The Top Movies of Tuesday, August 3, 1999

		Movie	Distributor	Genre	Gross	Change	Thtrs.	Per Thtr.	Total Gross	Days
1	(1)	The Blair Witch Project	Artisan	Horror	$4,896,368	-9.88%	1,101	$4,447	$46,469,859	21
2	(2)	Runaway Bride	Paramount Pictures	Romantic Comedy	$4,655,795	+1.58%	3,158	$1,474	$44,294,664	5
3	(3)	Deep Blue Sea	Warner Bros.	Action	$2,407,355	-4.25%	2,854	$844	$30,086,078	7
4	(5)	Inspector Gadget	Buena Vista	Comedy	$1,935,891	+2.45%	2,877	$673	$51,677,165	12
5	(4)	The Haunting	Dreamworks SKG	Horror	$1,815,883	-4.96%	2,864	$634	$67,693,062	12
6	(6)	American Pie	Universal	Comedy	$1,120,560	+2.22%	2,436	$460	$79,376,255	26
7	(7)	Star Wars: Phantom Menace	20th Century Fox	Adventure	$506,142	+3.85%	1,628	$311	$409,590,536	77
8	(9)	Eyes Wide Shut	Warner Bros.	Drama	$502,693	+7.04%	2,264	$222	$49,624,664	19
9	(8)	Big Daddy	Sony Pictures	Romantic Comedy	$492,695	+2.41%	2,288	$215	$153,635,082	40
10	(10)	Tarzan	Buena Vista	Adventure	$448,846	+4.93%	1,611	$279	$159,228,587	49
11	(11)	Lake Placid	20th Century Fox	Thriller/Suspense	$349,644	+3.17%	1,798	$194	$27,294,941	19
12	(12)	Drop Dead Gorgeous	New Line	Comedy	$293,262	+1.30%	1,207	$243	$8,573,794	12
13	(13)	Wild Wild West	Warner Bros.	Adventure	$292,333	+0.99%	2,151	$136	$109,460,649	35
14	(14)	The Wood	Paramount Pictures	Comedy	$237,436	-9.41%	1,052	$226	$21,093,928	19
15	(15)	The General's Daughter	Paramount Pictures	Drama	$235,223	+8.68%	1,319	$178	$98,209,967	47
16	(16)	Austin Powers: The Spy Who Shagged Me	New Line	Comedy	$216,317	+2.19%	1,056	$205	$198,431,552	55
17	(17)	Arlington Road	Sony Pictures	Thriller/Suspense	$162,071	+9.85%	861	$188	$22,551,845	26
18	(18)	Muppets From Space	Sony Pictures	Comedy	$135,793	+1.87%	1,296	$105	$14,372,528	21
19	(20)	Notting Hill	Universal	Romantic Comedy	$123,900	+16.67%	708	$175	$111,909,805	68
20	(19)	South Park: Bigger, Longer & Uncut	Paramount Pictures	Comedy	$106,784	-9.29%	932	$115	$50,117,785	35

Statistical industry information provided by and copyright © Exhibitor Relations Co., Inc
For full information on how our charts are constructed see our sources.