The Numbers - Box Office Data, Movie Stars, Idle Speculation

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Thursday, September 4, 2008

The Top Movies of Monday, November 29, 1999

  MovieDistributorGenreGrossChangeThtrs.Per Thtr.Total GrossDays
1 (1) Toy Story 2 Buena Vista Adventure $2,511,086 -81.31% 3,236 $776 $82,993,048 11
2 (2) End of Days Universal Action $1,283,535 -72.04% 2,593 $495 $32,793,310 6
3 (3) The World is Not Enough MGM Action $1,069,718 -75.31% 3,163 $338 $76,577,725 11
4 (4) Sleepy Hollow Paramount Pictures Horror $905,853 -73.71% 3,067 $295 $62,544,665 11
5 (6) The Bone Collector Universal Thriller/Suspense $275,015 -74.42% 2,500 $110 $54,022,650 25
6 (5) Pokemon: The First Movie Warner Bros. Adventure $222,497 -86.42% 3,043 $73 $77,946,889 20
7 (7) Dogma Lionsgate Comedy $207,310 -69.24% 1,292 $160 $21,568,124 18
8 (9) The Insider Buena Vista Drama $127,572 -72.80% 1,672 $76 $22,180,016 25
9 (10) Being John Malkovich USA Films Black Comedy $120,263 -72.10% 589 $204 $12,028,848 32
10 (8) Anywhere But Here 20th Century Fox Drama $116,309 -77.68% 1,686 $69 $14,729,591 18
11 (11) Flawless MGM Drama $110,606 -71.20% 478 $231 $2,116,223 6
12 (12) The Messenger: The Story of Joan of Arc Sony Pictures Drama $86,605 -68.16% 1,972 $44 $12,806,986 18
13 (13) The Sixth Sense Buena Vista Thriller/Suspense $65,264 -72.46% 1,017 $64 $272,384,180 116
14 (15) American Beauty Dreamworks SKG Drama $64,270 -70.65% 585 $110 $66,589,034 76
15 (14) The Best Man Universal Romantic Comedy $60,720 -72.77% 506 $120 $31,405,680 39
16 (16) The Bachelor New Line Romantic Comedy $54,013 -72.16% 1,333 $41 $19,914,846 25
17 (19) House on Haunted Hill Warner Bros. Horror $44,533 -67.73% 1,041 $43 $38,685,830 32
18 (17) Music of the Heart Miramax Drama $41,597 -71.51% 794 $52 $13,494,232 32
19 (18) Double Jeopardy Paramount Pictures Action $36,421 -74.35% 840 $43 $112,372,946 67
20 (re-entry) Fight Club 20th Century Fox Drama $22,199   235 $94 $35,323,695 46
Statistical industry information provided by and copyright © Exhibitor Relations Co., Inc
For full information on how our charts are constructed see our sources.


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