The Numbers - Box Office Data, Movie Stars, Idle Speculation

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Thursday, July 24, 2008

The Top Movies of Monday, February 15, 1999

  MovieDistributorGenreGrossChangeThtrs.Per Thtr.Total GrossDays
1 (4) My Favorite Martian Buena Vista Comedy $2,352,457 -29.46% 2,275 $1,034 $11,181,043 4
2 (1) Message in a Bottle Warner Bros. Drama $2,101,416 -65.64% 2,538 $828 $18,852,976 4
3 (2) Payback Paramount Pictures Action $2,088,929 -63.29% 2,751 $759 $44,054,084 11
4 (3) She's All That Miramax Romantic Comedy $1,445,319 -57.05% 2,654 $545 $42,649,931 18
5 (6) Blast From the Past New Line Comedy $1,389,197 -50.03% 2,542 $546 $9,160,263 4
6 (5) Shakespeare in Love Miramax Romantic Comedy $1,167,523 -59.81% 1,956 $597 $46,663,122 67
7 (7) Saving Private Ryan Dreamworks SKG Drama $592,404 -52.23% 1,140 $520 $199,916,898 207
8 (8) Rushmore Buena Vista Black Comedy $535,892 -51.28% 563 $952 $6,274,480 67
9 (re-entry) Life Is Beautiful Miramax Drama $463,970   644 $720 $21,634,804 116
10 (re-entry) The Prince of Egypt Dreamworks SKG Adventure $441,051   1,408 $313 $95,354,781 60
11 (9) Patch Adams Universal Comedy $440,995 -59.17% 2,110 $209 $127,005,430 53
12 (10) Varsity Blues Paramount Pictures Drama $305,326 -70.36% 2,036 $150 $48,190,950 32
13 (re-entry) A Bug's Life Buena Vista Adventure $265,908   979 $272 $157,267,797 88
14 (11) The Thin Red Line 20th Century Fox Drama $256,850 -52.44% 1,306 $197 $33,032,012 55
15 (12) A Civil Action Buena Vista Drama $193,989 -60.81% 1,403 $138 $54,089,852 53
16 (re-entry) Waking Ned Devine Fox Searchlight Comedy $183,824   482 $381 $20,257,348 88
17 (14) Simply Irresistible 20th Century Fox Romantic Comedy $177,827 -51.28% 1,352 $132 $3,713,570 11
18 (15) Stepmom Sony/TriStar Drama $177,317 -49.34% 1,564 $113 $89,158,694 53
19 (re-entry) Elizabeth Gramercy Drama $176,525   483 $365 $22,673,802 102
20 (re-entry) A Simple Plan Paramount Pictures Drama $163,256   675 $242 $13,717,155 67
Statistical industry information provided by and copyright © Exhibitor Relations Co., Inc
For full information on how our charts are constructed see our sources.


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