
Austria 12/14/2018 $78,639 101 101 469 $434,217 3/26/2019
Bahrain 12/13/2018 $53,540 18 18 60 $317,198 4/24/2019
Belgium 12/19/2018 $125,003 147 147 513 $702,703 2/20/2019
Bolivia 12/20/2018 $43,504 41 41 81 $195,254 1/29/2019
Brazil 1/11/2019 $2,797,140 1,079 1,079 3,877 $8,408,623 4/18/2019
Bulgaria 12/14/2018 $50,876 0 68 149 $207,117 6/4/2019
Cambodia 12/13/2018 $23,461 92 92 207 $67,710 2/5/2019
Central America 12/25/2018 $423,643 278 278 580 $1,378,607 3/12/2019
Chile 12/20/2018 $182,825 166 166 480 $927,334 3/19/2019
China 12/21/2018 $162,271 0 87,857 161,049 $61,988,276 3/19/2019
Colombia 12/20/2018 $282,784 411 411 977 $987,868 3/19/2019
Croatia 12/13/2018 $46,249 95 95 379 $183,178 4/10/2019
Curacao 12/13/2018 $1,666 6 6 16 $12,067 1/10/2019
Czech Republic 12/13/2018 $157,222 135 135 506 $623,324 2/12/2019
Denmark 12/13/2018 $112,814 69 69 209 $517,433 2/20/2019
Dominican Republic 12/20/2018 $0 0 31 57 $103,268 2/8/2019
East Africa 12/14/2018 $1,587 1 1 7 $6,016 1/29/2019
Ecuador 12/21/2018 $145,940 95 95 342 $778,490 3/5/2019
Egypt 12/13/2018 $30,014 21 21 130 $190,505 2/20/2019
Estonia 12/14/2018 $27,964 26 26 57 $113,386 2/6/2019
Finland 12/14/2018 $89,653 83 83 212 $376,442 4/2/2019
France 12/14/2018 $1,432,320 539 542 2,997 $5,900,000 3/10/2019
Germany 12/14/2018 $677,844 925 925 3,990 $3,564,061 4/10/2019
Ghana 12/14/2018 $3,018 4 4 28 $24,559 2/12/2019
Greece 12/13/2018 $64,620 117 117 403 $329,345 3/19/2019
Hong Kong 12/13/2018 $454,388 150 150 437 $1,738,803 3/5/2019
Hungary 12/13/2018 $51,591 46 65 282 $279,382 4/24/2019
Iceland 12/26/2018 $37,252 14 15 80 $224,071 3/26/2019
India 12/14/2018 $568,772 995 995 1,478 $1,665,821 4/2/2019
Indonesia 12/14/2018 $768,816 453 453 1,109 $2,711,731 1/23/2019
Iraq 12/13/2018 $12,119 21 21 47 $35,851 1/15/2019
Israel 12/13/2018 $179,875 72 72 698 $1,501,089 5/8/2019
Italy 12/25/2018 $1,192,289 0 65 366 $3,111,969 8/31/2019
Jamaica 12/14/2018 $13,773 5 5 9 $33,024 12/27/2018
Japan 3/8/2019 $1,438,610 337 337 1,656 $8,016,332 5/29/2019
Jordan 12/13/2018 $13,506 11 11 43 $81,226 3/12/2019
Kenya 12/14/2018 $9,004 21 21 89 $50,309 3/26/2019
Kuwait 12/13/2018 $104,290 29 29 86 $631,691 3/26/2019
Latvia 12/14/2018 $13,553 17 17 30 $76,181 2/6/2019
Lebanon 12/13/2018 $31,147 30 30 78 $172,730 2/1/2019
Lithuania 12/14/2018 $38,520 152 152 373 $123,617 6/17/2020
Malaysia 12/13/2018 $213,296 270 270 938 $1,362,460 3/26/2019
Mexico 12/25/2018 $2,162,465 0 207 358 $8,815,176 5/2/2019
Middle East Region 12/13/2018 $35,332 4 4 25 $237,086 3/19/2019
Mongolia 12/14/2018 $15,584 8 8 49 $55,516 2/12/2019
Netherlands 12/20/2018 $172,471 104 105 614 $1,267,283 3/26/2019
New Zealand 1/3/2019 $243,986 81 83 565 $1,472,972 10/19/2022
Nigeria 12/14/2018 $22,146 38 38 199 $126,258 2/12/2019
Norway 12/14/2018 $212,104 225 225 641 $817,163 3/5/2019
Oman 12/13/2018 $28,111 23 23 53 $112,669 1/15/2019
Pakistan 12/14/2018 $22,720 36 36 77 $71,421 3/19/2019
Paraguay 1/10/2019 $23,439 20 20 75 $71,252 3/12/2019
Peru 12/25/2018 $410,778 164 164 365 $1,375,760 3/12/2019
Philippines 12/12/2018 $449,506 236 236 542 $1,511,074 3/5/2019
Poland 12/25/2018 $621,613 146 146 699 $1,911,785 3/14/2019
Portugal 12/13/2018 $81,714 83 83 451 $622,165 3/26/2019
Qatar 12/13/2018 $63,284 26 26 85 $335,334 3/12/2019
Romania 12/28/2018 $135,059 110 110 371 $507,356 3/12/2019
Russia (CIS) 12/13/2018 $2,305,600 1,305 1,305 4,461 $6,143,550 4/10/2019
Serbia and Montenegro 12/13/2018 $19,939 54 54 242 $105,775 3/5/2019
Singapore 12/13/2018 $230,136 35 35 201 $1,430,693 6/4/2019
Slovakia 12/7/2018 $13,228 18 70 302 $262,726 3/12/2019
Slovenia 12/13/2018 $19,085 39 39 114 $80,030 3/19/2019
South Africa 12/14/2018 $159,690 84 117 412 $869,271 3/26/2019
South Korea 12/12/2018 $25,637 0 722 1,451 $5,248,492 9/13/2023
Spain 12/21/2018 $972,269 341 393 2,568 $5,879,781 8/24/2020
Suriname 12/13/2018 $1,219 2 2 8 $8,078 1/23/2019
Sweden 12/14/2018 $185,208 187 187 682 $1,306,707 5/8/2019
Switzerland 12/12/2018 $97,199 83 83 310 $504,319 5/8/2019
Syria 12/13/2018 $3,959 2 2 9 $20,938 1/15/2019
Taiwan 12/13/2018 $306,818 168 168 573 $1,460,778 3/19/2019
Thailand 1/11/2019 $695,840 206 206 520 $2,293,666 3/12/2019
Trinidad 12/14/2018 $40,752 28 28 86 $186,235 2/1/2019
Turkey 12/14/2018 $275,818 243 243 631 $503,430 1/25/2019
Ukraine 12/13/2018 $182,125 297 297 676 $455,074 3/12/2019
United Arab Emirates 12/13/2018 $419,425 104 104 346 $1,764,465 3/12/2019
United Kingdom 12/12/2018 $2,866,116 567 567 5,438 $13,737,268 6/12/2019
Uruguay 1/10/2019 $32,295 20 20 94 $166,081 5/23/2019
Venezuela 12/21/2018 $95,749 69 69 375 $1,214,407 4/10/2019
Vietnam 12/14/2018 $130,945 178 178 424 $651,668 2/5/2019
 
International Total$185,291,432 1/29/2024

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Mar 24, 20191154,849 154,849$2,781,088$2,781,0884
Mar 31, 2019274,873-52% 229,722$1,344,719$4,125,8075
Apr 7, 2019442,541-43% 272,263$764,036$4,889,8436
Apr 14, 2019731,672-26% 303,935$541,908$5,431,7517
Apr 21, 2019556,691+79% 360,626$591,287$6,023,0388
Apr 28, 20191311,724-79% 372,350$155,695$6,178,7339
May 5, 20191315,349+31% 387,699$264,156$6,442,88910
May 12, 20191113,095-15% 400,794$235,186$6,678,07511
May 19, 2019118,714-33% 409,508$155,283$6,833,35812
May 26, 2019177,155-18% 416,663$128,504$6,961,86213
Jun 2, 20191810,670+49% 427,333$187,579$7,149,44114
Jun 9, 20192011,069+4% 438,402$169,024$7,318,46515
Jun 23, 20192711,964 459,169$182,690$7,635,57717
Jun 30, 2019289,991-16% 469,160$152,363$7,787,94018
Dec 1, 201913192,738 687,211$961,763$9,089,25840
Dec 8, 20191653,817-72% 741,028$268,547$9,357,80541
Jan 9, 2022194,096 840,119$80,773$10,615,752150
May 28, 2023183,511 902,417$51,085$11,325,577222
Jun 4, 2023173,178-9% 905,595$46,272$11,371,849223
Jun 11, 2023153,044-4% 908,639$44,321$11,416,170224
Jun 18, 2023192,720-11% 911,359$39,658$11,455,828225
Jul 2, 2023182,473 915,752$36,056$11,519,878227
Jul 16, 2023163,263 922,211$47,738$11,614,373229

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Mar 24, 20191718,671 718,671$17,539,274$17,539,2744
Mar 31, 20192117,937-84% 836,608$2,822,864$20,362,1385
Apr 7, 2019499,721-15% 936,329$2,318,516$22,680,6546
Apr 14, 2019479,540-20% 1,015,869$1,785,416$24,466,0707
Apr 21, 20193127,795+61% 1,143,664$1,947,378$26,413,4488
Apr 28, 2019269,594-46% 1,213,258$1,064,157$27,477,6059
May 5, 2019622,937-67% 1,236,195$529,016$28,006,62110
May 12, 20191212,166-47% 1,248,361$280,335$28,286,95611
May 19, 2019726,130+115% 1,274,491$607,880$28,894,83612
May 26, 2019815,058-42% 1,289,549$352,726$29,247,56213
Jun 2, 2019616,486+9% 1,306,035$389,022$29,636,58414
Jun 9, 2019527,720+68% 1,333,755$514,654$30,151,23815
Jun 16, 2019349,494+79% 1,383,249$588,916$30,740,15416
Jun 23, 2019440,085-19% 1,423,334$927,520$31,667,67417
Jun 30, 2019525,519-36% 1,448,853$566,784$32,234,45818
Jul 7, 20191313,788-46% 1,462,641$275,209$32,509,66719
Jul 14, 20191223,406+70% 1,486,047$463,210$32,972,87720
Jul 21, 20191611,131-52% 1,497,178$230,618$33,203,49521
Dec 1, 201917172,110 1,693,814$1,478,132$35,066,33840
Dec 8, 20191352,705-69% 1,746,519$603,645$35,669,98341
Jan 2, 2022167,678 1,909,078$151,410$37,940,308149
Jan 9, 2022156,840-11% 1,915,918$134,885$38,075,193150
Jan 16, 2022153,918-43% 1,919,836$77,263$38,152,456151
May 1, 2022202,224 1,960,039$44,391$38,467,337166
Jun 4, 202367,413 1,996,060$144,998$38,993,618223
Jun 11, 202369,718+31% 2,005,778$190,084$39,183,702224
Jun 18, 202397,158-26% 2,012,936$133,210$39,316,912225
Jun 25, 2023105,178-28% 2,018,114$96,466$39,413,378226
Jul 2, 202396,389+23% 2,024,503$119,027$39,532,405227
Jul 9, 202388,114+27% 2,032,617$154,815$39,687,220228
Jul 16, 2023912,303+52% 2,044,920$234,741$39,921,961229
Jul 23, 2023138,798-28% 2,053,718$170,681$40,092,642230

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Shameik Moore    Miles Morales / Spider-Man
Jake Johnson    Peter B. Parker/Spider-Man
Hailee Steinfeld    Gwen Stacy
John Mulaney    Spider-Ham
Kimiko Glenn    Peni Parker
Nicolas Cage    Spider-Man Noir

Supporting Cast

Mahershala Ali    Uncle Aaron
Brian Tyree Henry    Jefferson Davis
Lily Tomlin    Aunt May
Lauren Luna Vélez    Rio Morales
Liev Schreiber    Wilson Fisk
Zoë Kravitz    Mary Jane
Kathryn Hahn    Doc Ock
Chris Pine    Peter Parker
Natalie Morales    Miss Calleros
Edwin Bravo    Brooklyn Visions Security Guard
Oscar Isaac    Interesting Person #1
Greta Lee    Interesting Person #2
Jorma Taccone    Green Goblin/Last Dude
Joaquin Cosio    Scorpion
Marvin Jones III    Tombstone
Kim Yarbrough    Scientist In Cafeteria
Lake Bell    Vanessa Fisk
Jessica Mikayla Adams    Brooklyn Friend
Gredel Berrios-Calladine    Brooklyn Friend
Sarah D. Cole    Brooklyn Friend
Kelby Alex Joseph    Brooklyn Friend
Mimi Davila    Brooklyn Visions Student
Claudia Choi    Brooklyn Visions Teacher
Melanie Haynes    Brooklyn Visions Teacher
Joseph Izzo    Brooklyn Visions Teacher
Nick Jaine    Brooklyn Visions Teacher
Muneeb Rehman    Brooklyn Visions Teacher
Carlos Zaragoza    Brooklyn Visions Teacher
Post Malone    Brooklyn Bystander
David Applebee    Additional Voice
Juan Carlos Arvelo    Additional Voice
Adam Brown    Additional Voice
Jon Bruno    Additional Voice
Darcy Rose Byrnes    Additional Voice
June Christopher    Additional Voice
Alycia L. Cooper    Additional Voice
Michelle Jubilee Gonzalez    Additional Voice
Terrence Hardy    Additional Voice
Bridget Hoffman    Additional Voice
Rif Hutton    Additional Voice
Miguel Jiron    Additional Voice
Harrison Knight    Additional Voice
Lex Lang    Additional Voice
Donna Lynn Leavy    Additional Voice
Andrew Leviton    Additional Voice
Caitlin McKenna    Additional Voice
Scott Menville    Additional Voice
Christopher Miller    Additional Voice
Arthur Ortiz    Additional Voice
Juan Pacheco    Additional Voice
Devika Parikh    Additional Voice
Shakira Ja’nai Paye    Additional Voice
Courtney Peldon    Additional Voice
Chrystee Pharris    Additional Voice
Jacqueline Pinol    Additional Voice
Juan Pope    Additional Voice
Al Rodrigo    Additional Voice
Joseph Sanfelippo    Additional Voice
Justin Shenkarow    Additional Voice
Dennis Singletary    Additional Voice
Warren Sroka    Additional Voice
Melissa Sturm    Additional Voice
Holly Walker    Additional Voice
Jason Linere White    Additional Voice
Ruth Zalduondo    Additional Voice
Ruby Zalduondo    Additional Voice

Narrator(s)

Oscar Camacho    Additional Voice

Cameos

Stan Lee    Stan

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Bob Persichetti    Director
Peter Ramsey    Director
Rodney Rothman    Director
Phil Lord    Producer
Christopher Miller    Producer
Avi Arad    Producer
Amy Pascal    Producer
Christina Steinberg    Producer
Phil Lord    Screenwriter
Christopher Miller    Screenwriter
Phil Lord    Story by
Stan Lee    Executive Producer
Brian Michael Bendis    Executive Producer
Will Allegra    Executive Producer
Justin K. Thompson    Production Designer
Robert Fisher, Jr.    Editor
Daniel Pemberton    Composer
Christian Hejnal    Co-Producer
Theresa Bentz    Co-Producer
Danny Dimian    Visual Effects Supervisor
Dean Gordon    Art Director
Patrick O’Keefe    Art Director
Shiyoon Kim    Character Designer
Paul Watling    Head of Story
Kier Lehman    Music Supervisor
Dave Morehead*    Head of Layout
Rich Turner    Head of Layout
James Williams    Head of Layout
Joshua Beveridge    Head of Character Animation
Dave Blais    Supervising Animator
Derek Esparza    Supervising Animator
Robin George    Supervising Animator
Julie Bernier Gosselin    Supervising Animator
Min Hong    Supervising Animator
Jeff Panko    Supervising Animator
Dylan Reid    Supervising Animator
Humberto Rosa    Supervising Animator
Philip Rudolph    Supervising Animator
Joseph Izzo    Production Manager
Charles G Abou Aad    Character CG Supervisor
Benjamin Aguillon    Character CG Supervisor
Benjamin Hendricks    Character CG Supervisor
Jason Greenblum    Character CG Supervisor
Matt Hausman    Character CG Supervisor
Michael Lasker    Character CG Supervisor
Michael Muir    Character CG Supervisor
Larry Weiss    Character CG Supervisor
Mary Hidalgo    Casting Director
Mark Ackland    Story Artist
Paula Assadourian    Story Artist
Sharon Bridgeman    Story Artist
Eva Bruschi    Story Artist
Cody Cameron    Story Artist
Riccardo Durante    Story Artist
Miguel Jiron    Story Artist
Denise Koyama    Story Artist
Yoriaki Mochizuki    Story Artist
Vi-Dieu Nguyen    Story Artist
Jihyun Park    Story Artist
John Puglisi    Story Artist
Ryan Savas    Story Artist
Miles Thompson    Story Artist
Heiko von Drengenberg    Story Artist
Jane Wu    Story Artist
Florent Auguy    Character Designer
Andrea Blasich    Character Designer
Denis Bodart    Character Designer
Jesús Alonso Iglesias    Character Designer
Craig Kellman    Character Designer
Brittany Myers    Character Designer
Sei Riondet    Character Designer
Tony Siruno    Character Designer
Omar Smith    Character Designer
Matt Landon    Editor
Jennifer Dolce    Associate Editor
Andrew Leviton    Associate Editor
Vivek Sharma    Associate Editor
Sarah D. Cole    First Assistant Editor
Bret Allen    Assistant Editor
Patrick Ballin    Assistant Editor
Brian Casper    Character Effects Supervisor
Simon Corbaux    Character Effects Supervisor
Jessica Smialek    Post-Production Supervisor
Monica Kelly    Post-Production Supervisor
Michael Semanick    Re-recording Mixer
Tony Lamberti    Re-recording Mixer
Geoffrey G. Rubay    Supervising Sound Editor
Curt Schulkey    Supervising Sound Editor
John Pospisil    Sound Designer
Kip Smedley    Sound Effects Editor
Andy Sisul    Sound Effects Editor
David Werntz    Sound Effects Editor
Christopher S. Aud    Sound Effects Editor
Ando Johnson    Sound Effects Editor
Benjamin L. Cook    Sound Effects Editor
Mike Reagan    Sound Effects Editor
Donald Flick    Sound Effects Editor
James Morioka    Dialogue Editor
Matthew E. Taylor    Dialogue Editor
Randy Singer    Foley Mixer
Katie Greathouse    Music Editor
Sam Okell    Score Recordist
Sam Okell    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 26th, 2019

February 26th, 2019

Ralph Breaks the Internet

This week’s list includes a number of releases that are worth picking up, mostly of the smaller variety. There’s a foreign-language import, Border; a mostly forgotten comedy from the 1980s, Used Cars; a good movie that is busted Oscar-bait, Mary Queen of Scots; and an Anime slice of life, Love Live! Sunshine!!: Season Two. However, for most people, it’s the two biggest releases that are also the best: The Little Mermaid and Ralph Breaks the Internet. For me, Ralph Breaks the Internet on Blu-ray or 4K Ultra HD is the clear Pick of the Week. More...

2018 - Awards Season: BAFTA - Winners

February 11th, 2019

The Favorite

The BAFTA winners were announced and The Favorite led the way with 7 wins. Like I mentioned before, understandably, the BAFTAs tend to favor British films and this can lessen their ability to predict Oscar winners and The Favorite is such a British Film that they managed to spell the word correctly. That doesn’t mean there are no lessons we can learn from these results. More...

2018 Awards Season: Oscar Highlight: Best Feature-Length Animated Film

February 7th, 2019

Spider-man: Into the Spider-Verse

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. A lot of people call this Oscar the Pixar Award, and there is a Pixar film on this list. However, in a shocking twist, it isn’t the overwhelming favorite to win. More...

Weekend Estimates: Glass and Others put a Ceiling on New Releases

January 27th, 2019

The Kid Who Would Be King

Glass bounced back after a weak Friday earning an estimated $19.05 million over the weekend for a two-week total of $73.59 million. This is even better than our original prediction. It’s practically guaranteed to get to $100 million domestically, while it is doing a little better internationally. This weekend it pulled in $23.6 million for a two-week total of $89.1 million. The film has yet to open in China and when it does, it will get past $250 million worldwide. More...

International Box Office: Aquaman Cracks $750 million Worldwide

January 3rd, 2019

Aquaman

Aquaman remained the top draw on the international market with $88.4 million on 23,360 screens in 78 markets for totals of $562.4 million internationally and $751.4 million worldwide. The film’s biggest new market was Australia where it opened with $7.94 million on 632 screens over the weekend for a total opening $11.04 million. Its biggest market overall is China where it added $11.45 million over the weekend to its running tally, which now sits at $261.28 million after four weeks of release. It overtook Suicide Squad for third place in the D.C.E.U. and it is not done yet. More...

Weekend Estimates: Aquaman and Entire Top Five have a Repeat Performance

December 30th, 2018

Aquaman

It has been an even more predictable weekend than expected, as every film in the top five finished in the same order as last weekend. This includes Aquaman topping the chart with an estimated $51.55 million over the weekend for a ten-day total of $188.79 million. It will cross $200 million shortly and overtake A Star is Born as Warner Bros.’ biggest domestic hit of the year. Internationally, the film added $85.4 million this weekend to push its global running tally to just shy of $750 million at $748.8 million. It is already ahead of Man of Steel and Suicide Squad on the DCEU chart and should soon step into first place. More...

Friday Estimates: Aquaman Rises with the Tides

December 29th, 2018

Aquaman

The Friday box office estimates are almost exactly as predicted, with most films out-pacing expectations by a small amount. At least as far as the top five is concerned. The lower films struggled more. For example, Aquaman led the way with $17.1 million putting it on pace for $52 million over the weekend. The film will become Warner Bros.’ second film released in 2018 to get to the $200 million mark (A Star is Born quietly got there before Christmas.) but it might have to wait till the new year to get there. Internationally, the film has already cracked $500 million with a running tally of $511.8 million as of the end of business on Friday. More...

Weekend Predictions: Aquaman Will Celebrate the New Year on Top

December 28th, 2018

Aquaman

It’s the weekend after Christmas and as is the holiday tradition, there are no new releases this week. I guess you could technically call Holmes and Watson and Vice new releases, but they’ve been out since Tuesday. This means there won’t be much new news to talk about. Aquaman will dominate, while Mary Poppins Returns will bounce back, as will most other family fair. I think the same five films that appeared in the top five last weekend will appear in the top five this weekend. Holmes and Watson might not collapse and could grab a spot in the top five, but I personally wouldn’t bet on it. This weekend last year, Star Wars: The Last Jedi barely stayed ahead of Jumanji: Welcome to the Jungle, as both films earned more than $50 million. Aquaman has close to a 50/50 chance of earning $50 million, but the rest of the films will be well back resulting in 2018 ending on a losing note. That said, it should be relatively close and 2018 has already topped last year’s final box office by a significant margin. More...

International Box Office: Aquaman Surfs to $400 million Internationally

December 27th, 2018

Aquaman

Aquaman had another significant expansion helping it keep first place with $95.2 million on 31,900 screens in 70 markets for totals of $415.5 million internationally and, including updated Domestic tallies, the global take is $488.2 million worldwide. It is ahead of every other film in the D.C.E.U. on the international chart, which is impressive. Its biggest new market was South Korea, where it earned first place with $7.94 million on 1,272 screens for a total opening of $10.08 million. It also opened in first place in France with $6.6 million on 607 screens, as well as in Germany with $4.9 million 805. The film’s biggest market overall was China, where it slipped to second with $23.41 million on 12,000 screens for a three-week total of $233.59 million. More...

Weekend Wrap-Up: Box Office Christmas Clean-up

December 27th, 2018

Aquaman

The Christmas holiday is over for most people, although it is not entirely over for some studios. This is making getting all of the box office details much harder to do. In fact, we are still limited to estimated for more than half the top five this weekend. We have enough details now to look at the weekend results and the Christmas Day releases and see which are thriving and which are not. Aquaman dominated the charts with just over $100 million so far, including its paid previews. On the other hand, Mary Poppins Returns missed expectations by a substantial margin. It will still break even. The same can be said of Bumblebee, which could usher in a new era of Transformers movies. Overall, the box office rose by 53% from last weekend to $177 million. This is just 0.3% lower than the same weekend last year; however, last year, Christmas Eve fell on a Sunday and Christmas Eve is a dead zone at the box office. We can’t even compare Christmas Day, because landing on a Monday vs. a Tuesday is a huge difference. Next weekend’s comparison will be much easier to make. Year-to-date, and this is up to Boxing Day, 2018 is ahead by 7.7% or $810 million at $11.37 billion to $10.56 billion. This would be an impressive year, even if no more movie tickets were sold after boxing day. More...

Christmas Predictions: Can Sherlock Solve the Case?

December 24th, 2018

Holmes and Watson

Tomorrow is Christmas Day, which is a surprisingly good day to release a movie, and two new films are hoping to take advantage of this. Holmes and Watson is by far the bigger of the two releases, but despite the comedic talent in the movie, its reviews are, well, practically non-existent. There’s only one review and it is negative. Not that long ago, I thought the film would still open with $10 million for the day, as Will Ferrell and John C. Reilly do have box office drawing power. However, the lack of reviews hurts and the buzz isn’t loud enough to compensate. I think $8 million is more likely. More...

Weekend Estimates: Aquaman Easily Tops Weekend Chart, Poppins / Bumblebee Need Long Legs

December 23rd, 2018

Aquaman

Aquaman is the only certifiable hit of the weekend with an estimated opening of $67.4 million over the weekend for a total of $72.1 million including last week’s paid previews. This is not more than we predicted, but it is dominating the chart, because the competition didn’t show up. It should hit $100 million by the end of Christmas Day. Its reviews are good, but not great, and the same is true of its A minus from CinemaScore. It is also a comic book movie and those tend to have shorter legs, so it might not get as large a multiplier as the average Christmas weekend release, but it should be a large enough hit that Warner Bros. will keep this new direction going for the DCEU. Internationally, it is earning an estimated $91.3 million on 31,930 screens in 70 markets for a three-week total of $410.7 million. Overall, it is tracking ahead of every other film in the DCEU, but a lot of that has to do with China. More...

Friday Estimates: Aquaman Easily Tops Chart, Bumblebee tops Struggling Mary Poppins

December 22nd, 2018

Aquaman

Friday was not as potent as midnight previews led us to believe it would be. That said, Aquaman still had an impressive $28.0 million opening day. This does include the previous night’s $9.0 million in previews, but not last weekend’s $4.7 million in previews, giving the film a $32.7 million running tally. The film’s reviews remain in the overall positive level and it earned an A minus from CinemaScore, so it should have relatively good legs over the weekend, for a comic book movie. We predicted an opening weekend of $67 million and I think the film will top that, by one or two million dollars. It is more than enough for Warner Bros. to continue with the new direction DCEU is taking. More...

Weekend Predictions: Will Aquaman Swim to Victory, or will Mary Poppins Return to Top Spot?

December 19th, 2018

Mary Poppins Returns

It is a busy week, as there are seven films opening wide over the next seven days. Not all of these will be hits—the competition is just too great for that. However, there could be a real race for Christmas champion this year. Because of its fast start in China and its strong pre-sales numbers, many believe Aquaman will top earlier expectations and earn first place over the three-day weekend. However, I think Mary Poppins Returns will be number one over the full week, partially because it should earn a bigger boost over Christmas, but also because it is opening two days early. Meanwhile, Bumblebee’s surprisingly strong reviews are lifting its box office potential. More...

International Box Office: Aquaman Tops Competition by $100 million

December 19th, 2018

Aquaman

Aquaman expanded worldwide at the weekend, earning $131.3 million on 44,134 screens in 43 markets for a two-week total of $266.4 million on the international market. It debuted in over 40 markets, but China was still the dominant force, as it pulled in $54.24 million on 24,528 screens there over the weekend for a two-week total of $189.30 million. A 42% drop-off is amazing for China, which is know for sharp sophomore declines, and the film is already the fourth-biggest super hero film in that market. On the other hand, the film’s biggest opening came in Mexico, where it earned $6.62 million over the weekend for a total opening of $8.00 million there. This is significantly below the openings of both Wonder Woman and Justice League. Overall, Aquaman beat those films more often then not, sometimes by rather large margins. For example, it earned $7.8 million on 3,110 screens in Russia, which was more than double Wonder Woman’s opening in that market. However, at this point, we can safely say China will contribute a disproportionate share of its international box office. More...

Weekend Wrap-Up: Spider-Man Starts Strong as Christmas Holidays Begin

December 18th, 2018

Spider-Man: Into The Spider-Verse

The weekend went according to predictions, more or less. Spider-Man: Into The Spider-Verse was the biggest surprise and it beat our prediction by barely more than $1 million at $35.36 million. The Mule was a distant second place with $17.51 million, but this is still a good result for its production budget / target demographic. On the other hand, Mortal Engines bombed. There’s no polite way to describe this result. The overall box office rose by 37% from last weekend, hitting $115 million. Unfortunately, this weekend last year, Star Wars: The Last Jedi opened with nearly double that by itself. 2018 was off by 58% when compared to last year. That would be a terrible result, even if there were a misalignment in holidays. Fortunately, 2018 still has a huge lead over 2017, up by 9.3% or $930 million at $10.96 billion to $10.03 billion and even if 2018 loses by this amount for the next two weeks, it will still end the year with a massive lead over 2018. More...

Weekend Estimates: Spider-Man is too much for just one Universe

December 16th, 2018

Spider-Man: Into The Spider-Verse

Sony’s estimates have Spider-Man: Into The Spider-Verse earning $35.4 million over the weekend. Its reviews and its A plus from CinemaScore should both helps its legs, as will the upcoming holidays. On the other hand, it does have direct competition next weekend, more or less. Aquaman will attack it from the super hero side of things, while Mary Poppins Returns will take from its family film side. That said, with a start like this, $100 million domestically is practically guaranteed, while $150 million is a solid goal to aim for. More...

Friday Estimates: Spidey Starts Miles Ahead of the Competition

December 15th, 2018

Spider-Man: Into The Spider-Verse

Spider-Man: Into The Spider-Verse debuted with $12.6 million on Friday, putting it on pace for $35.5 million over the full weekend, at least according to Sony. It will get a tiny boost on Sunday, because about 5% of school kids start their winter holidays on Monday. It will get a larger boost from its reviews, which remain Oscar-worthy. And this is not a case of the critics loving it and the audiences being more ambivalent, as the film earned an A plus from CinemaScore and a five-star rating from PostTrak. If the film does match Sony’s estimates, then it will be a little better than our prediction. More importantly, if its word-of-mouth boosts its legs, it could earn more than $200 million domestically. That’s asking a lot, but it is a possibility. It is certainly something to keep our eyes on. More...

Thursday Night Previews: Spider-Man gets off to a Swinging Start

December 14th, 2018

Spider-Man: Into The Spider-Verse

Spider-Man: Into The Spider-Verse opened with $3.5 million during its previews last night. Unfortunately, it is nearly impossible to make an accurate prediction based on this opening, as this is an unusual film. It is an animated film, so we could use other animated films released during this time of year. Sing earned $1.7 million during its previews two years ago; however, that was a Wednesday release that opened less than a week before Christmas Day. Into the Spider-Verse doesn’t have school holidays to boost its numbers, which should help its legs. On the other hand, it is a super hero movie and its Fanboy Effect will hurt its legs. Overall, I think this is good news for the film and it should top our prediction, but we won’t have a really firm grasp on where it’s going until we get Friday’s estimates tomorrow. More...

Weekend Predictions: Will Spider-man Swing into First Place?

December 13th, 2018

Spider-Man: Into The Spider-Verse

After two weeks with no new releases in the top five, we have three new films vying for a position there. This includes Spider-Man: Into The Spider-Verse, which is all but guaranteed a spot in the top five. The Mule was thought to be an Awards Season contender, but its reviews are disappointing, given those high hopes. Finally there’s Mortal Engines, a film that cost $100 million to make and will likely barely earn a spot in the top five. This weekend last year, Star Wars: The Last Jedi opened with $220.01 million. That’s more than the entire box office will earn this year. This could be more than all three wide releases earn in total. Fortunately, 2018 has a $1 billion lead over 2017, so three weeks of bad losses won’t change that. More...

2018 - Awards Season: Golden Globes - Nominations

December 6th, 2018

Vice

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced. More...

2018 Preview: December

December 1st, 2018

Mary Poppins Returns

November turned out to be a really, really good month. I thought 2018’s lead over 2017 would shrink, potentially by $200 million to $300 million. However, the lead actually managed to grow a little bit, thanks to hits like Ralph Breaks the Internet, Dr. Seuss’ The Grinch, Fantastic Beasts: The Crimes of Grindelwald, and Bohemian Rhapsody. December has an equal number of potential hits, led by Mary Poppins Returns, which some think will top $300 million. Additionally, Spider-man Into the Spider-Verse, Aquaman, Bumblebee, and Holmes and Watson all have a realistic shot at $100 million or more. On the other hand, last December was stronger, at least on top. The Last Jedi earned more than $500 million just during December, which is more than any December release this year will earn in total. It could be more than the top two films earn in total. 2018 will win the in year-over-year competition; however, its lead won’t be as large as it is at the start of the month. More...

Spider-man: Into the Spider-Verse Trailer

October 2nd, 2018

Super hero adventure starring Shameik Moore opens December 14 ... Full Movie Details. More...

Spider-man: Into the Spider-Verse Trailer

June 7th, 2018

Animated adventure starring Shameik Moore opens December 14 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

“Spider-Man: Into the Spider-Verse” introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse, where more than one can wear the mask.

Metrics

Opening Weekend:$35,363,376 (18.6% of total gross)
Legs:5.38 (domestic box office/biggest weekend)
Domestic Share:50.7% (domestic box office/worldwide)
Production Budget:$90,000,000 (worldwide box office is 4.2 times production budget)
Theater counts:3,813 opening theaters/3,813 max. theaters, 8.6 weeks average run per theater
Infl. Adj. Dom. BO $224,671,823

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon 4K UHD VOD, Amazon VOD, Amazon VOD, Amazon 4K UHD VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: December 14th, 2018 (Wide) by Sony Pictures
December 14th, 2018 (IMAX) by Sony Pictures
International Releases: December 7th, 2018 (Sneak Peek), released as Spider-Man: Paralelné svety (Slovakia)
December 12th, 2018 (Wide) (Philippines)
December 12th, 2018 (Wide), released as Spider-Man: Into the Spider-Verse (South Korea)
December 12th, 2018 (Wide) (Switzerland)
December 12th, 2018 (Wide), released as Spider-Man: Into The Spider-Verse (United Kingdom)
... Show all releases
Video Release: February 26th, 2019 by Sony Pictures Home Entertainment
MPAA Rating: PG for frenetic sequences of animated action violence, thematic elements, and mild language.
(Rating bulletin 2554 (Cert #51438), 11/21/2018)
Running Time: 117 minutes
Franchise: Spider-Man
Sony’s Marvel Universe
Comparisons: vs. Spider-Man: Across the Spider-Verse
Create your own comparison chart…
Keywords: Alternative Dimensions / Parallel universe, Animal Lead, Talking Animals, Orphan, Film Noir, Anime, 3-D, 3-D - Shot in 3-D, IMAX: DMR, Action Adventure
Source:Based on Comic/Graphic Novel
Genre:Adventure
Production Method:Digital Animation
Creative Type:Super Hero
Production/Financing Companies: Columbia Pictures, Marvel Studios, Avi Arad, Lord Miller, Pascal Pictures, Sony Pictures Animation
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest 10th Tuesday 88 $248,321 Feb 19, 2019 68
Biggest 10th Monday 22 $695,152 Feb 18, 2019 67
Biggest 10th Sunday 81 $736,296 Feb 17, 2019 66
Biggest 9th Thursday 79 $303,814 Feb 14, 2019 63
Biggest 9th Sunday 90 $933,025 Feb 10, 2019 59
Biggest 9th Saturday 84 $1,474,318 Feb 9, 2019 58
Biggest 8th Tuesday 87 $501,031 Feb 5, 2019 54
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 341 $5,479,664 Feb 1, 2019 52
Biggest 8th Saturday 57 $2,429,142 Feb 2, 2019 51
Biggest 7th Sunday 80 $1,857,160 Jan 27, 2019 45
Biggest 7th Saturday 72 $2,915,671 Jan 26, 2019 44
Biggest 6th Monday 18 $2,580,751 Jan 21, 2019 39
Biggest 6th Sunday 75 $2,569,387 Jan 20, 2019 38
Martin Luther King (All Movies, 3-Day) 177 $7,570,269 Jan 18, 2019 38
Martin Luther King (All Movies, 3-Day, Inflation Adjusted) 295 $9,119,835 Jan 18, 2019 38
Martin Luther King (All Movies, 4-Day, Fri-Mon) 135 $10,151,020 Jan 18, 2019 38
Martin Luther King (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 178 $12,228,837 Jan 18, 2019 38
New Year's Day (All Movies, 3-Day) 91 $13,126,885 Jan 4, 2019 24
New Year's Day (All Movies, 3-Day, Inflation Adjusted) 203 $15,813,830 Jan 4, 2019 24
Biggest 3rd Thursday 57 $3,107,542 Jan 3, 2019 21
Biggest 3rd Wednesday 52 $3,411,566 Jan 2, 2019 20
Biggest 3rd Tuesday 20 $6,185,793 Jan 1, 2019 19
Biggest 3rd Monday 56 $4,023,183 Dec 31, 2018 18
Christmas (All Movies, 3-Day) 61 $18,794,532 Dec 28, 2018 17
Christmas (All Movies, 3-Day, Inflation Adjusted) 129 $22,641,595 Dec 28, 2018 17
Biggest 2nd Thursday 52 $5,883,626 Dec 27, 2018 14
Biggest 2nd Wednesday 55 $5,901,236 Dec 26, 2018 13
Biggest 2nd Tuesday 92 $5,630,385 Dec 25, 2018 12
Biggest Domestic December Weekend 55 $35,363,376 Dec 14, 2018 3
Top Sony Pictures Weekend Domestic 79 $35,363,376 Dec 14, 2018 3

Lead Ensemble Members

Shameik Moore    Miles Morales / Spider-Man
Jake Johnson    Peter B. Parker/Spider-Man
Hailee Steinfeld    Gwen Stacy
John Mulaney    Spider-Ham
Kimiko Glenn    Peni Parker
Nicolas Cage    Spider-Man Noir

Supporting Cast

Mahershala Ali    Uncle Aaron
Brian Tyree Henry    Jefferson Davis
Lily Tomlin    Aunt May
Lauren Luna Vélez    Rio Morales
Liev Schreiber    Wilson Fisk
Zoë Kravitz    Mary Jane
Kathryn Hahn    Doc Ock
Chris Pine    Peter Parker
Natalie Morales    Miss Calleros
Edwin Bravo    Brooklyn Visions Security Guard
Oscar Isaac    Interesting Person #1
Greta Lee    Interesting Person #2
Jorma Taccone    Green Goblin/Last Dude
Joaquin Cosio    Scorpion
Marvin Jones III    Tombstone
Kim Yarbrough    Scientist In Cafeteria
Lake Bell    Vanessa Fisk
Jessica Mikayla Adams    Brooklyn Friend
Gredel Berrios-Calladine    Brooklyn Friend
Sarah D. Cole    Brooklyn Friend
Kelby Alex Joseph    Brooklyn Friend
Mimi Davila    Brooklyn Visions Student
Claudia Choi    Brooklyn Visions Teacher
Melanie Haynes    Brooklyn Visions Teacher
Joseph Izzo    Brooklyn Visions Teacher
Nick Jaine    Brooklyn Visions Teacher
Muneeb Rehman    Brooklyn Visions Teacher
Carlos Zaragoza    Brooklyn Visions Teacher
Post Malone    Brooklyn Bystander
David Applebee    Additional Voice
Juan Carlos Arvelo    Additional Voice
Adam Brown    Additional Voice
Jon Bruno    Additional Voice
Darcy Rose Byrnes    Additional Voice
June Christopher    Additional Voice
Alycia L. Cooper    Additional Voice
Michelle Jubilee Gonzalez    Additional Voice
Terrence Hardy    Additional Voice
Bridget Hoffman    Additional Voice
Rif Hutton    Additional Voice
Miguel Jiron    Additional Voice
Harrison Knight    Additional Voice
Lex Lang    Additional Voice
Donna Lynn Leavy    Additional Voice
Andrew Leviton    Additional Voice
Caitlin McKenna    Additional Voice
Scott Menville    Additional Voice
Christopher Miller    Additional Voice
Arthur Ortiz    Additional Voice
Juan Pacheco    Additional Voice
Devika Parikh    Additional Voice
Shakira Ja’nai Paye    Additional Voice
Courtney Peldon    Additional Voice
Chrystee Pharris    Additional Voice
Jacqueline Pinol    Additional Voice
Juan Pope    Additional Voice
Al Rodrigo    Additional Voice
Joseph Sanfelippo    Additional Voice
Justin Shenkarow    Additional Voice
Dennis Singletary    Additional Voice
Warren Sroka    Additional Voice
Melissa Sturm    Additional Voice
Holly Walker    Additional Voice
Jason Linere White    Additional Voice
Ruth Zalduondo    Additional Voice
Ruby Zalduondo    Additional Voice

Narrator(s)

Oscar Camacho    Additional Voice

Cameos

Stan Lee    Stan

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Bob Persichetti    Director
Peter Ramsey    Director
Rodney Rothman    Director
Phil Lord    Producer
Christopher Miller    Producer
Avi Arad    Producer
Amy Pascal    Producer
Christina Steinberg    Producer
Phil Lord    Screenwriter
Christopher Miller    Screenwriter
Phil Lord    Story by
Stan Lee    Executive Producer
Brian Michael Bendis    Executive Producer
Will Allegra    Executive Producer
Justin K. Thompson    Production Designer
Robert Fisher, Jr.    Editor
Daniel Pemberton    Composer
Christian Hejnal    Co-Producer
Theresa Bentz    Co-Producer
Danny Dimian    Visual Effects Supervisor
Dean Gordon    Art Director
Patrick O’Keefe    Art Director
Shiyoon Kim    Character Designer
Paul Watling    Head of Story
Kier Lehman    Music Supervisor
Dave Morehead*    Head of Layout
Rich Turner    Head of Layout
James Williams    Head of Layout
Joshua Beveridge    Head of Character Animation
Dave Blais    Supervising Animator
Derek Esparza    Supervising Animator
Robin George    Supervising Animator
Julie Bernier Gosselin    Supervising Animator
Min Hong    Supervising Animator
Jeff Panko    Supervising Animator
Dylan Reid    Supervising Animator
Humberto Rosa    Supervising Animator
Philip Rudolph    Supervising Animator
Joseph Izzo    Production Manager
Charles G Abou Aad    Character CG Supervisor
Benjamin Aguillon    Character CG Supervisor
Benjamin Hendricks    Character CG Supervisor
Jason Greenblum    Character CG Supervisor
Matt Hausman    Character CG Supervisor
Michael Lasker    Character CG Supervisor
Michael Muir    Character CG Supervisor
Larry Weiss    Character CG Supervisor
Mary Hidalgo    Casting Director
Mark Ackland    Story Artist
Paula Assadourian    Story Artist
Sharon Bridgeman    Story Artist
Eva Bruschi    Story Artist
Cody Cameron    Story Artist
Riccardo Durante    Story Artist
Miguel Jiron    Story Artist
Denise Koyama    Story Artist
Yoriaki Mochizuki    Story Artist
Vi-Dieu Nguyen    Story Artist
Jihyun Park    Story Artist
John Puglisi    Story Artist
Ryan Savas    Story Artist
Miles Thompson    Story Artist
Heiko von Drengenberg    Story Artist
Jane Wu    Story Artist
Florent Auguy    Character Designer
Andrea Blasich    Character Designer
Denis Bodart    Character Designer
Jesús Alonso Iglesias    Character Designer
Craig Kellman    Character Designer
Brittany Myers    Character Designer
Sei Riondet    Character Designer
Tony Siruno    Character Designer
Omar Smith    Character Designer
Matt Landon    Editor
Jennifer Dolce    Associate Editor
Andrew Leviton    Associate Editor
Vivek Sharma    Associate Editor
Sarah D. Cole    First Assistant Editor
Bret Allen    Assistant Editor
Patrick Ballin    Assistant Editor
Brian Casper    Character Effects Supervisor
Simon Corbaux    Character Effects Supervisor
Jessica Smialek    Post-Production Supervisor
Monica Kelly    Post-Production Supervisor
Michael Semanick    Re-recording Mixer
Tony Lamberti    Re-recording Mixer
Geoffrey G. Rubay    Supervising Sound Editor
Curt Schulkey    Supervising Sound Editor
John Pospisil    Sound Designer
Kip Smedley    Sound Effects Editor
Andy Sisul    Sound Effects Editor
David Werntz    Sound Effects Editor
Christopher S. Aud    Sound Effects Editor
Ando Johnson    Sound Effects Editor
Benjamin L. Cook    Sound Effects Editor
Mike Reagan    Sound Effects Editor
Donald Flick    Sound Effects Editor
James Morioka    Dialogue Editor
Matthew E. Taylor    Dialogue Editor
Randy Singer    Foley Mixer
Katie Greathouse    Music Editor
Sam Okell    Score Recordist
Sam Okell    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 26th, 2019

February 26th, 2019

Ralph Breaks the Internet

This week’s list includes a number of releases that are worth picking up, mostly of the smaller variety. There’s a foreign-language import, Border; a mostly forgotten comedy from the 1980s, Used Cars; a good movie that is busted Oscar-bait, Mary Queen of Scots; and an Anime slice of life, Love Live! Sunshine!!: Season Two. However, for most people, it’s the two biggest releases that are also the best: The Little Mermaid and Ralph Breaks the Internet. For me, Ralph Breaks the Internet on Blu-ray or 4K Ultra HD is the clear Pick of the Week. More...

2018 - Awards Season: BAFTA - Winners

February 11th, 2019

The Favorite

The BAFTA winners were announced and The Favorite led the way with 7 wins. Like I mentioned before, understandably, the BAFTAs tend to favor British films and this can lessen their ability to predict Oscar winners and The Favorite is such a British Film that they managed to spell the word correctly. That doesn’t mean there are no lessons we can learn from these results. More...

2018 Awards Season: Oscar Highlight: Best Feature-Length Animated Film

February 7th, 2019

Spider-man: Into the Spider-Verse

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. A lot of people call this Oscar the Pixar Award, and there is a Pixar film on this list. However, in a shocking twist, it isn’t the overwhelming favorite to win. More...

Weekend Estimates: Glass and Others put a Ceiling on New Releases

January 27th, 2019

The Kid Who Would Be King

Glass bounced back after a weak Friday earning an estimated $19.05 million over the weekend for a two-week total of $73.59 million. This is even better than our original prediction. It’s practically guaranteed to get to $100 million domestically, while it is doing a little better internationally. This weekend it pulled in $23.6 million for a two-week total of $89.1 million. The film has yet to open in China and when it does, it will get past $250 million worldwide. More...

International Box Office: Aquaman Cracks $750 million Worldwide

January 3rd, 2019

Aquaman

Aquaman remained the top draw on the international market with $88.4 million on 23,360 screens in 78 markets for totals of $562.4 million internationally and $751.4 million worldwide. The film’s biggest new market was Australia where it opened with $7.94 million on 632 screens over the weekend for a total opening $11.04 million. Its biggest market overall is China where it added $11.45 million over the weekend to its running tally, which now sits at $261.28 million after four weeks of release. It overtook Suicide Squad for third place in the D.C.E.U. and it is not done yet. More...

Weekend Estimates: Aquaman and Entire Top Five have a Repeat Performance

December 30th, 2018

Aquaman

It has been an even more predictable weekend than expected, as every film in the top five finished in the same order as last weekend. This includes Aquaman topping the chart with an estimated $51.55 million over the weekend for a ten-day total of $188.79 million. It will cross $200 million shortly and overtake A Star is Born as Warner Bros.’ biggest domestic hit of the year. Internationally, the film added $85.4 million this weekend to push its global running tally to just shy of $750 million at $748.8 million. It is already ahead of Man of Steel and Suicide Squad on the DCEU chart and should soon step into first place. More...

Friday Estimates: Aquaman Rises with the Tides

December 29th, 2018

Aquaman

The Friday box office estimates are almost exactly as predicted, with most films out-pacing expectations by a small amount. At least as far as the top five is concerned. The lower films struggled more. For example, Aquaman led the way with $17.1 million putting it on pace for $52 million over the weekend. The film will become Warner Bros.’ second film released in 2018 to get to the $200 million mark (A Star is Born quietly got there before Christmas.) but it might have to wait till the new year to get there. Internationally, the film has already cracked $500 million with a running tally of $511.8 million as of the end of business on Friday. More...

Weekend Predictions: Aquaman Will Celebrate the New Year on Top

December 28th, 2018

Aquaman

It’s the weekend after Christmas and as is the holiday tradition, there are no new releases this week. I guess you could technically call Holmes and Watson and Vice new releases, but they’ve been out since Tuesday. This means there won’t be much new news to talk about. Aquaman will dominate, while Mary Poppins Returns will bounce back, as will most other family fair. I think the same five films that appeared in the top five last weekend will appear in the top five this weekend. Holmes and Watson might not collapse and could grab a spot in the top five, but I personally wouldn’t bet on it. This weekend last year, Star Wars: The Last Jedi barely stayed ahead of Jumanji: Welcome to the Jungle, as both films earned more than $50 million. Aquaman has close to a 50/50 chance of earning $50 million, but the rest of the films will be well back resulting in 2018 ending on a losing note. That said, it should be relatively close and 2018 has already topped last year’s final box office by a significant margin. More...

International Box Office: Aquaman Surfs to $400 million Internationally

December 27th, 2018

Aquaman

Aquaman had another significant expansion helping it keep first place with $95.2 million on 31,900 screens in 70 markets for totals of $415.5 million internationally and, including updated Domestic tallies, the global take is $488.2 million worldwide. It is ahead of every other film in the D.C.E.U. on the international chart, which is impressive. Its biggest new market was South Korea, where it earned first place with $7.94 million on 1,272 screens for a total opening of $10.08 million. It also opened in first place in France with $6.6 million on 607 screens, as well as in Germany with $4.9 million 805. The film’s biggest market overall was China, where it slipped to second with $23.41 million on 12,000 screens for a three-week total of $233.59 million. More...

Weekend Wrap-Up: Box Office Christmas Clean-up

December 27th, 2018

Aquaman

The Christmas holiday is over for most people, although it is not entirely over for some studios. This is making getting all of the box office details much harder to do. In fact, we are still limited to estimated for more than half the top five this weekend. We have enough details now to look at the weekend results and the Christmas Day releases and see which are thriving and which are not. Aquaman dominated the charts with just over $100 million so far, including its paid previews. On the other hand, Mary Poppins Returns missed expectations by a substantial margin. It will still break even. The same can be said of Bumblebee, which could usher in a new era of Transformers movies. Overall, the box office rose by 53% from last weekend to $177 million. This is just 0.3% lower than the same weekend last year; however, last year, Christmas Eve fell on a Sunday and Christmas Eve is a dead zone at the box office. We can’t even compare Christmas Day, because landing on a Monday vs. a Tuesday is a huge difference. Next weekend’s comparison will be much easier to make. Year-to-date, and this is up to Boxing Day, 2018 is ahead by 7.7% or $810 million at $11.37 billion to $10.56 billion. This would be an impressive year, even if no more movie tickets were sold after boxing day. More...

Christmas Predictions: Can Sherlock Solve the Case?

December 24th, 2018

Holmes and Watson

Tomorrow is Christmas Day, which is a surprisingly good day to release a movie, and two new films are hoping to take advantage of this. Holmes and Watson is by far the bigger of the two releases, but despite the comedic talent in the movie, its reviews are, well, practically non-existent. There’s only one review and it is negative. Not that long ago, I thought the film would still open with $10 million for the day, as Will Ferrell and John C. Reilly do have box office drawing power. However, the lack of reviews hurts and the buzz isn’t loud enough to compensate. I think $8 million is more likely. More...

Weekend Estimates: Aquaman Easily Tops Weekend Chart, Poppins / Bumblebee Need Long Legs

December 23rd, 2018

Aquaman

Aquaman is the only certifiable hit of the weekend with an estimated opening of $67.4 million over the weekend for a total of $72.1 million including last week’s paid previews. This is not more than we predicted, but it is dominating the chart, because the competition didn’t show up. It should hit $100 million by the end of Christmas Day. Its reviews are good, but not great, and the same is true of its A minus from CinemaScore. It is also a comic book movie and those tend to have shorter legs, so it might not get as large a multiplier as the average Christmas weekend release, but it should be a large enough hit that Warner Bros. will keep this new direction going for the DCEU. Internationally, it is earning an estimated $91.3 million on 31,930 screens in 70 markets for a three-week total of $410.7 million. Overall, it is tracking ahead of every other film in the DCEU, but a lot of that has to do with China. More...

Friday Estimates: Aquaman Easily Tops Chart, Bumblebee tops Struggling Mary Poppins

December 22nd, 2018

Aquaman

Friday was not as potent as midnight previews led us to believe it would be. That said, Aquaman still had an impressive $28.0 million opening day. This does include the previous night’s $9.0 million in previews, but not last weekend’s $4.7 million in previews, giving the film a $32.7 million running tally. The film’s reviews remain in the overall positive level and it earned an A minus from CinemaScore, so it should have relatively good legs over the weekend, for a comic book movie. We predicted an opening weekend of $67 million and I think the film will top that, by one or two million dollars. It is more than enough for Warner Bros. to continue with the new direction DCEU is taking. More...

Weekend Predictions: Will Aquaman Swim to Victory, or will Mary Poppins Return to Top Spot?

December 19th, 2018

Mary Poppins Returns

It is a busy week, as there are seven films opening wide over the next seven days. Not all of these will be hits—the competition is just too great for that. However, there could be a real race for Christmas champion this year. Because of its fast start in China and its strong pre-sales numbers, many believe Aquaman will top earlier expectations and earn first place over the three-day weekend. However, I think Mary Poppins Returns will be number one over the full week, partially because it should earn a bigger boost over Christmas, but also because it is opening two days early. Meanwhile, Bumblebee’s surprisingly strong reviews are lifting its box office potential. More...

International Box Office: Aquaman Tops Competition by $100 million

December 19th, 2018

Aquaman

Aquaman expanded worldwide at the weekend, earning $131.3 million on 44,134 screens in 43 markets for a two-week total of $266.4 million on the international market. It debuted in over 40 markets, but China was still the dominant force, as it pulled in $54.24 million on 24,528 screens there over the weekend for a two-week total of $189.30 million. A 42% drop-off is amazing for China, which is know for sharp sophomore declines, and the film is already the fourth-biggest super hero film in that market. On the other hand, the film’s biggest opening came in Mexico, where it earned $6.62 million over the weekend for a total opening of $8.00 million there. This is significantly below the openings of both Wonder Woman and Justice League. Overall, Aquaman beat those films more often then not, sometimes by rather large margins. For example, it earned $7.8 million on 3,110 screens in Russia, which was more than double Wonder Woman’s opening in that market. However, at this point, we can safely say China will contribute a disproportionate share of its international box office. More...

Weekend Wrap-Up: Spider-Man Starts Strong as Christmas Holidays Begin

December 18th, 2018

Spider-Man: Into The Spider-Verse

The weekend went according to predictions, more or less. Spider-Man: Into The Spider-Verse was the biggest surprise and it beat our prediction by barely more than $1 million at $35.36 million. The Mule was a distant second place with $17.51 million, but this is still a good result for its production budget / target demographic. On the other hand, Mortal Engines bombed. There’s no polite way to describe this result. The overall box office rose by 37% from last weekend, hitting $115 million. Unfortunately, this weekend last year, Star Wars: The Last Jedi opened with nearly double that by itself. 2018 was off by 58% when compared to last year. That would be a terrible result, even if there were a misalignment in holidays. Fortunately, 2018 still has a huge lead over 2017, up by 9.3% or $930 million at $10.96 billion to $10.03 billion and even if 2018 loses by this amount for the next two weeks, it will still end the year with a massive lead over 2018. More...

Weekend Estimates: Spider-Man is too much for just one Universe

December 16th, 2018

Spider-Man: Into The Spider-Verse

Sony’s estimates have Spider-Man: Into The Spider-Verse earning $35.4 million over the weekend. Its reviews and its A plus from CinemaScore should both helps its legs, as will the upcoming holidays. On the other hand, it does have direct competition next weekend, more or less. Aquaman will attack it from the super hero side of things, while Mary Poppins Returns will take from its family film side. That said, with a start like this, $100 million domestically is practically guaranteed, while $150 million is a solid goal to aim for. More...

Friday Estimates: Spidey Starts Miles Ahead of the Competition

December 15th, 2018

Spider-Man: Into The Spider-Verse

Spider-Man: Into The Spider-Verse debuted with $12.6 million on Friday, putting it on pace for $35.5 million over the full weekend, at least according to Sony. It will get a tiny boost on Sunday, because about 5% of school kids start their winter holidays on Monday. It will get a larger boost from its reviews, which remain Oscar-worthy. And this is not a case of the critics loving it and the audiences being more ambivalent, as the film earned an A plus from CinemaScore and a five-star rating from PostTrak. If the film does match Sony’s estimates, then it will be a little better than our prediction. More importantly, if its word-of-mouth boosts its legs, it could earn more than $200 million domestically. That’s asking a lot, but it is a possibility. It is certainly something to keep our eyes on. More...

Thursday Night Previews: Spider-Man gets off to a Swinging Start

December 14th, 2018

Spider-Man: Into The Spider-Verse

Spider-Man: Into The Spider-Verse opened with $3.5 million during its previews last night. Unfortunately, it is nearly impossible to make an accurate prediction based on this opening, as this is an unusual film. It is an animated film, so we could use other animated films released during this time of year. Sing earned $1.7 million during its previews two years ago; however, that was a Wednesday release that opened less than a week before Christmas Day. Into the Spider-Verse doesn’t have school holidays to boost its numbers, which should help its legs. On the other hand, it is a super hero movie and its Fanboy Effect will hurt its legs. Overall, I think this is good news for the film and it should top our prediction, but we won’t have a really firm grasp on where it’s going until we get Friday’s estimates tomorrow. More...

Weekend Predictions: Will Spider-man Swing into First Place?

December 13th, 2018

Spider-Man: Into The Spider-Verse

After two weeks with no new releases in the top five, we have three new films vying for a position there. This includes Spider-Man: Into The Spider-Verse, which is all but guaranteed a spot in the top five. The Mule was thought to be an Awards Season contender, but its reviews are disappointing, given those high hopes. Finally there’s Mortal Engines, a film that cost $100 million to make and will likely barely earn a spot in the top five. This weekend last year, Star Wars: The Last Jedi opened with $220.01 million. That’s more than the entire box office will earn this year. This could be more than all three wide releases earn in total. Fortunately, 2018 has a $1 billion lead over 2017, so three weeks of bad losses won’t change that. More...

2018 - Awards Season: Golden Globes - Nominations

December 6th, 2018

Vice

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced. More...

2018 Preview: December

December 1st, 2018

Mary Poppins Returns

November turned out to be a really, really good month. I thought 2018’s lead over 2017 would shrink, potentially by $200 million to $300 million. However, the lead actually managed to grow a little bit, thanks to hits like Ralph Breaks the Internet, Dr. Seuss’ The Grinch, Fantastic Beasts: The Crimes of Grindelwald, and Bohemian Rhapsody. December has an equal number of potential hits, led by Mary Poppins Returns, which some think will top $300 million. Additionally, Spider-man Into the Spider-Verse, Aquaman, Bumblebee, and Holmes and Watson all have a realistic shot at $100 million or more. On the other hand, last December was stronger, at least on top. The Last Jedi earned more than $500 million just during December, which is more than any December release this year will earn in total. It could be more than the top two films earn in total. 2018 will win the in year-over-year competition; however, its lead won’t be as large as it is at the start of the month. More...

Spider-man: Into the Spider-Verse Trailer

October 2nd, 2018

Super hero adventure starring Shameik Moore opens December 14 ... Full Movie Details. More...

Spider-man: Into the Spider-Verse Trailer

June 7th, 2018

Animated adventure starring Shameik Moore opens December 14 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 14, 2018 1 $35,363,376   3,813 $9,274   $35,363,376 1
Dec 21, 2018 4 $16,463,662 -53% 3,813 $4,318   $64,563,725 2
Dec 28, 2018 4 $18,794,532 +14% 3,813 $4,929   $104,123,262 3
Jan 4, 2019 5 $13,126,885 -30% 3,419 $3,839   $133,978,231 4
Jan 11, 2019 4 $9,050,583 -31% 3,029 $2,988   $147,826,028 5
Jan 18, 2019 5 $7,570,269 -16% 2,712 $2,791   $158,571,654 6
Jan 25, 2019 5 $6,110,126 -19% 2,383 $2,564   $169,000,242 7
Feb 1, 2019 5 $4,548,595 -26% 2,234 $2,036   $175,424,664 8
Feb 8, 2019 9 $3,043,626 -33% 1,726 $1,763   $179,825,253 9
Feb 15, 2019 11 $2,019,009 -34% 1,207 $1,673   $182,774,913 10
Feb 22, 2019 16 $884,085 -56% 743 $1,190   $184,924,110 11
Mar 1, 2019 11 $2,151,246 +143% 2,404 $895   $187,437,456 12
Mar 8, 2019 15 $649,380 -70% 824 $788   $188,791,064 13
Mar 15, 2019 20 $317,037 -51% 366 $866   $189,482,090 14
Mar 22, 2019 19 $255,377 -19% 278 $919   $189,873,385 15
Mar 29, 2019 23 $178,764 -30% 218 $820   $190,173,195 16

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Dec 13, 2018 P $3,500,000     0     $3,500,000  
Dec 14, 2018 1 $12,665,081     3,813 $3,322   $12,665,081 1
Dec 15, 2018 1 $13,012,817 +3%   3,813 $3,413   $25,677,898 2
Dec 16, 2018 1 $9,685,478 -26%   3,813 $2,540   $35,363,376 3
Dec 17, 2018 1 $2,765,829 -71%   3,813 $725   $38,129,205 4
Dec 18, 2018 1 $4,301,097 +56%   3,813 $1,128   $42,430,302 5
Dec 19, 2018 2 $2,783,837 -35%   3,813 $730   $45,214,139 6
Dec 20, 2018 2 $2,885,924 +4%   3,813 $757   $48,100,063 7
Dec 21, 2018 4 $4,807,821 +67% -62% 3,813 $1,261   $52,907,884 8
Dec 22, 2018 4 $6,206,634 +29% -52% 3,813 $1,628   $59,114,518 9
Dec 23, 2018 4 $5,449,207 -12% -44% 3,813 $1,429   $64,563,725 10
Dec 24, 2018 4 $3,349,758 -39% +21% 3,813 $879   $67,913,483 11
Dec 25, 2018 5 $5,630,385 +68% +31% 3,813 $1,477   $73,543,868 12
Dec 26, 2018 4 $5,901,236 +5% +112% 3,813 $1,548   $79,445,104 13
Dec 27, 2018 3 $5,883,626 n/c +104% 3,813 $1,543   $85,328,730 14
Dec 28, 2018 4 $6,431,491 +9% +34% 3,813 $1,687   $91,760,221 15
Dec 29, 2018 4 $6,509,977 +1% +5% 3,813 $1,707   $98,270,198 16
Dec 30, 2018 4 $5,853,064 -10% +7% 3,813 $1,535   $104,123,262 17
Dec 31, 2018 4 $4,023,183 -31% +20% 3,813 $1,055   $108,146,445 18
Jan 1, 2019 4 $6,185,793 +54% +10% 3,813 $1,622   $114,332,238 19
Jan 2, 2019 3 $3,411,566 -45% -42% 3,813 $895   $117,743,804 20
Jan 3, 2019 3 $3,107,542 -9% -47% 3,813 $815   $120,851,346 21
Jan 4, 2019 4 $4,073,858 +31% -37% 3,419 $1,192   $124,925,204 22
Jan 5, 2019 5 $5,388,064 +32% -17% 3,419 $1,576   $130,313,268 23
Jan 6, 2019 5 $3,664,963 -32% -37% 3,419 $1,072   $133,978,231 24
Jan 7, 2019 3 $1,268,371 -65% -68% 3,419 $371   $135,246,602 25
Jan 8, 2019 4 $1,600,986 +26% -74% 3,419 $468   $136,847,588 26
Jan 9, 2019 3 $1,002,421 -37% -71% 3,419 $293   $137,850,009 27
Jan 10, 2019 3 $925,436 -8% -70% 3,419 $271   $138,775,445 28
Jan 11, 2019 5 $2,200,810 +138% -46% 3,029 $727   $140,976,255 29
Jan 12, 2019 4 $4,087,944 +86% -24% 3,029 $1,350   $145,064,199 30
Jan 13, 2019 4 $2,761,829 -32% -25% 3,029 $912   $147,826,028 31
Jan 14, 2019 4 $688,578 -75% -46% 3,029 $227   $148,514,606 32
Jan 15, 2019 3 $1,120,509 +63% -30% 3,029 $370   $149,635,115 33
Jan 16, 2019 4 $702,369 -37% -30% 3,029 $232   $150,337,484 34
Jan 17, 2019 4 $663,901 -5% -28% 3,029 $219   $151,001,385 35
Jan 18, 2019 5 $1,767,109 +166% -20% 2,712 $652   $152,768,494 36
Jan 19, 2019 5 $3,233,773 +83% -21% 2,712 $1,192   $156,002,267 37
Jan 20, 2019 4 $2,569,387 -21% -7% 2,712 $947   $158,571,654 38
Jan 21, 2019 5 $2,580,751 n/c +275% 2,712 $952   $161,152,405 39
Jan 22, 2019 5 $765,302 -70% -32% 2,712 $282   $161,917,707 40
Jan 23, 2019 5 $471,052 -38% -33% 2,712 $174   $162,388,759 41
Jan 24, 2019 5 $501,357 +6% -24% 2,712 $185   $162,890,116 42
Jan 25, 2019 7 $1,337,295 +167% -24% 2,383 $561   $164,227,411 43
Jan 26, 2019 5 $2,915,671 +118% -10% 2,383 $1,224   $167,143,082 44
Jan 27, 2019 5 $1,857,160 -36% -28% 2,383 $779   $169,000,242 45
Jan 28, 2019 5 $400,590 -78% -84% 2,383 $168   $169,400,832 46
Jan 29, 2019 5 $588,102 +47% -23% 2,383 $247   $169,988,934 47
Jan 30, 2019 5 $427,067 -27% -9% 2,383 $179   $170,416,001 48
Jan 31, 2019 5 $460,068 +8% -8% 2,383 $193   $170,876,069 49
Feb 1, 2019 6 $1,118,088 +143% -16% 2,234 $500   $171,994,157 50
Feb 2, 2019 5 $2,429,142 +117% -17% 2,234 $1,087   $174,423,299 51
Feb 3, 2019 5 $1,001,365 -59% -46% 2,234 $448   $175,424,664 52
Feb 4, 2019 6 $305,960 -69% -24% 2,234 $137   $175,730,624 53
Feb 5, 2019 6 $501,031 +64% -15% 2,234 $224   $176,231,655 54
Feb 6, 2019 6 $298,642 -40% -30% 2,234 $134   $176,530,297 55
Feb 7, 2019 7 $251,330 -16% -45% 2,234 $113   $176,781,627 56
Feb 8, 2019 10 $636,283 +153% -43% 1,726 $369   $177,417,910 57
Feb 9, 2019 9 $1,474,318 +132% -39% 1,726 $854   $178,892,228 58
Feb 10, 2019 8 $933,025 -37% -7% 1,726 $541   $179,825,253 59
Feb 11, 2019 10 $210,367 -77% -31% 1,726 $122   $180,035,620 60
Feb 12, 2019 10 $264,586 +26% -47% 1,726 $153   $180,300,206 61
Feb 13, 2019 11 $151,884 -43% -49% 1,404 $108   $180,452,090 62
Feb 14, 2019 14 $303,814 +100% +21% 1,404 $216   $180,755,904 63
Feb 15, 2019 11 $434,639 +43% -32% 1,207 $360   $181,190,543 64
Feb 16, 2019 11 $848,074 +95% -42% 1,207 $703   $182,038,617 65
Feb 17, 2019 11 $736,296 -13% -21% 1,207 $610   $182,774,913 66
Feb 18, 2019 9 $695,152 -6% +230% 1,207 $576   $183,470,065 67
Feb 19, 2019 11 $248,321 -64% -6% 1,207 $206   $183,718,386 68
Feb 20, 2019 11 $172,024 -31% +13% 1,207 $143   $183,890,410 69
Feb 21, 2019 11 $149,615 -13% -51% 1,207 $124   $184,040,025 70
Feb 22, 2019 - $204,064 +36% -53% 743 $275   $184,244,089 71
Feb 23, 2019 - $405,662 +99% -52% 743 $546   $184,649,751 72
Feb 24, 2019 15 $274,359 -32% -63% 743 $369   $184,924,110 73
Feb 25, 2019 15 $79,184 -71% -89% 743 $107   $185,003,294 74
Feb 26, 2019 - $111,193 +40% -55% 743 $150   $185,114,487 75
Feb 27, 2019 14 $87,957 -21% -49% 743 $118   $185,202,444 76
Feb 28, 2019 15 $83,766 -5% -44% 743 $113   $185,286,210 77
Mar 1, 2019 14 $411,031 +391% +101% 2,404 $171   $185,697,241 78
Mar 2, 2019 11 $1,035,517 +152% +155% 2,404 $431   $186,732,758 79
Mar 3, 2019 10 $704,698 -32% +157% 2,404 $293   $187,437,456 80
Mar 4, 2019 12 $185,371 -74% +134% 2,404 $77   $187,622,827 81
Mar 5, 2019 15 $225,657 +22% +103% 2,404 $94   $187,848,484 82
Mar 6, 2019 13 $167,792 -26% +91% 2,404 $70   $188,016,276 83
Mar 7, 2019 13 $125,408 -25% +50% 2,404 $52   $188,141,684 84
Mar 8, 2019 - $138,376 +10% -66% 824 $168   $188,280,060 85
Mar 9, 2019 15 $305,033 +120% -71% 824 $370   $188,585,093 86
Mar 10, 2019 14 $205,971 -32% -71% 824 $250   $188,791,064 87
Mar 11, 2019 14 $80,738 -61% -56% 824 $98   $188,871,802 88
Mar 12, 2019 14 $113,218 +40% -50% 824 $137   $188,985,020 89
Mar 13, 2019 13 $93,184 -18% -44% 824 $113   $189,078,204 90
Mar 14, 2019 13 $86,849 -7% -31% 824 $105   $189,165,053 91
Mar 15, 2019 - $87,994 +1% -36% 366 $240   $189,253,047 92
Mar 16, 2019 - $139,066 +58% -54% 366 $380   $189,392,113 93
Mar 17, 2019 - $89,977 -35% -56% 366 $246   $189,482,090 94
Mar 18, 2019 - $32,566 -64% -60% 366 $89   $189,514,656 95
Mar 19, 2019 - $41,284 +27% -64% 366 $113   $189,555,940 96
Mar 20, 2019 - $32,826 -20% -65% 366 $90   $189,588,766 97
Mar 21, 2019 - $29,242 -11% -66% 366 $80   $189,618,008 98
Mar 22, 2019 - $62,754 +115% -29% 278 $226   $189,680,762 99
Mar 23, 2019 - $116,519 +86% -16% 278 $419   $189,797,281 100
Mar 24, 2019 - $76,104 -35% -15% 278 $274   $189,873,385 101
Mar 25, 2019 - $28,191 -63% -13% 278 $101   $189,901,576 102
Mar 26, 2019 - $34,895 +24% -15% 278 $126   $189,936,471 103
Mar 27, 2019 - $30,501 -13% -7% 278 $110   $189,966,972 104
Mar 28, 2019 - $27,459 -10% -6% 278 $99   $189,994,431 105
Mar 29, 2019 - $44,385 +62% -29% 218 $204   $190,038,816 106
Mar 30, 2019 - $84,751 +91% -27% 218 $389   $190,123,567 107
Mar 31, 2019 - $49,628 -41% -35% 218 $228   $190,173,195 108

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 14, 2018 1 $48,100,063   3,813 $12,615   $48,100,063 1
Dec 21, 2018 4 $37,228,667 -23% 3,813 $9,764   $85,328,730 2
Dec 28, 2018 4 $35,522,616 -5% 3,813 $9,316   $120,851,346 3
Jan 4, 2019 4 $17,924,099 -50% 3,419 $5,242   $138,775,445 4
Jan 11, 2019 4 $12,225,940 -32% 3,029 $4,036   $151,001,385 5
Jan 18, 2019 5 $11,888,731 -3% 2,712 $4,384   $162,890,116 6
Jan 25, 2019 5 $7,985,953 -33% 2,383 $3,351   $170,876,069 7
Feb 1, 2019 6 $5,905,558 -26% 2,234 $2,643   $176,781,627 8
Feb 8, 2019 11 $3,974,277 -33% 1,404 $2,831   $180,755,904 9
Feb 15, 2019 11 $3,284,121 -17% 1,207 $2,721   $184,040,025 10
Feb 22, 2019 15 $1,246,185 -62% 743 $1,677   $185,286,210 11
Mar 1, 2019 11 $2,855,474 +129% 2,404 $1,188   $188,141,684 12
Mar 8, 2019 15 $1,023,369 -64% 824 $1,242   $189,165,053 13
Mar 15, 2019 20 $452,955 -56% 366 $1,238   $189,618,008 14
Mar 22, 2019 19 $376,423 -17% 278 $1,354   $189,994,431 15

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/10/2019 $420,474 241 241 801 $1,332,324 5/24/2019
Aruba 12/13/2018 $603 2 2 7 $8,055 1/10/2019
Australia 12/14/2018 $1,870,565 421 421 2,290 $10,194,083 1/29/2024
Austria 12/14/2018 $78,639 101 101 469 $434,217 3/26/2019
Bahrain 12/13/2018 $53,540 18 18 60 $317,198 4/24/2019
Belgium 12/19/2018 $125,003 147 147 513 $702,703 2/20/2019
Bolivia 12/20/2018 $43,504 41 41 81 $195,254 1/29/2019
Brazil 1/11/2019 $2,797,140 1,079 1,079 3,877 $8,408,623 4/18/2019
Bulgaria 12/14/2018 $50,876 0 68 149 $207,117 6/4/2019
Cambodia 12/13/2018 $23,461 92 92 207 $67,710 2/5/2019
Central America 12/25/2018 $423,643 278 278 580 $1,378,607 3/12/2019
Chile 12/20/2018 $182,825 166 166 480 $927,334 3/19/2019
China 12/21/2018 $162,271 0 87,857 161,049 $61,988,276 3/19/2019
Colombia 12/20/2018 $282,784 411 411 977 $987,868 3/19/2019
Croatia 12/13/2018 $46,249 95 95 379 $183,178 4/10/2019
Curacao 12/13/2018 $1,666 6 6 16 $12,067 1/10/2019
Czech Republic 12/13/2018 $157,222 135 135 506 $623,324 2/12/2019
Denmark 12/13/2018 $112,814 69 69 209 $517,433 2/20/2019
Dominican Republic 12/20/2018 $0 0 31 57 $103,268 2/8/2019
East Africa 12/14/2018 $1,587 1 1 7 $6,016 1/29/2019
Ecuador 12/21/2018 $145,940 95 95 342 $778,490 3/5/2019
Egypt 12/13/2018 $30,014 21 21 130 $190,505 2/20/2019
Estonia 12/14/2018 $27,964 26 26 57 $113,386 2/6/2019
Finland 12/14/2018 $89,653 83 83 212 $376,442 4/2/2019
France 12/14/2018 $1,432,320 539 542 2,997 $5,900,000 3/10/2019
Germany 12/14/2018 $677,844 925 925 3,990 $3,564,061 4/10/2019
Ghana 12/14/2018 $3,018 4 4 28 $24,559 2/12/2019
Greece 12/13/2018 $64,620 117 117 403 $329,345 3/19/2019
Hong Kong 12/13/2018 $454,388 150 150 437 $1,738,803 3/5/2019
Hungary 12/13/2018 $51,591 46 65 282 $279,382 4/24/2019
Iceland 12/26/2018 $37,252 14 15 80 $224,071 3/26/2019
India 12/14/2018 $568,772 995 995 1,478 $1,665,821 4/2/2019
Indonesia 12/14/2018 $768,816 453 453 1,109 $2,711,731 1/23/2019
Iraq 12/13/2018 $12,119 21 21 47 $35,851 1/15/2019
Israel 12/13/2018 $179,875 72 72 698 $1,501,089 5/8/2019
Italy 12/25/2018 $1,192,289 0 65 366 $3,111,969 8/31/2019
Jamaica 12/14/2018 $13,773 5 5 9 $33,024 12/27/2018
Japan 3/8/2019 $1,438,610 337 337 1,656 $8,016,332 5/29/2019
Jordan 12/13/2018 $13,506 11 11 43 $81,226 3/12/2019
Kenya 12/14/2018 $9,004 21 21 89 $50,309 3/26/2019
Kuwait 12/13/2018 $104,290 29 29 86 $631,691 3/26/2019
Latvia 12/14/2018 $13,553 17 17 30 $76,181 2/6/2019
Lebanon 12/13/2018 $31,147 30 30 78 $172,730 2/1/2019
Lithuania 12/14/2018 $38,520 152 152 373 $123,617 6/17/2020
Malaysia 12/13/2018 $213,296 270 270 938 $1,362,460 3/26/2019
Mexico 12/25/2018 $2,162,465 0 207 358 $8,815,176 5/2/2019
Middle East Region 12/13/2018 $35,332 4 4 25 $237,086 3/19/2019
Mongolia 12/14/2018 $15,584 8 8 49 $55,516 2/12/2019
Netherlands 12/20/2018 $172,471 104 105 614 $1,267,283 3/26/2019
New Zealand 1/3/2019 $243,986 81 83 565 $1,472,972 10/19/2022
Nigeria 12/14/2018 $22,146 38 38 199 $126,258 2/12/2019
Norway 12/14/2018 $212,104 225 225 641 $817,163 3/5/2019
Oman 12/13/2018 $28,111 23 23 53 $112,669 1/15/2019
Pakistan 12/14/2018 $22,720 36 36 77 $71,421 3/19/2019
Paraguay 1/10/2019 $23,439 20 20 75 $71,252 3/12/2019
Peru 12/25/2018 $410,778 164 164 365 $1,375,760 3/12/2019
Philippines 12/12/2018 $449,506 236 236 542 $1,511,074 3/5/2019
Poland 12/25/2018 $621,613 146 146 699 $1,911,785 3/14/2019
Portugal 12/13/2018 $81,714 83 83 451 $622,165 3/26/2019
Qatar 12/13/2018 $63,284 26 26 85 $335,334 3/12/2019
Romania 12/28/2018 $135,059 110 110 371 $507,356 3/12/2019
Russia (CIS) 12/13/2018 $2,305,600 1,305 1,305 4,461 $6,143,550 4/10/2019
Serbia and Montenegro 12/13/2018 $19,939 54 54 242 $105,775 3/5/2019
Singapore 12/13/2018 $230,136 35 35 201 $1,430,693 6/4/2019
Slovakia 12/7/2018 $13,228 18 70 302 $262,726 3/12/2019
Slovenia 12/13/2018 $19,085 39 39 114 $80,030 3/19/2019
South Africa 12/14/2018 $159,690 84 117 412 $869,271 3/26/2019
South Korea 12/12/2018 $25,637 0 722 1,451 $5,248,492 9/13/2023
Spain 12/21/2018 $972,269 341 393 2,568 $5,879,781 8/24/2020
Suriname 12/13/2018 $1,219 2 2 8 $8,078 1/23/2019
Sweden 12/14/2018 $185,208 187 187 682 $1,306,707 5/8/2019
Switzerland 12/12/2018 $97,199 83 83 310 $504,319 5/8/2019
Syria 12/13/2018 $3,959 2 2 9 $20,938 1/15/2019
Taiwan 12/13/2018 $306,818 168 168 573 $1,460,778 3/19/2019
Thailand 1/11/2019 $695,840 206 206 520 $2,293,666 3/12/2019
Trinidad 12/14/2018 $40,752 28 28 86 $186,235 2/1/2019
Turkey 12/14/2018 $275,818 243 243 631 $503,430 1/25/2019
Ukraine 12/13/2018 $182,125 297 297 676 $455,074 3/12/2019
United Arab Emirates 12/13/2018 $419,425 104 104 346 $1,764,465 3/12/2019
United Kingdom 12/12/2018 $2,866,116 567 567 5,438 $13,737,268 6/12/2019
Uruguay 1/10/2019 $32,295 20 20 94 $166,081 5/23/2019
Venezuela 12/21/2018 $95,749 69 69 375 $1,214,407 4/10/2019
Vietnam 12/14/2018 $130,945 178 178 424 $651,668 2/5/2019
 
International Total$185,291,432 1/29/2024

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Mar 24, 20191154,849 154,849$2,781,088$2,781,0884
Mar 31, 2019274,873-52% 229,722$1,344,719$4,125,8075
Apr 7, 2019442,541-43% 272,263$764,036$4,889,8436
Apr 14, 2019731,672-26% 303,935$541,908$5,431,7517
Apr 21, 2019556,691+79% 360,626$591,287$6,023,0388
Apr 28, 20191311,724-79% 372,350$155,695$6,178,7339
May 5, 20191315,349+31% 387,699$264,156$6,442,88910
May 12, 20191113,095-15% 400,794$235,186$6,678,07511
May 19, 2019118,714-33% 409,508$155,283$6,833,35812
May 26, 2019177,155-18% 416,663$128,504$6,961,86213
Jun 2, 20191810,670+49% 427,333$187,579$7,149,44114
Jun 9, 20192011,069+4% 438,402$169,024$7,318,46515
Jun 23, 20192711,964 459,169$182,690$7,635,57717
Jun 30, 2019289,991-16% 469,160$152,363$7,787,94018
Dec 1, 201913192,738 687,211$961,763$9,089,25840
Dec 8, 20191653,817-72% 741,028$268,547$9,357,80541
Jan 9, 2022194,096 840,119$80,773$10,615,752150
May 28, 2023183,511 902,417$51,085$11,325,577222
Jun 4, 2023173,178-9% 905,595$46,272$11,371,849223
Jun 11, 2023153,044-4% 908,639$44,321$11,416,170224
Jun 18, 2023192,720-11% 911,359$39,658$11,455,828225
Jul 2, 2023182,473 915,752$36,056$11,519,878227
Jul 16, 2023163,263 922,211$47,738$11,614,373229

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Mar 24, 20191718,671 718,671$17,539,274$17,539,2744
Mar 31, 20192117,937-84% 836,608$2,822,864$20,362,1385
Apr 7, 2019499,721-15% 936,329$2,318,516$22,680,6546
Apr 14, 2019479,540-20% 1,015,869$1,785,416$24,466,0707
Apr 21, 20193127,795+61% 1,143,664$1,947,378$26,413,4488
Apr 28, 2019269,594-46% 1,213,258$1,064,157$27,477,6059
May 5, 2019622,937-67% 1,236,195$529,016$28,006,62110
May 12, 20191212,166-47% 1,248,361$280,335$28,286,95611
May 19, 2019726,130+115% 1,274,491$607,880$28,894,83612
May 26, 2019815,058-42% 1,289,549$352,726$29,247,56213
Jun 2, 2019616,486+9% 1,306,035$389,022$29,636,58414
Jun 9, 2019527,720+68% 1,333,755$514,654$30,151,23815
Jun 16, 2019349,494+79% 1,383,249$588,916$30,740,15416
Jun 23, 2019440,085-19% 1,423,334$927,520$31,667,67417
Jun 30, 2019525,519-36% 1,448,853$566,784$32,234,45818
Jul 7, 20191313,788-46% 1,462,641$275,209$32,509,66719
Jul 14, 20191223,406+70% 1,486,047$463,210$32,972,87720
Jul 21, 20191611,131-52% 1,497,178$230,618$33,203,49521
Dec 1, 201917172,110 1,693,814$1,478,132$35,066,33840
Dec 8, 20191352,705-69% 1,746,519$603,645$35,669,98341
Jan 2, 2022167,678 1,909,078$151,410$37,940,308149
Jan 9, 2022156,840-11% 1,915,918$134,885$38,075,193150
Jan 16, 2022153,918-43% 1,919,836$77,263$38,152,456151
May 1, 2022202,224 1,960,039$44,391$38,467,337166
Jun 4, 202367,413 1,996,060$144,998$38,993,618223
Jun 11, 202369,718+31% 2,005,778$190,084$39,183,702224
Jun 18, 202397,158-26% 2,012,936$133,210$39,316,912225
Jun 25, 2023105,178-28% 2,018,114$96,466$39,413,378226
Jul 2, 202396,389+23% 2,024,503$119,027$39,532,405227
Jul 9, 202388,114+27% 2,032,617$154,815$39,687,220228
Jul 16, 2023912,303+52% 2,044,920$234,741$39,921,961229
Jul 23, 2023138,798-28% 2,053,718$170,681$40,092,642230

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.