The Numbers - Box Office Data, Movie Stars, Idle Speculation

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Thursday, September 4, 2008

The Top Movies of Monday, February 5, 2001

  MovieDistributorGenreGrossChangeThtrs.Per Thtr.Total GrossDays
1 (1) The Wedding Planner Sony Pictures Romantic Comedy $552,179 -79.44% 2,785 $198 $28,316,167 11
2 (2) Valentine Warner Bros. Horror $537,574 -77.82% 2,310 $233 $10,562,222 4
3 (3) Crouching Tiger, Hidden Dragon Sony Pictures Classics Drama $444,618 -76.83% 1,160 $383 $53,823,080 60
4 (5) Traffic USA Films Drama $387,217 -79.43% 1,580 $245 $65,171,889 41
5 (4) Cast Away 20th Century Fox Drama $375,905 -80.24% 2,646 $142 $203,386,552 46
6 (7) Snatch Sony Pictures Black Comedy $301,281 -72.78% 1,240 $243 $22,049,361 60
7 (6) Save the Last Dance Paramount Pictures Drama $278,125 -82.74% 2,570 $108 $68,784,939 25
8 (9) Finding Forrester Sony Pictures Drama $231,328 -77.52% 1,963 $118 $41,508,774 49
9 (11) O Brother, Where Art Thou Buena Vista Comedy $229,624 -76.30% 809 $284 $17,252,732 46
10 (10) Chocolat Miramax Drama $224,692 -77.28% 1,173 $192 $22,634,684 53
11 (8) Head Over Heels Universal Romantic Comedy $211,025 -80.17% 2,338 $90 $5,015,620 4
12 (17) The Pledge Warner Bros. Drama $188,915 -69.38% 1,385 $136 $15,644,277 18
13 (15) Thirteen Days New Line Drama $171,829 -76.33% 1,461 $118 $28,569,584 43
14 (13) Miss Congeniality Warner Bros. Comedy $161,071 -79.27% 2,036 $79 $97,851,532 46
15 (16) What Women Want Paramount Pictures Romantic Comedy $156,441 -78.00% 1,932 $81 $172,942,773 53
16 (12) Sugar and Spice New Line Comedy $141,636 -84.10% 2,150 $66 $10,768,482 11
17 (18) Double Take Buena Vista Action $110,066 -79.66% 1,044 $105 $26,258,324 25
18 (20) The Gift Paramount Vantage Thriller/Suspense $109,527 -75.55% 777 $141 $9,123,126 49
19 (19) Left Behind Cloud Ten Pictures Drama $100,188 -79.30% 862 $116 $2,258,968 4
20 (re-entry) Shadow of the Vampire Lionsgate Drama $85,672   513 $167 $4,533,292 39
Statistical industry information provided by and copyright © Exhibitor Relations Co., Inc
For full information on how our charts are constructed see our sources.


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