The Numbers - Box Office Data, Movie Stars, Idle Speculation

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Saturday, October 11, 2008

The Top Movies of Monday, March 12, 2001

  MovieDistributorGenreGrossChangeThtrs.Per Thtr.Total GrossDays
1 (1) The Mexican Dreamworks SKG Action $1,040,605 -67.00% 2,959 $352 $39,435,518 11
2 (2) 15 Minutes New Line Thriller/Suspense $905,682 -68.63% 2,337 $388 $11,428,836 4
3 (4) Hannibal MGM Horror $505,113 -66.62% 2,947 $171 $151,968,036 32
4 (3) See Spot Run Warner Bros. Comedy $425,551 -79.42% 2,656 $160 $18,404,639 11
5 (5) Down to Earth Paramount Pictures Comedy $404,076 -70.24% 2,521 $160 $51,494,463 25
6 (6) Crouching Tiger, Hidden Dragon Sony Pictures Classics Drama $399,348 -67.40% 1,756 $227 $94,650,270 95
7 (7) Traffic USA Films Drama $362,607 -67.04% 1,678 $216 $97,906,412 76
8 (8) Chocolat Miramax Drama $317,543 -68.37% 1,928 $165 $51,345,102 88
9 (9) Get Over It Miramax Romantic Comedy $247,518 -70.85% 1,742 $142 $4,382,495 4
10 (10) Recess: School's Out Buena Vista Comedy $231,229 -71.06% 2,339 $99 $30,831,596 25
11 (11) O Brother, Where Art Thou Buena Vista Comedy $154,405 -64.26% 826 $187 $33,258,088 81
12 (12) Cast Away 20th Century Fox Drama $123,360 -67.62% 1,289 $96 $226,024,366 81
13 (13) The Wedding Planner Sony Pictures Romantic Comedy $118,425 -66.45% 1,223 $97 $57,373,192 46
14 (14) 3000 Miles to Graceland Warner Bros. Drama $111,379 -67.90% 1,933 $58 $14,658,442 18
15 (15) Sweet November Warner Bros. Drama $105,284 -62.80% 1,624 $65 $23,472,864 25
16 (16) Save the Last Dance Paramount Pictures Drama $93,739 -63.67% 1,023 $92 $86,118,884 60
17 (17) Pollock Sony Pictures Classics Drama $57,821 -73.11% 155 $373 $2,726,843 88
18 (19) Monkeybone 20th Century Fox Comedy $32,726 -68.23% 733 $45 $4,974,881 18
19 (re-entry) Miss Congeniality Warner Bros. Comedy $31,334   321 $98 $104,435,631 81
20 (re-entry) What Women Want Paramount Pictures Romantic Comedy $29,602   395 $75 $180,216,432 88
Statistical industry information provided by and copyright © Exhibitor Relations Co., Inc
For full information on how our charts are constructed see our sources.


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